Physical and emotional intimacy between humans and robots may become commonplace over the next decades, as technology improves at a rapid rate. This development provides new questions pertaining to how people perceive robots designed for different kinds of intimacy, both as companions and potentially as competitors. We performed an randomized experiment where participants read of either a robot that could only perform sexual acts, or only engage in non-sexual platonic love relationships. The results of the current study show that females (...) have less positive views of robots, and especially of sex robots, compared to men. Contrary to the expectation rooted in evolutionary psychology, females expected to feel more jealousy if their partner got a sex robot, rather than a platonic love robot. The results further suggests that people project their own feelings about robots onto their partner, erroneously expecting their partner to react as they would to the thought of ones’ partner having a robot. (shrink)

The semantics of a sentence containing a perception verb such as see or hear depends to a high degree on the exact syntactic form of the perception verb’s complement. Let us compare sentence (1), where the complement is tenseless, with (2), where the complement is a tensed clause.

Apart from references to perception, words such as see and listen have shared, non-literal meanings across diverse languages. Such cross-linguistic meanings have not been systematically investigated as they appear in their natural home — informal spoken interaction. We present a qualitative examination of the semantic associations of perception verbs based on recorded everyday conversation in thirteen diverse languages. Across these diverse communities, spontaneous interaction provides evidence for two commonly-discussed extensions of perception verbs — perception~cognition, hearing~linguistic communication (...) — as well as illustrating other meanings and functions that have been less appreciated heretofore. The range of usage that is readily observable in informal conversation makes it clear that this type of data must take center stage for the empirically grounded study of semantics. Moreover, these data suggest that commonalities in polysemous meanings may rely not only on universal cognition, but also on the universal exigencies of social interaction. (shrink)

This paper shows that direct-object perceptual verbs, such as "hear", "smell", "taste", "feel", and "see", share a collection of distinctive semantic behaviors with depictive verbs, among which are "draw'', "paint", "sketch", and "sculpt". What explains these behaviors in the case of depictives is that they are causative verbs, and have lexical decompositions that involve the creation of concrete artistic artifacts, such as pictures, paintings, and sculptures. For instance, "draw a dog" means "draw a picture of a dog", where the latter (...) occurrence of "draw" denotes a creative activity. While perceptual verbs are not obviously causatives, they have analogous decompositions involving noun phrases that denote modality-specific sense-objects, such as a sounds, smells, flavors, touches, and sights. Thus, "hear a trumpet" means "hear the sound of a trumpet", and the same holds, mutatis mutandis, for verbs denoting the other sensory modes. If we take this analogy at face value, our perceptual reports will commit us to a form of the sense-datum theory of perception. While the analogy can be resisted, resistance requires taking on unexpected commitments. (shrink)

To what extent does perceptual language reflect universals of experience and cognition, and to what extent is it shaped by particular cultural preoccupations? This paper investigates the universality~relativity of perceptual language by examining the use of basic perception terms in spontaneous conversation across 13 diverse languages and cultures. We analyze the frequency of perception words to test two universalist hypotheses: that sight is always a dominant sense, and that the relative ranking of the senses will be the same (...) across different cultures. We find that references to sight outstrip references to the other senses, suggesting a pan-human preoccupation with visual phenomena. However, the relative frequency of the other senses was found to vary cross-linguistically. Cultural relativity was conspicuous as exemplified by the high ranking of smell in Semai, an Aslian language. Together these results suggest a place for both universal constraints and cultural shaping of the language of perception. (shrink)

ABSTRACTThe aim of the paper is to demonstrate the fruitfulness of the influential verb typology developed by Zeno Vendler for recent debates in the philosophy of perception. Section one explains t...

