What kind of mental phenomenon is romantic love? Many philosophers, psychologists, and ordinary folk treat it as an emotion. This chapter argues the category of emotion is inadequate to account for romantic love. It examines major emotion theories in philosophy and psychology and shows that they fail to illustrate that romantic love is an emotion. It considers the categories of basic emotions and emotion complexes, and demonstrates they too come short in accounting for romantic love. It assesses the roles (...) of culture and evolution in shaping the romantic love phenomenon and evaluates the ways in which the norms of rationality that are applied to standard emotions fail to apply to love. It considers the category of sentiments and argue that despite coming close, it does not adequately capture the nature of romantic love. Finally, the chapter makes a case for love being best characterized as a syndrome. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 30.2 (2006) 450-470 MuseSearchJournalsThis JournalContents[Access article in PDF]Romantic Love: A Literary Universal?Jonathan Gottschall Washington and Jefferson College (JG)Marcus Nordlund * Göteborg University (MN)ITo love someone romantically is—at least according to innumerable literary works, much received wisdom, and even a gradually coalescing academic consensus—to experience a strong desire for union with someone who is deemed entirely unique. It is to idealize this person, to think constantly about (...) him or her, and to discover that one's own life priorities have changed dramatically. It is to care deeply for that person's well-being and to feel pain or emptiness when he or she is absent.But is this intense emotional experience a universal experience, something that is characteristically and quintessentially human, or is it merely a sociocultural construct that belongs to a particular time and place? On this point there is less agreement, both within and between different academic disciplines. The audacious question we want to raise in the pages that follow is whether literature—or more specifically, a large-scale, multiple-coder content analysis of thousands of folk tales drawn from different parts of the planet—can contribute something to this difficult question about love, culture, and human nature.Let us first look briefly at the theoretical problem that we aim to address. A widespread view among literary scholars and social scientists over the last decades has been that romantic love is a social construction specific to Western culture. This is part of a relentless skepticism [End Page 450] toward assumptions that important categories of human psychology and emotion—romantic and parental love, gender, sexual orientation, and so on—are "natural" rather than constructed. This position is often, if not always, linked to an ideological concern to demystify (or at least problematize) what is perceived as an essentially destructive or oppressive emotion or belief. Taking her cue from Simone de Beauvoir, Marilyn Friedman gives no less than ten reasons why it may be problematic for women to fall in love with men. 1Of course, no argument of any kind can be strictly ideological in nature since it always involves empirical assumptions—either explicit or implicit—about the nature of things. For example, the psychoanalyst E. S. Persons opines that the "best evidence that romantic love is not hard-wired into the emotional repertoire of humanity but is a cultural construct is the fact that there are so many cultures in which it is virtually absent." 2 Another frequent argument for love's constructedness has been that "there is no definition that describes love throughout the ages or across cultures." 3In some literary-critical accounts, it is even argued that romantic love is a cultural invention that can be traced back with precision to the courtly troubadour culture of twelfth-century France. 4 According to yet another school, represented by the influential literary theorist Jonathan Culler, "the notion of romantic love (and its centrality to the lives of individuals) is arguably a massive literary creation." 5While the social constructivist position on romantic love typically involves a strong commitment to cultural specificity, a weaker version is held even by some cognitive theorists who grant more to biology and panhuman traits. From the perspective of their communicative theory of emotion, Philip Johnson-Laird and Keith Oatley argue that the "components [of romantic love] exist separately in different societies, but their integration into a recognizable complex is a cultural accomplishment [by the West]." 6At the other end of the romantic love continuum we find those who argue that this emotion belongs to a universal human nature: or, more specifically, that it can be attributed to specialised neural circuits whose ultimate purpose is to enhance reproductive success. Not surprisingly, this has been a favorite position among evolutionary psychologists, and it has recently received some support from neuroscientific studies.For example, the neuroscientists Andreas Bartels and Samir Zeki claim to have uncovered a "functionally specialised system" that lights up in fMRI (magnetic resonance) scans of brains whose owners claim to... (shrink)

“Functional homology” appears regularly in different areas of biological research and yet it is apparently a contradiction in terms—homology concerns identity of structure regardless of form and function. I argue that despite this conceptual tension there is a legitimate conception of ‘homology of function’, which can be recovered by utilizing a distinction from pre-Darwinian physiology (use versus activity) to identify an appropriate meaning of ‘function’. This account is directly applicable to molecular developmental biology and shares a connection to the theme (...) of hierarchy in homology. I situate ‘homology of function’ within existing definitions and criteria for structural assessments of homology, and introduce a criterion of ‘organization’ for judging function homologues, which focuses on hierarchically interconnected interdependencies (similar to relative position and connection for skeletal elements in structural homology). This analysis of biological concepts has at least three broad philosophical consequences: (1) it provides the grounds for the study of behavior and psychological categories as homologues; (2) it demonstrates that philosophers who take selected effect function as primary effectively ignore large portions of comparative, structural, and experimental research, thereby misconstruing biological reasoning and knowledge; and, (3) it underwrites causal generalizations, which illuminates inferences made from model organisms in experimental biology. (shrink)

