In addition to its interest as one of Plato's most brilliant dramatic masterpieces, the Protagoras presents a vivid picture of the crisis of fifth-century Greek thought, in which traditional values and conceptions of man were subjected on the one hand to the criticism of the Sophists and on the other to the far more radical criticism of Socrates. The dialogue deals with many themes which are central to the ethical theories which Plato developed under the influence of Socrates, (...) notably the nature of human excellence, the relation of knowledge to right conduct, and the place of pleasure in the good life. This translation of the Protagoras was originally published in 1976. In this revised edition, C. C. W. Taylor has made a number of changes in the translation and commentary, and has added a new Preface and Introduction. The Bibliography has also been extended to include titles published up to 1990. (shrink)

In Intimations of Christianity Among the Ancient Greeks , Simone Weil discusses precursors to Christian religious ideas which can be found in ancient Greek mythology, literature and philosophy. She looks at evidence of "Christian" feelings in Greek literature, notably in Electra, Orestes, and Antigone , and in the Iliad , going on to examine God in Plato, and divine love in creation, as seen by the ancient Greeks.

The author of the highly popular book Think, which Time magazine hailed as "the one book every smart person should read to understand, and even enjoy, the key questions of philosophy," Simon Blackburn is that rara avis--an eminent thinker who is able to explain philosophy to the general reader. Now Blackburn offers a tour de force exploration of what he calls "the most exciting and engaging issue in the whole of philosophy"--the age-old war over truth. The front lines of (...) this war are well defined. On one side are those who believe in plain, unvarnished facts, rock-solid truths that can be found through reason and objectivity--that science leads to truth, for instance. Their opponents mock this idea. They see the dark forces of language, culture, power, gender, class, ideology and desire--all subverting our perceptions of the world, and clouding our judgement with false notions of absolute truth. Beginning with an early skirmish in the war--when Socrates confronted the sophists in ancient Athens--Blackburn offers a penetrating look at the longstanding battle these two groups have waged, examining the philosophical battles fought by Plato, Protagoras, William James, David Hume, Hans-Georg Gadamer, Jacques Derrida, Michel Foucault, Richard Rorty, and many others, with a particularly fascinating look at Nietzsche. Among the questions Blackburn considers are: is science mere opinion, can historians understand another historical period, and indeed can one culture ever truly understand another. Blackburn concludes that both sides have merit, and that neither has exclusive ownership of truth. What is important is that, whichever side we embrace, we should know where we stand and what is to be said for our opponents. (shrink)

How can we think or say what is not? If we equate what-is-not with nothing, then a thought of nothing is no thought at all; if we don’t, we are condemned to admit that what-is-not is, seemingly incurring in self-refutation. In this paper, I address this paradox through the lenses of Parmenides, Plato, Russell, and the early Wittgenstein.

The author argues that Plato’s “proof” that happiness follows justice has a fatal flaw – because the philosopher king in Plato’s Republic is itself a counter example.

Plato is perhaps the most significant philosopher who has ever lived and The Republic , composed in Athens in about 375 BC, is widely regarded as his most famous dialogue. Its discussion of the perfect city — and the perfect mind — laid the foundations for Western culture and, for over two thousand years, has been the cornerstone of Western philosophy. As the distinguished Cambridge professor Simon Blackburn points out, it has probably sustained more commentary, and been subject (...) to more radical and impassioned disagreement, than almost any other of the great founding texts of the modern world. In Plato’s Republic , Blackburn explains the judicial, moral and political ideas in the Republic with dazzling insight and clarity. Blackburn also examines Republic’s remarkable influence and unquestioned staying power, and shows why, from St. Augustine to twentieth century philosophers such as Ludwig Wittgenstein and Henri Bergson, Western thought is still conditioned by this most important, and contemporary, of books. (shrink)

