This powerful study is based on the premise that literary theory is important because literature is important. Bugliani explores the intersection of tragedy with philosophy and psychoanalysis. A threefold purpose is evident: to examine the tension between philosophy and literature, to discuss the teaching of tragedy and finally to discuss that teaching in the works of Lacan, Marcel and, above all, Paul Claudel.

We study a modal language for negative operators—an intuitionistic-like negation and its paraconsistent dual—added to (bounded) distributive lattices. For each non-classical negation an extra operator is hereby adjoined in order to allow for standard logical inferences to be opportunely restored. We present abstract characterizations and exhibit the main properties of each kind of negative modality, as well as of the associated connectives that express consistency and determinedness at the object-language level. Appropriate sequent-style proof systems and adequate kripke semantics are also (...) introduced, characterizing the minimal normal logic and a few other basic logics containing such negative modalities and their companions. (shrink)

This powerful study is based on the premise that literary theory is important because literature is important. Bugliani explores the intersection of tragedy with philosophy and psychoanalysis. A threefold purpose is evident: to examine the tension between philosophy and literature, to discuss the teaching of tragedy and finally to discuss that teaching in the works of Lacan, Marcel and, above all, Paul Claudel.

A base de todas as discussões políticas de John Locke é o conceito de direito natural; e o desenvolvimento das suas ideias políticas é acompanhado pelas interpretações que ele nos deu deste conceito, em especial daquelas que norteiam as suas concepções de liberdade e propriedade. Locke argumenta que não é a força nem a tradição, mas somente o “consentimento” expresso dos governados que se constitui como a única fonte de um poder político que se quer legítimo. Tal consentimento deriva-se da (...) liberdade que existe no estado de natureza e fundamentará os alicerces da sociedade civil. (shrink)

I seek to show in this paper how, in addressing the concept of “I” and the question of self-knowledge in the Critique of Pure Reason, one encounters a paradox, which is essentially a consequence of the doctrine of transcendental idealism. I point to Kant's concept of “I” and its three co-constitutive perspectives. The importance of the concept of subject and its intertwining with the concept of reason is pointed out, as also how these two concepts appear in the text of (...) the Critique of Pure Reason as presuppositions. Subsequently, I deal with some basic questions of transcendental idealism. Finally, I briefly present the three perspectives of the "I": as a phenomenon, as a transcendental structure, and as a noumenon. I conclude by bringing back what Kant himself conceives as a paradox, which is the subject’s self-affection, and the relation between the subject as noumenon and as inner sense. (shrink)

A partir dos anos 1950, no auge do processo de descolonização afro-asiática, Portugal sofreu diversas pressões internacionais devido à sua política colonial. Marcado historicamente por sua debilidade econômica, o país havia implementado um modelo colonialista baseado na abertura de seus domínios ultramarinos à atuação do capital internacional, em um modelo de colonialismo dependente. Este fato, aliado aos interesses estratégicos dos EUA e da OTAN, no contexto da Guerra Fria, fez com que as grandes potências acabassem esvaziando as pressões contrárias ao (...) colonialismo português. Assim, apesar da política isolacionista implementada pelo regime salazarista e da condenação da opinião pública internacional, os interesses econômicos e financeiros das grandes potências e as determinações político-estratégicas da conjuntura internacional acabaram por garantir alguma sobrevida ao Império Colonial Luso até meados da década de 1970.The crisis of the last empire: the Cold War and the final decades of Portuguese colonialism From the 1950s onwards, at the height of the process of Afro-Asian decolonization, Portugal underwent various international pressures due to its colonial policy. Historically marked by its economic weakness, the country had implemented a dependent colonialist model based on the opening of its overseas domains to the international capital. In addition, the strategic interests of the United States and NATO within the context of the Cold War resulted in a deflation of the pressures against Portuguese colonialism by the great powers. Hence, despite the isolationist policy implemented by the Salazar regime and the condemnation of colonialism by international public opinion, the economic and financial interests of the great powers, as well the political and strategic constraints of the international conjuncture, granted the survival to the Portuguese Colonial Empire until the mid-1970s. Resumen La crisis del último imperio: la Guerra Fría y las últimas décadas del colonialismo portugués Desde la década de 1950, en el apogeo del proceso de descolonización africano-asiática, Portugal sufrió varias presiones internacionales debido a su política colonial. Marcado históricamente por su debilidad económica, el país había implementado un modelo colonialista basado en la apertura de sus dominios de ultramar a la actuación del capital internacional, en un modelo de colonialismo dependiente. Este hecho, junto con los intereses estratégicos de los EE.UU. y la OTAN en el contexto de la Guerra Fría, hizo que las grandes potencias acabaran por vaciar las presiones contra el colonialismo portugués. Así, a pesar de la política aislacionista implementada por el régimen salazarista y la condena por la opinión pública internacional, los intereses económicos y financieros de las grandes potencias y las determinaciones político-estratégicas de la coyuntura internacional acabaron por garantizar alguna sobrevida al Imperio Colonial Luso hasta mediados de la década de 1970. (shrink)