This essay reconstructs and evaluates Aristotle's argument in Nicomachean Ethics IX.9 that the happy person needs friends, in which Aristotle combines his well-known claim that friends are other selves with the claim that human perception is meta-perceptual: the perceiving subject perceives its own existence. After exploring some issues in the logic of perception, the essay argues that Aristotle's argument for the necessity of friends is invalid since perception-verbs create referentially opaque contexts in which the substitution of co-referential (...) terms fails. (shrink)

: This essay reconstructs and evaluates Aristotle’s argument in Nicomachean Ethics IX.9 that the happy person needs friends, in which Aristotle combines his well-known claim that friends are other selves with the claim that human perception is meta-perceptual: the perceiving subject perceives its own existence. After exploring some issues in the logic of perception, the essay argues that Aristotle’s argument for the necessity of friends is invalid since perception-verbs create referentially opaque contexts in which the substitution of (...) co-referential terms fails. (shrink)

In this essay I will explore the syntactic expression of the notion ‘clause’ by focusing on some syntactic and semantic properties of bare infinitive (BI) complements to perception verbs in English. I shall argue briefly that perception BI complements must be clausal, and then turn in more detail to the issue of what sort of clause the BI complement must be. It will be established that the categorical nature of the perception BI complement as IP or VP (...) is contingent on selectional properties of the perception verb, properties which may be contextually influenced by modality and negation. More specifically, an interpretative distinction between ‘vision’ and ‘non-vision’see first suggested by Napoli (1988) will be shown, contrary to her proposal, to provide the key to the contrast in the selection of clausal types. The IP/VP distinction will be shown to correlate with the viability of interpretations for the BI clause that are ‘temporally independent’ of the matrix clause. Given the IP/VP distinction, it will be demonstrated further that the peculiarly limited distribution of the expletive formativethere in BI complements may be predicted from independently motivated syntactic principles that determine clausal structure. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:150 PERCEPTIONS, OBJECTS AND THE NATURE OF MIND In this paper I consider the relation between perceptions and objects for Hume and the bearing which this has on his conception of the mind as composed of perceptions. But first it is necessary to distinguish at least two senses in which he uses the term 'object'. In the first, "perceptions of the human mind" — both impressions and ideas — (...) are referred to as "our objects" (T 1,2). Objects in this sense are intentional objects. Hume almost consistently uses the noun 'perception', rarely the verb 'to perceive'. This serves to emphasize that for him perception is an object, not the perceiving of an object — a departure from the tradition of Locke and Berkeley for whom perceptions are cognitive acts having objects. That perception is not conceived by Hume as a cognitive act or form of awareness but purely as an object of awareness is evident when he says, For since all actions and sensations of the mind are known to us by consciousness, they must necessarily appear in every particular what they are, and be what they appear. Everything that enters the mind, being in reality a perception, 'tis impossible anything shou'd to feeling appear different. This were to suppose, that even when we are most intimately conscious, we might be mistaken (T 190). 1 Or again, "The only existences, of which we are certain, are perceptions, which being immediately present to us by consciousness, command our strongest assent...." (T 212). In its other sense the term 'object' is used to denote bodies, or that to which we attribute a continued existence "distinct from the mind and perception", or, borrowing Locke's expression "external 151 objects". It is just because we attribute a continued and independent existence to bodies that we distinguish them from perceptions, for "all impressions are internal and perishing existences, and appear as such" (T 194). But while we make this distinction in our everyday role of common man, the difference between a perception and an (external) object is really only a difference between two types of perceptions, on the one hand those that are characterized in their occurrence by constancy and coherence, and on the other those, for example the passions, which exhibit a different type of "regularity" in their occurrence (T 195). The constancy and coherence which some perceptions exhibit, together with a natural tendency of the mind "to bestow on the objects a greater regularity than what is observ'd in our mere perceptions" (T 197) causes us to attribute to these perceptions an uninterrupted and independent existence, an existence which is, of course, fictitious, because all perceptions are really internal and perishing. 'Tis certain, that almost all mankind, and even philosophers themselves, for the greatest part of their lives, take their perceptions to be their only objects, and suppose, that the very being, which is intimately present to the mind, is the real body or material existence (T 206). This is not to say, however, that "what any common man means by a hat, or shoe, or stone" (T 202) he also believes to be a perception. What he does believe is that the hat or the shoe is immediately present to the mind, or directly appears to his consciousness. It is Hume, the philosopher, who is here interposing the philosophical doctrine that "no beings are ever present to the mind but perceptions" (T 212). This is, of course, not an empirical generalization. It is the definition of a perception as "whatever can be present 152 to the mind" (Abstract 647). It is this definition which gives sense to the statement "their perceptions are their only objects", the term "objects" here referring to "external objects". And the common man would, no doubt, be surprised to learn that these hats, shoes, etc., which directly appear to his consciousness, are by that circumstance really only his own perceptions which he has imagined, falsely, to have a continued and independent existence. Only a few experiments, however, are needed for the philosopher to realize that perceptions, i.e., what is present to the mind, do not have a continued and independent existence. Unable to give up his vulgar... (shrink)

