Feminism and Tradition in Aesthetics takes a fresh look at the history of aesthetics and at current debates within the philosophy of art by exploring the ways in which gender informs notions of art and creativity, evaluation and interpretation, and concepts of aesthetic value. Multiple intellectual traditions have formed this field, and the discussions herein range from consideration of eighteenth century legacies of ideas about taste, beauty, and sublimity to debates about the relevance of postmodern analyses for feminist aesthetics. Forward (...) by Arthur C. Danto, 20 authors include Paul Mattick, Jr., Caroline Korsmeyer, Timothy Gould, Christine Battersby, Mary Devereaux, bell hooks, REnee Lorraine, Trinh T. Minh-ha, Elizabeth Ann Dobie, Adrian Piper, Anita Silvers, Susan Feagin, Mary D. Garrard, Ellen Handler Spitz, Noel Carroll, Joanne Waugh, Joseph Margolis, Rita Felski, and Hilde Hein, as well as Peg Brand's essay, "Revising the Aesthetic-Nonaesthetic Distinction: The Aesthetic Value of Activist Art.". (shrink)

The embodied approach of human cognition suggests that concepts are deeply dependent upon and constrained by an agent's physical body's characteristics, such as performed body movements. In this study, we attempted to broaden previous research on emotional priming, investigating the interaction of emotions and visual exploration. We used the joystick-based approach-avoidance task to influence the emotional states of participants, and subsequently, we presented pictures of news web pages on a computer screen and measured participant's eye movements. As a result, the (...) number of fixations on images increased, the total dwell time increased, and the average saccade length from outside of the images toward the images decreased after the bodily congruent priming phase. The combination of these effects suggests increased attention to web pages' image content after the participants performed bodily congruent actions in the priming phase. Thus, congruent bodily interaction with images in the priming phase fosters visual interaction in the subsequent exploration phase. (shrink)

In this article I explore the concept of originality from several viewpoints. Within the world of printmaking, I show that while print dealers may draw attention to originality in order to enhance economic value, artists emphasize the aesthetic value of a work based on the freedom to express artistic intent and to experiment with techniques of the medium. Within the worlds of philosophy and to some extent, psychology, “originality” has been misleadingly tied to the notions of “creativity” and “genius,” thereby (...) replicating a cultural bias that links an artist to particular mental processes that are unnecessarily exclusive. An experiential account of creativity like the one recently advanced by Bence Nanay not only disadvantages those artists whose lived experiences reflect fewer social opportunities than their counterparts, but also invokes a concept of luck that undermines the role of originality within an artwork's overall aesthetic value. (shrink)

This special issue of HYPATIA: A Journal of Feminist Philosophy entitled "Women, Art, and Aesthetics" highlights the expanded range of topics at center stage in feminist philosophical inquiry to date (2003): recontextualizing women artists (essays by Patricia Locke, Eleanor Heartney, and Michelle Meagher), bodies and beauty (Ann J. Cahill, Sheila Lintott, Janell Hobson, Richard Shusterman, Joanna Frueh), art, ethics, politics, law (A. W. Eaton, Amy Mullin, L. Ryan Musgrave, Teresa Winterhalter), and review essays by Estella Lauter and Flo Leibowitz. Annotated (...) bibliography by Joshua Shaw. (shrink)

Overview essay of the field of feminist aesthetics updated Winter, 2021.

We start by introducing the idea of echo chambers. Echo chambers are social and epistemic structures in which opinions, leanings, or beliefs about certain topics are amplified and reinforced due to repeated interactions within a closed system; that is, within a system that has a rather homogeneous sample of sources or people, which all share the same attitudes towards the topics in question. Echo chambers are a particularly dangerous phenomena because they prevent the critical assessment of sources and contents, thus (...) leading the people living within them to deliberately ignore or exclude opposing views. In the second part of this paper, we argue that the reason for the appearance of echo chambers lies in the adoption of what we call ‘epistemic vices’. We examine which vices might be responsible for their emergence, and in doing so, we focus on a specific one; ‘epistemic violence’. In assessing and evaluating the role of this epistemic vice, we note that it can be triggered by epistemic contexts characterized by high stakes that may turn ordinary intellectual virtues (such as skepticism) into vices (such as denialism). In the third part of this contribution, we suggest a way to deal with echo chambers. The solution focuses on advocating a responsibilist pedagogy of virtues and vices that -we claim- might be capable of preventing their emergence. (shrink)

