This first edition of this book was a broad study, drawing on a wide range of published research and historical evidence, of the enormous stock market boom that started around 1982 and picked up incredible speed after 1995. Although it took as its specific starting point this ongoing boom, it placed it in the context of stock market booms generally, and it also made concrete suggestions regarding policy changes that should be initiated in response to this and other such booms. (...) The book argued that the boom represents a speculative bubble, not grounded in sensible economic fundamentals. Part one of the book considered structural factors behind the boom. A list of twelve precipitating factors that appear to be its ultimate causes was given. Amplification mechanisms, naturally-occurring Ponzi processes, that enlarge the effects of these precipitating factors, were described. Part Two discussed cultural factors, the effects of the news media, and of "new era" economic thinking. Part Three discussed psychological factors, psychological anchors for the market and herd behavior. Part Four discussed attempts to rationalize exuberance: efficient markets theory and theories that investors are learning. Part Five presented policy options and actions that should be taken. The second edition, 2005, added an analysis of the real estate bubble as similar to the stock market bubble that preceded it, and warned that "Significant further rises in these markets could lead, eventually, to even more significant declines. The bad outcome could be that eventual declines would result in a substantial increase in the rate of personal bankruptcies, which could lead to a secondary string of bankruptcies of financial institutions as well. Another long-run consequence could be a decline in consumer and business confidence, and another, possibly worldwide, recession." Thus, the second edition of this book was among the first to warn of the global financial crisis that began with the subprime mortgage debacle in 2007. (shrink)

The figure of Eros is permeated with a logic of lack and fulfillment. As a figure of desire that seeks to be filled, that craves the ineffable, Eros is appropriately described by Plato as the child of poverty and abundance. It is a form of desire that seeks to take what lies outside, to possess the unpossessed and to devour what is desirable. Is it possible, however, to conceive of Eros—and eroticism—as something that is not working according to the traditional (...) logic of desire? Such seems to be the task of Georges Bataille’s philosophy. Refusing the vision of Eros as a quest for pleasure, he developed a thought of eroticism as sovereignty through evil. This article aims at exploring what this evil entails; what a transgression of moral norms, seriousness, and selfhood means. Bataille is famously considered to be a thinker fascinated by evil, and it seems that such a consideration is too easily a reason to avoid him. I would like to show that his thoughts concern freedom, sovereignty and community. Through erotic transgressions, Bataille saw the possibility for true human freedom and communication. Evil as liberation and not Eros as pleasure. I take on a new approach regarding Eros through an exploration of Bataille’s notions of continuity, morality, transgression, death and holiness. The first part of the article will set down the basis of Bataille’s thought. The second will deal in detail with transgression and death, and finally I will deal with holiness, thus making the final step on the path to sovereignty. (shrink)

Looking back on the development of computer technology, particularly in the context of manufacturing, we can distinguish three big waves of technological exuberance with a wave length of roughly 30 years: In the first wave, during the 1950s, mainframe computers at that time were conceptualized as “electronic brains” and envisaged as central control unit of an “automatic factory”. Thirty years later, during the 1980s, knowledge-based systems in computer-integrated manufacturing were adored as the computational core of the “unmanned factory”. Both (...) waves dismally stranded on the contumacies of reality. Nevertheless, again thirty years later, we now experience the departure of the “smart factory” based on networks of “artificially intelligent” multi-agent or “cyber-physical systems”. From the very beginning, these technological exuberances rooted in mistaken metaphors describing the artifacts and, hence, in delusions about the true nature of computer systems. The behaviour of computers is, as computing science teaches us, strictly restrained to executing computable functions by means of algorithms, it thus neither resembles the performance of a brain as part of a complex sensitive living body nor is it in any meaningful sense “knowledgeable” or “intelligent”. When the delusion of being able to implement “smart factories”, despite the countless accomplishment failures before, gains momentum anew, it appears absolutely essential to reflect on underlying misconceptions. (shrink)

My essay consists of three parts. In the first section, I review the historical context of Baroque aesthetics as it is developed during the late 16th and 17th centuries in Europe and then I track its development in Latin America into the third quarter of the 18th century. The principled excess of the Baroque, to adapt Cyrano de Bergerac’s formulation cited below, was designed for theological and imperial purposes. Secondly, I address more recent literature and literary theory. Why, in the (...) early 20th century, did Latin American poets, novelists, essayists and critics begin to rediscover, recover and reconstitute Baroque modes of expression? What was it about this Catholic, monarchical, colonizing aesthetic that now seemed suited to postcolonial purposes? I refer to several theorists and writers who pioneered and/or inspired the 20th-century idea of the New World Baroque as a rebellious retort to Europe rather than a passive reflection. My third section considers how to teach the politics of Baroque aesthetics, and why Baroque aesthetics remains relevant today. (shrink)

Presents a philosophy of creativity and self-fulfilment, and demonstrates that happiness is possible to achieve.

