Patriarcha -- The freeholder's grand inquest touching the king and his parliament -- Observations upon Aristotle's politiques touching forms of government -- Directions for obedience to government in dangerous or doubtful times -- Observations concerning the originall of government -- The anarchy of a limited or mixed monarchy -- The necessity of the absolute power of all kings.

This volume contains the political writings of Sir Robert Filmer (1588-1653), an acute defender of absolute monarchy and perhaps the most important patriarchal political theorist of the seventeenth century. The recent explosion of interest in women's history and the history of the family has greatly enhanced the audience for Filmer's work, and in this new edition Johann Sommerville provides accurate and accessible texts of his principal writings, accompanied by all the standard series features, including a concise introduction, (...) chronology, guide to further reading and notes on Filmer's own text. (shrink)

The value ofPatriarcha as a historical document consists primarily inits revelation of the strength and persistence in Europeanculture of the patriarchal ...

Each title in the "Key Issues" series aims to set the work in its historical context. In this collection of contemporary responses to "Leviathan", attention is focused on its critics who attacked Hobbes's moral, political and religious ideas in a series of pamphlets and short books.

Book Information Death and Philosophy. By Jeff Malpas and Robert C. Solomon. Routledge. London. 1998. Pp. xii + 211. Paperback.

La Construction du bonheur est, à la fois, un livre et un film... Les deux objets sont, ici, matériellement présents. Mais les deux peuvent être pris séparément. Dans l'un comme dans l'autre y apparaît Robert Misrahi sous des éclairages et des angles changeants. A l'écrit, Robert Misrahi, s'il commence par revenir sur son oeuvre livresque, consacré au bonheur et au philosophe eudémonique Spinoza, c'est afin de planter le décor. Très vite il en arrive à l'image. Car c'est là (...) le sujet. Doublement. Voilà qui est nouveau. Il y consacre quatre chapitres : La fascination de l'image ; La mise en chantier ; Les premiers tournages ; La création. Ce court texte est des plus réjouissants. Il témoigne du courage d'un homme, philosophe de son état, qui n'hésite pas à se prêter à une expérience phénoménologique d'un genre particulier où champ et hors-champ, d'écriture et d'images, se mêlent. Robert Misrahi, même s'il bouge beaucoup, n'est pas un philosophe de l'action : la grande action de sa vie a été d'enseigner, ce qui n'est pas rien, mine de rien. L'oeoeuvre d'un philosophe, c'est avant tout de la pensée, et cette pensée produit d'abord des livres. Un philosophe, c'est un livre au milieu de la route, au milieu des gens. Répétons-le : le philosophe est quelqu'un qui pense. D'où : filmer la pensée est-ce que cela peut faire un film? Un vrai film s'entend. Avec de vraies images, avec de la vraie musique, avec de vrais lieux, avec du concret donc et de vraies abstractions aussi. Nous avons tenté, avec ce film, une narration filmique. L'image devenant le miroir des mots et les mots devenant générateurs d'images. C'est une expérience particulière à laquelle, à 86 ans, Robert Misrahi a bien voulu se prêter. Nicolas Martin a été très soucieux de parvenir à un "point d'équilibre" dans ce mariage à trois : la pensée, la parole et l'image... Car le difficile est bien de représenter le bonheur. Le malheur, la douleur, la souffrance c'est facile : c'est une sorte de pot commun où tout le monde peut se reconnaître. La mort est toujours la même, partout dans le monde. Mais le bonheur? Le bonheur est individuel. Le bonheur de l'un ne ressemble pas au bonheur de l'autre. Quelles images pour le bonheur? Mais il s'agit, dans ce film, avant tout, d'accompagner les propos d'un philosophe sur la construction du bonheur. (shrink)

