In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Ideas and Forms of Tragedy from Aristotle to the Middle AgesRichard J. UtzIdeas and Forms of Tragedy from Aristotle to the Middle Ages, by Henry Ansgar Kelly; xvii & 257 pp. Cambridge: Cambridge University Press, 1993, $59.95.If H. A. Kelly had wanted to sing the tune of Norman Cantor’s recent book on nineteenth- and twentieth-century medievalists, he could have called his study “Inventing Tragedy.” However, besides a (...) certain revisionistic attitude, there are no correspondences between the hasty, essayistic Inventing the Middle Ages (1991) and the scholarly, thoroughly philological Ideas and Forms of Tragedy. Where Cantor attempts to convince his readers that the various critical appropriations of the Middle Ages say more about the cultures of their modern reinventors than about the subject of their researches, Kelly is positive that sound source study and textual criticism can provide secure data for a more accurate application of perhaps the most famous of all genre terms to respective historical authors and individual plays. Thus, Kelly considers his book to be a necessary critical corrective of faulty and preconceived (modern) ideas about classical and medieval notions of tragedy. His methodological insistence on a purely philological investigation is responsible for some of the [End Page 253] outstanding virtues of this investigation such as authority, exactitude, and scholarliness; at the same time it is also the cause for the omission of questions essential to a study which purports to present an account not only of the forms but also the “ideas” of tragedy from classical antiquity through late medieval times.Chapters one and two examine various ideas and practices associated with tragedy in ancient Greece and Rome. This concise survey should become assigned reading for students of literary drama because it debunks the belief that the term tragedy conjures up a uniform idea, one that has been relatively constant throughout the ages and that can be attributed to Aristotle’s discussion of the best kind of tragedy in his Poetics. Kelly demonstrates how Aristotle’s broad definition of the term (any serious story, even with a happy ending) was transformed in late antiquity to mean a story ending in irremediable misfortune.Chapter three studies the semantic shifts the word tragedy underwent in the early Middle Ages. Kelly establishes convincingly that the various early medieval lexicographers and commentators (the most intriguing discussions include Isidore of Seville, Remigius of Auxerre, and Papias) knew much less about tragedy and had a much less unified idea of tragedy than is assumed by many modern-day scholars of drama. A vague knowledge of the genre also characterizes the twelfth century (chapter four), when—with the exception of John of Salisbury—creative mélanges of authentic classical traits and postclassical distortions dominated.The fifth chapter demonstrates that most commentators in the high Middle Ages, despite the reception of Aristotle directly from the Greek or through Arabic intermediaries, vary widely on the meanings they attach to the word “tragedy.” Most of them, such as John Garland, even consider it an empty, obsolete genre, one practiced only by very few poets of classical antiquity. Only Dante Aligheri believed that tragedy was a current genre and that he had made his contribution to it.The study concludes by surveying the developments in fourteenth- and fifteenth-century England, France, Italy, and Spain. Kelly argues that in spite of the greatly increased currency of ideas of tragedy in the later Middle Ages, other genres (vitae of famous men or saints, exempla, complaints) negotiated stories of disaster and death. It seems problematic, however, that Kelly does not further investigate any of the cultural ramifications for and the “ideas” behind the existence and nature of these other genres and the coeval absence of (Aristotelian) tragedy. While he rightly states that medieval vitae, exempla, and planctus all do without discussions of the empathic sorrow for the misfortune of others which characterizes Aristotle’s (and Chaucer’s) ideas of tragedy, his exclusively philological approach—one concerned with sources and textual traditions but not with society or mentalities—makes him circumnavigate essential deliberations about the causes for these conspicuous medieval notions. [End Page 254] Thus, Kelly’s book does not even attempt to answer the... (shrink)

This treatise presents thoughts on the divide that exists in chemistry between those who seek their understanding within a universe wherein the laws of physics apply and those who prefer alternative universes wherein the laws are suspended or ‘bent’ to suit preconceived ideas. The former approach is embodied in the quantum theory of atoms in molecules (QTAIM), a theory based upon the properties of a system’s observable distribution of charge. Science is experimental observation followed by appeal to theory (...) that, upon occasion, leads to new experiments. This is the path that led to the development of the molecular structure hypothesis—that a molecule is a collection atoms with characteristic properties linked by a network of bonds that impart a structure—a concept forged in the crucible of nineteenth century experimental chemistry. One hundred and fifty years of experimental chemistry underlie the realization that the properties of some total system are the sum of its atomic contributions. The concept of a functional group, consisting of a single atom or a linked set of atoms, with characteristic additive properties forms the cornerstone of chemical thinking of both molecules and crystals and Dalton’s atomic hypothesis has emerged as the operational theory of chemistry. We recognize the presence of a functional group in a given system and predict its effect upon the static, reactive and spectroscopic properties of the system in terms of the characteristic properties assigned to that group. QTAM gives physical substance to the concept of a functional group. (shrink)

With the discovery of Australopithecus, the concepts of bipedalism, the emergence of the open savannas, and the separation of pongids and hominids (bipedal-savanna-cladogeny; the BSC model) were integrated in an attempt to interpret the keys to the emergence of man. However, palæoclimatology, palaeoecology, and the morphology of A. ramidus and A. afarensis show that early hominids were better adapted to the tropical forest. Consequently, the BSC model is no longer valid, even though the relationship between open savannas and bipedalism can (...) still be invoked to explain cladogeny between Paranthropus and Homo. That the BSC model is still thriving could be due to preconceived ideas as to what constitutes a human being — ideas that are projected into the past to explain our origins. (shrink)

This article argues that Ludwik Fleck’s understanding of scientific observation as a social and cultural process stemmed not only from his practical experience as a bacteriologist and serologist, but also from a confrontation with ideas developed by other Polish thinkers. It discusses ideas of three such thinkers: the ophthalmologist and philosopher of medicine Zygmunt Kramsztyk, the mathematician and painter Leon Chwistek, and the playwright, painter and photographer Stanislaw Ignacy Witkiewicz. Kramsztyk was interested in the way the observer’s (...) class='Hi'>preconceived idea shaped observations through selection of specific visual elements and the rejection of others. Chwistek developed a theory of ‘multiple realities’ which proposed several divergent and equally valid patterns of grasping reality. In his plays, photographs, drawings and paintings Witkiewicz experimented restlessly with destabilization and transformation of the notion of a stable external reality. It links, then, debates on ‘reality’ in Poland between 1900 and 1939 to intersections of ideas derived from modern physics, psychology of perception, and avant-garde art.Keywords: Ludwik Fleck; Stanislaw Ignacy Witkiewicz ; Leon Chwistek; Poland; Perception; Avant-garde art. (shrink)

In paragraphs 107-108 of his Philosophical Investigations, Wittgenstein remarks, “The preconceived idea of crystalline purity can only be removed by turning our whole examination round. (One might say: the axis of reference of our examination must be rotated, but about the fixed point of our real need.)” This paper attempts to illuminate his notion of this “real need” which is shared by that work and by his earlier Tractatus Logico-Philosophicus by comparing these works with some of the writings of (...) Tolstoy and Schopenhauer with which he was familiar. I do this not to discredit either of his writings as works on logic but to show in what manner they are, indeed, works on logic. (shrink)