As Macnamara (1978) once asked, how can we talk about what we see? We report on a study manipulating realistic dynamic scenes and sentences aiming to understand the interaction between linguistic and visual representations in real-world situations. Specifically, we monitored participants’ eye movements as they watched video clips of everyday scenes while listening to sentences describing these scenes. We manipulated two main variables. The first was the semantic class of the verb in the sentence and the second was the (...) action/motion of the agent in the unfolding event. The sentences employed two verb classes—causatives (e.g., break) and perception/psychological (e.g., notice)—which impose different constraints on the nouns that serve as their grammatical complements. The scenes depicted events in which agents either moved towards a target object (always the referent of the verb-complement noun), away from it, or remained neutral performing a given activity (such as cooking). Scenes and sentences were synchronized such that the verb onset corresponded to the first video frame of the agent motion towards or away from the object. Results show effects of agent motion but weak verb-semantic restrictions: causatives draw more attention to potential referents of their grammatical complements than perception verbs only when the agent moves towards the target object. Crucially, we found no anticipatory verb-driven eye movements toward the target object, contrary to studies using non-naturalistic and static scenes. We propose a model in which linguistic and visual computations in real-world situations occur largely independent of each other during the early moments of perceptual input, but rapidly interact at a central, conceptual system using a common, propositional code. Implications for language use in real world contexts are discussed. (shrink)

Sentences such as 'Chocolate tastes good' have been widely discussed as sentences that give rise to faultless disagreement. As such, they actually belong to the more general class of impersonal perception reports, which include 'The violin sounds / looks strange' as well sentences that are about an agent-centered situation such as 'It feels / seems like it is going to rain'. I maintain the view that faultless disagreement is due to first person-based genericity, which, roughly, consists in attributing a (...) property to anyone the speaker (or described agent) identifies with (which generally requires a first-person experience) (Moltmann 2010). Unlike my previous analysis (and similar analyses), this paper no longer makes use of experiencers or judges as implicit arguments of taste predicates, but argues that impersonal perception verbs (taste, look, feel, seem), have a logophoric character. More precisely, such verbs describe perceptual occurrences whose experiencer is identical to the agent of the utterance situation, described attitudinal situation, or the situations a generic operator may range over. Perceptual occurrences are sharply distinguished ontologically from perceptual experiences as well as perceptual objects, entities we refer to as ‘the taste of chocolate’, ‘the sound of the violin’, ‘the look of the violin’. Sentences about perceptual objects ('the taste of chocolate is good', 'the sound of the violin is great', 'the look of the violin is beautiful') also give rise to faultless disagreement, but the source of that is a first-person-based attribution of an evaluative predicate to an (objective) perceptual object. (shrink)

L’objectif de ce travail de recherche est d’étudier la distinction formelle entre les locutions verbales et les constructions à verbe support telles qu’elles sont présentées et décrites par les chercheurs travaillant dans le cadre théorique du lexique-grammaire. Dans ce but, nous avons conçu quatre tâches que nous avons proposées à nos deux groupes de participants : des locuteurs natifs du français et des apprenants du FL2. Nous avons testé plusieurs aspects de la maîtrise des constructions verbales complexes en français par (...) nos participants en mettant en lumière les différences dans les tâches de perception ainsi que dans les tâches de production des structures ciblées. Cette étude démontre que, bien que la perception des structures verbales complexes par les apprenants du FL2 soit assez semblable à celle des locuteurs natifs de cette langue, leur production représente un aspect assez difficile pour les premiers. (shrink)