What is skepticism? -- Skepticism as selective doubt -- Scientific method and rational skepticism -- Skepticism and the new enlightenment -- The growth of antiscience -- Skepticism, science, and the paranormal -- Should skeptical inquiry be applied to religion? -- Skepticism and religion -- Are science and religion compatible? -- Skepticism and political inquiry -- Skepticism and ethical inquiry -- Moral faith and ethical skepticism reconsidered -- Skepticism and eupraxsophy -- The new skepticism: a worldwide movement -- Skeptical inquiry: my (...) personal involvement -- Science and the public: summing up thirty years of the skeptical inquirer -- The new skepticism: a statement of principles. (shrink)

In the aphorism “The Health Unto Death,” in Minima Moralia: Reflections from Damaged Life, Adorno issues a provocation and a challenge: “If such a thing as a psycho-analysis of today's prototypical culture were possible,” it would need to “show the sickness proper to the time to consist precisely in normality.”1 Investigating this unique form of illness would require questioning the traditional markers of health: “unruffled calm,” an “unhampered capacity for happiness,” “exuberant vitality,” and even the “champagne jollity” of “the regular (...) guy” and the “popular girl” (MM 58, 63). Hence, Adorno identifies a need to explore “the inferno in which…. (shrink)

The generation of value bubbles is an inherently psychological and social process, where information sharing and individual decisions can affect representations of value. Bubbles occur in many domains, from the stock market, to the runway, to the laboratories of science. Here we seek to understand how psychological and social processes lead representations (i.e., expectations) of value to become divorced from the inherent value, using asset bubbles as an example. We hypothesize that simple asset group switching rules can give rise to (...) aggregate behavior that resembles the irrational exuberance that can drive asset bubbles. Using an agent-based model we explore whether a simple switching rule can generate irrational exuberance, and systematically explore how communication between decision makers influences the speed and intensity of overvaluation. We show that rational and simple individual level rules combined with honest information sharing are sufficient to generate the collective overvaluation characteristic of irrational exuberance. Further, our results demonstrate that low fidelity in the exchange of value information leads to rapidly increasing expectations about value, even when no one is engaged in exaggerating their expectations for the assets they own. (shrink)

Book reviewed in this article: Liberty, Community, and Justice. By R.E. Ewin. Persons, Rights, and the Moral Community. By Loren E. Lomasky Making Sense of Human Rights: Philosophical Reflections on the Universal Declaration of Human Rights. By James W. Nickel.

The Institute of Medicine and the American Heart Association have issued a “call to action” to expand the performance of cardiopulmonary resuscitation in response to out-of-hospital cardiac arrest. Widespread advertising campaigns have been created to encourage more members of the lay public to undergo training in the technique of closed-chest compression-only CPR, based upon extolling the virtues of rapid initiation of resuscitation, untempered by information about the often distressing outcomes, and hailing the “improved” results when nonprofessional bystanders are involved. We (...) describe this misrepresentation of CPR as a highly effective treatment as the fetishization of this valuable, but often inappropriately used, therapy. We propose that the medical profession has an ethical duty to inform the public through education campaigns about the procedure's limitations in the out-of-hospital setting and the narrow clinical indications for which it has been demonstrated to have a reasonable probability of producing favorable outcomes. (shrink)

This paper identifies a tension between the commitment to forming rationally justified emotions and the happy life. To illustrate this tension I begin with a critical evaluation of the positive psychology technique known as ‘gratitude training’. I argue that gratitude training is at odds with the kind of critical monitoring that several philosophers have claimed is regulative of emotional rationality. More generally, critical monitoring undermines exuberance, an attitude that plays a central role in contemporary models of the happy life. (...) Thus, prominent notions of what it takes to maintain emotion rationality and what it takes to maintain happiness are in tension. To resolve this tension, I argue that some people have good reason to depreciate critical monitoring—even while maintaining the requirement of emotion rationality that we be sensitive to facts about how our concerns are faring. (shrink)