"Romantic love is a defining phenomenon in human existence, and an object of heightened interest for literature, art, popular culture, and psychology. But what is romantic love and why is it typically experienced as so significant to our existence? Using central ideas from the philosophy of S2ren Kierkegaard as well as engaging with contemporary discussions in the philosophy of love, this book explores the nature of romantic love and philosophically substantiates its meaningfulness to an individual's life. It does so (...) by developing a connection between love and selfhood, here explained in terms of one's distinct individuality. To be a self, it is claimed, is to possess a 'name,' that is, an individual essence. Further, the book argues, it is when we love that we regard people by their names; we respond to who they are. Accordingly, the idea anchoring the book is that love is a correspondence between essences: if Jane loves Edward, she responds to him being 'who he is,' by virtue of her being 'who she is.' The conception of being thus correspondent has important implications as to the moral and spiritual value of romantic love. Relying on Kierkegaard's analysis of the self, of faith, and of love - even if sometimes in a way that departs from Kierkegaard's explicit position - the book explores these implications. By doing this, it construes romantic love as a desirable phenomenon, emotionally, morally, and spiritually". (shrink)

Today there is a thriving 'emotions industry' to which philosophers, psychologists and neuroscientists are contributing. Yet until two centuries ago 'the emotions' did not exist. In this path-breaking study Thomas Dixon shows how, during the nineteenth century, the emotions came into being as a distinct psychological category, replacing existing categories such as appetites, passions, sentiments and affections. By examining medieval and eighteenth-century theological psychologies and placing Charles Darwin and William James within a broader and more complex nineteenth-century setting, Thomas Dixon (...) argues that this domination by one single descriptive category is not healthy. Overinclusivity of 'the emotions' hampers attempts to argue with any subtlety about the enormous range of mental states and stances of which humans are capable. This book is an important contribution to the debate about emotion and rationality which has preoccupied western thinkers throughout the eighteenth and nineteenth centuries and has implications for contemporary debates. (shrink)

Was love invented by European poets in the middle ages, as C. S. Lewis claimed, or is it part of human nature? Will winning the lottery really make you happy? Is it possible to build robots that have feelings? These are just some of the intriguing questions explored in this new guide to the latest thinking about the emotions. Drawing on a wide range of scientific research, from anthropology and psychology to neuroscience and artificial intelligence, Emotion: The Science of (...) Sentiment takes the reader on a fascinating journey into the human heart. Illustrating his points with entertaining examples from fiction, film, and popular culture, Dylan Evans ranges from the evolution of the emotions to the nature of love and happiness to the language of feelings, offering readers the most recent thinking on real life topics that touch us all. But Emotion is also a book filled with surprises. Readers will discover, for instance, that the basic emotions are felt the world over--whether we live in the shadow of Times Square or in the depths of the rain forest, we all feel the emotions of disgust, joy, surprise, anger, fear, and distress. We find out that, according to research, winning the lottery does not cause a lasting increase in happiness--a short-lived euphoria is followed in almost every case with a return to our usual emotional state, if not worse. And we meet Kismet, an MIT robot that can express a wide range of emotions, from fear to happiness. Fun to read and based on the latest scientific thinking, here is a stimulating look at our emotions. (shrink)

What is love? In this paper I argue that love is a psychological syndrome, or an enormously complex cluster of psychological attitudes and dispositions that’s accompanied by a corresponding set of symptoms that flow from it. More specifically, I argue that love is an affectionate loyalty that takes different shapes across cases and that manifests itself in some set of behavioral and emotional expressions, where this set of expressions also varies across cases. After laying down three theoretical constraints that viable (...) theories of love must satisfy, I sketch my syndrome theory of love in detail and then defend it. First, I argue that it has a strong yet defeasible claim to satisfying the three theoretical constraints. Then I defend my theory against two objections that target its extensional adequacy. I conclude that we have good grounds for being optimistic about the theory even though it calls for further development and scrutiny. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:From Passions to Emotions: The Creation of a Secular Psychological CategoryMax RosenkrantzThomas Dixon. From Passions to Emotions: The Creation of a Secular Psychological Category. New York: Cambridge University Press, 2003. Pp. x + 287. Cloth, $60.00Thomas Dixon's From Passions to Emotions defends a provocative set of theses. (1) The concept of "emotion" is of relatively recent vintage, having been designed by secular Scottish writers in the first half (...) of the nineteenth century. (2) That concept embraces a range of phenomena that earlier Christian writers such as Augustine and Aquinas understood in terms of a manifold of concepts such as "appetites," "passions," "affections," and "sentiments." (3) The concept of "emotion" is too crude an instrument for understanding human psychology. Further, (4) today the secular conceptual framework has completely displaced the religious one. This has nothing to do with the former's greater proximity to the truth, as is shown by the persistence of cogent Christian theories in the second half of the nineteenth century, the period of secularism's triumph; and (5) The opposition between reason and emotion arises only when theorists begin to think of "emotions" rather than "appetites," "passions," "affections," and "sentiments." Christian writers did not see the passions as simply the enemies of reason.The basis for Dixon's argument is his interpretation of nineteenth-century psychological theory in the English speaking world. Specifically he argues that the concept of "emotion" was invented by the Scottish thinker Thomas Brown (1778-1820). Brown's innovation was then appropriated and developed by Spencer, Darwin, and William James. The foil for this story is the Christian tradition represented most compellingly by Augustine and Aquinas and carried on by a host of lesser nineteenth-century figures. In my judgment, the story thus told cannot bear the weight Dixon places upon it.The centerpiece of Dixon's argument is his claim that Brown "invents" (109) the emotions and thereby initiates a conceptual revolution in western thought. While Dixon may be right in asserting that Brown is the first to use the word 'emotion' in a systematic fashion, this achievement is merely terminological. Brown deploys the term to develop a mechanistic account of human nature, one in which the springs of action are located not in the will and reason, but in the emotions. Replace 'emotion' in the preceding sentence with 'passion' and one gets a concise characterization of Hobbes's view. Dixon is aware that Brown and others work within a Hobbesian framework (250) but does not attend to that framework. Thus his claims for the significance of the developments he describes fail to convince. The real innovation in psychological theory—as in so much else—took place in the seventeenth century.Just as Dixon overestimates the importance and originality of the Scottish writers he discusses, so too he overestimates the intellectual importance of Augustine and Aquinas. His presentation of their views (26-62) is accurate, but he does not note that they take over the Platonic-Aristotelian view of the soul according to which reason can and should penetrate, educate and direct the passions. Thus the guiding thought that structures the work—the nineteenth century witnesses an ultimately successful revolt against Christian psychology—must be rejected. The revolt is against ancient, pre-Christian modes of thought and is undertaken and largely won in the seventeenth century. The events Dixon describes are skirmishes in that larger campaign.The rest of the theses Dixon defends can be dispatched with more quickly. The idea that the modern concept of "emotion" is insufficiently subtle is averted to frequently, but never adequately defended. At no point does Dixon demonstrate, or even claim to demonstrate, that Christian thinkers recognized something secular thinkers miss. Roughly the same can be said for his claims about the persistence of Christian psychology in the nineteenth century. What Dixon means is not just that such thinkers exist, but that their thought remains vibrant. Again I see no argument for such a verdict. Finally, there is the matter of the opposition between reason and passion. To his credit Dixon rejects the view according to which almost all Western thought is hostile to the passions. As he shows, this... (shrink)