It is widely agreed that perceptual experience is a form of intentionality, i.e., that it has representational content. Many philosophers take this to mean that like belief, experience has propositional content, that it can be true or false. I accept that perceptual experience has intentionality; but I dispute the claim that it has propositional content. This claim does not follow from the fact that experience is intentional, nor does it follow from the fact that experiences are accurate or inaccurate. I (...) end by considering the relationship between this question and the question of whether experience has non‐conceptual content. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:150 PERCEPTIONS, OBJECTS AND THE NATURE OF MIND In this paper I consider the relation between perceptions and objects for Hume and the bearing which this has on his conception of the mind as composed of perceptions. But first it is necessary to distinguish at least two senses in which he uses the term 'object'. In the first, "perceptions of the human mind" — both impressions and ideas — (...) are referred to as "our objects" (T 1,2). Objects in this sense are intentional objects. Hume almost consistently uses the noun 'perception', rarely the verb 'to perceive'. This serves to emphasize that for him perception is an object, not the perceiving of an object — a departure from the tradition of Locke and Berkeley for whom perceptions are cognitive acts having objects. That perception is not conceived by Hume as a cognitive act or form of awareness but purely as an object of awareness is evident when he says, For since all actions and sensations of the mind are known to us by consciousness, they must necessarily appear in every particular what they are, and be what they appear. Everything that enters the mind, being in reality a perception, 'tis impossible anything shou'd to feeling appear different. This were to suppose, that even when we are most intimately conscious, we might be mistaken (T 190). 1 Or again, "The only existences, of which we are certain, are perceptions, which being immediately present to us by consciousness, command our strongest assent...." (T 212). In its other sense the term 'object' is used to denote bodies, or that to which we attribute a continued existence "distinct from the mind and perception", or, borrowing Locke's expression "external 151 objects". It is just because we attribute a continued and independent existence to bodies that we distinguish them from perceptions, for "all impressions are internal and perishing existences, and appear as such" (T 194). But while we make this distinction in our everyday role of common man, the difference between a perception and an (external) object is really only a difference between two types of perceptions, on the one hand those that are characterized in their occurrence by constancy and coherence, and on the other those, for example the passions, which exhibit a different type of "regularity" in their occurrence (T 195). The constancy and coherence which some perceptions exhibit, together with a natural tendency of the mind "to bestow on the objects a greater regularity than what is observ'd in our mere perceptions" (T 197) causes us to attribute to these perceptions an uninterrupted and independent existence, an existence which is, of course, fictitious, because all perceptions are really internal and perishing. 'Tis certain, that almost all mankind, and even philosophers themselves, for the greatest part of their lives, take their perceptions to be their only objects, and suppose, that the very being, which is intimately present to the mind, is the real body or material existence (T 206). This is not to say, however, that "what any common man means by a hat, or shoe, or stone" (T 202) he also believes to be a perception. What he does believe is that the hat or the shoe is immediately present to the mind, or directly appears to his consciousness. It is Hume, the philosopher, who is here interposing the philosophical doctrine that "no beings are ever present to the mind but perceptions" (T 212). This is, of course, not an empirical generalization. It is the definition of a perception as "whatever can be present 152 to the mind" (Abstract 647). It is this definition which gives sense to the statement "their perceptions are their only objects", the term "objects" here referring to "external objects". And the common man would, no doubt, be surprised to learn that these hats, shoes, etc., which directly appear to his consciousness, are by that circumstance really only his own perceptions which he has imagined, falsely, to have a continued and independent existence. Only a few experiments, however, are needed for the philosopher to realize that perceptions, i.e., what is present to the mind, do not have a continued and independent existence. Unable to give up his vulgar... (shrink)