"A wild and exuberant romp through the terrain of the monstrous . . . Oppenheimer's lucid explanations are the perfect antidotes to the sordid scenes he recreates." -American Book Review "A masterly and original study of one of the most frightening topics with which human beings have to struggle." -Literary Review "What is compelling, different and page-turning about this impressive book is that the author analyses evil through the medium of films and literature . . . Cinema buffs will find (...) it a fascinating read." -Evening Standard The notion of evil- does it exist? what forms does it take? -has always fascinated humankind. The evil underlying such atrocities as the Holocaust, Communist China's Tibetan abattoir, and the murderous ethnic cleansing undertaken by the Serbs and Croats seems beyond explanations or analysis. In this powerfully original work, Oppenheimer analyzes the phenomenon of evil in a mental behavior that emerges in particular conditions. Oppenheimer argues that evil contains specific, predictable ingredients. By understanding its nature, we can diagnose its specific manifestations in mass murder, genocide, and serial killings. Utilizing a variety of cinematic and literary genres in developing its evidence, the book considers such familiar films as The Silence of the Lambs and Brazil , and draws upon such literary works as Richard III, Oedipus the King and the Picture of Dorian Gray. Evil and the Demonic takes a bold first step, providing a framework in which to place the horrors of human existence. (shrink)

In the exuberance that followed Einstein’s discoveries, philosophers at one time or another have proposed that his theories support virtually every conceivable moral in ontology. I present an opinionated assessment, designed to avoid this overabundance. We learn from Einstein’s theories of novel entanglements of categories once held distinct: space with time; space and time with matter; and space and time with causality. We do not learn that all is relative, that time in the fourth dimension in any non-trivial sense, (...) that coordinate systems and even geometry are conventional or that spacetime should be reduced ontologically to causal, spatio-temporal or other relations. (shrink)

"Since its exuberant re-emergence in the 1960s and 1970s, feminism has explicitly claimed to be corrective and transformative and with the exponential growth in feminist scholarship, its success has been anticipated and expected. However, given the ongoing significant and frequently violent impact of international practices associated with gender for both men and women, the promise of feminism remains elusive"--.

Professor Leiber's exuberant but incisive book illuminates the inquiry's beginnings in Plato, in the physiology and psychology of Descartes, in the formal work of Russell and Gödel, and in Wittgenstein's critique of folk psychology.

The word "globalization" is used to convey the hope and determination of order-making on a worldwide scale. It is trumpeted as providing more mobility--of people, capital, and information--and as being equally beneficial for everyone. With recent technological developments--most notably the Internet--globalization seems to be the fate of the world. But no one seems to be in control. As noted sociologist Zygmunt Bauman shows in this detailed history of globalization, while human affairs now take place on a global scale, we are (...) not able to direct events; we can only watch as boundaries, institutions, and loyalties shift in rapid and unpredictable ways. Who benefits from the new globalization? Are people in need assisted more quickly and efficiently? Or are the poor worse off than ever before? Will a globalized economy shift jobs away from traditional areas, destroying time-honored national industries? Who will enjoy access to jobs in the new hierarchy of mobility? From the way the global economy creates a class of absentee landlords to current prison designs for the criminalized underclass, Bauman dissects globalization in all its manifestations: its effects on the economy, politics, social structures, and even our perceptions of time and space. In a chilling analysis, Bauman argues that globalization divides as much as it unites, creating an ever-widening gulf between the haves and the have-nots. Rather than the hybrid culture we had hoped for, globalization is creating a more homogenous world. Drawing on the works of philosophers, social historians, architects, and theoreticians such as Michel Foucault, Claude Lévi-Strauss, Alfred J. Dunlap, and Le Corbusier, Globalization presents a historical overview of the methods employed to create and define human spaces and institutions, from rural villages to sprawling urban centers. Bauman shows how the advent of the computer translates into the decline of truly public space. And he explores the dimensions of a world in which--through new technologies--time is accelerated and space is compressed, revealing how we have arrived at our current state of global thinking. Bauman's incisive methods of inquiry make Globalization an excellent antidote to the exuberance expressed by those who stand to benefit from the new pace and mobility of the modern life. (shrink)

The Decameron was written in the wake of the Black Death, a shattering epidemic which had shaken Florence's confident entrepreneurial society to its core. In a country villa outside the city, ten young noble men and women who have escaped the plague decide to tell each other stories. Boccaccio's skill as a dramatist is masterfully displayed in this virtuoso performance of one hundred tales, vivid portraits of people from all stations in life, with plots which revel in a bewildering variety (...) of human reactions. Themes are playfully restated from one story to another within an elegant and refined framework. One of Chaucer's most fruitful sources for the Canterbury Tales, Boccaccio's work artfully combines the essential ingredients of narrative: fate and desire, crises and quick-thinking. This new translation by Guido Waldman captures the exuberance and variety and tone of Boccaccio's masterpiece. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