Contemporary emotion research typically takes the phenomenon of emotion to be exhausted by a class of mental events that are intentional, conscious, and related to certain sorts of behaviour. Moreover, other affective phenomena, such as moods, are also considered to be relatively short-term, episodic, or occurrent states of the subject undergoing them. Emotions, and other putative emotional phenomena that common-sense takes as long-lasting, non-episodic, or dispositional are things that both philosophers and scientists sometimes recognise, but that are relatively neglected in (...) comparison to emotional episodes. This thesis aims at showing that this neglect is unjustified. I will argue that there is a class of entities, 'sentiments'—broadly characterised as dispositions to undergo emotional episodes—that are irreducible to emotional episodes or collections thereof and have properties that make them a suitable target of study by the emotion researcher.In the first chapter, I argue that an analysis of caring as a pattern of emotional episodes, while more plausible than alternative, non-emotional accounts, faces a number of counterexamples that motivate the search for an account of caring as related in a certain way to emotions but as irreducible to them. I argue that a dispositional account, according to which dispositions are conceived as distinct from their manifestations, is an account for which a strong case can be made.The second chapter is dedicated to defending a modest form of realism about dispositions in general and psychological dispositions in particular. According to realism, dispositions are genuine properties that, although perhaps reducible to non-dispositional properties, cannot be re-described in terms of events only. In the third chapter, I show in what ways emotional dispositions can positively contribute to the explanation of the occurrence of emotional episodes. In the fourth chapter, I argue that caring, understood as a species of sentiment, is not to be construed as a mere disposition to produce certain events; rather, we should allow that certain dispositions are genuinely mental or psychological. Assuming realism about the mental, I argue that some dispositions are mental in a way that others are not. I suggest that being intentional is the property that makes psychological dispositions genuinely mental. I end the chapter by drawing a connection between caring and the notion of character. On my view, caring is at least a necessary ingredient of certain character traits, in particular the virtues. In chapter five, I tackle a recent form of empirically informed scepticism about character and argue, on the basis of general considerations about psychological dispositions, that the sceptic’s case is not as strong as she makes out. Finally, in chapter six, I argue that at least certain forms of sentiment, for example romantic love, can be genuinely supported by reasons, thereby suggesting a way they can contribute to the value of our lives. Overall, the aim of this thesis is to establish the respectability of sentiments in a sophisticated account of the mind. (shrink)

While much has been written on love, the question of how romantic love differs from friendship love has only rarely been addressed. This chapter focuses on shedding some light on this question. I begin by considering goal-oriented approaches to love. These approaches, I argue, have the resources needed to account for the differences between friendship love and romantic love. But purely goal-oriented accounts fail on account of their utilitarian gloss of our loved ones. Even when they circumvent this criticism, they (...) make the mistake of conflating the motivational tendencies of love for its constitutive characteristics. I then turn my attention to David Velleman's account of love as a moral emotion but argue that his view lacks the resources to account for the differences between romantic love and friendship love. I then go on to sketch a socially situated account of love that does better in this respect. I conclude by reflecting on the normativity of love. (shrink)

In this paper, I outline a Kantian moral psychology and use it to generate an analysis of the emotional attitude, love. At the heart of this moral psychology is a distinction between rational and subrational motives, and the thesis that interpersonal emotional attitudes like love are governed by a norm of respect. I show how an analysis of love that relies on this moral psychology—which I call “the incorporation conception” of love—tightly fits with paradigmatic cases of romantic (...) love, reveals both the continuities and differences between romantic and other forms of love, and also explicates our ambivalence about certain cases. Finally, I argue that this analysis, although it sees love as essentially a bundle of volitions, has the resources to respond to both David Velleman’s and Niko Kolodny’s critiques of volition-based analyses of love. Taken as a whole, the discussion provides an argument for both this analysis of love and the moral psychology it presupposes. (shrink)