Independent on Sunday October 2nd One of the country's lead­ing philosophical counsellers, and chairman of the Society for Philosophy in Practice (SPP), Tim LeBon, said it typically took around six 50 ­minute sessions for a client to move from confusion to resolution. Mr LeBon, who has 'published a book on the subject, Wise Therapy, said philoso­phy was perfectly suited to this type of therapy, dealing as it does with timeless human issues such as love, purpose, happiness and emo­tional challenges. `Wise (...) Therapy, is part of a series aimed at promoting an integrative attitude as its ethos. Among all the many perspectives of psychotherapists and counselors, philosophy needs to take its place and needs to find its voice. Tim LeBon has provided an effective means by which counselors can bring philosophy into their work with clients' - APPA journal `Tim Le Bon's Wise Therapy is a comprehensible and well argued book dealing with the practical therapeutic applications of philosophical research that may well be of interest to philosophers but -- as the author himself intends -- will be of most obvious benefit to therapists and counselors, both by informing their dialogue with clients in new ways and by helping them become more informed about ways to resolve the ethical dilemmas arising within the context of their own work' - Metapsychology `A fascinating workshop for therapists and clients, backed up a thorough degree if philosophical acuity' - Journal of the Society for Existential Analysis `I strongly recommend the book for philosophers as well as practitioners, teachers, students and supervisors in counselling and psychotherapy' - Self and Society `Provides some additional and valuable arrows for the therapist's quiver' - Irvin Yalom, author of Love's Executioner `Like Aristotle, Tim LeBon examines what is said and extracts what is best from it…. There are many fascinating exercises designed to bring out and enlighten the client's values, conception of the good life, well-being, happiness, pleasure, and the proper place of reason in life…. Wise Therapy is well written and engaging. The case histories are illuminating examples of therapeutic techniques at work, the thought experiments are well designed, and the philosophical position adapted from the internal debates of the philosophers is level headed…. I recommend it highly to philosophers with an interest in counselling, and psychological counsellors with an interest in philosophy' - Jeff Mason, The Philosophers' Magazine `Tim LeBon has… authored a text which should become a staple on the philosophical counsellor's bookshelf…. Wise Therapy is a concise, well-written book…. His ability to relate philosophical concepts to counselling concerns is admirable and attests to the skill and knowledge he possesses as a working counsellor. But, by far the most important part of Tim LeBon's book to PC is the last chapter, "The Counsellor's Philosophical Toolbox"' - Craig Munns in The Examined Life ` Tim LeBon has done a good job of offering practical approaches to some of the most important and vexing issues that arise in counselling…. Tim LeBon's book contains helpful suggestions, practical information, and useful examples, and would make a good addition to the library of any counsellors willing to allow philosophy to turn mere client sessions into wise therapy' - Peter Raabe, Practical Philosophy Wise Therapy is an original and practical guide to how philosophy can benefit counselling and psychotherapy. Tim LeBon argues that therapy, informed by philosophy, can help clients make better decision and achieve emotional wisdom. He uses philosophical approaches to explore issues of right and wrong, the emotions and reasons, well-being and the meaning of life, and develops a 'counsellor's toolbox' of techniques that can help practitioners apply the wisdom of philosophy to good therapeutic practice. For counsellors who may find philosophical approaches to therapy useful, this work addresses key philosophical topics - the emotions, free will, the meaning of life and ethics. It is jargon-free where possible and assumes no previous philosophical training. From The Independent, 16th November 2004 Plato is my agony aunt It was the end of a love affair that broke her heart. Could the wisdom of the great philosophers show her how to be happy again? Claire Smith tries a novel form of therapy "The unexamined life is not worth living," Socrates said. Nor is the life you're left with after your boyfriend has left you for another woman - at least, that's how it felt in October last year when mine broke rank and went off with an art student from Cleveland, Ohio. We were over there for the opening of his new art exhibition. He'd flown over four days before me and had met her at a party. Supposedly, they "connected". The five months that followed were a roller-coaster of confusion, vitriol and despair. I knew there'd been problems in our relationship. We saw the world very differently; he delighted in the charm of the ordinary, I wanted maximum divinity. He walked; I galloped. He drank tea; I loathed the stuff. But, along the banks of the Thames, we'd made a promise to always stick together. Our love was something unique: "transcendental", I called it. And besides, we recycled. Surely a commitment to save the world would save our relationship? Alas, no. So there I was, a woman scorned. Hell truly hath no greater fury. And what made it worse was that I still believed in our transcendental love. If I wanted to change the way I was feeling, I needed to alter the way I was thinking. But how? A few bottles of wine and a sharp blow to the head might have done the trick. Fortunately, there's an older, more trusted way of turning your head on its head that counsellors are starting to use: philosophy. The idea of employing Plato as an agony aunt was begun in 1981 by the German philosopher Gerd Achenbach. Although philosophy spends a lot of its time asking real-life questions that affect real-life people - What is happiness? And is it always wrong to lie? - most of the debate goes on in ivory towers. What Achenbach and subsequent philosophers including Tim LeBon, the chairman of the UK's Society for Philosophy in Practice, wanted to do was "give practical application" to this gigantic library of great thoughts. So how does it work? Like most types of therapy, you sign up for a set of sessions. "Two would give you a new perspective on one issue; six would help you to make a major life-decision, like a career change; with 12 you can start to rethink your entire life philosophy," explains LeBon. Each session lasts 50 minutes and costs £50 - and, no, you don't have to have any previous knowledge of philosophy. "If you think of Friends, it would suit Ross and Chandler more than Joey," LeBon says. "It's for anyone who wants to make their emotions more intelligent. Or for those who have tried other kinds of therapy, and want something more cerebral." The first session begins with the patient venting off about whatever's troubling them. The rant over, the counsellor then picks out some key concepts that are crucial to the problem - in the case of heartbreak, it is love and happiness that come hurtling to the fore - and then gets the patient to define what they mean. So, what is love? What is happiness? To kick-start the patient's thinking, LeBon describes what a great philosopher had to say about it. In my case, he tells me what Plato wrote about love in his Symposium: that to stop man fighting the gods, Zeus decided to cut each human in two, so they would lose their strength. "This, then, is the source of our desire to love each other," Plato said. "Each of us is a 'matching half' of a human whole, because each was sliced like a flatfish, two out of one, and each of us is always seeking the half that matches him." This method of probing what we might think are "obvious" ideas, such as love and happiness, was devised by Socrates in the squares of Athens. "The only I thing I know is that I know nothing at all," he boasted. What Socrates showed was that although many of the thinkers of his time thought they knew what justice, happiness and goodness meant, their understanding was tied in to their personal agenda and world view, and, what's more, when pushed, their ideas often contradicted themselves. A bit like me on love. Whereas part of my understanding of love was something that gave life meaning, made it worth living and bound us together, I also believed that true love was "transcendental": that it was out of this world, and it didn't matter if the two people who loved each other couldn't get along in the day-to-day. Love was bigger than the mundane. But when it came to the next stage of the therapy, critical thinking - "to check out whether your assumptions stand up to examination" - I walked head first into a contradiction. If I think love's purpose is to make life worth living, but then say it's irrelevant to daily life, surely my two ideas of love are not compatible? As the cogs in my brain start to creak into motion, I feel myself taking a step back from my predicament: thinking about how I've been thinking. This idea I had of transcendental love might have started off as a romantic dream. But when the relationship stopped working, and I found myself feeling trapped and frustrated, I used it to justify the mechanics of a relationship that just didn't work in the daily grind. I used it to lie to myself. In the final stage, LeBon gets me to start thinking about how to go forward. "You can't change what has happened," he says. "You can't change that he's left you, or how you behaved in the relationship. So, as the Stoics did, let's work on controlling the controllables: the things that you can change." To work out what can be changed, he gets me to try out a thought experiment, a method often used in philosophy to imagine other worlds where people can have different codes of behaviour. Thought experiments shatter your preconceived ideas of how the world should be and let your imagination run wild to how the world could be. "I find Viktor Frankl very useful here, the Austrian psychiatrist and concentration-camp survivor who actually believed that everything in life happens for a purpose," LeBon says. "Suppose this break-up did happen for a reason that will work to your benefit," he suggests. "What might that be? The answer might be that you can now focus on something important that was denied in the relationship. Or - the Hollywood version - so you'll meet someone who is really right for you." Temporarily freed of any sense of responsibility for the relationship that was, and its sorry demise, the list came fast. I could now travel more; he didn't like me travelling on my own, but too often he didn't want to go anywhere, preferring to stay in his studio and make art. I'd love to meet someone with a similar sense of adventure to mine. For the first time in two years, I was being honest with myself about what I really wanted - listening to those voices that we all have inside our heads, and too often try to muzzle. So did philosophy save me? Well, I'm now dating a travel writer I have to run to keep up with. I still haven't got over the fact that my replacement came from Cleveland, Ohio. But I guess I never will. Tim LeBon can be reached by e-mail at [email protected] A FEW WORDS FROM THE WISE Compiled by Ed Caesar · "At the touch of love, everyone becomes a poet" - Plato · "There is always some madness in love. But there is also always some reason in madness" - Friedrich Nietzsche · "That man shall live as his own master and in happiness who can say each day 'I have lived'" - Horace · "The good of man is the active exercise of his soul's faculties in conformity with excellence or virtue... Moreover this activity must occupy a complete lifetime; for one swallow does not make spring, nor does one fine day; and similarly one day or a brief period of happiness does not make a man supremely blessed and happy" - Aristotle · "There is nothing on this earth more to be prized than friendship" - Thomas Aquinas · "Whatever you do... love those who love you" - Voltaire · "Happiness is not an ideal of reason but of imagination" - Immanuel Kant · "Happiness is a state of which you are unconscious. The moment you are aware that you are happy, you cease to be happy" - Jiddu Krishnamurti · "Love is an ideal thing. Marriage is a real thing" - Johann Wolfgang von Goethe I shrink, therefore I am Therapy has many answers, but some questions require the help of a philosopher, says Clint Witchalls Sunday November 21, 2004 The Observer Danny had worked in the City of London for 10 years. As a research analyst, stockbroker and fund manager, he'd made a lot of valuable contacts, earnt a lot of cash, and learnt some important business skills. However, as he approached his mid-thirties, he no longer felt good about himself or what he did for a living, and he found his colleagues cold and unfriendly. A chronic illness made him realise his mortality, and he began to reassess his priorities. Danny had been struggling with his career conundrum for nearly five years when he met David Arnaud, a philosophical counsellor. After a few soul-searching sessions, Danny arrived at a decision. Today, he teaches economics to sixth-formers, and he loves it. 'It's a much better lifestyle,' he says. Many people are turning to philosophical counsellors to get answers to questions such as: 'How do I make sense of myself?' 'What is important to me?' 'Where am I going?' These are perhaps not the sort of questions that require psychiatric intervention, but Arnaud, who recently completed the first empirical study of philosophical counselling in the UK, has found that within just five sessions the majority of clients, with important decisions to make, tend to move from a state of concern and confusion to a resolution. Modern philosophical counselling can be traced back to 1981, when the philosopher Gerd Achenbach opened the first practice near Cologne. Achenbach referred to the new discipline as 'therapy for the sane.' Today, there are hundreds of philosophical counsellors around the world, with the movement particularly strong in the US, Britain and the Netherlands. 'The dilemmas people face aren't always primarily psychological,' says Alex Howard, a philosophical counsellor from Newcastle. 'If people face problems that are social or economic, it doesn't make sense to define their problems in purely psychological terms.' Tim LeBon, a founder member of the Society for Philosophy in Practice (SPP) and author of Wise Therapy, adds: 'We are faced with far more life choices than our grandparents, yet have far fewer resources to deal with them. Our grandparents may have gone to a priest or to other family members for advice; most people don't trust these solutions any more and so want to make their own well-informed, well thought-out choices. Philosophical counselling can help these people - people in mid-life crises who are wondering how to make the most of the rest of their life. People who want to take stock of their values.' Where stressed executives might once have been prescribed a course of tranquillisers or antidepressants, they can now get a dose of Bertrand Russell instead: 'Success is too dearly purchased if all the other ingredients have been sacrificed to obtain it.' While some philosophical counsellors do recommend books for their clients to read, most sessions are about helping the client identify faulty thoughts. For example, a briefing in Aristotelian logic might show a client why their beliefs are erroneous. The person might infer that they're a screw-up because they've screwed up. The counsellor could point out that they're making an error called 'fallacy of composition' - that is, what's true of the part isn't necessarily true of the whole. In philosophical counselling, problems aren't pathologised as they are by the psychiatric profession, and the dialogue between client and counsellor is more like a meeting of equals, compared to many therapies where the client is treated like a patient and seen as someone who is, in some way, inadequate. 'Anybody can benefit from philosophical counselling,' says Howard. 'But it does require someone who is willing to take stock.' Lou Marinoff, author of international bestseller Plato Not Prozac! has done much to promote philosophical counselling. 'Some people who have stabilised their neurochemistry and validated their emotions now wish to examine or re-examine the criteria of their beliefs, the principles of their conduct, or the meaning of their lives,' he says. 'With whom shall they do this? Psychologists and psychiatrists can shed light on such issues - as can rabbis, priests, imams and gurus. Philosophers are now rejoining the ranks of helpers.' LeBon believes certain therapies (such as cognitive behavioural therapy) don't go far enough in helping their clients. 'For instance, if you are anxious about your relationship, a cognitive therapist would try to dispute your catastrophising and jump to conclusions to make you feel less anxious,' says LeBon. 'A philosophical counsellor would do this, but would also look for existential meaning in your anxiety - perhaps you really don't want to be in the relationship and that is what your anxiety is telling you.' LeBon also gives short shrift to psychoanalysts. 'There's very little evidence for the Freudian unconscious, and it's time to move on to more intellectually satisfying and helpful therapies,' he says. However, Alain de Botton, the man who popularised philosophy as self-help, isn't ready to bury psychologists and their ilk just yet. 'The truth is that psychoanalysis grew out of philosophy - it's not some completely new idea, and in fact, done properly, psychoanalysis is philosophical anyway. It may even be dangerous to the mental health of some people to suggest a philosopher rather than a properly trained analyst. The knowledge of analysts when it comes to many emotional problems is now much greater than that of most philosophers.' Guardian Unlimited © Guardian Newspapers Limited 2004. (shrink)