Plutarch’s exuberant writings reaped praise in both antique and modern times. Various aspects of his work have been amply studied and analysed, yet some remain less discussed. This paper therefore aims to contribute to the ongoing research of his works by examining Plutarch’s references to stasis in general, and more particularly to the Roman civil wars. Plutarch lived through the civil wars of 69 CE, and although he did not suffer by experiencing them directly, these events no doubt contributed to (...) his views on the role of stasis and civil war, especially in Roman history. While Plutarch does not openly express his convictions on these events, especially not on contemporary occurrences, civil unrest is nevertheless a deliberate and significant theme in all of his writings. This paper presents various examples from Plutarch’s work which illuminate his particular understanding of Roman civil dissension and the ways in which he cleverly and meticulously approached this issue, being aware of the threat it may have posed him during the principate. (shrink)

Gianni Vattimo, a leading philosopher of the continental school, has always resisted autobiography. But in this intimate memoir, the voice of Vattimo as thinker, political activist, and human being finds its expression on the page. With Piergiorgio Paterlini, a noted Italian writer and journalist, Vattimo reflects on a lifetime of politics, sexual radicalism, and philosophical exuberance in postwar Italy. Turin, the city where he was born and one of the intellectual capitals of Europe (also the city in which Nietzsche (...) went mad), forms the core of his reminiscences, enhanced by fascinating vignettes of studying under Hans Georg Gadamer, teaching in the United States, serving as a public intellectual and interlocutor of Habermas and Derrida, and working within the European Parliament to unite Europe. Vattimo's status as a left-wing faculty president paradoxically made him a target of the Red Brigades in the 1970s, causing him to flee Turin for his life. Left-wing terrorism did not deter the philosopher from his quest for social progress, however, and in the 1980s, he introduced a daring formulation called "weak thought," which stripped metaphysics, science, religion, and all other absolute systems of their authority. Vattimo then became notorious both for his renewed commitment to the core values of Christianity (he was trained as a Catholic intellectual) and for the Vatican's denunciation of his views. Paterlini weaves his interviews with Vattimo into an utterly candid first-person portrait, creating a riveting text that is destined to become one of the most compelling accounts of homosexuality, history, politics, and philosophical invention in the twentieth century. (shrink)

This paper offers a nexus of terms – mortality, limits, contingency and vulnerability – painting a picture of human life as marked by limitation and finitude. I suggest that limitations of possibility, capacity, and resource are deep features of human life, but not only restrict it. Limits are also the conditions of possibility for human life and as such have productive, normative, and creative powers that not only delimit life but also scaffold growth and transformation within it. The paper takes (...) a less known interpretation of the term ‘ephēmeros', to mean ‘of the day', rather than ‘short-lived' and suggests that as ephemeral, human life is contingent and mutable, subject to events beyond our control. However, virtue can still be exercised – indeed, can be exuberantly displayed – when we respond to contingent events marked by adversity. (shrink)

This essay renews a discussion of how historians do, and should, represent atrocity. It argues that the problems of representing extreme violence remain under-conceptualized; in this context it discusses the strengths and weaknesses of minimalism, a style prevalent both in historiography and in an intellectual culture that values understatement in approaches to violence. The essay traces the general cultural preference for minimalist narratives of suffering, which, it claims, is driven by the widespread conviction that experimental and exuberant narratives convert victims' (...) suffering into kitsch. It then focuses on two works, by Saul Friedlander and by Jan Gross, on the history of Jewish victims during and after the Second World War in order to assess how each uses sophisticated minimalist understatement to represent suffering, but with radically different effects. Finally, it asks historians to reflect upon the representation of extreme events by focusing on narrative style, on questions of ethics, and on the cultural narratives within which their own work on suffering and violence is inevitably embedded-especially given that historians are paying increasing attention to violent events that generate tremendous difficulties in relation to the representation both of victims and perpetrators. (shrink)

Normal 0 false false false MicrosoftInternetExplorer4 st1:*{behavior:url(#ieooui) } /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} One of the most celebrated biologists of the past century, Edward O. Wilson has received virtually every scientific award and recognition for his provocative and innovative enquiry into the nature of the relationship between moral behavior and biology which the scientific community can offer. For over twenty-five years, (...) his development of a field of study at Harvard University called sociobiology and the analytical concept he created called conscilience have revolutionized our thinking about ethics and human behavior. Exploring the interrelatedness of the chemistry of the mind and the genetic bases of culture, he has challenged the philosophical, theological, and sociological world to embrace a creatively converging view of science and ethics, of biology and human behavior. This essay is a critical review of Wilson’s major works written during the past three decades which have caused both international exuberance among scientists and an exclamation of outrage among many in the philosophical and theological world. This is the first comprehensive review and critical assessment of his major works. (shrink)