In recent years some archaeological commentators have suggested moving away from an exclusively anthropocentric view of social reality. These ideas endorse elevating objects to the same ontological level as humans – thus creating a symmetrical view of reality. However, this symmetry threatens to force us to abandon the human subject and theories of meaning. This article defends a different idea. It is argued here that an archaeology of the social, based on human intentionality, is possible, while maintaining an ontology that (...) does not involve dualistic conceptions of reality. Building upon the philosophical work of Vincent Descombes, it is contended that humans are intentional actors and society is predicated on triadic relations that involve humans, objects and meanings. These relations can only be understood holistically, given that these relations are merely parts of a meta-narrative. These meta-narratives contain specific historical and social settings, and it is only within these settings that social relations are intelligible. (shrink)

Peter Achinstein has argued at length and on many occasions that the view according to which evidential support is defined in terms of probability-raising faces serious counterexamples and, hence, should be abandoned. Proponents of the positive probabilistic relevance view have remained unconvinced. The debate seems to be in a deadlock. This paper is an attempt to move the debate forward and revisit some of the central claims within this debate. My conclusion here will be that while Achinstein may be right (...) that his counterexamples undermine probabilistic relevance views of what it is for e to be evidence that h, there is still room for a defence of a related probabilistic view about an increase in being supported, according to which, if p > p, then h is more supported given e than it is without e. My argument relies crucially on an insight from recent work on the linguistics of gradable adjectives. (shrink)

This paper elaborates a new solution to the lottery paradox, according to which the paradox arises only when we lump together two distinct states of being confident that p under one general label of ‘belief that p’. The two-state conjecture is defended on the basis of some recent work on gradable adjectives. The conjecture is supported by independent considerations from the impossibility of constructing the lottery paradox both for risk-tolerating states such as being afraid, hoping or hypothesizing, and for risk-averse, (...) certainty-like states. The new proposal is compared to views within the increasingly popular debate opposing dualists to reductionists with respect to the relation between belief and degrees of belief. (shrink)

A 27 de Outubro comemora a Igreja os santos Vicente, Sabina e Cristeta. Conhecidos como os Mártires de Évora, a eles foi erguida no século XV na cidade alentejana, no local onde se dizia terem nascido, uma ermida, ampliada no século seguinte já à conta do Município, que ainda hoje mantém a propriedade. Era-lhes também dedicada, na nave direita da Sé de Évora, uma das capelas laterais desaparecidas após a intervenção da Direcção-geral dos Monumentos Nacionais na década de 40 do (...) século XX.A naturalidade dos santos irmãos, embora assumida pelos eborenses, sobretudo após as argumentações de André de Resende, mantém-se de difícil comprovação, sendo por muitos autores atribuída não à cidade alentejana, mas a Talavera de la Reina (Toledo). Martirizados no século IV na cidade espanhola de Ávila, São Vicente e suas irmãs aí foram sepultados e em sua honra construída uma grande basílica, expressão do reconhecimento e devoção aos chamados Santos de Ávila. Da descrição legendária das suas vidas e martírios decorre a respectiva iconografia. Tudo aconteceu em tempo do governador Daciano, enviado à Península Ibérica pelo imperador Diocleciano, que promoveu uma intensa perseguição aos cristãos. O jovem Vicente, que poderia servir de incentivo aos pagãos pelo seu comportamento cristão exemplar, foi chamado à presença de Daciano que o pretendeu convencer a sacrificar a Júpiter. Perante a recusa, mandou conduzi-lo a uma das praças da cidade e obrigá-lo a executar o sacrifício ou a ser morto. Colocado sobre o altar de pedra, esta tornou-se mole ficando impressas as suas pegadas, prodígio que deixou todos os presentes admirados e convencidos de que o Deus de Vicente era o verdadeiro. Tal facto levou Daciano a suspender temporariamente a condenação, tendo mandado o jovem para a prisão, onde foi visitado por suas irmãs Sabina e Cristeta. Convencido por elas a fugir, foram os três perseguidos e apanhados em Ávila, sendo sujeitos a vários suplícios e finalmente partidas as suas cabeças com paus e pedras. Os seus corpos foram deixados ao abandono para pasto dos animais; todavia apareceu uma enorme serpente que os protegia e que se enroscou à volta de um judeu rico da cidade que pretendia desprezar os santos despojos e que só se viu livre da serpente quando prometeu converter-se ao cristianismo. Os mártires acabaram por ser sepultados pelos cristãos, espalhando-se rapidamente a sua devoção.O repertório iconográfico, muito reduzido no que concerne a arquidiocese de Évora, confina--se praticamente à igreja de São Vicente, onde se encontra a pedra na qual supostamente terá deixado as marcas dos seus pés; alguns painéis do retábulo-mor representam “São Vicente conduzido perante o altar de Júpiter”, “São Vicente na prisão e a visita de suas irmãs”, “o martírio de São Vicente”, e “o judeu impedido pela serpente de ultrajar os corpos dos três santos”. A representação escultórica segue muito de perto a de Ávila. Todos trazem a palma do martírio, São Vicente um livro aberto ou semicerrado. As irmãs Sabina e Cristeta apresentam uma iconografia pouco definida, sendo por vezes necessário, quando não estão inseridas no contexto duma cena conhecida, que o nome lhes seja sotoposto para fácil identificação. (shrink)