In this book, after discussing the fundamental problems of current science and other philosophic concepts, beginning with controversies between Heraclitus and Parmenides, Ilya Prigogine launches into a message of great hope: the future has not been determined. Contrary to globalisation and the apparent contemporary mass culture society, individual behaviour is beginning to increasingly become the key factor which governs the evolution of both the world and society as a whole. It is a message that challenges existing widespread views, implicitly or (...) explicitly, through mass communication, moreover the importance of the individual's actions implies a reflection of each person on the responsibilities that each one assumes when taking or acting upon a decision. This responsibility is associated with the freedom of thought as well as a critical analysis of fashions, customs, preconceived ideas, and ideologies, externally imposed: exactly contrary to the ideas of those who wish us to be "perfect consumers" in a world dominated only by monetary wealth. Challenging this drive towards the elimination of freedom of though in the individual is now imperative if we are to save man and his planet from catastrophe which seems to be ever imminent and (unfortunately) irreversible. This last book of Ilya Prigogine provides a small, disputable, but nonetheless valuable contribution towards that end. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Narrative Formulation RevisitedOn Seeing the Person in Mental Health RecoveryAnna Bergqvist (bio)The use of narrative in mental health contexts models consciousness as something necessarily embodied, as already part of the world, in an inherently value-laden and perspectival way. As such narrative presents a powerful tool for critical reassessment and reevaluation of preconceived ideas in relating to difficult concepts in clinical interactions.Narrative structures can reveal psychological differences between (...) persons in a way that matters for the provision of effective treatment and management. As emphasized by Solomon (2015), narrative reasoning is also motivated by distinctly first-personal concerns that are operative in the practitioner–client relationship. I maintain that the dynamics of that interpersonal relationship are part and parcel of what it means to address the patient's needs to be seen as a person in humanistic empathetic care—without thereby reducing truth to an individual person's perspective to encourage positive transformation.1The notion of empowering narratives to encourage positive change is a core concept behind the emphasis on the critical role of empathy in explaining human development and psychoanalytic change within the self-psychology tradition but is also key to recovery-based models of the significance of person-centered quality of life in medicine more generally. This is defined in mental health as recovering a good quality of life as determined by the values of (by what matters or is important to) the individual concerned (Allott, Loganathan, & Fulford, 2002; Fulford, 1989, 2004; Fulford, Peile, & Carroll, 2012). The importance of strengths in this regard was reflected for example in the UK government program on values-based mental health assessment. The 3 Keys program, as it was called (National Institute for Mental Health in England, NIMHE, and the Care Services Improvement Partnership, 20082) identified three shared 'keys' to good practice in mental health assessment: three things that were identified in a wide-ranging consultation as being important alike by health professionals of all kinds and by 'service users' thus understood as patients and carers (Fulford, Duhig, Hankin, Hicks, & Keeble, 2015a; Fulford, Dewey, & King, 2015b). The third of these keys was defined in [End Page 7] the subsequently published Good Practice Guidance, as "a person-centred focus that builds on the strengths, resiliencies and aspirations of the individual service user as well as identifying his or her needs and challenges" (NIMHE, 2008: 6); and the guidance included a number of real-life case examples of best recovery practice reflecting this aspect of mental health care (Slade et al., 2014).What my (Bergqvist, 2018, 2020, 2022, forthcoming) account adds to this claim is that while such choices are revelatory or expressive of a distinctly first-personal stance, they do not constitute or determine selfhood and self-interpretation in a fixed way. Moreover, the reason is that one can also adopt a second-personal stance on one's own experience and address oneself, where the relationship between the first- and the second-personal narrative perspective on experience and self-understanding is itself a dynamic and open-ended evaluative process.Anna Bergqvist Anna Bergqvist is Reader in Philosophy at Manchester Metropolitan University since 2021, and has been Postgraduate Research Coordinator and AHRC North West Doctoral Pathway Consortium Lead for Philosophy since 2020. I was elected to a Visiting Fellowship at St Catherine's College University of Oxford for Michaelmas Term 2021. Her service to the profession out with the University includes acting as Secretary of the World Psychiatric Association (WPA) Section for Philosophy & Humanities in Psychiatry (October 2020 – present), Executive Committee Member of the Royal College of Psychiatry (RCPsych) SIG in Philosophy (February 2020 – present) and External Examiner, University of Liverpool (November 2019 – present, 4-year tenure). She is also Director of the Values-based Theory Network at St Catherine's Collaborating Centre for Values-based Practice at the University of Oxford, and Member of its Whiteness and Race Equality Network. Her approach to philosophy bridges the disciplines of moral philosophy, moral psychology and philosophy of psychiatry to improve lives through her reputable expertise in moral perception and co-production as a mechanism for change.Notes1. Here I side with Goldie (2012) and Solomon (2015), who... (shrink)

For centuries the question of the origin of life had focused on the question of the spontaneous generation of life, at least primitive forms of life, from inanimate matter, an idea that had been promoted most prominently by Aristotle. The widespread belief in spontaneous generation, which had been adopted by the Church, too, was finally abandoned at the beginning of the twentieth century, when the question of the origin of life became related to that of the artificial generation of life (...) in the laboratory. This paper examines the role of social authorities, researchers’ basic beliefs, crucial experiments, and scientific advance in the controversies about spontaneous generation from the seventeenth to the nineteenth centuries and analyzes the subsequent debates about the synthesis of artificial life in the changing scientific contexts of the nineteenth and early-twentieth centuries. It shows that despite the importance of social authorities, basic beliefs, and crucial experiments scientific advances, especially those in microbiology, were the single most important factor in the stepwise abandoning of the doctrine of spontaneous generation. Research on the origin of life and the artificial synthesis of life became scientifically addressed only when it got rid of the idea of constant smooth transitions between inanimate matter and life and explored possible chemical and physical mechanisms of the specificity of basic molecules and processes of life. (shrink)

The Parmenides stood in the way of other inquiries I wanted to pursue in Plato's works not only as an obstacle but as a challenge and necessary testing ground. The other dialogues seemed to be opening up to an interpretative effort that was more and more appropriated and effective, but then there stood the Parmenides, elaborately opaque, defying clarification. The temptation, easily disguisable in some scholarly way, was to formulate some idea of what the dialogue ought to be saying and (...) then stress this or that part of it to confirm one's assumption (the dialogue is, indeed, rich enough to nourish almost any preconceived idea), but once that temptation is detected and resisted, the only course left is to approach the dialogue with as willful an innocence as one can sustain in a determination to let that dialogue open up as it will. And so the attempt was made. -- Preface. (shrink)