Was love invented by European poets in the Middle Ages or is it part of human nature? Will winning the lottery really make you happy? Is it possible to build robots that have feelings? These are just some of the intriguing questions explored in this guide to the latest thinking about the emotions. Drawing on a wide range of scientific research, from anthropology and psychology to neuroscience and artificial intelligence, Emotion: The Science of Sentiment takes the reader on a (...) fascinating journey into the human heart. (shrink)

Philosophy has as much to do with feelings as it does with thoughts and thinking. Philosophy, accordingly, requires not only emotional sensitivity but an understanding of the emotions, not as curious but marginal psychological phenomena but as the very substance of life. In this, the second book in a series devoted to his work on the emotions, Robert Solomon presents a defense of the emotions and of sentimentality against the background of what he perceives as a long history of abuse (...) in philosophy and social thought and art and literary criticism. The title piece reopens a classic debate about the role of sentimentality in art and literature. In subsequent chapters, Solomon discusses not only such "moral sentiments" as sympathy and compassion but also grief, gratitude, love, horror, and even vengeance. He also defends, with appropriate caution, the "seven deadly sins." The emotions, at least some emotions--are essential to a well-lived life. They are or can be virtues, features of the human condition without which civilized life would be unimaginable. (shrink)

Philosophy has as much to do with feelings as it does with thoughts and thinking. Philosophy, accordingly, requires not only emotional sensitivity but an understanding of the emotions, not as curious but marginal psychological phenomena but as the very substance of life. In this, the second book in a series devoted to his work on the emotions, Robert Solomon presents a defense of the emotions and of sentimentality against the background of what he perceives as a long history of abuse (...) in philosophy and social thought and art and literary criticism. The title piece reopens a classic debate about the role of sentimentality in art and literature. In subsequent chapters, Solomon discusses not only such "moral sentiments" as sympathy and compassion but also grief, gratitude, love, horror, and even vengeance. He also defends, with appropriate caution, the "seven deadly sins." The emotions, at least some emotions--are essential to a well-lived life. They are or can be virtues, features of the human condition without which civilized life would be unimaginable. (shrink)

Undoubtedly Romantic love has come to saturate our culture and is often considered to be a, or even the, major existential goal of our lives, capable of providing us with both our sense of worth and way of being in the world. The Radicalism of Romantic Love interrogates the purported radicalism of Romantic love from philosophical, cultural and psychoanalytic perspectives, exploring whether it is a subversive force capable of breaking down entrenched social, political and cultural norms and structures, or whether, (...) in spite of its role in the fight against certain barriers, it is in fact a highly conservative impulse. Exploring both the grounds for the central place of Romantic love in contemporary lives and the meaning, extent and nature of its supposed radicalism, this volume considers love from a variety of theoretical perspectives, with attention to matters of gender, sexuality, class and ethnicity. With authors examining a range of questions, including the role of love in the same-sex marriage debate, polyamory and the notion of love as a political force, The Radicalism of Romantic Love illuminates a fundamental but perplexing aspect of our contemporary lives and will appeal to scholars across the social sciences and humanities with interests in the emotions and love as a social and political phenomenon. (shrink)

One of the interesting aspects of Dewey’s early educational thought is his apparent hostility toward children’s imaginative pursuits, yet the question of why this antipathy exists remains unanswered. As will become clear, Dewey’s hostility towards imaginative activities stemmed from a broad variety of concerns. In some of his earliest work, Dewey adopted a set of anti-Romantic criticisms and used these concerns to attack what one might call “runaway” imaginative and emotional tendencies. Then, in his early educational writings, these earlier concerns (...) were augmented by several other factors, including problematic trends in progressive education, new developments in psychology, and Dewey’s own educational aims. This analysis explores the roots of these criticisms, and explains how they culminate in the stance on the imagination that Dewey eventually outlined in the early educational writings. Notably, these findings have some important implications for certain prominent contemporary critics of progressivism. (shrink)

There is no specific trans perspective on romantic love. Trans people love and do not love, fall in love and fall out of love, just like everyone else. Trans people inhabit different sexual identities, different relationship types, and different kinds of loving. When it comes to falling in love as or with a trans person, however, things can get more complicated, as questions of gender and sexual identity emerge. In a study by Blair & Hoskin from 2018, 87.5% of the (...) interviewed participants said they would not consider dating a trans person (Blair & Hoskin, 2018). Among those who were open to dating trans people, a pattern emerged: the subjects were disproportionately willing to date trans men but not trans women, even if this preference did not match their own sexual identity; for example, a woman who identifies as a lesbian may be open to dating a trans man but not a trans woman. This seems like a clash of sexual and gender identities: why are women who identify as lesbians willing to date men? This chapter aims to analyze this phenomenon: love between clashing sexual and gender identities – e.g., the love between a man, who identifies as being romantically interested in men, and a trans woman, – and thereby evaluates the limits of romantic love for trans people. Limits of love, in this chapter, are conceived of as normative restrictions on whom and how we love. By exploring cases of clashing sexual and gender identities in romantic love, this chapter analyzes how trans people’s opportunities for love are often limited. (shrink)

This paper argues that the categorical authority of love’s imperatives is derived from a sentimental contract. The problem is defined and the paper argues against two recent attempts to explain the authority of love’s demands by Velleman and Frankfurt. An argument is then set out in which it is shown that a constructivist approach to the problem explains the sources of love’s justifications. The paper distinguishes between the moral and the romantic case but argues that the sources of authority are (...) paralleled in each. The paper ends by asking what we are to say when the demands of morality and the demands of love conflict. (shrink)

Paul E. Griffiths argues that most research on the emotions has been as misguided as Aristotelian efforts to study "superlunary objects" - objects...