This article sets out a novel analysis of Sir Robert Filmer's (1588-1653) well-known but often misread Patriarcha (1620s-30s). Claiming that a preoccupation with John Locke's criticism of Filmer has had distorting effects on modern historiography and has prevented an appropriate contextual approach to the work. The article proceeds along four lines. Firstly, drawing on the discovery of a manuscript note it re-maps the configuration of its arguments, aims and intellectual milieu. Secondly, it presents the treatise as the (...) powerful articulation of the patriarchalist paradigm deployed to attack the emerging language of county patriotism and the theory of papal deposing power formulated by Jesuit thinkers like Robert Bellarmine and Francisco Suarez. Thirdly, it places Patriarcha in the context of the late 1620s' parliamentary debates from which emerged the Petition of Right (1628) illuminating the reasons why Filmer made use of the notion of the king as pater patriae with the aim of opposing (quasi)-republican defenders of the so-called `common people'. Finally, the article reshapes the role of patriarchalism in the history of early modern European political thought, especially with regard to the centrality of the idea of `arbitrary' power. (shrink)

... i . La very is so vile and miserable an Estate of Man,and so directly opposite to the generous Temper and Courage of our Nation ; that 'tis hardly to be ...

O presente artigo procura mostrar a crítica conservadora inglesa do século XVII às noções de liberdade natural e contrato originário, ao deslocar a origem do poder político para as relações afetivas estabelecidas pelos laços sentimentais de família que mantêm pais e filhos unidos. Mais exatamente, a legitimação política do poder teria como fundamento uma autoridade natural semelhante à relação verificada entre pais e filhos. Segundo essa teoria, cujo mais importante representante foi Robert Filmer, o fundamento da autoridade política (...) não é fruto de uma instituição arbitrária dos homens, mas uma necessidade introduzida por Deus, com o propósito de justificar as monarquias absolutistas. (shrink)

Dance is addressed as making significance for what Elias terms the civilizing process of early modernity through its contribution to the ennoblement of warriors and the pacification of merchants. The grounds for this are drawn from McNeill's contention that expenditure of muscular energy rhythmically in dance, as in military drill, but with different sociocultural consequences, is a fundamental human device for consolidating community feeling by facilitating cooperation by arousing a warm sense of togetherness. The significance of dance as a sociocultural (...) practice in early modernity is discussed critically through contemporary writings from the 16th and 17th centuries, with particular consideration given to the description of dance as an allegory for moral order in Elyot's manual on the education of the ruler. (shrink)

The impressive variation amongst biological individuals generates many complexities in addressing the simple-sounding question what is a biological individual? A distinction between evolutionary and physiological individuals is useful in thinking about biological individuals, as is attention to the kinds of groups, such as superorganisms and species, that have sometimes been thought of as biological individuals. More fully understanding the conceptual space that biological individuals occupy also involves considering a range of other concepts, such as life, reproduction, and agency. There has (...) been a focus in some recent discussions by both philosophers and biologists on how evolutionary individuals are created and regulated, as well as continuing work on the evolution of individuality. (shrink)

This paper offers an overview of "the species problem", arguing for a view of species as homeostatic property cluster kinds, positioning the resulting form of realism about species as an alternative to the claim that species are individuals and pluralistic views of species. It draws on taxonomic practice in the neurosciences, especially of neural crest cells and retinal ganglion cells, to motivate both the rejection of the species-as-individuals thesis and species pluralism.

Em Anarquia, Estado e Utopia, Robert Nozick defende um Estado mínimo ao qual não deve ser dado o direito de redistribuir a propriedade que já foi distribuída pelos individuos. Nozick se apoia na ideia de estado de natureza tal como Locke propôs no Segundo Tratado Sobre o Governo, aproveitando, inclusive, a maneira de Locke fundamentar a propriedade privada. Locke explicou o direito natural à propriedade por meio do trabalho para superar uma crítica que Robert Filmer havia dirigido (...) a Hugo Grotius anos antes. Grotuis considerava haver, originalmente, um direito comum à posse dos bens e defendia que a propriedade privada surgiu a partir de um contrato entre os indivíduos. Filmer colocou em dúvida que um contrato para dividir a propriedade pudesse ter sido firmado entre todos ao mesmo tempo. Locke também defendia a propriedade privada a partir da propriedade comum, mas precisava superar a objeção que Filmer havia dirigido a Grotius. Nesse sentido surge a ideia de trabalho como fundamentador da propriedade privada, pois é o trabalho que a legitima em vez do contrato. Nozick, apesar de uma longa análise sobre a teoria da aquisição de Locke, em que discorre, inclusive, sobre o papel do trabalho no surgimento da propriedade privada, afirma que Locke pensava os bens naturais originalmente sem dono, quando, na verdade, para Locke eles eram propriedade comum a todos. O propósito do presente texto é elencar e avaliar algumas possíveis consequências desse pequeno equívoco interpretativo. (shrink)

This paper explores the relationship between eugenics, disability, and dehumanization, with a focus on forms of eugenics beyond Nazi eugenics.