Within the Configuration school the management author Henry Mintzberg contributed a strong criticism of a normative conception of strategic planning, arguing that this is too narrow. The philosopher Henri Bergson embraced the totality of life as a creative evolution which transcends the fullness of a preconceived idea. While Mintzberg attempts to rethink the concept of strategy and Bergson to renew philosophical thought, together they share a vision of a changing and unpredictable world that enables them to discover — above (...) and beyond the systematic data they are able to assemble — another mode of knowledge formed by intuition. Intuition holds a central place in the work of both thinkers, invigorating Mintzberg’s work on strategy and Bergson’s thought on metaphysics through a grasp of the substantiality of change. In this paper, we explore the implications of the concept of intuition for their ideas, then discuss some of its limitations, before investigating its possible applications for management research. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Method and Politics in Plato’s Statesman by M. S. LaneFrancisco J. GonzalezM. S. Lane. Method and Politics in Plato’s Statesman. Cambridge: Cambridge University Press, 1998. Pp. xiii + 229. Cloth, $59.95.This rewarding book not only is another sign of growing interest in the Statesman, but also does much to justify this interest. The reasons for the dialogue’s relative neglect until recently are easily stated: readers have been puzzled (...) by the amount of space devoted to method in a dialogue ostensibly about politics; furthermore, they have found both the method and the politics highly unsatisfactory. Lane addresses each of these concerns. She continually draws our attention to the unity of method and politics in the dialogue: the limitations of the Stranger’s initial divisions are shown to be equally methodological and political (44–5); the cosmic story is shown to be flawed by a political prejudice (the traditional model of king as shepherd), which turns into a methodological prejudice (the telling of a story too long to be profitably used as an example; 9–10, 121–3); the capacities ultimately shown to be necessary for a successful inquiry (division, exemplification, and finding the mean) also prove to be essential requirements of political knowledge (143–4, 202).Lane’s major contribution to our understanding of the dialogue’s method is her demonstration of the central role played by example (paradeigma). Lane expresses a common objection to the method of division: “But how to choose just which apparently similar things or names to investigate? Similarities are ubiquitous; there is some respect in which everything is similar to everything else. What is more, it is usually on the basis of prejudice and preconceived ideas … that similarities are distinguished” (75–6). Lane sees example as the solution, since it is precisely the task of an example to fix on those similarities relevant to the aim of the inquiry (76, 86–7).This is a very appealing solution, but one must wonder if it does not simply postpone the problem. To choose the right example, must we not make assumptions about which similarities are relevant to defining the object of inquiry and therefore about the nature of this object? And may not these assumptions be no more than prejudices or preconceived ideas? While the Stranger indeed develops his own example of weaving to an extent unparalleled in other dialogues (93), that there are essential similarities between statecraft and weaving appears to be more assumed than demonstrated by the example.With regard to politics, Lane provides a very illuminating account of the dialogue’s characterization of political expertise as certain knowledge of the good in a temporal context, or the kairos. She shows in what way this “knowledge of timing” (142) both is distinct from, and rules over, other contenders for the title of statecraft (such as rhetoric and strategy).Since, however, the existence of a statesman possessing such political expertise is, from the dialogue’s perspective, “a logical but unlikely possibility” (111) and, “from a [End Page 159] modern perspective,” seemingly impossible (4–5), the practical value of the Stranger’s political theory depends on his claim that the regimes which do exist can ‘imitate’ this ideal (300e11–301a3). But how? Even the second-best regimes are characterized by strict adherence to laws based on nothing more than persuasion, experiment and majority consensus (300b1–6), while in the ideal regime a knowledgeable statesman creates laws only as “memoranda” which he is entitled to revise or revoke at any time. According to Lane there is nevertheless one similarity that allows the second-best regimes to be called “second-order imitations” (see 109–111) of the ideal: both will not change laws without expert advice (158–9). This assumes that the second-best regimes acknowledge the authority of a political expert to change the laws, should one appear, an assumption that Lane reiterates throughout the book (11, 111, 114, 139, 147).Yet it is precisely this assumption that appears to be refuted by the thought-experiment at 298a–299e. The Stranger describes a city in which the practice of medicine, navigation and the other technai must adhere strictly to laws... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Method and Politics in Plato’s Statesman by M. S. LaneFrancisco J. GonzalezM. S. Lane. Method and Politics in Plato’s Statesman. Cambridge: Cambridge University Press, 1998. Pp. xiii + 229. Cloth, $59.95.This rewarding book not only is another sign of growing interest in the Statesman, but also does much to justify this interest. The reasons for the dialogue’s relative neglect until recently are easily stated: readers have been puzzled (...) by the amount of space devoted to method in a dialogue ostensibly about politics; furthermore, they have found both the method and the politics highly unsatisfactory. Lane addresses each of these concerns. She continually draws our attention to the unity of method and politics in the dialogue: the limitations of the Stranger’s initial divisions are shown to be equally methodological and political (44–5); the cosmic story is shown to be flawed by a political prejudice (the traditional model of king as shepherd), which turns into a methodological prejudice (the telling of a story too long to be profitably used as an example; 9–10, 121–3); the capacities ultimately shown to be necessary for a successful inquiry (division, exemplification, and finding the mean) also prove to be essential requirements of political knowledge (143–4, 202).Lane’s major contribution to our understanding of the dialogue’s method is her demonstration of the central role played by example (paradeigma). Lane expresses a common objection to the method of division: “But how to choose just which apparently similar things or names to investigate? Similarities are ubiquitous; there is some respect in which everything is similar to everything else. What is more, it is usually on the basis of prejudice and preconceived ideas … that similarities are distinguished” (75–6). Lane sees example as the solution, since it is precisely the task of an example to fix on those similarities relevant to the aim of the inquiry (76, 86–7).This is a very appealing solution, but one must wonder if it does not simply postpone the problem. To choose the right example, must we not make assumptions about which similarities are relevant to defining the object of inquiry and therefore about the nature of this object? And may not these assumptions be no more than prejudices or preconceived ideas? While the Stranger indeed develops his own example of weaving to an extent unparalleled in other dialogues (93), that there are essential similarities between statecraft and weaving appears to be more assumed than demonstrated by the example.With regard to politics, Lane provides a very illuminating account of the dialogue’s characterization of political expertise as certain knowledge of the good in a temporal context, or the kairos. She shows in what way this “knowledge of timing” (142) both is distinct from, and rules over, other contenders for the title of statecraft (such as rhetoric and strategy).Since, however, the existence of a statesman possessing such political expertise is, from the dialogue’s perspective, “a logical but unlikely possibility” (111) and, “from a [End Page 159] modern perspective,” seemingly impossible (4–5), the practical value of the Stranger’s political theory depends on his claim that the regimes which do exist can ‘imitate’ this ideal (300e11–301a3). But how? Even the second-best regimes are characterized by strict adherence to laws based on nothing more than persuasion, experiment and majority consensus (300b1–6), while in the ideal regime a knowledgeable statesman creates laws only as “memoranda” which he is entitled to revise or revoke at any time. According to Lane there is nevertheless one similarity that allows the second-best regimes to be called “second-order imitations” (see 109–111) of the ideal: both will not change laws without expert advice (158–9). This assumes that the second-best regimes acknowledge the authority of a political expert to change the laws, should one appear, an assumption that Lane reiterates throughout the book (11, 111, 114, 139, 147).Yet it is precisely this assumption that appears to be refuted by the thought-experiment at 298a–299e. The Stranger describes a city in which the practice of medicine, navigation and the other technai must adhere strictly to laws... (shrink)

Pragmatism and critical realism are different vocabularies for talking about the cognitive value of religion and science. Each can be, and has been, used to make the case for cognitive parity between religious and scientific discourse. Critical realism presupposes a particular form of cognitive psychology that entails general skepticism about the external world and forecloses scientific inquiry in the name of a preconceived idea of what the nature of human cognition must be. Thus, of the two, pragmatism is the (...) better vocabulary for fostering mutual understanding between religion and science. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Rethinking Daoism as Activism:The Political Wisdom of Daoist Texts as a Response to the Contemporary Environmental CrisisLisa Indraccolo (bio)To propose a reading of Daoism as a form of social activism at first might sound almost paradoxical. This trend of thought is in fact well known for promoting, as a healthy, sustainable way of life for both the individual1 and the surrounding natural environment, what might actually seem the exact (...) opposite of social activism. The present discussion aims at showing that Daoism can actually be understood and practiced as a form of proactive social engagement, taking as a starting point Eric S. Nelson's recent work Daoism and Environmental Philosophy: Nourishing Life (2021), and in particular chapter 5, "Early Daoist biopolitics and a new Daoist political ecology" (pp. 100–118). As will be shown, it is a rather unique kind of social activism that differs from both science-based environmentalism and militant public activism. This article further problematizes certain reductionist tendencies that are still very much alive in the contemporary academic debate about and interpretations of early Daoism, and in particular of its political philosophy. This issue is particularly relevant when we proceed to address Daoist ecopolitics, and especially its applicability to the environmental crisis. From this perspective, Nelson convincingly persuades the reader of the potential and the contemporary relevance of certain pragmatic aspects, and in particular practices or "virtuous attitudes," theorized by early Daoist ecopolitical discourse in tackling environmental issues of global concern.Nelson's contribution addresses wuwei 無為, the well-known Daoist way of proactive non-action or "effortless action,"2 or, as Nelson persuasively interprets it, "attuned action,"3 "attuned responsiveness,"4 or "attuned, effortless, non-calculative unforced responsiveness,"5 thereby providing a substantial contribution to further refining the concept with an even more successful translation. Wuwei means acting without either being subjected to or exerting coercion, and in accordance or in "attunement" with the natural course of things. As Nelson suggests, such a way of acting and behaving could be systematically applied to radically rethink and revolutionize contemporary non-eco-friendly and eventually self-sabotaging, dysfunctional forms of human aggregation and interaction.In this most valuable enterprise, Nelson's book achieves two additional goals, touching upon two other critical and closely interconnected issues. First, Nelson draws attention to and provides substantial evidence to support the existence of a fairly coherent theoretical system as the basis of Daoist [End Page 781] political philosophy, with a focus on its political ecology, which has often been overlooked or neglected in favor of other apparently more appealing aspects of Daoist thinking. Nelson's analysis provides a fundamental contribution to a most necessary "demystification" of Daoist philosophy. By unveiling its substantially political underlying goals and agenda, his study thereby reconciles Daoist thought and brings it into a more coherent dialogue with the intellectual landscape of the Warring States period, during which we might assume that the two main received texts associated with this tradition, the Laozi 老子 and the Zhuangzi 莊子, started to assume the form in which they were eventually transmitted.Second, in doing so, Nelson's book contributes to the gradual ongoing process of "decolonization" of Chinese philosophy in a twofold way. It further invites considerations about certain latent "orientalistic" tendencies that are evidently still very much alive in the way in which Western scholarship approaches the study of early Chinese philosophy, and in preconceived ideas about certain texts and trends of thought and their imaginary conceptual boundaries, in which it still indulges at times. Moreover, Nelson proposes concrete ways in which ancient Daoist ideas and practices could be enacted in today's world to tackle the current ecological crisis by acting upon society in order to promote radical changes in people's attitude, not only toward the environment, but also toward each other, "therapeutically fostering a more appropriate ecological culture"6 and rethinking the very same concept of society and the principles that are its basis. Nelson shows the universality of the message of Daoist thought (and thereby, one might be tempted to say, contributes to substantiating the legitimacy of Chinese philosophy)7 and its relevance to the contemporary debate on climate and the environmental crisis. Such a... (shrink)