Quest’articolo prova ad offrire una ricostruzione storica e un’analisi teorica di due concetti che hanno pervaso il dibattito politico contemporaneo: post-verità e complottismo. Nel farlo, il principale obiettivo di chi scrive è quello di smentire la presunta filiazione tra post-strutturalismo e post-truismo. Questo tentativo si fonda sull’ipotesi che il passaggio da una società del segreto ad una società della trasparenza abbia prodotto di fatto una invisibilizzazione del reale attraverso la sua sovra-esposizione documediale.

O trabalho de Kurt Goldstein ainda é pouco conhecido no Brasil. Sendo um dos fatores quedificultam o acesso aos seus escritos a ausência de traduções das suas obras para a línguaportuguesa. No entanto, sua influência está presente em diversas áreas do conhecimento, aexemplo da Neurologia, Neuropsicologia, Psicologia e Filosofia. Desse modo, com o intuitode resgatar os fundamentos de conhecimentos e práticas realizadas nos camposinfluenciados por ele, esse artigo apresenta uma introdução à sua obra. Foram utilizadoscomo base os escritos The Organism: (...) A holistic approach to biology derived frompathological data in man e Human Nature in the light of psychopathology. A partir daanálise dessas obras foram selecionados três grandes temas a serem explorados: a questãodo método para o autor, a teoria do organismo apresentada por ele e a noção de naturezahumana presente em seus trabalhos. Por meio dessa retomada da obra do autor, pretendeseapontar para sua “fenomenologia”, além de abrir caminho para novas discussões sobresua influência. (shrink)

One of the most critical challenges faced in science is that of categorization. Both at the inception of a new field and recurrently as it matures, its objects of interest must be classified according to their similarities, and the resulting kinds must be conceptualized in a way that mirrors the best of what is known or postulated about them—all in the hope that those kinds are either real or of practical significance. Transformations in the conceptual chart of any scientific discipline (...) are not only usual but a sign of and often a requirement for its development. Curiously enough, the most prominent definition of... (shrink)

This book discusses key ethical and deontological problems concerning the use of the most common information and communication devices. It focuses on the challenges of the new environments we now find ourselves in thanks to these technologies, and the issues arising from the newly established relationship between the virtual sphere and the real world. Each aspect is analysed by starting from a very specific example or a case study presenting a dilemma that can only be resolved by making a reasoned (...) ethical choice. Rather than thematically addressing only one of the many aspects mentioned above, the book presents a comprehensive introduction to, and a co-ordinated overview of, the various deontological and ethical issues regarding the spread of the most common information and communication technologies. (shrink)