The pathologies of the democratic public sphere, first articulated by Plato in his attack on rhetoric, have pushed much of deliberative theory out of the mass public and into the study and design of small scale deliberative venues. The move away from the mass public can be seen in a growing split in deliberative theory between theories of democratic deliberation (on the ascendancy) which focus on discrete deliberative initiatives within democracies and theories of deliberative democracy (on the decline) that (...) attempt to tackle the large questions of how the public, or civil society in general, relates to the state. Using rhetoric as the lens through which to view mass democracy, this essay argues that the key to understanding the deliberative potential of the mass public is in the distinction between deliberative and plebiscitary rhetoric. (shrink)

Here at last is a coherent, unintimidating introduction to the challenging and fascinating landscape of Western philosophy. Written expressly for "anyone who believes there are big questions out there, but does not know how to approach them," Think provides a sound framework for exploring the most basic themes of philosophy, and for understanding how major philosophers have tackled the questions that have pressed themselves most forcefully on human consciousness. Simon Blackburn, author of the best-selling Oxford Dictionary of Philosophy, begins (...) by making a convincing case for the relevance of philosophy and goes on to give the reader a sense of how the great historical figures such as Plato, Hume, Kant, Descartes, and others have approached its central themes. In a lively and accessible style, Blackburn approaches the nature of human reflection and how we think, or can think, about knowledge, fate, ethics, identity, God, reason, and truth. Each chapter explains a major issue, and gives the reader a self-contained guide through the problems that the philosophers have studied. Because the text approaches these issues from the gound up, the untrained reader will emerge from its pages able to explore other philosophies with greater pleasure and understanding and be able to think--philosophically--for him or herself. Philosophy is often dismissed as a purely academic discipline with no relation to the "real" world non-philosophers are compelled to inhabit. Think dispels this myth and offers a springboard for all those who want to learn how the basic techniques of thinking shape virtually every aspect of our existence. (shrink)

Plato's main concern in the "Cratylus," I claim, is to argue against the idea that we can learn about things by examining their names, and in favour of the claim that philosophers should, so far as possible, look to the things themselves. Other philosophical questions, such as that of whether we should accept a naturalist or a conventionalist theory of namng, arise in the dialogue, but are subordinate. This reading of the "Cratylus," I say, explains certain puzzling facts about (...) the dialogue's structure and dramatic emphasis, as well as making the dialogue look better on philosophical grounds. In support of my claim, I argue that Hermogenes' conventionalist theory of naming is quite sensible, and is not refuted by Socrates; that the main purpose of the etymological section is to undermine our confidence in etymology as a form of philosophical enquiry; and that the apparently tangential and inconclusive discussions in the final section of the dialogue are best understood as illustrations of Plato's thesis about philosophical methodology. (shrink)

> καὶ πῶς τις ἀνάξει αὐτοὺς εἰς φῶς, ὥσπερ > > ἐξ Ἅιδου λέγονται δή τινες εἰς θεοὺς ἀνελθεῖν; > > Plato Republic 521c This study reconstructs Empedocles’ eschatology and cosmology, arguing that they presuppose one another. Part one surveys body and soul in Empedocles and argues that the transmigrating daimon is a long-lived compound made of the elements air and fire. Part two shows that Empedocles situates our current life in Hades, then considers the testimonies concerning different cosmic (...) levels in Empedocles and compares them with the afterlife schemes in Pindar’s Second Olympian Ode and Plato’s Phaedo myth. Part three offers a new edition of section d lines 5–10 of the Strasbourg papyrus of Empedocles that reinforces the connection between transmigration and different cosmic locations for souls. Part four reconstructs Empedocles’ cosmology, identifies three different levels or habitats of soul, and, more tentatively, suggests that Empedoclean “long-lived gods” are best understood as stars. (shrink)

_ Source: _Volume 63, Issue 4, pp 449 - 476 While we know that the interpretation of the ‘soul’s pilot’ found in Hermias’ _Scholia on Plato’s Phaedrus_ differs considerably from that of Syrianus and Proclus, this difference has not shifted the prevailing opinion that the _Scholia_ are a faithful transcript of Syrianus’ lectures on the _Phaedrus_. I argue, however, that the difference over the soul’s pilot is only the first in a series of elements which are difficult, if not (...) impossible, to ascribe to Syrianus. This, I believe, is compelling evidence that the _Scholia_ contain the ideas of both Syrianus and Hermias. (shrink)