I investigate the role of feminist theorizing in relation to traditionally-based aesthetics. Feminist artworks have arisen within the context of a patriarchal Artworld dominated for thousands of years by male artists, critics, theorists, and philosophers. I look at the history of that context as it impacts philosophical theorizing by pinpointing the narrow range of the paradigms used in defining “art.” I test the plausibility of Danto’s After the End of Art vision of a post-historical, pluralistic future in which “anything goes,” (...) a future that unfortunately rests upon the same outdated foundation as the concept “art.” This essay was originally published in The Proceedings of the Twentieth Century World Congress of Philosophy (1999) and reprinted in Noel Carroll, ed., Theories of Art Today (The University of Wisconsin Press, 2000). (shrink)

Початок повномасштабного російського вторгнення в 2022 році викликав значні зміни в українській національній ідентичності. Соціологічні опитування демонструють трансформацію цінностей та повсякденних практик українців. Вони почали частіше вживати українську мову, змінили історичні та конфесійні вподобання. Необхідним є отримання об’єктивного соціологічного знання стосовно причин та наслідків цих змін. Передумовою цього є дослідження існуючих робіт по даній тематиці. Метою статті є систематизація та критичне узагальнення наукових праць по тематиці української національної ідентичності у вітчизняній науці. Автор розглядає роботи по цій темі, написані дослідниками в (...) галузі різних наук: історії, філософії, політології, філології, соціології. Особливу увага приділяється огляду дисертацій. Узагальнюються основні ідеї праць, даються авторські висновки по можливості їх використання в майбутньому. Показується, що автори зачіпають широке коло питань, що стосуються національної ідентичності: її історична ґенеза, трансформації, фактори мови та історичної пам’яті, відображення ідентичності в мистецтві та медіа, вплив на неї глобалізації та російської агресії. Автор констатує, що дана проблематика поки що слабо розвинута в рамках соціологічної науки. У відкритому доступі відсутні значні теоретичні роботи, здебільшого соціологи займаються виключно емпіричними дослідженнями. Також відсутні теоретичні роботи, присвячені аналізу трансформацій національної ідентичності, що стались з початку повномасштабної російської агресії в лютому 2022 році. Це пояснюється недостатнім проміжком часу, що пройшов на даний момент. Також складності додає швидка зміна політичних та військових реалій. Враховуючи значну суспільну значимість, автор робить висновок про необхідність посилення соціологічного осмислення цієї тематики. (shrink)

Archaeology and Intentionality explores perhaps one of the most overlooked topics in archaeology, that of intentionality. In archaeology, most explanations of human behaviour rely on intentionality and this book fills a surprising gap in the literature. By identifying the historical trajectory of the notion of intentionality, this book reframes our understanding of what it means to act intentionally and how archaeologists provide explanations concerning past (and present) societies. In general, this book presents a strong framework for archaeological research, one that (...) fits to current archaeological practices and research around the world. This framework considers that past actors were not unconditional free agents, who could act however they wished, nor were they absolute prisoners of the economic, biological, and environmental circumstances in which they lived. From the standpoint of intentionality, it becomes clear that human agency is not about what you can or cannot do, but about what you should, that is to say, actions are above all ethical. In a world wealth inequality runs rampant, where humans have damaged the environment beyond recognition, and where technology advances at an alarming rate - it is important that we recognize our intentions and the ethical responsibility that accompanies those intentions. The book highlights how archaeology is the perfect discipline to understand how and from where those intentions come from. Addressing several problems in archaeological theory and connecting archaeology, philosophy and social theory, this book. (shrink)