This article examines the role played by ‘feeling’ (Gefühl) and ‘love’ within the philosophy of German Romanticism. After an introduction (I) to the actual debate on German Romanticism, paragraph II sketches an analysis of the concept of Gefühl at the end of the eighteenth century and highlights the differences with its actual meaning. The successive three sections are dedicated to three pivotal figures of German Romanticism: F. Schlegel (III), Novalis (IV), and Baader (V). Similarities and differences between these authors will (...) be emphasized. It will be demonstrated that they deny the reason˗feeling opposition, and that ‘feeling’ and ‘love’ are at the heart of their ontology, epistemology, and conception of subjectivity, conditioning the Romantic human-nature relationship and Romantic political philosophy. In the concluding remarks (VI), this paper explains how German Romanticism can still help to better understand the role of feelings in politics. (shrink)

The Routledge Handbook of Mechanisms and Mechanical Philosophy is an outstanding reference source to the key topics, problems, and debates in this exciting subject and is the first collection of its kind. Comprising over thirty chapters by a team of international contributors, the Handbook is divided into four Parts: Historical perspectives on mechanisms The nature of mechanisms Mechanisms and the philosophy of science Disciplinary perspectives on mechanisms. Within these Parts central topics and problems are examined, including the rise of mechanical (...) philosophy in the seventeenth century; what mechanisms are made of and how they are organized; mechanisms and laws and regularities; how mechanisms are discovered and explained; dynamical systems theory; and disciplinary perspectives from physics, chemistry, biology, biomedicine, ecology, neuroscience, and the social sciences. Essential reading for students and researchers in philosophy of science, the Handbook will also be of interest to those in related fields, such as metaphysics, philosophy of psychology, and history of science. (shrink)

Philosophers since Aristotle have explored emotion, and the study of emotion has always been essential to the love of wisdom. In recent years Anglo-American philosophers have rediscovered and placed new emphasis on this very old discipline. The view that emotions are ripe for philosophical analysis has been supported by a considerable number of excellent publications. In this volume, Robert Solomon brings together some of the best Anglo-American philosophers now writing on the philosophy of emotion, with chapters from philosophers who have (...) distinguished themselves in the field of emotion research and have interdisciplinary interests, particularly in the social and biological sciences. The reader will find a lively variety of positions on topics such as the nature of emotion, the category of "emotion," the rationality of emotions, the relationship between an emotion and its expression, the relationship between emotion, motivation, and action, the biological nature versus social construction of emotion, the role of the body in emotion, the extent of freedom and our control of emotions, the relationship between emotion and value, and the very nature and warrant of theories of emotion. In addition, this book acknowledges that it is impossible to study the emotions today without engaging with contemporary psychology and the neurosciences, and moreover engages them with zeal. Thus the essays included here should appeal to a broad spectrum of emotion researchers in the various theoretical, experimental, and clinical branches of psychology, in addition to theorists in philosophy, philosophical psychology, moral psychology, and cognitive science, the social sciences, and literary theory. (shrink)

Conceptual analysis aims to uncover the basic criteria of concepts that underwrite categorizing members via the method of cases. However, conceptual analysis has not been very successful and experimental philosophy has increasingly detailed this lack of success. This essay reviews Thinking Off Your Feet: How Empirical Psychology Vindicates Armchair Philosophy by Michael Strevens, which attempts a novel defence of conceptual analysis. It is a strategic intervention that seems to preserve a relatively traditional picture of philosophical inquiry. I concentrate on (...) several assumptions in this intervention that might be questioned and conclude there are good reasons to continue an interrogation of how we understand the philosophical enterprise. Ideally, this might encourage us to rebuild our picture of what philosophy is. (shrink)

Reductive explanations are psychologically seductive; when given two explanations, people prefer the one that refers to lower-level components or processes to account for the phenomena under consideration even when information about these lower levels is irrelevant. Maybe individuals assume that a reductive explanation is what a scientific explanation should look like (e.g., neuroscience should explain psychology) or presume that information about lower-level components or processes is more explanatory (e.g., molecular detail explains better than anatomical detail). Philosophers have been analyzing (...) reduction for more than half a century (Hüttemann and Love 2016), but neither of these possibilities is a consensus view (even if psychologically applicable). Instead, there is widespread agreement that the landscape of reductionism is complicated, especially in biology. Increasing scrutiny of actual practices within biology and other sciences has often provoked the questions (paraphrasing Alasdair MacIntyre): Whose explanation? Which reductionism? Marie Kaiser’s book—Reductive Explanation in the Biological Sciences—is a decisive intervention into these discussions, offering a wealth of helpful distinctions and new analyses with a healthy focus on scientific practices of explanation. (shrink)