Love plays God -- The foundation of Western love : Hebrew scripture -- From physical desire to paradise : Plato -- Love as perfect friendship : Aristotle -- Love as sexual desire : Lucretius and Ovid -- Love as the supreme virtue : Christianity -- Why Christian love isn't unconditional -- Women on top : love and the troubadours -- How human nature became loveable : from the high Middle Ages to the Renaissance -- Love as joyful understanding of (...) the whole : Spinoza -- Love as enlightened romanticism : Rousseau -- Love as religion : Schlegel and Novalis -- Love as the urge to procreate : Schopenhauer -- Love as affirmation of life : Nietzsche -- Love as a history of loss : Freud -- Love as terror and tedium : Proust -- Love reconsidered. (shrink)

A la secció 25 de la dissertació tercera de La genealogia de la moral, en el context de la recerca de «l’antagonista natural de l’ideal ascètic», es descriu l’antagonisme «Plató contra Homer» com «l’antagonisme autèntic i total». Aquest article emmarca aquest antagonisme en el conjunt de l’obra nietzscheana i, després d’analitzar com es planteja en la República de Plató, fa algunes remarques sobre el paper que interpreta en el pensament de l’últim Nietzsche. El seu propòsit és argumentar que la presa (...) en consideració de la interpretació i l’ús que Nietzsche fa de l’antagonisme «Plató contra Homer» permet obtenir una perspectiva hermenèutica des de la qual es poden contemplar aspectes habitualment desatesos de l’antagonisme decisiu, i no menys total, que té com a camp de batalla les últimes obres nietzscheanes: el «combat contra Plató» del mateix Nietzsche, que coincideix amb el seu combat per l’abandonament de la metafísica i l’autosupressió de la moral. (shrink)

In the post-Newtonian world motion is assumed to be a simple category which relates to the locomotion of bodies in space, and is usually associated only with physics. Philosophy, God and Motion shows that this is a relatively recent understanding of motion and that prior to the scientific revolution motion was a much broader and more mysterious category, applying to moral as well as physical movements. Simon Oliver presents fresh interpretations of key figures in the history of western thought (...) including Plato, Aristotle, Aquinas and Newton, examining the thinkers' handling of the concept of motion. Through close readings of seminal texts in ancient and medieval cosmology and early modern natural philosophy, the book moves from antique to modern times investigating how motion has been of great significance within theology, philosophy and science. Particularly important is the relation between motion and God, following Aristotle traditional doctrines of God have understood the divine as the 'unmoved mover' while post-Holocaust theologians have suggested that in order to be compassionate God must undergo the motion of suffering. Philosophy, God and Motion suggests that there may be an authentically theological, as well as a natural scientific understanding of motion. (shrink)

Lust, says Simon Blackburn, is furtive, headlong, always sizing up opportunities. It is a trail of clothing in the hallway, the trashy cousin of love. But be that as it may, the aim of this delightful book is to rescue lust "from the denunciations of old men of the deserts, to deliver it from the pallid and envious confessor and the stocks and pillories of the Puritans, to drag it from the category of sin to that of virtue." Blackburn, (...) author of such popular philosophy books as Think and Being Good, here offers a sharp-edged probe into the heart of lust, blending together insight from some of the world's greatest thinkers on sex, human nature, and our common cultural foibles. Blackburn takes a wide ranging, historical approach, discussing lust as viewed by Aristophanes and Plato, lust in the light of the Stoic mistrust of emotion, and the Christian fear of the flesh that catapulted lust to the level of deadly sin. He describes how philosophical pessimists like Schopenhauer and Sartre contributed to our thinking about lust and explores the false starts in understanding lust represented by Freud, Kinsey, and modern "evolutionary psychology." But most important, Blackburn reminds us that lust is also life-affirming, invigorating, fun. He points to the work of David Hume who saw lust not only as a sensual delight but also "a joy of the mind." Written by one of the most eminent living philosophers, attractively illustrated and colourfully packaged, Lust is a book that anyone would lust over. (shrink)