1. Introduction Dans l?encyclopédie Wikipedia accessible sur Internet, les thèses de Bren­tano sont résumées dans les trois phrases suivantes : L?intentionnalité est une caractéristique de la conscience. L?intentionnalité peut être caractérisée par quelques formules : « contenir quelque chose (pas forcément réel) à titre d?objet », « être à propos de quelque chose », « avoir un objet immanent ». Selon Franz Brentano, l?intentionnalité est le critère permettant de distinguer les « faits » psychiques des « faits » physiques : (...) tout fait psychique est intentionnel, c?est-à-dire qu?il contient quelque chose à titre d?objet bien que ce soit toujours d?une manière différente (croyance, jugement, perception, conscience, désir, haine, etc.). Comme le souligne Denis Seron, l?intentionnalité pour Brentano est une rela­tion, mais ce n?est pas une relation comme les autres dans la mesure où elle n?exige pas l?existence de tous ses termes [Seron 2010]. C?est pour capter cette particularité que Brentano emprunte à saint Thomas le concept d? in­existence intentionnelle [McCormick 1981]. P ar exemple, on peut penser à un objet non réel comme la planète inexistante Vulcain dont certains astro­nomes du xix e siècle avaient postulé l?existence pour expliquer les pertur­bations de l?orbite de Mercure. Il est clair qu?une relation intentionnelle comme « penser à » aura une logique à part. (shrink)

A range of arguments are presented to demonstrate that (1) human visual orientations are conceptually constituted (concept?bound); (2) the concept?boundedness of visual orientations does not require a cognitivist account according to which a mental process of ?inference? or of ?interpretation? must be postulated to accompany a purely ?optical? registration of ?wavelengths of light?, ?photons?, or contentless ?information'; (3) concept?bound visual orientations are not all instances of ?seeing as?, contrary to some currently prominent cognitivist accounts; (4) the dispute between cognitivist and (...) realist accounts about the phenomenon of ?seeing as? is spurious, and is based upon a confusion about the fundamental analytical distinction made by Wittgenstein between ?seeing? and ?seeing as'; (5) ?perceiving?, ?seeing?, and ?seeing as? are but three of a large array of verbs of human visual orientation, and are not ?master categories? under which one can subsume these other modalities; (6) one cannot deduce a continuity of human visual orientation from a continuity of photon?photoreceptor interaction, a point we characterize as the ?staggered character? of human visual orientations; (7) detailed attention to the grammars of the diverse verbs of human visual orientation can open up a domain of study which we here refer to as a ?praxiology of perception'; (8) the nature of such an inquiry can be illustrated with exemplary reference to the analysis of the properties of ?noticing? as embedded in courses of practical action; and (9) such arguments, which claim that existing perceptual theories overly homogenize what is involved in visual orientations to the world, parallel those of Stroll, who proposes that standard accounts of ?what is perceived? overly homogenize the perceptible environment. (shrink)

Although structural priming has been considered to be an independent cognitive process, recent evidence suggests that structural priming is modulated by sociocognitive factors such as social perception; speakers are more likely to mimic the sentence structure of a socially desirable interlocutor than the structure of a less desirable interlocutor. This study aims to further address the role of sociocognitive factors in language use by investigating how individual differences in social perception and tendency to align with others modulate same- (...) class='Hi'>verb structural priming. In particular, we investigate how likely students are to repeat a sentence structure of a teacher depending on their perception of the teacher and their social monitoring tendency. Our results demonstrate that students’ tendency to imitate a sentence structure of the teacher is positively influenced by their perception of the teacher but negatively by social monitoring. We suggest that the effects may be accounted for in terms of their influence on attention and memory encoding. (shrink)

In this book, Brit Brogaard defends the view that visual experience is like belief in having a representational content. Her defense differs from most previous defenses of this view in that it begins by looking at the language of ordinary speech. She provides a linguistic analysis of what we say when we say that things look a certain way or that the world appears to us to be a certain way. She then argues that this analysis can be used to (...) argue for the view that visual experience has a representation content that mediates between you and the world when you visually perceive. (shrink)

Psycholinguistic methods hold great promise for experimental philosophy. Many philosophical thought experiments and arguments proceed from verbal descriptions of possible cases. Many relevant intuitions and conclusions are driven by spontaneous inferences about what else must also be true in the cases described. Such inferences are continually made in language comprehension and production. This chapter explains how methods from psycholinguistics can be employed to study such routine automatic inferences, with a view to assessing intuitions and reconstructing arguments. We demonstrate how plausibility (...) ratings, pupillometry, and reading time measurements can be used to examine hypotheses about automatic inferences in speech and text comprehension. Two experiments on inferences from polysemous (perception-)verbs provide evidence of a potentially consequential ‘salience bias’. Findings help assess intuitions about unusual cases and analyse a philosophical paradox (‘argument from hallucination’). The paper thus illustrates how we can adapt psycholinguistic methods for philosophical purposes and demonstrates the methods’ philosophical usefulness. (shrink)