Love is a universal experience that most people desire. A serious, long-term, and stigmatized illness makes entering and maintaining close relationships difficult, however. Ten persons, who have been diagnosed with schizophrenia, and lived with their illness for between years and decades of their lifetimes, shared their stories. They reported how the illness has influenced their emotional experiences regarding love and their intimate relationship experiences. We present here a qualitative Interpretative Phenomenological analysis (IPA) of their narratives. This analysis has been done (...) with an explicit intention to give voice to the patient’s perspective. The results highlight how illness adjustment and hospitalizations have an alienating effect on relationships through stigmatization and self-stigmatization; how illness creates psychological obstacles to love, such as diminished trust toward oneself and others; and how long-term patients experience practical difficulties in creating and sustaining relationships, such as poverty. Moreover, we show how patients experience changes in sexuality and the risks involved in it, and discuss possible coping strategies from their perspectives. (shrink)

The concept of teleonomy has been attracting renewed attention recently. This is based on the idea that teleonomy provides a useful conceptual replacement for teleology, and even that it constitutes an indispensable resource for thinking biologically about purposes. However, both these claims are open to question. We review the history of teleological thinking from Greek antiquity to the modern period to illuminate the tensions and ambiguities that emerged when forms of teleological reasoning interacted with major developments in biological thought. This (...) sets the stage for an examination of Pittendrigh’s (Adaptation, natural selection, and behavior. In: Roe A, Simpson GG (eds) Behavior and evolution. Yale University Press, New Haven, pp 390–416, 1958) introduction of “teleonomy” and its early uptake in the work of prominent biologists. We then explore why teleonomy subsequently foundered and consider whether the term may yet have significance for discussions of goal-directedness in evolutionary biology and philosophy of science. This involves clarifying the relationship between teleonomy and teleological explanation, as well as asking how the concept of teleonomy impinges on research at the frontiers of evolutionary theory. (shrink)

“What is an emotion?” William James asked that question in the title of an essay he wrote in 1884, and his answer was that an emotion is a sensation brought about by bodily disturbance. Writing as a psychologist, he was concerned to help turn his discipline into a science. But as a philosopher writing about religious faith, by contrast, James argued that emotions must be understood in terms of such large and fuzzy issues as “the meaning of life.” The philosophy (...) of emotions and emotions research has since gone off in two quite different directions, one a broad-based perennial philosophical concern with the proper place of the emotions in ethics and living well, the other an increasingly sophisticated pursuit of the latest ammunition and theoretical weaponry in the biological and neurological sciences. (shrink)

Written with a general audience in mind, On Romantic Love offers a new theory of love as a partially unconscious, sometimes rational and always controllable emotion, while explaining some of the neuroscience underlying our wildest passions.

By nature we are all addicted to love... meaning we want it, seek it and have a hard time not thinking about it. We need attachment to survive and we instinctively seek connection, especially romantic connection. [But] there is nothing dysfunctional about wanting love.Throughout the ages, love has been rendered as an excruciating passion. Ovid was the first to proclaim: “I can’t live with or without you”—a locution made famous to modern ears by the Irish band U2. Contemporary film expresses (...) a similar sentiment: as Jake Gyllenhaal’s character famously says in Brokeback Mountain, “I wish I knew how to quit you.” And everyday speech, too, is rife with such expressions as “I need you” and “I’m addicted to you.”... (shrink)

Reductive explanations are psychologically seductive; when given two explanations, people prefer the one that refers to lower-level components or processes to account for the phenomena under consideration even when information about these lower levels is irrelevant (Hopkins, Weisberg, and Taylor 2016). Maybe individuals assume that a reductive explanation is what a scientific explanation should look like (e.g., neuroscience should explain psychology) or presume that information about lower-level components or processes is more explanatory (e.g., molecular detail explains better than anatomical (...) detail). Philosophers have been analyzing reduction for more than half a century (Hüttemann and Love 2016), but neither of these possibilities is a consensus view (even if psychologically applicable). Instead, there is widespread agreement that the landscape of reductionism is complicated, especially in biology (Brigandt and Love 2017). Increasing scrutiny of actual practices within biology and other sciences has often provoked the questions (paraphrasing Alasdair MacIntyre): Whose explanation? Which reductionism? Marie Kaiser’s book—Reductive Explanation in the Biological Sciences—is a decisive intervention into these discussions, offering a wealth of helpful distinctions and new analyses with a healthy focus on scientific practices of explanation. (shrink)

Of all humanities disciplines, none is more resistant to the program of positive psychology or more hostile to the prevailing discourse of human flourishing than literary studies. The approach taken in this volume of essays is neither to gloss over that antagonism nor to launch a series of blasts against positive psychology and the happiness industry. Rather, the essays are attempts to reflect on how the kinds of literary research the contributors themselves are doing, the kinds of work (...) to which they are personally committed, might become part of an interdisciplinary conversation about human flourishing. The authors' specific fields of work are wide ranging, covering literary aesthetics, book history, digital humanities, and reader reception, as well as the important "inter-disciplines" of gender and sexuality studies, disability studies, and black studies-fields in which issues of stigma and exclusion are paramount, and which have critiqued the discourse of human flourishing for its failure to grapple with structural inequality and human difference. Taken together, the essays contribute more points of ambiguity and hesitation to the study of human flourishing than decisive advancements. Literary scholars are drawn more readily to the problematic than to the decidable. But by dwelling on the trouble spots in a field of inquiry still largely confined to the sciences, this volume provides the groundwork for new and more productive forms of interdisciplinary collaboration and exchange. (shrink)

This pithy book is for any psychologist or philosopher who wants to do psychology in a biologically informed way. Emotions are an object lesson, and the lesson is mostly negative: emotions are no one thing, and most of them are something we know not what.