Archaeology is currently bound to a series of metaphysical principles, one of which claims that reality is composed of a series of discrete objects. These discrete objects are fundamental metaphysical entities in archaeological science and posthumanist/new Materialist approaches and can be posited, assembled, counted, and consequently included in quantitative models (e.g. Big Data, Bayesian models) or network models (e.g. Actor-Network Theory). The work by Sørensen and Marila shows that archaeological reality is not that discrete, that some objects cannot be easily (...) identified, and that perhaps reality is not always necessarily composed of discrete objects. The aim of this article is to take Sørensen and Marila’s arguments to their ultimate logical consequences: most archaeological theory today operates under the illusion of a general metaphysics. This illusion dictates not only that all of reality is composed of discrete objects, but that since reality manifests in a certain way, there has to be a methodology that accurately represents that reality. A brief discussion on the notion of “conjecture,” as conceived in certain historical theories, is also presented. (shrink)

At a purely instrumental level, quantum theory is all about multiplication, addition and taking mod squares of complex numbers called probability amplitudes. The rules for combining amplitudes are deceptively simple. When two or more events are independent you multiply their respective probability amplitudes and when they are mutually exclusive you add them. Whenever you want to calculate probabilities you take mod squares of respective amplitudes. That’s it. If you are prepared to ignore the explanatory power of the theory (which you (...) should not) the rest is just a set of convenient mathematical tools developed for the purpose of book-keeping of amplitudes. Thus we tabulate amplitudes into state vectors and unitary matrices, and place them in Hilbert spaces. (shrink)

In a recent publication Travis Timmerman has claimed that sometimes it is morally permissible to not prevent something bad from happening, even if it is in one’s power to do so without sacrificing anything nearly as important.1 To defend his point, he has proposed a thought experiment and based his claims on putative common-sense morality intuitions. To aid in the subsequent discussion, Timmerman’s case is reproduced as follows.

Humans are often extraordinary at performing practical reasoning. There are cases where the human computer, slow as it is, is faster than any artificial intelligence system. Are we faster because of the way we perceive knowledge as opposed to the way we represent it? -/- The authors address this question by presenting neural network models that integrate the two most fundamental phenomena of cognition: our ability to learn from experience, and our ability to reason from what has been learned. This (...) book is the first to offer a self-contained presentation of neural network models for a number of computer science logics, including modal, temporal, and epistemic logics. By using a graphical presentation, it explains neural networks through a sound neural-symbolic integration methodology, and it focuses on the benefits of integrating effective robust learning with expressive reasoning capabilities. -/- The book will be invaluable reading for academic researchers, graduate students, and senior undergraduates in computer science, artificial intelligence, machine learning, cognitive science and engineering. It will also be of interest to computational logicians, and professional specialists on applications of cognitive, hybrid and artificial intelligence systems. (shrink)

In this article I focus on some unduly neglected common-sense considerations supporting the view that one's evidence is the propositions that one knows. I reply to two recent objections to these considerations.

O presente artigo examina o projecto ético-politico de Richard Rorty nas suas vertentes teórica (enquanto projecto ideal de sociedade - a democracia liberal) e prática (enquanto tentativa de efectivação dessa Utopia). Porém, uma análise atenta permite concluir que ele redunda no seguinte paradoxo: por um lado, Rorty argumenta que a democracia liberal é o 'melhor regime político', mas, por outro, admite que ele não é realizável na prática. O autor do artigo vai mais longe: se fosse realizável, tornar-se-ia num dos (...) 'piores regimes políticos'. Sugere-se que as diflculdades no pensamento rortyano não estão tanto nos pressupostos, mas antes no modo como deriva as suas conclusões porque: algumas vezes as conclusões não são deriváveis das premissas; noutras são simplesmente contraditórias. /// This article examines Richard Rorty s ethical and political project both in its theoretical (as an ideal social project - a liberal democracy) and practical (as an attempt to implement this Utopia) aspects. However, a closer analysis permits us to conclude that it falls into the following paradox: on the one hand, Rorty argues that liberal democracy is the 'best political regime', but, on the other, he admits that it cannot be put into practice. The author of the article goes further: if it could be realized, it would be one of the 'worst political regimes'. It is suggested that the difficulties in Rorty's thought are not so much at the level of the presuppositions but rather in the way it derives its conclusions because: sometimes the conclusions are not derivable from the premises; at other times they are simply contradictory. (shrink)

According to the good reasoning view of normative reasons, p is a reason to F, just in case p is a premise of a good pattern of reasoning. This article presents two counterexamples to the most promising version of the good reasoning view.