Mistrust and fear of research often exist in minority communities because of assumptions, preconceived ideas, and historical abuse and racism that continue to influence research participation. The research establishment is full of well-meaning ‘outsider’ investigators who recognize discrimination, health disparities, and insufficient health care providers in minority communities, but struggle in breaking through this history of mistrust. This article provides ethical insights from one such ‘insider-outsider’, community-based participatory research project implemented via community health advisors in the Mississippi Delta. (...) Both community-based participatory research and community health advisors provide opportunities to address the ethical issues of trust, non-maleficence, and justice in minority communities. Implications for ethics-driven nursing research are discussed. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 62.3 (2001) 505-522 [Access article in PDF] Mary Astell's Ironic Assault on John Locke's Theory of Thinking Matter E. Derek Taylor Mary Astell (1666-1731), most famous today for her call for the establishment of Protestant nunneries in Serious Proposal to the Ladies, Part I (1694) and for her acute Reflections Upon Marriage (1700), has lurked for years at the edges of that (...) infinitely contentious category "feminism," but she is only now beginning to receive her rightful inheritance as a theological and philosophical thinker, probably the title she would most have preferred. 1 This is not to say that Astell's Christian-Platonism has been ignored. In her 1986 biography Ruth Perry gave cogent expression to the centrality of Astell's idealist Christianity to all aspects of her thought 2 and in the same year, Bridget Hill thoughtfully warned her readers against attempting to force Astell, a religious conservative, "into some preconceived idea of what late seventeenth and early eighteenth century feminism ought to have been." 3 More recently, Patricia Springborg has written two significant essays that rely in part on Astell's more neglected theological-philosophical works, Letters concerning the Love of God (1695), a collection of Astell's correspondence with John Norris of Bemerton (1657-1711), and The Christian Religion, As Professed by a Daughter of the Church of England (1705; 3d edition 1730), far and away her most developed theological-philosophical [End Page 505] statement. 4 Despite these important forays, however, both Letters and Christian Religion continue to be largely ignored, as is suggested by the relative dearth of scholarly work on either text and the short shrift each receives in anthologies of Astell's works. 5 Despite the great popularity of Letters throughout the eighteenth century and despite the fact that, as Springborg points out, Astell considered Christian Religion "her magnum opus," neither text has found new life in a modern edition. 6This omission creates a rather vexing problem for would-be scholars of Astell's philosophical and theological ideas. The major primary texts themselves not being available, we have little choice but to rely on the limited accounts of other scholars for our information. Over a decade ago, for instance, The Journal of the History of Philosophy published a long note by Kathleen M. Squadrito on "Mary Astell's Critique of John Locke's View of Thinking Matter," and hers has since been the standard (if not quite only) account of this historically fascinating and important philosophical comment in Christian Religion.7 Squadrito wants, she writes, to "present a short account of [Astell's] work and her criticism of Locke's view of thinking matter." 8 Unfortunately, Squadrito's account of Astell's "work" is significantly flawed, which leads her to serious mischaracterizations of Astell's "criticism" of Locke's hypothesis. Briefly put, Astell's "own philosophy" in Christian Religion does not, as Squadrito claims, emerge "as an attempted reconciliation of the views of Norris and Locke" 9 ; because she supposes it does, however, Squadrito is able to present Astell's critique of Locke's theory [End Page 506] of thinking matter as a respectful, even-handed philosophical analysis, a theoretical bridge, as it were, between the Platonism of Norris and the Empiricism of Locke. As we shall see, Astell's critique of Locke's hypothesis actually amounts to a bitterly ironic assault, wherein Astell does not so much build bridges as burn them. Just why Astell in Christian Religion decided not to strike a middling position between Locke and Norris, and how this decision invigorated her attack on Locke's materialist hypothesis, are the primary questions this essay seeks to answer. In order to arrive at such answers, however, it is necessary first to examine the text in which Astell does attempt to carve out a position between Locke and Norris, namely Astell and Norris's Letters.The basic history of Letters is well enough understood. Mary Astell, a well-read young woman of significant perspicacity, first wrote in... (shrink)

In his Philosophical Investigations, Wittgenstein said that “turning our whole investigation around” is the only way to shake the illusion of a “preconceived idea of crystalline purity.” Commentators have built sweeping descriptions of Wittgenstein’s general approach to philosophy out of their interpretations of this slogan. For his own part, Wittgenstein specified a particular subject. “For,” he wrote, “the crystalline purity of logic was…not a result of investigation: it was a requirement.” In asking what Wittgenstein could have meant by reversing (...) the direction of the investigation of logic and of what he called its apparent “hardness,” I propose to follow his own advice: to look around before thinking. Two episodes from logic’s history serve as illustrative examples of concepts being dislodged from their original position as theorems or discoveries and relocated as starting points of an investigation (and vice-versa). The details of the cases showcase how “turning our whole investigation around” has proven its practical utility in the growth and development of logic in the last century. Further, it suggests that Wittgenstein might have intended something at once humbler and, for logic, more important than a grand reconceptualization of the nature of necessity: the science of logic itself relies on a continuous inversion of discoveries and requirements. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.4 (2003) 107-114 [Access article in PDF] A Comparative Study of Artistic Play and Zoukei-Asobi[Tables] "Artistic Play" and "Zoukei-Asobi" Recently, I found an article in Art Education which led me to believe that "artistic play" is not as popular among North America art educators as it is in Japan. 1 For Japanese art educators, especially at the elementary level, this word is well-known as (...) a key term. In Japanese we say "zoukei-asobi." "Zoukei" means "plastic arts activities" and "Asobi" means "playing." I recognized that the basic concept of "artistic play" has something in common with that of "zoukei-asobi." In this article I will identify this as "J-artistic play." The aim of this essay is to compare the meaning of "J-artistic play" by studying its use in Japan and the United States. The Curriculum Guidelines for Art Education in Japan Before considering J-artistic play, I should explain the national guideline for art education in Japan, since the objectives and contents of J-artistic play are prescribed by this guideline. We have had a national guideline since 1872 though this has changed drastically to resemble the American model after World War II. The subject corresponding to "Visual Art" in the elementary school is "Art and Handicraft (Zuga-Kousaku)." "Zuga" means drawing and painting, "Kousaku" means design and craft. The current guideline is divided into three parts (I-III) as shown in Table 1.The first shows a general goal of art education in the elementary school. The second describes the objectives and contents of each grade. The third indicates some key points of teaching for teachers. In the elementary school the curriculum sequence falls into three steps. The content is divided into the two areas ("Hyougen" and appreciation), and Hyougen is divided further into "artistic play" and "art-making." [End Page 107] [Begin Page 110]I should make some comments on Hyougen. In this guideline, Hyougen is used both as expression and representation. In traditional Japanese aesthetic consciousness, "expression, representation, and decoration" constitute a kind of trinity. The concept of J-artistic play was introduced into the national guidelines for art education in1977. 2 At first, this was available only for grades 1 and 2 in the elementary school, but since 1998 the concept has been extended to grades 1 and 6, as shown in Table 1. About the Property of J-artistic Play The activities in J-artistic play do not refer to any traditional art forms, such as painting, sculpture, or handicraft, nor are they derived from any specific art forms. In fact, the purpose for the introduction of this concept into the national guideline is to protect children from falling into conventional ways of representation as found in the traditional art forms. The promoters of J-artistic play thought that the preconceived ideas found in such existing art forms, such as painting might depress children's spontaneous and free expression. Some concepts from contemporary art, such as performance art, have also influenced J-artistic play.As Eliza Pitri said, "Play is spontaneous and voluntary. It is not obligatory but is freely chosen by the player." Though schooling is compulsory and a student cannot choose it independently, advocates of J-artistic insist that the character of "play" in the school curriculum should be an original and undifferentiated form of learning. One of the advocates of J-artistic play explains the significance of artistic play as an operation of integrated intelligence. 3 Artistic play is different in function from ordinary expressing activities. Ordinary expressing activity works with a blank drawing paper as sterile space, conditioned, virtual...laboratory. Contrarily artistic play works with raw materials, living places, and real environments, and is composed of organized and integrated formative activity by working on the subjects that make conditions for human, objective, and phenomenal interaction. Reorganization of intelligence and the opportunity for acquiring new intelligence are embedded in the activities that work interactively. Here we note that children will learn a reality from the interaction between the person and his... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.4 (2003) 107-114 [Access article in PDF] A Comparative Study of Artistic Play and Zoukei-Asobi[Tables] "Artistic Play" and "Zoukei-Asobi" Recently, I found an article in Art Education which led me to believe that "artistic play" is not as popular among North America art educators as it is in Japan. 1 For Japanese art educators, especially at the elementary level, this word is well-known as (...) a key term. In Japanese we say "zoukei-asobi." "Zoukei" means "plastic arts activities" and "Asobi" means "playing." I recognized that the basic concept of "artistic play" has something in common with that of "zoukei-asobi." In this article I will identify this as "J-artistic play." The aim of this essay is to compare the meaning of "J-artistic play" by studying its use in Japan and the United States. The Curriculum Guidelines for Art Education in Japan Before considering J-artistic play, I should explain the national guideline for art education in Japan, since the objectives and contents of J-artistic play are prescribed by this guideline. We have had a national guideline since 1872 though this has changed drastically to resemble the American model after World War II. The subject corresponding to "Visual Art" in the elementary school is "Art and Handicraft (Zuga-Kousaku)." "Zuga" means drawing and painting, "Kousaku" means design and craft. The current guideline is divided into three parts (I-III) as shown in Table 1.The first shows a general goal of art education in the elementary school. The second describes the objectives and contents of each grade. The third indicates some key points of teaching for teachers. In the elementary school the curriculum sequence falls into three steps. The content is divided into the two areas ("Hyougen" and appreciation), and Hyougen is divided further into "artistic play" and "art-making." [End Page 107] [Begin Page 110]I should make some comments on Hyougen. In this guideline, Hyougen is used both as expression and representation. In traditional Japanese aesthetic consciousness, "expression, representation, and decoration" constitute a kind of trinity. The concept of J-artistic play was introduced into the national guidelines for art education in1977. 2 At first, this was available only for grades 1 and 2 in the elementary school, but since 1998 the concept has been extended to grades 1 and 6, as shown in Table 1. About the Property of J-artistic Play The activities in J-artistic play do not refer to any traditional art forms, such as painting, sculpture, or handicraft, nor are they derived from any specific art forms. In fact, the purpose for the introduction of this concept into the national guideline is to protect children from falling into conventional ways of representation as found in the traditional art forms. The promoters of J-artistic play thought that the preconceived ideas found in such existing art forms, such as painting might depress children's spontaneous and free expression. Some concepts from contemporary art, such as performance art, have also influenced J-artistic play.As Eliza Pitri said, "Play is spontaneous and voluntary. It is not obligatory but is freely chosen by the player." Though schooling is compulsory and a student cannot choose it independently, advocates of J-artistic insist that the character of "play" in the school curriculum should be an original and undifferentiated form of learning. One of the advocates of J-artistic play explains the significance of artistic play as an operation of integrated intelligence. 3 Artistic play is different in function from ordinary expressing activities. Ordinary expressing activity works with a blank drawing paper as sterile space, conditioned, virtual...laboratory. Contrarily artistic play works with raw materials, living places, and real environments, and is composed of organized and integrated formative activity by working on the subjects that make conditions for human, objective, and phenomenal interaction. Reorganization of intelligence and the opportunity for acquiring new intelligence are embedded in the activities that work interactively. Here we note that children will learn a reality from the interaction between the person and his... (shrink)