This book explores moral questions that go beyond the issues commonly considered in the ethics of action.

Study of the controversy between Franz Brentano and his student Carl Stumpf on emotions and sense-feelings. The issue is whether the pleasure that provides an object such as a work of art is intentional, as it is the case in Brentano's theory in which it is closely related to the class of emotions (love and hate), or merely phenomenal as Stumpf wants it. The paper is divided into two parts : I first examine several aspects of the relationship between Stumpf (...) and Brentano and I evaluate in the second part whether Stumpf's deviations from several theses of Brentano's descriptive psychology, namely on emotions and sense-feelings, challenge his commitment to Brentano's program in philosophy. (shrink)

What is Love? Discourse about Emotions in Social Sciences The study of emotions has been one of the most important areas of research in the Social Sciences. Social Psychology has also contributed to the development of this area. In this article we analyse the contribution of social Psychology to the study of emotion, understood as a social construct, and its strong relationship with language. Specifically, we open a discussion on the basis of the general characteristics of the Social (...) Psychology of emotions and the contributions from different disciplines in this area of research, to give meaning to the relationship they have with the language of emotions. In this regard, we have reviewed basic references for the study of the construction of an emotion, and thematically classified them into three broad categories: 1) Contributions from different backgrounds and perspectives; 2) Construction and de-construction studies of emotion, and 3) Postconstructionist studies of emotion. In the first category, we consider the main contributions from the Social Sciences, which can be summarized in two areas: philosophical-construction of an emotion; mainstream-psychology of emotion. In the second category we have began with the relationship between emotion and language and the social construction of emotion, i.e., its discursive status. We end with postconstructionist theories, i.e., Butler's concept of performance and technoscience. To give more meaning to this line of research, the use of a concrete example of emotion seemed appropriate. Thus, we chose "love". (shrink)

Dynamically transforming the elements of any performing artist’s craft, this practical guide is a must-have for musicians, dancers, and actors. The handbook shows how artistic performance is embodied in the unification of three critical elements—motion, emotion, and love—demonstrating how it offers experiences and opportunities distinct from the nonperforming arts. Step-by-step guidelines are provided for building intentional and inspirational practice time, thereby enhancing the relationships between the source, the performer, and the audience. Illustrating how intentional movement invokes emotions from both the (...) performer and the audience and how the concept of love gives a performance humanity and life, this eye-opening exploration creates pathways for achieving true artistry. (shrink)

Some embodied theories of concepts state that concepts are represented in a sensorimotor manner, typically via simulation in sensorimotor cortices. Fred Adams (2010) has advanced an empirical argument against embodied concepts reasoning as follows. If concepts are embodied, then patients with certain sensorimotor impairments should perform worse on categorization tasks involving those concepts. Adams cites a study with Moebius Syndrome patients that shows typical categorization performance in face-based emotion recognition. Adams concludes that their typical performance shows that embodiment is false. (...) Moebius patients must draw on amodal (non-embodied) emotion concepts. In this paper, I review face-based emotion recognition studies with Moebius patients yielding conflicting results and diagnose these conflicts as a difference in experimental design. When emotion labels are provided, patients have typical performance, but when labels are not provided patients are severely deficient. I then show how an embodied, psychological constructionist view of emotions predicts and explains these performance differences. The upshot is that embodied theories of concepts are vindicated. (shrink)

In this paper I offer a philosophical approach to the emotion ‘love’, as a response to more psychological approaches presupposed in ‘emotional intelligence’, ‘emotional literacy’ programmes, or how some Philosophy for Children practitioners interpret ‘caring thinking’. Martha Nussbaum’s philosophy of emotions expressed in her book Love’s Knowledge, and the complex arguments contained within it have been given a narrative context: the picturebook Frog in Love by Max Velthuijs. The narrative contextualisation shows how literature can be used to explore the meaning (...) of love philosophically, but also it is an illustration of how some works of literature can do justice to the complexity involved in understanding emotions. The paper starts with an exposition of one of the sources of a currently popular view of emotion by psychologists and educators. Originally conceptualised by Plato, emotions are regarded as mental states in need of mastery and control. As a result, some parents and educators argue that their age and experience puts them in an advantageous position to tame youngsters’ wild ‘sides’ and to help them ‘mature’ into adults who understand and manage their emotions, and become so-called emotionally ‘literate’ or ‘emotionally intelligent’. For educators it is an appealing promise of empowerment and achievement for all . One particular approach to teaching and learning called Philosophy with Children is also increasingly promoted and adopted in schools as a vehicle for emotional ‘intelligence’ or emotional ‘literacy’ . The caring thinking it encourages is interpreted psychologically often without acknowledging its moral and political dimensions. After a brief introduction of P4C, I problematise a psychological understanding of emotion by focusing on one book in particular, Martha Nussbaum’s Love’s Knowledge. With the help of the picturebook Frog in Love I entangle some of her complex arguments about ‘love’, what it means, and how literature can provide insight. I argue against a behaviourist approach to emotions, and through phronesis, that is, a detailed exploration of ‘love’ in the context of Frog in Love I intend to show an alternative, philosophical approach to emotions that regards emotions as neither fixed entities, nor feelings ‘inside’ our ‘selves’ that need to be managed or controlled, but as complex judgments, as linguistic concepts. Psychological approaches to emotions often misunderstand the ‘golden mean’ principle to mean self-discipline and willpower, but for Aristotle self-control is not a virtue. Instead, I argue how emotions need to be regarded as informative expressions of and responses to dynamic social relationships and return at the end of the paper to the relevance of this point of view for the theory and practice of P4C as phronesis. (shrink)