This book offers a new approach to the analysis of the multiple meanings of English modals, conjunctions, conditionals, and perception verbs. Although such ambiguities cannot easily be accounted for by feature-analyses of word meaning, Eve Sweetser's argument shows that they can be analyzed both readily and systematically. Meaning relationships in general cannot be understood independently of human cognitive structure, including the metaphorical and cultural aspects of that structure. Sweetser shows that both lexical polysemy and pragmatic ambiguity are shaped by (...) our metaphorical folk understanding of epistemic processes and of speech interaction. Similar regularities can be shown to structure the contrast among root, epistemic and speech act uses of modal verbs, multiple uses of conjunctions and conditionals, and certain processes of historical change observed in Indo-European languages. Since polysemy is typically the intermediate step in semantic change, the same regularities observable in polysemy can be extended to an analysis of semantic change. (shrink)

This book radically simplifies Montague Semantics and generalizes the theory by basing it on a partial higher order logic. The resulting theory is a synthesis of Montague Semantics and Situation Semantics. In the late sixties Richard Montague developed the revolutionary idea that we can understand the concept of meaning in ordinary languages much in the same way as we understand the semantics of logical languages. Unfortunately, however, he formalized his idea in an unnecessarily complex way - two outstanding researchers in (...) the field even compared his work to a `Rube Goldberg machine.' Muskens' work does away with such unnecessary complexities, obtains a streamlined version of the theory, shows how partialising the theory automatically provides us with the most central concepts of Situation Semantics, and offers a simple logical treatment of propositional attitude verbs, perception verbs and proper names. (shrink)

This essay attempts to develop a psychologically informed semantics of perception reports, whose predictions match with the linguistic data. As suggested by the quotation from Miller and Johnson-Laird, we take a hallmark of perception to be its fallible nature; the resulting semantics thus necessarily differs from situation semantics. On the psychological side, our main inspiration is Marr's (1982) theory of vision, which can easily accomodate fallible perception. In Marr's theory, vision is a multi-layered process. The different layers (...) have filters of different gradation, which makes vision at each of them approximate. On the logical side, our task is therefore twofold • to formalise the layers and the ways in which they may refine each other, and • to develop logical means to let description vary with such degrees of refinement. The first task is formalised by means of an inverse systems of first order models, with reality appearing as its inverse limit. The second task is formalised by means of so-called conditional quantifiers, a new form of generalised quantification which can best be described as resource bounded quantification. We show that the logic provides for a semantics and pragmatics of direct perception reports. In particular, direct perception reports have a possibly nonveridical, approximative semantics, which becomes veridical only by virtue of our pragmatic expectation that what is perceived would continue to be the case, were we to perceive more accurately. It is a general feature of resource bounded logics that the underlying logics are weak, but that stronger principles can be obtained pragmatically, by strengthening the resource. For the logic of vision this feature is clarified by showing how changes in the resource capture different notions of partiality, and by studying how the perception verb interacts with connectives and quantifiers in different visual contexts. The inference Veridicality, which is now viewed rather as a nonmonotonic inference, is also studied in depth. We end with an attempt to buttress the proposed model by comparing it with suggestions put forward in Cognitive or Conceptual Semantics, in the literature on evidentials, and in Husserl's philosophy of perception. (shrink)