Are interpersonal comparisons of desire possible? Can we give an account of how facts about desires are grounded, that underpins such comparisons? This paper supposes the answer to the first question is yes, and provides an account of the nature of desire that explains how this is so. The account is a modification of the interpretationist metaphysics of representation that the author has recently been developing. The modification is to allow phenomenological affective valence into the “base facts” on which correct (...) interpretation is grounded. To use this extra resource within that theory to vindicate interpersonal comparisons, we will need to appeal rational connections between level of valence and level of desire, which this paper sets out and examines. (shrink)

The author discusses the application of logic to the diverse scientific methods of the several natural and social sciences and to the humanities.

Drawing on a passage from Ramsey's Truth and Probability, we formulate a simple, plausible constraint on evaluating the accuracy of credences: the Calibration Test. We show that any additive, continuous accuracy measure that passes the Calibration Test will be strictly proper. Strictly proper accuracy measures are known to support the touchstone results of accuracy-first epistemology, for example vindications of probabilism and conditionalization. We show that our use of Calibration is an improvement on previous such appeals by showing how it answers (...) or sidesteps problems that have been raised for previous work in this area. (shrink)

My aim is to propose affectivity as a criterion for personal identity. My proposal is to be taken in its weak version: affectivity as _only one_ of the criteria for personal identity. I start by arguing for affectivity being a better candidate as a criterion for personal identity than thinking. Next, I focus on synchronic vs. diachronic and on ontic vs. epistemic distinctions (my proposal will concern diachronic ontic personal identity) and consider the realm of affectivity in its temporal dimension. (...) In my argument, I rely on the genuineness of affectivity and I exploit chiefly long- or everlasting feelings (or emotions) and those which involve the feeling subject more rather than less. I conclude by stating that genuine long-lasting feelings (or emotions) are constitutive of diachronic ontic personal identity. (shrink)

In the good old days, when general philosophy of science ruled the Earth, a simple division was often invoked to talk about philosophical issues specific to particular kinds of science: that between the natural sciences and the social sciences. Over the last 20 years, philosophical studies shaped around this dichotomy have given way to those organized by more fine-grained categories, corresponding to specific disciplines, as the literatures on the philosophy of physics, biology, economics and psychology--to take the most prominent four (...) examples--have blossomed. In general terms, work in each of these areas has become increasingly enmeshed with that in the corresponding science itself, increasingly naturalistic (in at least one sense of that term), and in my view, increasingly interesting. (shrink)

The paper offers an analysis of Protagoras’ fr. DK 80 B 1 and rejects the traditional reading of Protagoras as relativist. By considering the ipsissima verba that Protagoras makes use of in his passage, it is argued that alternative interpretations are possible, of which epistemological reism and psychological individualism are proposed. On a more general level, it is discussed to what extent Protagoras’ fragment contains descriptive rather than normative claim.

Kenneth Burke, arguably the most important American literary theorist of the twentieth century, helped define the theoretical terrain for contemporary literary and cultural studies. His perspectives were literary and linguistic, but his influences ranged across history, philosophy, and the social sciences. In this important and original study Robert Wess traces the trajectory of Burke's long career and situates his work in relation to postmodernity. His study is both an examination of contemporary theories of rhetoric, ideology, and the subject, and (...) an explanation of why Burke failed to complete his Motives trilogy. Burke's own critique of the 'isolated unique individual' led him to question the possibility of unique individuation, a strategy which anticipated important elements of postmodern concepts of subjectivity. Robert Wess's study is both a timely and judicious exposition of Burke's massive oeuvre, and a crucial intervention in current debates on rhetoric and human agency. (shrink)