One Stoic response to the skeptical indistinguishability argument is that it fails to account for expertise: the Stoics allow that while two similar objects create indistinguishable appearances in the amateur, this is not true of the expert, whose appearances succeed in discriminating the pair. This paper re-examines the motivations for this Stoic response, and argues that it reveals the Stoic claim that, in generating a kataleptic appearance, the perceiver’s mind is active, insofar as it applies concepts matching the perceptual stimulus. (...) I argue that this claim is reflected in the Stoic definition of the kataleptic appearance, and that it respects their more general account of mental representation. I further suggest that, in attributing some activity to the mind in creating each kataleptic appearance, and in claiming that the expert’s mind allows her to form more kataleptic appearances than the amateur, the Stoics draw inspiration from the wax tablet model in Plato’s Theaetetus (190e–196d), where Socrates distinguishes the wise from the ignorant on the basis of how well they match sensory input with its appropriate mental ‘seal’ (σφραγίς). (shrink)

This essay articulates a double helix at work in Badiou’s thought on politics as a condition of philosophy and philosophy as such by focusing on what Badiou calls “the Idea of communism” and we will call “the communism of the Idea.” The former refers to communism as an Idea par excellence, while the latter concerns the Idea as a philosophical communism. The first section of the essay unpacks the Idea of communism as a composite interaction of politics, history, and subjectivity (...) insofar as each of these elements cannot be taken in themselves. Contrary to post-ideology, Badiou condemns the claim that we should live without an ideological framework insofar as this asks us to live without an Idea. The second section will focus on the communism of the Idea as the result of Badiou’s broader philosophical project and its major Platonic gestures. Badiou’s broader concerns pertain to the commitment to live with an Idea as finite, infinite, and transfinite to the endpoint that philosophy itself is characterized to be destined for communism. The crux that anyone can become a serious philosopher if, to paraphrase Diotima in Plato’s Symposium, they gracefully lend themselves to the process of truths as their fundamental commitment. (shrink)

(For English, scroll down) „Kreativität“ ist ein sehr junger Begriff und ein sehr altes Phänomen. Sie gilt als unaufklärbares Rätsel, als eine Art „Black Box“ des Denkens. Dem kollektiven Bewußtsein zufolge ist sie etwas Rares, Flüchtiges, strapaziös zu erzielen und nur wenige Glückliche begünstigend. Das vorliegende Buch präsentiert eine logische Grundidee zur Entstehung von schöpferisch Neuem – Elemente aus Logik, Symbotheorie, Informations-, Kommunikations- und Medientheorie verbindend. Diese „Formel“ wird an philosophischen Stationen von der Antike bis zur Gegenwart erprobt und weiterentwickelt, (...) darunter Theorien von Platon, Aristoteles, Leibniz, Baumgarten, Kant, Wittgenstein, Nelson Goodman und Gregory Bateson. Kreativität zeigt sich als ein Transformationsphänomen, welches das Denken auf eine andere logische Ebene führt, kategoriale Grenzen transformiert und Anschlußformen öffnet. Im Ergebnis ist sie nichts per Definition Abwesendes, erreichbar nur über den Umweg von unverfügbarer Gunst, weltabgewandter Passion oder verborgenen Tricks. Kreativität ist vielmehr omnipräsent, schöpferische Energien sind nur mit großem Aufwand zu unterdrücken, und die Frage, wie man sie erreicht, wird zur Frage, wie man ihr eine optimale Basis bereitet, ohne sie wesentlich zu behindern. Creativity" is a young term and an old phenomenon. It is considered an unexplainable enigma, a kind of "black box" of thought. According to the default view, it is something rare, fleeting, hard to achieve and favoring only a lucky few. The present book presents a logical formula for the emergence of creative newness - combining elements from logic, theories of symbolization, information-theory, communication- and media theories. This structural idea is tested and further developed by confronting it with select philosophical theories regarding the production of ‘newness’ from antiquity to the present, including theories by Plato, Aristotle, Leibniz, Baumgarten, Kant, Wittgenstein, Nelson Goodman and Gregory Bateson. As a result, creativity shows up as a transformation phenomenon, including different logical levels, thereby transforming categorical boundaries. As a result, it is not something mostly absent, attainable only through of luck, manic passion, or hidden tricks. Creativity is rather omnipresent, creative energies can only be suppressed with great effort, and the question of how to achieve it becomes the question of how to prepare an optimal basis without significantly hindering it. (shrink)