Assertions about appearances license inferences about the speaker's perceptual experience. For instance, if I assert, 'Tom looks like he's cooking', you will infer both that I am visually acquainted with Tom (what I call the "individual acquaintance inference"), and that I am visually acquainted with evidence that Tom is cooking (what I call the "evidential acquaintance inference"). By contrast, if I assert, 'It looks like Tom is cooking', only the latter inference is licensed. I develop an account of the acquaintance (...) inferences of appearance assertions building on two main previous lines of research: first, the copy raising literature, which has aimed to account for individual acquaintance inferences through the "perceptual source" semantic role; second, the subjectivity literature, which has focused on the status of acquaintance inferences with predicates of personal taste, but hasn't given much attention to the added complexities introduced by appearance language. I begin by developing what I take to be the most empirically-sound version of a perceptual source analysis. I then show how its insights can be maintained, while however taking anything about perception out of the truth conditions of appearance sentences. This, together with the assumption that appearance assertions express experiential attitudes, allows us to capture the acquaintance inferences of bare appearance assertions without making incorrect predictions about the behavior of appearance verbs in embedded environments. (shrink)

the world of phenomena is immensely large this means we can perceive only part of the world. We see, feel and hear parts of reality, not the whole of it, and it seems that a sentence containing a verb of perception like 'John sees a house burn' is most naturally treated as saying that the subject sees an incomplete world in which the embedded sentence is true (see Barwise (1981) for this analysis). But if we want to analyse (...) perception verbs thus, we must introduce some form of incompleteness into our formal system, the.. (shrink)

Simple claims with the verb ‘seem’, as well as the specific sensory verbs, ‘look’, ‘sound’, etc., require the speaker to have some relevant kind of perceptual acquaintance (Pearson, 2013; Ninan, 2014). But different forms of these reports differ in their perceptual requirements. For example, the copy raising (CR) report, ‘Tom seems like he’s cooking’ requires the speaker to have seen Tom, while its expletive subject (ES) variant, ‘It seems like Tom is cooking’, does not (Rogers, 1972; Asudeh and Toivonen, (...) 2012). This contrast has led some theorists to hold that the matrix subject in CR constructions is uniformly interpreted as the perceptual source (p-source) (Asudeh and Toivonen, 2012; Rett and Hyams, 2014). Others, based on examples of CR reports that seem not to require perception of the referent of the matrix subject, have taken the p-source interpretation instead to be non-uniform across CR reports (Landau, 2011; Doran, 2015). We reconsider these theoretical approaches to copy raising in light of new experimental work probing the sensitivity of these requirements to the matrix verb, the embedded ‘like’-clause, and the context. While we find some motivation for a non-uniform p-source analysis, it comes from importantly different cases than those others have relied on. Furthermore, our findings cast doubt on the prevalent assumption that the perceptual requirements of CR reports are to be captured solely by the presence or absence of the p-source interpretation. We suggest that the data motivating a non-uniform p-source view are better captured by an alternative approach, which makes use of a more minimal evidential source role, in place of the perceptual source role. We close by considering the relationship between English copy raising and evidential constructions cross-linguistically. (shrink)

In this paper, I develop and defend a new adverbial theory of perception. I first present a semantics for direct-object perceptual reports that treats their object positions as supplying adverbial modifiers, and I show how this semantics definitively solves the many-property problem for adverbialism. My solution is distinctive in that it articulates adverbialism from within a well-established formal semantic framework and ties adverbialism to a plausible semantics for perceptual reports in English. I then go on to present adverbialism as (...) a theory of the metaphysics of perception. The metaphysics I develop treats adverbial perception as a directed activity: it is an activity with success conditions. When perception is successful, the agent bears a relation to a concrete particular, but perception need not be successful; this allows perception to be fundamentally non-relational. The result is a novel formulation of adverbialism that eliminates the need for representational contents, but also treats successful and unsuccessful perceptual events as having a fundamental common factor. (shrink)

Situation semantics was originally conceived as an alternative to extensional model theory and possible world semantics especially suited to the analysis of various problematic constructions, including naked-infinitive perception verbs (Barwise 1981) and belief-reports (Barwise and Perry 1981a, 1981b). In its earliest forms, the central ideas were.