Integration policies are underpinned upon assumptions that are taken for granted but that condition both the causal diagnosis and the lines of action and programs devised to respond to social challenges associated with migration and refugees movements. The so-called “European refugees crisis” of 2015 is an example of how preconceived ideas affect the analysis of social problems and the design of solutions. This crisis is the context within which the paper, first, examines the root causes of the “problem”; (...) then, explores the notions of identity and participation and the implications they had for policy; and, finally, studies two cases of relative integration success where different assumptions inform different programs and strategies. (shrink)

Abstract“Sit down,” Mr. R demanded. “I've got something to say to you.” I shot the medical student a querying glance as we simultaneously sunk into our chairs. He continued, “You don't know me, and I got some things to tell you.”I thought I knew Mr. R, and I certainly had some idea of what he was all about. But then he called to me. In his summoning, Mr. R arrested all my preconceived ideas about him. And as the (...) medical student and I began to understand him better, we wanted to know more. We began to engage him more deeply. In the subsequent days, caring for him somehow felt easier, akin to the care one gives a distraught friend rather than a difficult patient. (shrink)

We provide a translation of Binet and Henri’s pioneering 1894 paper on the influence of suggestibility on memory. Alfred Binet is famous as the author who created the IQ test that bears his name, but he is almost unknown as the psychological investigator who generated numerous original experiments and fascinating results in the study of memory. His experiments published in 1894 manipulated suggestibility in several ways to determine effects on remembering. Three particular modes of suggestion were employed to induce false (...) recognitions: indirect suggestion by a preconceived idea; direct suggestion; and collective suggestion. In the commentary we suggest that Binet and Henri’s paper written over 115 years ago is still highly relevant even today. In particular, Binet’s legacy lives on in modern research on misinformation effects in memory, in studies of conformity, and in experiments on the social contagion of memory. (shrink)

This book explains how gossip contributes to knowledge. Karen Adkins marshals scholarship and case studies spanning centuries and disciplines to show that although gossip is a constant activity in human history, it has rarely been studied as a source of knowledge. People gossip for many reasons, but most often out of desire to make sense of the world while lacking access to better options for obtaining knowledge. This volume explores how, when our access to knowledge is blocked, gossip becomes a (...) viable path to knowledge attainment, one that involves the asking of questions, the exchange of ideas, and the challenging of preconceived notions. (shrink)

It has often been remarked that Bohr's writings on the interpretation of quantum mechanics make scant reference to the mathematical formalism of quantum theory; and it has not infrequently been suggested that this is another symptom of the general vagueness, obscurity and perhaps even incoherence of Bohr's ideas. Recent years have seen a reappreciation of Bohr, however. In this article we broadly follow this "rehabilitation program". We offer what we think is a simple and coherent reading of Bohr's statements (...) about the interpretation of quantum mechanics, basing ourselves on primary sources and making use of and filling lacunas in|recent secondary literature. We argue that Bohr's views on quantum mechanics are more firmly connected to the structure of the quantum formalism than usually acknowledged, even though Bohr's explicit use of this formalism remains on a rather global and qualitative level. In our reading, Bohr's pronouncements on the meaning of quantum mechanics should first of all be seen as responses to concrete physical problems, rather than as expressions of a preconceived philosophical doctrine. In our final section we attempt a more detailed comparison with the formalism and conclude that Bohr's interpretation is not far removed from present-day non-collapse interpretations of quantum mechanics. (shrink)

In the Western cultural imaginaries the monstrous is defined – following Aristotelian categorisations – by its excess, deficiency or displacement of organic matter. These characteristics come to the fore in the field of bioart: a current in contemporary art that involves the use of biological materials (various kinds of soma: cells, tissues, organisms), and scientific procedures, technologies, protocols, and tools. Bioartistic projects and objects not only challenge the conventional ideas of embodiment and bodily boundaries, but also explore the relation (...) between the living and non-living, organic and inorganic, human and nonhuman, as well as various thresholds of the living. -/- By looking at select bioartworks, this paper argues that the analysed projects offer a different ontology of life. More specifically, they expose life as uncontainable, that is, as a power of differentiation that traverses the divide between the living and non-living, organic and inorganic, human and nonhuman, and, ultimately, life and death. In this way, they draw attention to excess, processuality and multiplicity at the very core of life itself. Thus understood, life always already surpasses preconceived material and conceptual limits. -/- Finally, while taking Deleuzian feminisms and new materialism as its theoretical ground, the paper suggests that such a revision of the ontology of life may mobilise future conceptualisations of ethics that evade the anthropocentric logic dominant in the humanities and social sciences. (shrink)

Flaubert himself, in an early and now famous letter, identifies in "bêtise" the effect of an inordinate desire to conclude: "Oui, la bêtise," he writes, "consiste à vouloir conclure. Nous sommes un fil et nous voulons savoir la trame" . This is to say stupidity, to Flaubert, is less a given content of discourse than a particular order of that discourse itself.1 It is the sign of an hasty and elliptical intervention into thought of a series of preconceived conclusions, (...) the source of which may be situated in the doxa and in the rhetoric of verisimilitude that sustains the persuasive power of the doxa. Stupidity, as the project of the Dictionnaire demonstrates, is an endless fabric of maxims and probable syllogisms the function of which is to determine the particular and the specific, the singular and the different, as paradigmatic exempla of the larger discourse of encyclopaedic universality expressed in the verisimilitude of received ideas. It is in this sense that one can see in Flaubert's notion of "bêtise" the denunciation by the writer of an especially vulgarised form of the Aristotelian concept of verisimilitude, which, built around the rhetorical figures of the probable syllogism—the enthymeme—and the exemplum , is directed towards winning adhesion to a particular thesis by appealing to generalities and probabilities, and which constructs its arguments from material drawn from the doxa.2 It is this rhetoric of persuasion by verisimilitude that Flaubert, in the various discourses of the lover, the dreamer, and the politician, will throw into ironic relief in Madame Bovary and L'Éducation sentimentale. · 1. Cf. Valéry, Oeuvres, 1:1452.· 2. The concept of verisimilitude is a difficult one and one which had received much critical attention in recent years. I have taken the term here to refer to the complex network of constraints by which the mimetic novelist, like the rhetorician, is able to engage his audience in a contract of mutual recognition and to persuade them of the "sense of reality" of his narrative, that his is a plausible interpretation of reality, worthy of belief . It is here that Aristotle's elaboration of mimesis and of the art of rhetoric is decisive. Both in the Poetics and in the Rhetoric, Aristotle distinguishes two concepts with regards to the manner in which the artist or the rhetorician solicits from his audience the belief in the justness of his reconstruction of reality. The first concept is that of pithanon, the plausible or the persuasive. This corresponds to the speculative consideration of what strategy will be most forceful in any given case. Rhetoric is indeed defined as "the faculty of observing in any given case the available means of persuasion " . As such, pithanon is the sign of a desire to convince, a decision on the part of an individual in a particular situation. For this desire to convince to become fully operative in the context of an audience, it needs to be recast not as a plausibility, but as a probability, as eikos. Aristotle defines eikos as "a thing that usually happens: not . . . anything whatever that usually happens, but only if it belongs to the class of the 'contingent' or 'variable.' It bears the same relation to that in respect of which it is probable as the universal bears to the particular" . Eikos is on one level a collection of contents, of topoi. But it is more than this. For otherwise this would mean that works deriving from different historical contexts would become unintelligible to the uninitiated reader. Eikos is a patterning of discourse, a rhetorical syntax, based upon the integration of the singular in the universal, and translated in the text by the enthymeme and the exemplum. The homogeneity of the mimetic novel derives from the way in which the desire to convince is mediated and dissimulated by a totalising, "natural" eikos, when, in other words, the narrator is "objective." It is when these two dimensions are dissociated, as in Bouvard et Pécuchet, that all manner of disturbance is generated. . Leslie Hill, fellow in Clare College, Cambridge University, is presently doing research on Flaubert and on general aspects of the modern French novel. This is his first publication. (shrink)

William Booth's 'On the Idea of the Moral Economy' (1994) is a scathing critique of the economic historians labelled as 'moral economists', chief among them Karl Polanyi, whose The Great Transformation is the groundwork for much of the later theorizing on the subject. The most devastating of Booth's criticisms is the allegation that Polanyi's normative prescriptions have anti-democratic, Aristotelian and aristocratic undertones for being guided by a preconceived notion of 'the good'. This article presents an attempt to rescue Polanyi (...) from this charge by reinterpreting his view of the relationship between the economic and the political, while elucidating the practical meaning of a moral economy. (shrink)