Sentimental Rules is an ambitious and highly interdisciplinary work, which proposes and defends a new theory about the nature and evolution of moral judgment. In it, philosopher Shaun Nichols develops the theory that emotions play a critical role in both the psychological and the cultural underpinnings of basic moral judgment. Nichols argues that our norms prohibiting the harming of others are fundamentally associated with our emotional responses to those harms, and that such 'sentimental rules' enjoy an advantage in cultural evolution, (...) which partly explains the success of certain moral norms. This has sweeping and exciting implications for philosophical ethics. Nichols builds on an explosion of recent intriguing experimental work in psychology on our capacity for moral judgment and shows how this empirical work has broad import for enduring philosophical problems. The result is an account that illuminates fundamental questions about the character of moral emotions and the role of sentiment and reason in how we make our moral judgments. This work should appeal widely across philosophy and the other disciplines that comprise cognitive science. (shrink)

In contemporary histories of psychology, William Moulton Marston is remembered for helping develop the lie detector test. He is better remembered in the history of popular culture for creating the comic book superhero Wonder Woman. In his time, however, he contributed to psychological research in deception, basic emotions, abnormal psychology, sexuality, and consciousness. He was also a radical feminist with connections to women's rights movements. Marston's work is an instructive case for philosophers of science on the relation between (...) science and values. Although Marston's case provides further evidence of the role that feminist values can play in scientific work, it also poses challenges to philosophical accounts of value-laden science. Marston's work exemplifies standard views about feminist value-laden research in that his feminist values help him both to criticize the research of others and create novel psychological concepts and research techniques. His scientific work includes an account of the nature of psycho-emotional health that leads to normative conclusions for individual values and conduct and for society and culture, a direction of influence that is relatively under-theorized in the literature. To understand and evaluate Marston's work requires an approach that treats science and values as mutually influencing; it also requires that we understand the relationship between science advising and political advocacy in value-laden science. (shrink)

According to Stoic moral psychology, emotions are cognitive responses to perceived value in the contingent world. This dissertation begins by defending a contemporary version of this descriptive theory; it then proceeds with a critique of the Stoics' normative thesis that emotions involve amorally deplorable kind of cognitive error. I distinguish two senses in which this thesis is historically put forward, and show that both are thematically pertinent. The structural variant, as I call it, is a qualified critique of the (...) particular cognitive flaws to which emotions are liable; the fundamental argument, on the other hand, is that emotions are categorically unreliable. My goal in the rest of the dissertation is to respond to each aspect of normative Stoicism with a positive account of how it might be possible for a moral agent to avoid false emotion without doing away with emotion altogether. This means explaining how a person's emotional perception might become reliable rather than sentimental within a given moral context, and indicating what axiological conditions must generally obtain if emotion is justifiable in any case. In doing so, I draw largely upon Kierkegaard's pseudonymous and signed writings, while also engaging with other relevant philosophical texts along the way. I argue that a morality of virtue and narrative awareness is necessary for accurate emotional perception; then, I attempt to define the conditions on which a qualified value realism might be tenable. It is one thing to argue for the importance of emotion in human life, as a number of recent studies have done, but it is quite another to show how we might cultivate truthful, and avoid false, emotion. The outcome of this inquiry into the possibility of reliable emotion is a positive account of the ideal state in which one could trust oneself to be rational in being passionate. (shrink)

The ideas of love and justice have received a lot of attention within theology, philosophy, psychology, sociology, and neuroscience in recent years. In theology, the theological virtues of faith, hope, and love have become a widely discussed topic again. In philosophy, psychology and neuroscience research into the emotions has led to a renewed interest in the many kinds and forms of love. And in moral philosophy, sociology, and political science questions of justice have been a central issue of (...) debate for decades. But many views are controversial, and important questions remain unanswered. In this volume the authors focus on issues that take the relations between the two topics into account. The contributions move from basic questions about the relationships between love and justice through specific, but central problems of a just practice of love to social and political issues of the practice of justice in today's society. Contributors:Richard Amesbury, Ingolf U. Dalferth, Trisha M. Famisaran, Thomas Jared Farmer, Everett Fullmer, Duncan Gale, Kirsten Gerdes, Deidre Green, Eric E. Hall, W. David Hall, Trevor W. Kimball, Ulrich H. J. Körtner, Richard Livingston, Thaddeus Metz, Anselm K. Min, Rob Overy-Brown, Raymond E. Perrier, Panu-Matti Pöykkö, Stephen J. Pope, T. Raja Rosenhagen, Jonathan Russell, Regina M. Schwarz, Roberto Sirvent, Justina M. Torrance, Nicholas Wolterstorff. (shrink)