Prior research has studied the antecedents of beliefs regarding ethics and social responsibility (ESR). However, few studies have examined how individual well-being may be related to such beliefs. In this exploratory study, we assessed the relationship between perceived importance of ESR – both individually and of one's company – and indicators of physical and psychological well-being. Results demonstrated that perceived importance of ESR was associated with three aspects of well-being: exuberance for life, sleep problems, and job stress. The results (...) are discussed in terms of future directions for research, and the need for a conceptual framework connecting individual and organizational perceptions of ESR and outcomes of well-being. (shrink)

Adolescence is a valuable phase of life, not just because it is the phase of learning in school and preparing for a working life. During the COVID-19 pandemic it became clear that the rights, experiences, and lifeworlds of adolescents are considered less important than the needs of school, work, and productivity. However, there is an ethical claim for people to have a good adolescence, and this means that the losses of social contact, experiences, time, and space demanded of adolescents, in (...) order to protect older and vulnerable groups during the COVID-19 pandemic, should be taken seriously. A distinctive quality of adolescence is that it cannot be repeated, nor can these experiences be replicated as adults. First experiences of independence, friendship, love, informality, recklessness, and youthful exuberance are intrinsically valuable and cannot be substituted for later in life. It is therefore not surprising that adolescents have sought and found their own spaces during the pandemic, some of them forbidden, because lock downs and closed social spaces have relegated them to the confines of their childhood bedrooms. In this paper, I explore an ethic of a good adolescence, which was impacted on by the COVID-19 pandemic, and consider what can be learned from this situation. Adolescents are to be taken seriously, their experiences are no less valuable than those of adults, and the losses they have suffered for the benefit of others should be honored. As far as possible, young people should be supported to have a voice in public discourse and in finding spaces to be adolescents. (shrink)

Prior research has studied the antecedents of beliefs regarding ethics and social responsibility (ESR). However, few studies have examined how individual well‐being may be related to such beliefs. In this exploratory study, we assessed the relationship between perceived importance of ESR – both individually and of one's company – and indicators of physical and psychological well‐being. Results demonstrated that perceived importance of ESR was associated with three aspects of well‐being: exuberance for life, sleep problems, and job stress. The results (...) are discussed in terms of future directions for research, and the need for a conceptual framework connecting individual and organizational perceptions of ESR and outcomes of well‐being. (shrink)

We can experience music as sad, as exuberant, as sombre. We can experience it as expressing immensity, identification with the rest of humanity, or gratitude. The foundational question of what it is for music to express these or anything else is easily asked; and it has proved extraordinarily difficult to answer satisfactorily. The question of what it is for emotion or other states to be heard in music is not the causal or computational question of how it comes to be (...) heard. It is not the question of the social influences on how we hear music. Nor is it the question of the evolutionary explanation, if such there be, of the existence of such perceptions. It is the constitutive question, the ‘what-is-it?’ question, that is my concern here. It is a question unaddressed by purely syntactic analyses of music. A correct answer to this constitutive question constrains all those other, equally challenging, empirical questions about music. I am going to propose an answer to the constitutive question, drawing on the resources of our current philosophy of perception and cognition within contemporary philosophy of mind. In the very tight space available to me, I will not survey the extant competing proposals, but simply offer my own suggestion straight out, while noting some points of contrast with other approaches. My account is built from three components, or more strictly, from two components together with a certain conception of the way they are related to each other in the perception of music. My plan is to expound these components; to formulate the account built from them; to give some examples of what the account can explain; and to discuss very briefly its bearing on some classical issues about the perception of music. (shrink)

Friedrich Nietzsche described The gay science as a book of 'exuberance, restlessness, contrariety and April showers'. A deeply personal and affirmative work, it straddleshis middle and late periods and contains some of the most important ideas he would ever express in writing. Moving from a critique of conventional morality, the arts and modernity to an exhilarating doctrine of self-emancipation, this playful combination of aphorisms, poetry and prose is a treasure trove of philosophical insights, brought to new life in R. (...) Kevin Hill's clear, graceful translation. (shrink)