In describing his seven and a half years as a prisoner of war in North Vietnam, the late Vice Admiral James B. Stockdale has said: "In that atmosphere of death and hopelessness, stripped of the niceties, the amenities of civilization, my ideas on life and leadership crystallized." Despite torture, intimidation, and isolation, Stockdale fulfilled his duties as senior officer among the prisoners with intelligence and courage, defining rules of conduct and maintaining morale. He often described the intense pressures of (...) that situation as a "melting" experience, in which preconceived feelings, fears, and bias melt as one comes to realize that, under the gun, you must grow or fail—or, in some cases, grow or die. This collection of his essays and speeches from the 1980s and 1990s reinforces how that experience formed a lifelong basis for his philosophical thought on issues of character, leadership, integrity, personal and public virtue, and ethics. The selections in this volume all reflect, in one way or another, a central theme: how man can rise with dignity to prevail in the face of adversity. (shrink)

In the present paper I shall argue that the real problem here is the very idea that there is a dilemma that compels us to choose sides. We can hold both that the meditator's doubts are fully serious, and that they leave the perspective of common sense largely unscathed. The key to dissolving the dilemma is to see that the meditator observes a distinction between two levels of epistemic standards: the very demanding standards appropriate to certainty, understood in a rather (...) technical sense of that term; and the commonplace standards appropriate to reasonable belief. The significance of this levels distinction has not been widely appreciated but it has important consequences both for how we are to understand the skepticism about the senses that is at issue and for appreciating the extent to which Descartes acknowledges and retains our natural trust in the senses. I aim to show that the meditator’s skepticIsm about the senses specifically concerns the possibility of sensory certainties, and is quite serious. It is intended to lead one to a stable change of mind about what is most certain. But a skepticIsm about sense-based certainty leaves the matter of whether experience provides a reliable basis for belief untouched by reasonable doubt. Since the meditator's doubts presuppose very demanding standards they have no bearing on our assessments from within the common sense perspective. I defend this view by arguing that the methodological 'withdrawal of assent' from perceptual beliefs is a mere pretense that is compatible with continued endorsement. Despite the seriousness with which the method of doubt is pursued, there is an important sense in which the meditator never doubts the basic deliverances of his senses. This helps explain the practical insulation of perceptual beliefs from skepticism. With one minor qualification, the meditator retains his natural trust in the senses throughout - although Descartes’ rhetoric sometimes suggests otherwise. Note that I shall be exploring the skepticism about the senses as we find it in the First Meditation. This paper does not purport to discuss all of the skeptical doubts of the First Meditation, e.g., skepticism about mathematical truths, God's existence and reason. Instead I shall focus solely upon the ways in which the meditator's doubts bear on his perceptual beliefs. The rationale for this restriction is twofold: 1) in the first place Descartes describes the general aim of the skeptical doubts of the First Meditation m terms of 'freeing us from our preconceived opinions, and providing the easiest route by which the mind may be led away from the senses’. I am specifically concerned to qualify this ambition and argue that Descartes retains throughout his preconceived trust in the reliability of the senses; and 2) the Meditations has long been thought to provide the grounds for a radical form of external world skepticism which not only denies us knowledge of, but also any reason to believe in, the existence of an external world. My discussion of Descartes' perceptual doubts is intended to show just how distant any such skepticism is from Descartes' own thoughts and intentions. (shrink)

The Biotheoretical Shortcomings of the Evolutionary Epistemology. The concept of evolutionary epistemology has been critically discussed by philosophers who have mainly pointed to unacceptable philosophical tenets (cf. Vittorio Hösle, this Journal, Vol. 19 (1988), pp. 348-377). However, as most philosophers are extremely reluctant to critically treat the biological theories on which the ideas of evolutionary epistemology are based, the invalid concepts of adaption escaped their critical scrutiny. Therefore the influence of preconceived biological theories on the biological basis of (...) evolutionary epistemology and the distorting consequences on the philosophical level could not be elaborated. The following context sketches a new view of organismic reasoning and its impact on evolutionary aspects of epistemology. The basic theorem of adaptation is shown to be unacceptable and invalid if organisms are conceived as autonomous entities which can only evolve according to their specific internal organismic properties. (shrink)

Summary The concept of evolutionary epistemology has been critically discussed by philosophers who have mainly pointed to unacceptable philosophical tenets (cf. Vittorio Hösle, this Journal, Vol. 19 (1988), pp. 348–377). However, as most philosophers are extremely reluctant to critically treat the biological theories on which the ideas of evolutionary epistemology are based, the invalid concepts of adaption escaped their critical scrutiny. Therefore the influence of preconceived biological theories on the biological basis of evolutionary epistemology and the distorting consequences (...) on the philosophical level could not be elaborated. The following context sketches a new view of organismic reasoning and its impact on evolutionary aspects of epistemology. The basic theorem of adaptation is shown to be unacceptable and invalid if organisms are conceived as autonomous entities which can only evolve according to their specific internal organismic properties. (shrink)

The original extended mind theory propagated by Clark and Chalmers (Analysis 58:7–19, 1998) refers to the idea that our minds do not simply live within our brains or bodies but extend into the material world. In other words, the extended mind refers to the externalization of cognitive processes into technology. Through the case study of the artistic performance of the android Alter inspired by the Japanese Shintoist ritual of Kagura this paper reconceptualizes the extended mind from a technological act of (...) transfer towards the relational, spatial, and performative ontologies of the intersubjective encounters between humans and non-humans. In an effort to decolonize performance and curatorial practice the paper draws upon indigenous scholarship, feminist STS, and performance studies to overcome preconceived conceptualizations of affect, perception, and relationality. The fundamental question the paper explores is how does intersubjective relationality unfold through performance in space? Based upon a critique of the android Alter’s past performance the paper concludes with a re-envisioned event score that employs a reconceptualized theory of the extended mind and aimed at a different kind of intersubjective relationality to emerge. (shrink)

Since the early Gestaltists there has been a strong interest in the question of how problem solvers get stuck in a mental impasse. A key idea is that the repeated activation of a successful strategy from the past results in a mental set (‘Einstellung’) which determines and constrains the option space to solve a problem. We propose that this phenomenon, which mostly was tested by fairly restricted experiments in the lab, could also be applied to more complex problem constellations and (...) naturalistic decision making. We aim at scrutinizing and reconstructing how a mental set determines the misinterpretation of facts in the field of political decision making and leads in consequence to wrong expectations and an ill-defined problem representation. We will exemplify this psychological mechanism considering a historical example, namely the unexpected stabilization of the Franco regime at the end of World War II and its survival thereafter. A specific focus will be drawn to the significant observation that erroneous expectations were taken as the basis for decisions. This is congruent with the notion that in case of discrepancy between preconceived notions and new information, the former prevails over the new findings. Based on these findings, we suggest a theoretical model for expectation violation in political decision making and develop novel approaches for cognitive empirical research on the mechanisms of expectation violation and its maintenance in political decision making processes. (shrink)

:In 2012, Despret published an abecedary entitled What Would Animals Say, If … They Were Asked the Right Questions? Covering a range of subjects, themes, authors, and animals, Despret carefully and playfully demonstrates the ability of animals to continuously force us to re-examine our most basic and arrived at human conceptions, understandings, and biases. Excerpted from this book are two chapters on art and gender. “O for Œuvres” looks at the question of animal agency and intentionality in the making of (...) a work of art. Drawing from Alfred Gell, Étienne Souriau, and bower-birds, Despret expands the notion of agency in art and questions the tendency towards human exceptionalism. In “Q for Queer,” king penguins come out of the closet to reveal and question certain preconceived human ideas about gender, sexuality, and cultures of heteronormativity within animal worlds. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:David Hume and the Danish Debate about Freedom of the Press in the 1770sJohn Christian LaursenWhen the reception history of David Hume’s political writings is written, there will have to be some discussion of their fate in “peripheral” countries like Denmark. Hume’s “Of Liberty of the Press” was translated into Danish as early as 1771. It is not widely known that Denmark was the first country officially to declare (...) freedom of the press and that a lively debate broke out once such freedom was declared. Hume’s essay was put to work in that debate. The story of this translation provides insights into the influence of Hume’s ideas in peripheral countries in Europe, and of Denmark in continental European ideas. Among other things, here we have an example of Hume’s work used in a concrete propaganda battle.The Danish translation of Hume’s essay was published as the last of three supplemental essays in a 31-page pamphlet entitled Mr. F. A. de Voltaire’s Letter to His Majesty the King of Denmark concerning freedom of the press in his states, together with some essays of relevant content. 1 A copy can be found at the Royal Library in Copenhagen in volume twenty of the forty-five bound volumes of pamphlets and booklets from 1770 to 1773 which make up Luxdorph’s Collection of Press Freedom Writings. 2 These pamphlets, in German, French, and (mostly) Danish, were collected at the time by Bolle Willum Luxdorph, a Danish man of letters and court counselor. [End Page 167]The occasion for Voltaire’s letter and our pamphlet was King Christian VII’s declaration of freedom of the press in his territories (the Kingdoms of Norway and Denmark and the Duchy of Schleswig-Holstein) on 4 September 1770. It was in the form of a Cabinet Order to his Danish Chancellery, in the following words:We are fully convinced that it is as harmful to the impartial search for truth as it is to the discovery of obsolete errors and prejudices, if upright patriots, zealous for the common good and what is genuinely best for their fellow citizens, because they are frightened by reputation, orders, and preconceived opinions, are hindered from being free to write according to their insight, conscience, and conviction, attacking abuses and uncovering prejudices. And thus in this regard, after ripe consideration, we have decided to permit in our kingdoms and lands in general an unlimited freedom of the press of such a form, that from now on no one shall be required and obliged to submit books and writings that he wants to bring to the press to the previously required censorship and approval, and thus to submit them to the control of those who have undertaken the business until now of inspecting them; so have we graciously revealed and made known this our will concerning our kingdoms to our Danish Chancellery. Given at Friedrichsberg, the 4 September 1770. Christian. 3The foregoing cabinet order was largely the idea of Johann Friedrich Struensee, court physician and soon to be Prime Minister for Christian VII. 4 Less than ten years earlier, two periodicals he was involved with when he lived in Danish Altona had been suppressed, 5 and when he came to power by a series of accidents, one of his first acts was to arrange for the king to declare freedom of the press. [End Page 168]Response to this declaration was immediate. In Denmark it led to a flurry of pamphlets on a myriad of topics, including the high cost of living and the salaries of ministers, 6 monopolies and trade issues (vol. III), coinage (vol. IV), civil servants, the public debt, the agricultural economy (vol. V), the abolition of tenant farmers’ work obligations (vol. VI), the Iceland trade (vol. VII), marriage law, breweries (vol. VIII), banks, lotteries (vol. IX), soldiers’ and sailors’ pay (vol. X), the Norwegian economy (vol. XI), the universities and academies (vol. XII), the power of women (vol. XIII), irreligion and impiety (vol. XIV), prophecies of doom (vol. XV), fables, allegories and libels (vols. XVI–XVIII), and the eternity of hell (vol. XIX).Many pamphlets discussed press freedom... (shrink)

