He once recalled his delighted discovery as a schoolboy at Eton of J.B.S. Haldane’s book of essays, Possible Worlds; it changed his life, and after working as an aeronautical engineer designing aircraft during the war, he studied with Haldane and then went on to write his own series of career- inspiring books and essays for generations of students and professors around the world. The 1993 Introduction to the last edition of his 1958 classic, The Theory of Evolution, is an elegant (...) and lucid overview of the progress in biology during his career, an essay nobody else could have written. But then that is true of just about everything he wrote, such as the essays collected in Games, Sex and Evolution (1988), and his books, The Evolution of Sex (1978) and The Problems of Biology (1986). In recent years he turned to fruitful collaboration with younger researchers. The Major Transitions in Evolution.. (shrink)

It is with profound sadness that the editors note the passing on 12 December 2014 of Professor Ivor Grattan-Guinness. Born 23 June 1941, Ivor was the founding editor of History and Philosophy of Lo...

In lieu of an abstract, here is a brief excerpt of the content:In Memoriam: Meyer Schapiro (1904–1996)David RosandMeyer Schapiro, University Professor Emeritus at Columbia University, died at home in New York City on Sunday 3 March, at the age of 91. With his death, the worlds of art and learning have lost a legendary figure.“The humanity of art lies in the artist and not simply in what he represents,” Schapiro had declared in his lectures on abstract art. “It is the (...) painter’s constructive activity, his power of impressing a work with feeling and the qualities of thought that gives humanity to art.” Informing his own life and work, these were the values that enabled him to give such expressive voice to so much of the art of the past and of the present, to articulate the passions of eighth-century Northumbrian manuscript illuminators and Romanesque stonecarvers as well as of the most creative painters of our own century. Schapiro’s range as an art historian was universal, for he believed in the universality of art.Meyer Schapiro was born 23 September 1904, in Siauliai, Lithuania, and emigrated to the United States with his family when he was three. He grew up in the Brownsville section of Brooklyn, where he was first exposed to art in evening classes taught by John Sloan at the Hebrew Settlement House. He entered Columbia College in 1920 at the age of 16, having won both Pulitzer and New York State Regents Scholarships, and received his AB in 1924. Five years later he submitted his dissertation for the Ph.D., the first in fine arts and archaeology awarded by Columbia. “The Romanesque Sculpture of Moissac,” parts of which were published in The Art Bulletin of 1931, opened an entirely new critical perspective on Romanesque art; recognizing its creative and expressive imperatives, Schapiro’s study articulated the aesthetic quality of that art as well as situating it historically and culturally with new precision. Supported by a grant from the Carnegie Corporation, he travelled widely in Europe and the Near East in 1926–27, leaving behind a trail of anecdotal legends that continued to be recounted long after by those who met the brilliant young graduate student—including Bernard Berenson, who compared the eloquence of the “very handsome youth” to Solomon himself.Schapiro began his teaching career at Columbia in 1928 as a lecturer and rose through the professorial ranks, becoming full professor in 1952; he was named University Professor in 1965 and became University Professor Emeritus in 1973. Throughout his career, he moved between the university campus on Morningside Heights and his home neighborhood in Greenwich Village. Lecturing as well at the New School for Social Research from 1936 to 1952, he reached the larger community of the New York art world, especially the artists, in the years when New York was becoming the most dynamic center of contemporary art. And he brought the artists uptown; auditing and participating in his classes at Columbia, their presence in his classroom seemed to validate his wisdom. At the other end of Schapiro’s range were the mathematicians, [End Page 547] scientists, and philosophers, in whose worlds he moved with equal confidence and, importantly, enthusiasm.During the ‘30s Schapiro’s was an important voice of moral balance in the cultural debates of the political left. Although he demonstrated with new insight and undogmatic focus the social bases of art, he insisted on recognizing “its own conditions which distinguish it from other activities.” Even as he avidly pursued knowledge—of history, culture, languages—Schapiro remained an artist. He talked about pictures as an artist. His criticism was an act of re-creation, as he lovingly reconstructed decisions made by the painter on the canvas; every stroke demanded attention. Choice was important, that freedom of the individual responding to the world around him and to the challenge of his own creation. In the anonymous art of the early Middle Ages Schapiro discovered the artist, the human maker; he intuited the feeling individual responsible for the invention of such expressive form. Distant art took on life and became accessible through his recognition of and insistence on its humanity.Schapiro’s learning was legendary, and yet, however intimidating it may have... (shrink)

Professor Zdeněk Mathauser, Czech aesthetician and literary scholar, expert on Husserl’s phenomenology and French and Czech Structuralism, author of many publications, including Básnivé nápovědi Husserlovy fenomenologie.

The present special issue of Sophia on ‘feminist philosophy of religion’ is dedicated to Gillian O. Howie who died in 2013. This essay is a short obituary touching on Howie’s philosophical and personal legacy. The intention is to give a brief overview of Howie as a courageous woman with boundless intellectual curiosity and passionate commitments to feminist activities; these include writing and living her philosophical vision for creating a just society with collective political action. Howie inspired both women and (...) men in philosophy—especially, but not only, feminist philosophers of religion—with her work on the critical role of sexual difference in life today. (shrink)

These remarks are an obituary for William T. Scott who worked for many years on a biography of Michael Polanyi. In addition to providing an overview of Scott’s own life and work, his connection with Polanyi is reviewed.

In this obituary, I detail the life and contribution of William Kevin Presa.

The first serious academic study of obituaries, this book focuses on how societies remember.

Liz JacksonEducation University of Hong KongNel Noddings is known around the world for her contributions to philosophy and philosophy of education. Her work on caring and relational ethics broke ne...

Michael Polanyi and Edward Shils shared a great many views, and in their long mutual relationship influenced one another. This memorial note examines the relationship and some of the respects in which Shils presented a Polanyian social theory organized around the notion of tradition.