For Bakhtin the “gradual narrowing down” of the carnival’s regenerative power is directly linked to its separation from “folk culture” and its ensuing domestication as “part of the family’s private life.” Nonetheless, Bakhtin’s faith in the inherent indestructibility of “the carnival spirit” compels him to find it preserved, even if in an interiorized and psychological form, in the post-Renaissance literary tradition, and he specifically names Diderot, along with Molière, Voltaire, and Swift, as authors who kept alive the subversive possibilities of (...) a Saturnalian laughter . But, of course, as Bakhtin himself recognizes, much more has changed in both the nature and the effects of that laughter than merely its locus of action. The crucial difference, according to Bakhtin, is a new sense of terror felt at the heart of the post-Renaissance carnival grotesque:The transformation of the principle of laughter which permeates the grotesque, that is the loss of its regenerating power, leads to a series of other essential differences between Romantic grotesque and medieval and Renaissance grotesque…The world of Romantic grotesque is to a certain extent a terrifying word, alien to man…Something frightening is revealed in that which was habitual and secure. [Pp. 38-39]Directly linked to this burden of terror, of laughter as a response to dread, not exuberance, is a change in the literary function of madness:Other specific traits are linked with the disappearance of laughter’s regenerating power…. The theme of madness is inherent to all grotesque forms, because madness makes men look at the world with different eyes, not dimmed by “normal,” that is by commonplace ideas and judgments. In folk grotesque, madness is a gay parody of official reason, of the narrow seriousness of official “truth.” It is a “festive” madness. In Romantic grotesque, on the other hand, madness acquires a somber, tragic aspect of individual isolation. [P. 39]Bakhtin’s typology of laughter, for all its richly textured local insights, is haunted, from its inception, by a wistfully nostalgic longing for a realm of pure and ahistorical spontaneity, a rite of universal participation whose essentially affirmative character is guaranteed by its very universality. The most characteristic feature of such a carnival is, in fact, its abolition of all distinctions between participant and viewer:Carnival does not know footlights, in the sense that it does not acknowledge any distinction between actors and spectators. Footlights would destroy a carnival, as the absence of footlights would destroy a theatrical performance. Carnival is not a spectacle seen by the people; they live in it, and everyone participates because its very idea embraces all the people. While carnival lasts, there is no other life outside it…. It has a universal spirit: it is a special condition of the entire world, of the world’s revival and renewal, in which all take part. [P. 7]Yet as soon as the question of representation arises, whether in Rabelais or in his successors, the “footlights” which separate actor and spectator, reader and character, come into being, introducing the very divisions the work’s themes deny. Belatedness, the knowledge of coming after the festival has already been fragmented, is thus not limited to a post-Rabelaisian, bourgeois culture; it is itself a condition of every Saturnalian text, and what has changed is not the inclusiveness of the carnival per se but the literary consequences of acknowledging that belatedness. Michael André Bernstein, associate professor of English and comparative literature at the University of California, Berkeley, is the author of The Tale of the Tribe: Ezra Pound and the Modern Verse Epic and Prima della Rivoluzione, a volume of verse. He is currently at work on a book about the Abject Hero and literary genealogy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Art and Evolution:Spiegelman's The Narrative CorpseBrian BoydIHas art evolved, like opposable thumbs and the whites of our eyes? If it has, will knowing so help us understand better not just art in general but particular works, even works of avant-garde art? Over recent decades many have come to accept that not only have humans evolved from other animals but that many features of their minds and behavior can be (...) explained by the deep past of evolution.1 Yet art remains a puzzle for biocultural analysis. How can we explain art in the hard-nosed terms of biological advantage, especially if it lacks analogies or precursors in other species and seems so pleasurably part of being distinctly human?2Nevertheless we have good reasons to examine whether art might be an adaptation. All cognitively normal individuals in all known societies engage in some form of art, actively or at least passively: music and dance, story, visual art. No one has to be pressured into listening to music on a radio or an iPod. And like language but unlike reading and writing, art develops reliably to a basic level without special training.Art could be what evolutionary biologists call a byproduct, a mere side-effect of our bigger brains or of culture. Yet that seems unlikely. Byproducts by definition do not offer advantages in terms of survival and reproduction: a bodily or behavioral feature whose design offers such advantages we classify as an adaptation. But if art were a byproduct, if it offered on average no advantage in terms of survival and reproduction, many generations of intense evolutionary competition would have eliminated it. If art offered no benefits but exacted the costs it does in time, [End Page 31] energy and resources, it would over many generations have been selected against through the superior fitness of those less inclined to pay such costs, those who preferred to devote their time and energy to securing material or social advantage or simply to save energy by resting.We can understand art in all its varieties, I suggest, as cognitive play with pattern, with multiple, high-intensity patterns. Play exists throughout much of the animal kingdom: in all mammals in which it has been looked for, in birds, and even in invertebrates like octopi. Play, like