Il semble presque impossible de saisir ce qu'a voulu dire Platon lorsqu'il a conçu l' espace civique de la cité des Lois si l'on n'adopte pas une démarche pluridisciplinaire, dans la mesure où cet espace n'est ni utopique, ni effectivement réalisé à l'issue de l'ouvrage : il est le lieu du possible, c'est-àdire le lieu d'une nécessaire liaison entre l'un et le multiple, l'intelligible et le devenir sensible. Une approche explicitement synoptique permet d'éviter deux écueils que l'on suppose réducteurs : (...) projeter sur la cité platonicienne un schéma géométrique préconçu, celui de la structure en étoile de la cité classique ; et considérer le plan de cette cité comme la solution à un problème physiologique, celui d'une dynamique des corps telle qu'elle s'exprime dans une théorie du mouvement. Dans les deux cas, en effet, la spécificité du projet platonicien semble éludée : comment rendre possible la cohérence du sensible et de l'Idée, au lieu de vouloir dériver la réalité matérielle d'un plan préétabli? The civic Space : The plans for a city in the Laws It seems almost impossible to grasp what Plato had in mind when he conceived the civic space of the city of Laws if one does not adopt a multidisciplinary approach, in so far as such a space is neither Utopian nor actually achieved at the close of the work : it is the seat of the possible, that is the seat of a necessary link between the one and the multifold, the intelligible and the sensible-to-come. An explicitely synoptic approach enables one to eschew two risks that may be reducing : i. e. projecting on to Plato's city a preconceived geometrical pattern, i. e. that of the star structure of the traditional city and considering the plan of such a city as the solution of a physiological problem, i. e. that of the dynamics of bodies as expressed in a theory of movement. In both cases indeed, the specificity of Plato's model seems to be dodged : how can one make the coherence between the sensible and the Idea coincide instead of willing to shunt the material reality from a pre-established plan? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Wittgenstein and Critical TheoryC. W. SpinksWittgenstein and Critical Theory, by Susan Brill; xi & 169pp. Athens: Ohio University Press, 1995, $40.00 cloth, $14.95 paper.Susan Brill’s central claim for this book is that “by relying upon Wittgensteinian philosophy, literary critics will be enabled to escape the stultifying position of absolutist critical discourses without being bereft of any satisfactory means of evaluating...” (p. 2). It is a claim well chosen (...) and she gives a well executed overview of the connections between Wittgensteinian philosophy and the study of literature. Her first chapter is a lucid introduction to Wittgenstein’s heuristic, giving ample quotations and insightful guidance for even the philosophical novice. However, her chosen audience is literary critics and theorists, and she uses the Wittgensteinian corrective of descriptive investigation as a counterpoint to both traditionalist and postmodernist critical theories. Her pragmatic goal, in Wittgensteinian fashion, is to “look” at literature, [End Page 401] not “think” about it in terms of preconceiving “theory.” Those familiar with Wittgenstein will find the application of his work to literary criticism illuminating, and those unfamiliar with his philosophical methodology and ideas will get an introductory account useful for literary and critical applications.After the introductory chapter, Brill turns to specific critical approaches and some particularly Wittgensteinian twists to literature, literary theory, and criticism. First, she looks at psychoanalytic criticism which she links somewhat oddly, I think, with semiotic critical orientations—probably to offset the Gallic influence which has fascinated American literary criticism for most of the second half of the twentieth century. Then in a series of three chapters, she turns to what she calls “issues of inclusivity and exclusivity” to look at feminist theories and their literary analyses, at the problems of canonical literature and marginalized writers, and at the “deconstructive project” as compared to Wittgenstein’s descriptive one. Although these three chapters are focused on specific literary ideologies, she consistently looks for the elements of connectivity in her approach to them. Her last chapter suggests some future uses of Wittgenstein in literary theory with particular attention to New Historicism and cultural criticism.The book does have two awkward emphases arising, I think, from the particular methodology of Wittgenstein and from the fact that this is Brill’s first book. First, the Wittgensteinian concept of “game” sometimes is used so broadly by both Wittgenstein and Brill, that everything becomes a “game” and anything can be a piece, a move, a strategy, or a rule. Brill tries to tie this specifically to patterns of discourse and uses it to open up responses to literature, but what is needed is a developed definition of play particularly as it relates to aesthetic behaviors like literature. “Game” is certainly a usable structural device, but without some relationship to the goals and needs of human behavior, it tells us more about the device than the user of the device. Second, the book does tend to take critics at their own estimation, and one needs to remember descriptively that critics are a Victorian invention like corsets and morning coats and just as restrictive in design. Any folk engaged in professional discourse, particularly one engaged in its own legitimization, will tend to over-valuate their own professional worth, and one should not take them too seriously unless it is clear that their profession is doing significant damage.Of course, that question about the damaging effects of critics and philosophers motivates both Wittgenstein and Brill, and the joining of the two here will probably do good for both professions. Certainly the study will do much to bring a more open notion of theory to the study of literature. Susan Brill is a persistent scholar who has drawn together a wide net, and though her chosen task was to suggest Wittgensteinian strategies for reading literature and to caution literary critics about overinvested theories, her own literary and philosophical desire has been to be as inclusive and open as possible to the [End Page 402] dynamics of texts without losing her own value center. Scholarship would surely be a better enterprise if more did what she has done with the persistence she has shown.C. W. SpinksTrinity UniversityCopyright... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:478 HISTORY OF PHILOSOPHY David Hume. By Nicholas Capaldi. (Boston: Twayne Publishers, 1975. Pp. 241. $7.50) Professor Capaldi has taken Hume's profession in the Treatise to establish a new "science of man" very seriously indeed, and he intends to show us in this book how the "almost entirely new'" foundation of this science is thoroughly Newtonian. Hume, he tells us, was "the first philosopher to understand fully, to appreciate (...) and to articulate the philosophical implications of Newtonian physics" (p. 50). Newtonian science is therefore the basis of Humean philosophy, and we should at once set aside the idea that this philosophy is in any way dependent on a preconceived theory of psychology. Even worse would be for us to accept the vulgar error that Hume failed to distinguish between psychology and logic. These are not the only myths Capaldi is intent on exploding, nor the only windmills at which he tilts. He tells us, among other things, that Hume should not be thought of as belonging to the Locke-Berkeley tradition; that Hume's theory of causation must not be regarded as having any connection with his theory of perception; that there is no problem of induction in Hume; that critics as distinguished as Popper and Passmore have been mistaken about Hume's explanation of "constant conjunction" (p. 124); that Hume was not a hedonist; that Hume was not concerned with the is-ought problem; that Hume does not deny the argument from design; and, finally, that we ought ourselves to be skeptical of Hume's alleged skepticism. Lest I give the impression that the book is a long series of refutations, let me give examples of the positive assertions: Hume should be seen as developing, albeit rather elaborately, a common sense theory of reality; Hume advances a naturalistic theory of ethics as well as of religion; Hume provides a scientific basis for the social sciences; and Hume provides a convincing psychology in his theory of the passions. The scope of this relatively short work is therefore rather extensive, and to achieve a tour de force of Hume's thought, Capaldi has organized his book tightly. After a brief glimpse at Hume's life, we are led, in successive chapters, to consider his view of philosophy, the Newtonian program of his work, the structure of the Treatise, the analysis of causation, his moral theory, the theory of the passions, and finally questions about his philosophy of religion and his alleged skepticism. Hume's first contact with Newtonian ideas was probably at Edinburgh University as an undergraduate; at any rate, by the time he comes to write the Treatise he is, according to Capaldi, self-consciously out to apply Newton's method to the "moral" subjects--ethics, psychology, and what we now call the social sciences. Hume begins by rejecting any kind of speculative metaphysics in the traditional, Aristotelian manner; he insists that philosophers, like physicists, must limit themselves to actual experience and concern themselves with experimentation along the lines laid down by Newton. The "Newtonian method" consists of six stages. The first is the identification and isolation of the objects of analysis. Hume's division of perception into ideas and impressions is his first move in applying the method. The second stage is experimentation; in Hume's case introspection and observation of human behavior provide this obligatory experimentation. The next stage consists of the working out of generalizations: Hume's theory of association corresponds to Newton's theory of the attraction of physical bodies. The fourth stage of the Newtonian program is to extend the theory to explain further phenomena: in Hume's case the theory of association is used as an explanatory principle throughout the Treatise. Finally, Newton's concern with momentum is reflected in Hume's theory of the transfer of vivacity, and both share a recognition of the inherent limitations of the reasoning faculty of man. Hume thus combines these procedures and principles of Newtonian science and applies them to philosophical investigation, placing this study on a new footing and dispelling the Hume, A Treatise of Human Nature, ed. L. A. Selby-Bigge(Oxford, 1888), p. xx. BOOK REVIEWS 479 them to philosophical investigation, placing... (shrink)

Big Ideas for Little Kids includes everything a teacher, a parent, or a college student needs to teach philosophy to elementary school children from picture books. Written in a clear and accessible style, the book explains why it is important to allow young children access to philosophy during primary-school education. Wartenberg also gives advice on how to construct a "learner-centered" classroom, in which children discuss philosophical issues with one another as they respond to open-ended questions by saying whether they (...) agree or disagree with what others have said. (shrink)