The purpose of this article is to examine the objective side of subjectivity formation through music. I attempt to show how music is a way to configure subjectivity in its interiority, but in a way that it can be shared between other individual subjectivities. Music has an objective structure, but this structure is the temporal and sonorous interiority of subjectivity. It has as its objective manifestation and consequence the feelings and emotions. These feelings are subjective, and in the level of (...) subjective Geist they are related to intuition. Hegel believes that such intuition cannot be properly communicated, due to its exclusive access to the individual subject himself. Despite that, music is an art, and it takes part in the level of absolute Geist. That means that music is the connection between the objective and subjective sides of Geist, being a product of social relations, including the sharing, experience and recognition of subjective operations by the participants in society as something in common. Art is related to intuition but it is not intuition itself, nor it is reduced to the capacity of intuition. All three capacities of the subjective Geist in the theoretical Geist (namely intuition, representation and thinking) can be part of the relationship between art and the individual perspective.However, the link between art and intuition is an analogy between the subjective Geist and the absolute Geist, considering that art is a level of manifestation of social self-consciousness where the people and the social group have not yet become conscious of its content in its manifestation. The exposition of the ideal content of social relations is manifested through absolute Geist, beginning with its sensible manifestation. After this process, it is signified through a practice related to representation, and finally it is related to a conceptually and linguistically mediated practice, philosophy. These products cannot be a consequence of a mere subjective connections, but must be (as part of absolute Geist) a consequence of the objective relation between individuals in its subjective manifestations. Furthermore, subjective capacities are a condition without which the development of the absolute Geist is not possible. At the same time, it is not possible that subjective Geist’s capacities can be fully realized without social relations. Science is not a product of an individual-solipsistic relationship with the environment, but a product of a social relations, including language, shared experiences and shared ways of comprehension, such as the common way to feel and receive the environment in a subjective level discussed below. I divide this exposition into three parts: (1) music and subjectivity, where I deal with the relation between body vibration, time, sound and the formal interiority of the listener/musical subject, analyzing the form of music in its subjective side (the relation to the listener); (2) music and content, where I examine the content generated by music as being the process of formation itself (i.e. the process of given form to the interiority of subjectivity through sounds becomes its own content, namely, the feelings); and (3) music and words, where I scrutinize the relationship between music and words’ capacities to make reference and to have content, considering the connection between pure music and lyrics, and between music and poetry as singular forms of art. I conclude with the idea that music has a specific role in Hegel’s system, which is to bring to light and develop absolute Geist’s (understood as the objectivation and formation of a social and cultural subjectivity) internal aesthetic form. (shrink)

O presente artigo busca fazer uma análise do diálogo inter-religioso entre o judaísmo e o cristianismo, duas religiões monoteístas, com origens semelhantes, mas separadas por questões históricas e algumas divergências doutrinárias. Inicialmente se propõe relatar a importância do diálogo entre as duas religiões, baseando-se nos trabalhos de Alberto Milkewitz, Edwin Arteaga Tobon, e Frederico Laufer. Após isso, procurou-se identificar os aspectos divergentes e convergentes entre o cristianismo e o judaísmo, para verificar a viabilidade do diálogo. Consultou-se para este momento os (...) trabalhos de Josh McDowel e do Instituto Cristão de Pesquisas. Como conclusão do artigo, apresentou-se uma breve síntese visando a aplicabilidade do diálogo inter-religioso para a Igreja Cristã atual. (shrink)

A educação em direitos humanos é essencial para o desenvolvimento pleno da personalidade, para a consolidação da cidadania e para promover a cultura da solidariedade, constituindo um dos principais desafios contemporâneos. Aqui reside o papel fundamental das instituições públicas e privadas, na medida em que as mesmas são desafiadas a criar, promover e fortalecer a cultura dos direitos humanos nos seus espaços de convivência. O texto adota como metodologia a análise de bibliografia especializada. Nessa direção, investiga-se os principais instrumentos normativos (...) e diretivos da sociedade brasileira, tais como a Constituição Federal, a Lei de Diretrizes e Bases da Educação, a Declaração Universal dos Direitos Humanos e outros documentos que tratam da educação e dos direitos humanos, com o objetivo de extrair algumas implicações para a práxis religiosa. O percurso inicia analisando o texto constitucional que estabelece a educação como direito de todos, bem como seus respectivos objetivos; na sequência, a partir da Declaração Universal de 1948, faz-se uma reflexão sobre a educação em direitos humanos e sua importância para a consolidação da cidadania; ao concluir, o autor apresenta as implicações da educação em direitos humanos no contexto religioso brasileiro: a educação em direitos humanos promove a liberdade e a igualdade; promove uma educação comprometida com o desenvolvimento humano e com a cultura da solidariedade; e promove a amizade entre as diferentes religiões. (shrink)