Can an ordinary viewer ever experience art---particularly politically charged, socially relevant art--in a neutral, detached, and objective way? The familiar philosophical notion of disinterestedness has its roots in eighteenth-century theories of taste and was refined throughout the twentieth century. In contrast, many contemporary theorists have argued for what I call an "interested approach" in order to expand beyond the traditional emphasis on neutrality and universality. Each group, in effect, has argued for the value of a work of art by excluding (...) the other's approach. This essay will consider the legacy of the concept of disinterestedness for contemporary aesthetic theory in light of challenges posed by postmodern skepticism regarding the possibility of disinterestedness, and by the difficulties involved in appreciating political art with a disinterested attitude. My principle example of political art will be drawn from feminist art--the extraordinary and controversial performance art of the French artist, ORLAN. Unlike traditional philosophers, I will advocate that an interested stance toward art is, at times, inevitable and appropriate. I will also argue not only that feminist art--and by extension political art of all kinds--can be experienced disinterestedly, but that it should be. As a position inconsistent with both traditionalists and feminist critics of tradition, my recommendation of both disinterestedness and interestedness affords what I take to be the fullest and fairest experience of a work of art. (shrink)

The text, starting from the classic picture taken from Polish literature on the barbaric destruction of higher culture, first shows the contemporary manifestations of an attack on one of the basic...

The idea of cognitive enhancement refers to multifaceted and interdisciplinary approach aimed at improving human mental processes. Cognitive enhancement is the amplification or extension of core mind capacities through improvement or augmentation of either internal or external information processing systems. This includes improvements of intelligence and attention, reinforcement of creativity and memory, or extension of perception range. The main feature of cognitive enhancement is voluntariness of use for overcoming natural mental limitations. This article is a synthesis of current trends in (...) cognitive enhancement from the perspective of transhumanism. The article presents various definitions of cognitive enhancement, methods of cognitive enhancement as well as challenges and questions concerning improving human mental processes. (shrink)

This study investigates processing of interrogative filler-gap dependencies in which the filler integration site or gap is not directly subcategorized by the verb. This is the case when the wh-filler is a structural adjunct such as how or when rather than subject or object. Two self-paced reading experiments in English and Slovenian provide converging cross-linguistic evidence that wh-adjuncts elicit a kind of memory storage cost similar to that previously shown in the literature for wh-arguments. Experiment 1 investigates the storage costs (...) elicited by the adjunct when in Slovenian, and Experiment 2 the storage costs elicited by how quickly and why in English. The results support the class of theories of storage costs based on the metric in terms of incomplete phrase structure rules or incomplete syntactic head predictions. We also demonstrate that the endpoint of the storage cost for a wh-adjunct filler provides valuable processing evidence for its base structural position, the identification of which remains a murky issue in current grammatical research. (shrink)

According to a widely held view epistemic justification is a normative notion. According to another widely held assumption, epistemic justification comes in degrees. Given that gradability requires a context-sensitivity that normativity seems to lack, these two assumptions stand in tension. Giving up the assumption of gradability of justification represents a lesser theoretical cost.

This is the co-authored--with Carolyn Korsmeyer--Introduction to the first published feminist scholarship in The Journal of Aesthetics and Art Criticism (Volume 48, Number 4, Fall 1990). Contributors included Hilde Hein, Paul Mattick, Jr., Timothy Gould, Joanne B. Waugh, Joseph Margolis, Mary Devereaux, Noel Carroll, Flo Leibowitz, Anita Silvers, Elizabeth Ann Dobie, Renee Cox, and Ellen Handler Spitz. All essays were subsequently published in an expanded book version entitled, Feminism and Tradition in Aesthetics by Penn State Press (1995).