This is the first part of a larger project that aims to develop a cross-categorical semantic account of a broad range of _as if_ constructions in English. In this paper, we focus on descriptive uses of _as if_ with regular truth-conditional content. The core proposal is that _as if_-phrases contribute hypothetical (_if_-like) and comparative (_as_-like) properties of situations, which are instantiated by an event, state, or larger situation when it resembles in some relevant respect its counterparts in selected stereotypical worlds (...) described by the clause embedded under _as if_. We motivate and develop this situation-semantic analysis in detail for examples like _Pedro danced as if he was possessed by demons_ where the modifying _as if_-adjunct is used to inferentially convey the manner of a reported activity. We extend this analysis to _as if_-complements of perception verbs in reports like _The soup tastes as if it contains fish sauce_, offering an alternative to conceptually problematic approaches that assimilate such perceptual resemblance reports to propositional attitude ascriptions. We also examine the predicative function of _as if_ in examples like _The state of the house is as if a tornado passed through it_ where the _as if_-phrase denotes a hypothetical comparative property of the nominal subject. (shrink)

One finds in the systems of natural languages some explicit means of elaborating not only upon the directness of the causal relationship believed to exist between two events X and Y (i.e. some means of specifying just how inevitably event X gives or gave rise to event Y), but also some manner of indicating just who or what is understood to be the primary instigator of the caused event. The goal of the present paper is to explore these notions in (...) detail and arrive at a formal, logic-based means of capturing them. (shrink)

My main aim is to clarify what we mean by ‘look’ sentences such as (1) below – ones that we use to talk about visual experience: -/- (1) The ball looked red to Sue -/- This is to help better understand a part of natural language that has so far resisted treatment, and also to help better understand the nature of visual experience. -/- By appealing to general linguistic principles I argue for the following account. First, we use (1) to (...) talk about an event. Second, we use the verb ‘look’ to specify the kind of event about which we are talking – it is a looking event. Third, we use the subject ‘the ball’ to specify a stimulus of the event – something that looks some way in the event. Fourth, we use the adjunct ‘to Sue’ to specify an experiencer of the event – someone to whom things look some way in the event. Finally, we use the complement ‘red’ to specify a way of the event – a way in which the event occurs (I take ways of occurring to be properties of events). Which way do we use ‘red’ in (1) to specify? I argue: the maximally specific way w such that the following is generically true: looking events whose stimulus is red occur in way w (it is important that this is understood generically: this is what does much of the work in explaining our use of (1) and other ‘look’ sentences). Putting this together, what we mean by (1) is: there was a looking event whose stimulus was the ball, whose experiencer was Sue, and which occurred in the maximally specific way that looking events occur when their stimulus is red. -/- This account of how we use ‘red’ in (1) is one of the most interesting aspects of my thesis. It extends to an account of how we use ‘proud’ in ‘John walks proud’, ‘as if he is American’ in ‘John talks as if he is American’, ‘like a duck’ in ‘John sounds like a duck’, and so on. In each case we use the expression in question to specify a way: the maximally specific way proud people walk, the maximally specific way American people talk, and so on. So the study of ‘look’ sentences has much to tell us about the functioning of many other English language constructions, and suggests that ways have a significant role to play in the semantics of natural language – a fact that has not yet been sufficiently recognised by linguists or philosophers of language. -/- My thesis also has implications for the philosophy of perception. One of the central questions about perception is: What is the nature of visual experience? What is it, for example, for a ball to look red to Sue? My thesis offers an answer: What it is for the ball to look red to Sue is for whatever it is that we mean by ‘The ball looks red to Sue’ to be the case, and what we mean by ‘The ball looks red to Sue’ is that there is a looking event whose stimulus is the ball, whose experiencer is Sue, and which is occurring in a certain way. It thus delivers an adverbial account of visual experience, one that has the resources to better deal with problems that are traditionally thought to be decisive against adverbial accounts. (shrink)

The many-property problem has traditionally been taken to show that the adverbial theory of perception is untenable. This paper first shows that several widely accepted views concerning the nature of perception---including both representational and non-representational views---likewise face the many-property problem. It then presents a solution to the many-property problem for these views, but goes on to show how this solution can be adapted to provide a novel, fully compositional solution to the many-property problem for adverbialism. Thus, with respect (...) to the many-property problem, adverbialism and several widely accepted views in the philosophy of perception are on a par, and the problem is solved. (shrink)