sleep and dreaming, puzzles and fascinates biologists because it is so widespread and so highly conserved (evolutionary lineages in which play has arisen do not lose it as they continue to evolve) that it must fulfill some function, because it has high costs in energy and risk, and because its functions are not as evident as those of "serious" behavior.3The amount of play in a species correlates highly with the flexibility of its behavior. In all species in which it occurs, play seems remarkably self-rewarding. Animals like pigs and rats play compulsively. In fact this seems the core of play: the self-rewarding nature of play makes animals engage in exuberant, intense behaviors that, under conditions of relative security, allow them to extend their capacities and improve their competence in situations of minimal risk. The skills honed will prove of advantage in real world situations where it is too late to learn on the job, in situations like fight or flight. Because play is compulsive, animals engage in it again and again, incrementally altering their neural wiring, strengthening and speeding up synaptic pathways, improving their capacity and performance.Humans uniquely inhabit what has been called "the cognitive niche":4 we gain most of our advantages from intelligence. We have an appetite for information, and especially for pattern, for information that falls into meaningful arrays from which we can make rich inferences. We therefore like bright, distinct colors, crisp outlines, complex shape or surface design: think of our special fondness for butterflies and flowers. And we have an appetite for open-ended pattern, new kinds of patterns, not only the patterns we have evolved to detect automatically. Vervet monkeys signal to one another in different ways when they see snakes, or leopards, or eagles, because they need to react in different ways to different threats, but they never learn to associate... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Valla Our Contemporary:Philosophy and PhilologyBrian P. CopenhaverEven before the Italians knew what to call their Renaissance, they knew the names of its heroes, one of whom was Lorenzo Valla. Accordingly, by the time Count Terenzio Mamiani della Rovere published one of the first modern histories of Italian philosophy in 1834, Valla's place in the story of that subject had long been established-for Italians, at least. "He began by ridiculing (...) blind trust in Aristotle's words," wrote Mamiani,and then went on to show how the highest categories and first predicables had been based on false assumptions, proving this by the correct meaning of terms, by the usage of speakers and by arguments from common sense. Valla overthrew the classifications of Porphyry in the same way. He shows how the basic rules of logic are simple and completely self-evident.1 [End Page 507]In tribute to Salvatore Camporeale of the Order of Preachers, I shall preach a sermon about this celebrated Italian philosopher. My text is an article on Valla that Campo published in 1986, and my contention is that Valla was a remarkably original thinker who has been much underrated in the Anglophone world, in part because he has not been read often enough or carefully enough in a contemporary philosophical framework.2The Philosopher's Index is the most important general bibliography for philosophers now writing in English. The on-line version that gives nearly four thousand references in five languages for Descartes, over nine thousand for Aristotle, and nearly ten thousand for Kant turns up only forty-two for Valla; twenty-five of these are in English, but only two are in major Anglophone journals of philosophy.3 I call that underrated and understudied.The first English-language entry for Valla in the Philosopher's Index dates from 1948, The Renaissance Philosophy of Man, a very influential book of readings (still in print) that presents Valla as a moral philosopher and Renaissance philosophy as not terribly important. The next entry, from 1964, refers to an equally influential book, Paul Kristeller's Eight Philosophers of the Italian Renaissance, one of whom is Valla, described by Kristeller not only as a moral philosopher but also, and more importantly, as a philosophical critic of logic and language.4 Around the same time, Hanna Gray, Jerrold Seigel, Charles Trinkaus, and others in this country had begun to study Valla's theory of language in more depth, and a few years later Camporeale's masterful book on Valla appeared in 1972.5Since Camporeale's book was then and is now the best account in any language of a brilliant philosopher, its absence from the Philosopher's Index indicates a kind of oblivion in Anglophone philosophy. In Europe and especially in Italy, by contrast, interest in Valla has been more or less continuous since his death in 1457. Mario Nizolio continued Valla's work in the sixteenth century, and both Valla and Nizolio were well known to Leibniz, who in turn [End Page 508] was the subject of an important book by Bertrand Russell in 1900.6 Russell's most popular work, however, was the History of Western Philosophy that he wrote much later, during the Second World War.7Many people have taken their bearings on the history of philosophy from Russell's exuberant History. Amazon.com still offers five editions by four publishers. And Amazon's rankings of sales of more recent accounts of the Renaissance period, the Cambridge History of Renaissance Philosophy and the Renaissance Philosophy volume of Oxford's History of Western Philosophy, lag far behind the figures for a single edition of Russell's broader treatment (8,970 Russell; 481,085 Cambridge; 507,316 Oxford).8Despite its great success, Russell's book does not do well by our topic. His treatment of the Renaissance is like Burckhardt directed by Victor Hugo and produced by Macaulay. Cardinals poison each other while free-thinking scholars entertain princes to procure patronage. Humanism meanwhile dozes under the rubble of antiquity, too dazed by the ruins to produce original philosophy. The only philosophical good to come from philology was its odium. Incessant squabbling about which ancient... (shrink)