In this paper, I present some concepts of Hegel’s philosophy of art, aiming to interpret a cultural-political situation, namely, Bolsonarism in contemporary Brazil. I present the ideas in the following order: (a) the modes of comprehension, mainly through the distinction between the poetic and the prosaicmodes; (b) the conception of “Action [Handlung]” as a category of art, by means of its three levels: State of the World [Weltzustand], Situation [Situation], and Action itself [Handlung als solche]; (c) an evaluation of the (...) anachronism of the ideas of myth and hero in contemporary times, through a reflection mediated by the categories of sublation [Aufhebung] and history. (shrink)

La sección de literatura de esta edición N.° 31, nos brinda un paisaje poético dibujado por el escritor Adriano (de San Martín) Corrales Arias, oriundo de Costa Rica, territorio cuyo relieve y herencia mesoamericana recorre a través de palabras sinuosas, vertidas en los poemas 12, 29 y 34 de su libro Vanitas, publicado en la capital costarricense por la Editorial Arlekín, en 2021.

Language does not fossilize but this does not mean that the language's evolutionary timeline is lost forever. Great apes provide a window back in time on our last prelinguistic ancestor's communication and cognition. Phylogeny and cladistics implicitly conjure Pan (chimpanzees, bonobos) as a superior (often the only) model for language evolution compared with earlier diverging lineages, Gorilla and Pongo (orangutans). Here, in reviewing the literature, it is shown that Pan do not surpass other great apes along genetic, cognitive, ecologic, or (...) vocal traits that are putatively paramount for language onset and evolution. Instead, revived herein is the idea that only by abandoning single‐species models and learning about the variation among great apes, there might be a chance to retrieve lost fragments of the evolutionary timeline of language. (shrink)

Die Übernahme des KI-Unternehmens DeepMind durch Google für rund eine halbe Milliarde US-Dollar signalisierte vor einem Jahr, dass von der KI-Forschung vielversprechende Ergebnisse erwartet werden. Spätestens seit bekannte Wissenschaftler wie Stephen Hawking und Unternehmer wie Elon Musk oder Bill Gates davor warnen, dass künstliche Intelligenz eine Bedrohung für die Menschheit darstellt, schlägt das KI-Thema hohe Wellen. Die Stiftung für Effektiven Altruismus (EAS, vormals GBS Schweiz) hat mit der Unterstützung von Experten/innen aus Informatik und KI ein umfassendes Diskussionspapier zu den Chancen (...) und Risiken der künstlichen Intelligenz verfasst und geht darin auf aktuelle, mittel- und langfristige Herausforderungen im Bereich der KI-Entwicklung ein. (shrink)

Resenha de Em Um com o Impulso, de Vladimir Safatle. O livro trata da emancipação social por meio da estética da arte. O livro parte da crítica da associação tradicional entre autonomia, modernidade, e emancipação social, e divide-se em três partes: a primeira trata da autonomia; a segunda, do sublime; a terceira, da expressão. Soma-se a isto um excerto e a conclusão. A perspectiva geral tem o viés da dialética negativa adorniana vinculada com a psicanálise – viés este bastante conhecido (...) nos trabalhos do autor. (shrink)

In this paper, I consider how it would be possible to think about the historicity of music through Hegel’s thought. I will compare Hegel’s idea with a historical event that is considered relevant in the history of music: Schoenberg’s twelve-tone music, taken here also as a model of immanent negation and Aufhebung of tonal system in music. Furthermore, I will take Schoenberg’s twelve-tone music as an instance and wonder about the role of music and its history in the sociocultural formation (...) (or, in Hegelian words, in the absolute Geist). I divide the exposition into four parts, namely: (1) the position of art before the absolute Geist; (2) a general exposition of art in the Lectures on the Philosophy of Art, placing music as a singular form of art; (3) an analysis of the characteristics of music in Hegel and (4) the comparison with Schoenberg’s twelve-tone music. I conclude that music, as an artistic form, brings the form of an internal feeling of a social subjectivity – a way to feel and understand sounds that transforms itself through history; in turn, both music and the form of an internal feeling of social subjectivity, have a historicity that can be understood as developed dialectically. Along these lines, the beginning of the Twentieth Century in music reveals, through Schoenberg and other composers, new intuitive configurations of this social subjectivity. (shrink)