Study of symptoms with focal brain lesions reveals a microtemporal transition that elaborates the mind/brain state. The pattern of this transition corresponds with that of developmental growth , which can be characterized in terms of whole-part relations. This correspondence is interpreted as indicating that the cognitive process is an extension of growth trends in pre- and post-natal life. The continuum of ontogenetic growth into the cognitive process is a transition from exuberance of form to specificity or from generality to (...) precision, and conforms with the trajectory of the mind/brain state from categorical primitives at onset to definiteness at termination. A patterned sequence of brain activity corresponds to a patterned sequence of mental activity over the full processing sequence. This sustained whole-part transition begins in early brain structures and carries through to a neocortical end point. The process is epochal and modular, with overlapping replacement of mind/brain states. The specification of configurations in the brain is accompanied by the specification of categorical wholes: drive-categories partition to conceptual-feelings, then to images , finally to acts, words, and objects. A description of the process underlying the brain state is a description of the process underlying the mental state. This paper argues against a causal step from brain to mind, or the reverse, i.e. no one-way or two-way causation. (shrink)

InMind and World,John McDowell claims that we need to steer our way between bald naturalism and rampant platonism as two ways to explain our capacity to use concepts. Performing this task requires an explanation of how concepts can be both socially charged and, at the same time, genuinely involving the world as it really is. I suggest that McDowell’s explanation is insufficient and that Wilfrid Sellars’s idea of sense impressions might be used to clarify the relationship between social practices and (...) conceptual knowledge without incurring too much damage to the overall architectonics of McDowell’s theory.DansMind and World, John McDowell affirme que nous devons nous éloigner du naturalisme dépouillé et du platonisme exubérant comme étant deux manières d’expliquer notre capacité à utiliser des concepts. Pour accomplir cette tâche, il est nécessaire d’expliquer comment les concepts peuvent être à la fois chargés socialement et réellement engagés avec le monde tel qu’il est. Je suggère que l’explication de McDowell est insuffisante et que l’idée de Wilfrid Sellars des impressions sensorielles peut être utilisée pour clarifier la relation entre les pratiques sociales et la connaissance conceptuelle, et ceci sans faire encourir trop de dégâts à l’architectonique générale de la théorie de McDowell. (shrink)

Our culture praises—indeed revels in—the beauty of the human form. And yet, in the midst of this exuberant celebration of corporeal beauty, not even the most unreflective can be unaware of the problems that have been laid at its feet. The philosopher Kathleen Higgins notes a “pervasive impression that is widespread in our culture: that beauty, or some near kin of it, is unsavory, a temptation that might get the soul off-track” (2000, 89). In response to this suspicion, some have (...) argued that beauty is in desperate need of reform or redefinition in our time. In this essay, I attempt to analyze and evaluate this counsel. How should these claims be understood? Would we be wise to follow them? (shrink)

The focus of this article is the relation between life, sport, and disciplined movement. How do these enhance life? This means looking at sports in terms of the qualitative experiences they afford and considering the role of disciplined movement. Phenomenological description helps explore the normative paths that heighten said experiences. At their best, such paths result in skillful strivings to excel within communitarian frameworks, of which the Japanese practices of self-cultivation are exemplary. Sheets-Johnstone’s forays into kinesthesia, Ortega y Gasset’s meditations, (...) and Husserl’s historical lifeworld (lebenswelt) animate this account. The aim is to show how sports and movement, in bridling an exuberant temperament, cultivate our abilities, creativity, and excellence, ultimately encouraging stimulating lives.El artículo examina la relación entre la vida, los deportes, y el movimiento disciplinado. ¿Cómo mejoran éstos la vida? Esto implica evaluar a los deportes acorde a las experiencias cualitativas que hacen posibles y considerar el papel del movimiento disciplinado. La descripción fenomenológica ayuda a explorar los caminos normativos que mejoran tales experiencias. En los mejores casos, éstos conllevan esfuerzos hábiles de superación dentro de marcos comnunitarios. Las prácticas japonesas de autocultivo destacan a este respecto. Las indagaciones de Sheets-Johnstone sobre la kinestesia, las meditaciones de Ortega y Gasset, y las ideas de Husserl sobre el Lebenswelt histórico animan el análisis. El objetivo es mostrar cómo deportes y movimiento, al embridar un temperamento exuberante, cultivan nuestras destrezas, creatividad, y excelencia, fomentando, en ultimo término, vidas estimulantes. (shrink)

This collection of germinal work in the field by Anthony Weston presents his pragmatic environmental philosophy, calling for reconstruction and imagination rather than deconstruction and analysis. It is a philosopher's invitation to environmental ethics in an unexpectedly inviting and down-to-earth key. On the pragmatic view advanced here, environmental values are thoroughly natural—what else could they be?—and are open-ended and in flux. Rather than passing judgment on the world as it is, we are called to rediscover and remake the world as (...) it might be. We require an environmental etiquette more than a formal ethic; an etiquette whose development must be an ongoing process; and a process in turn that is genuinely multicentric, challenging us to negotiate our place among the exuberant variety of living and other forms. (shrink)