The aim of this paper is to examine the implications of Plato’s use of the term stoicheion, since his awareness of stoicheion’s polysemy reveals his view of the origin, the complexity and, at the same time, the order of reality. Moreover, his use of stoicheion allowed him both to inherit and to detach himself from his predecessors. I begin by presenting the history of the notion of stoicheion; then, since one of the meanings of stoicheion is ‘letter of the (...) alphabet’, I focus on the Cratylus, which contains the first of several passages where Plato employs the alphabet as a paradigm for the structure of a complex system. Finally, I turn to the Theaetetus, where Plato, for the first time, uses stoicheion in the sense of ‘element’ and where, through the relation letters/syllables, Plato clarifies that enumeration and juxtaposition are not sufficient to attain the real knowledge. I will argue that only thanks to these steps can we understand the occurrences of stoicheion in the Timaeus, where Plato first states that air, earth, fire and water are not stoicheia tou pantos, and then reveals that, instead, the basic triangles are ‘the elements of the universe’. (shrink)

This work aims to investigate the occurrences of the female lexicon, in particular γυνή and μήτηρ, in the Timaeus, to bring out Plato's position regarding women that can be deduced from the hermeneutics of the examined passages. It is necessary to consider all the problems related to Plato's writings, including the argumentative structures used and the complexity of some concepts. The occurrences in the Timaeus, although not numerically conspicuous, are significant in terms of content, given the very nature (...) of this dialogue, which aims to identify the position and role of man and his soul in the cosmos. In Timaeus’ Prologue, such as in the Republic, Plato expresses more open positions regarding the social role of women; instead in other passages, such as those dealing with the transmigration of souls, Plato uses images relating to women to help his listeners to understand very complex issues. These images, to be understandable, have to be adequate to the idea about women common to Plato’s time. (shrink)

This article is primarily concerned with Platoʼs later dialogue, the Sophist, and the reception of the megista-gēnē-dialectic in Neoplatonism. The present paper offers a historical comparative study that consists of three parts. The first one gives a short summary concerning Platoʼs request regarding the concept of inverse and complex Ideas. The second one examines Plotinus’ conception of the νοῦς, in which the megista gēnē στάσις, κίνησις, ὄν, ταὐτόν and ἕτερον constitute the realm of the intellect. While the third and final (...) part of the article investigates Proclusʼ extrapolation of the Platonic dialectic, it focuses on selected passages from the Commentary on the Parmenides. The paper concludes with a summary of the results. (shrink)

Love has been a topic of interest to philosophy since at least the time of Plato’s Symposium, but with a few notable exceptions, it was unduly neglected in the twentieth century, at least by writers in the analytic tradition that predominates in the English-speaking world. However, in the past quarter century, writing on the topic has exploded. In this volume, we touch on most of the currently hot debates and also introduce some fascinating tangents. The main threads of discussion (...) reflected in this volume are as follows: the relationship between love and morality ; whether love is rational, subject to reasons for or against it, or a force that is not under our intentional control; and whether love affects the way we perceive the world or the way we value things in the world. More singular topics include: whether love would be affected by disputes in the literature on free will; whether we could be mistaken about being in love; whether our pets are capable of loving us back; whether a relationship of the kind shown in the movie her between a human and an artificial intelligence could be either loving or ethical; and whether the difference between patriotism and nationalism hinges on how each instances a different kind of love. Along the way we will see analyses of the work of philosophical greats like Immanuel Kant as well as the work of more contemporary writers, in particular Iris Murdoch, and philosophers actively engaged in the current revival, notably Harry Frankfurt, J. David Velleman, and Niko Kolodny. (shrink)

This book features readings of over twenty key texts and authors in Western poetry and philosophy, including Homer, Plato, Dante, Chaucer, Shakespeare and Rousseau. Simon Haines argues that the history of both can be seen as a struggle between two different conceptions of the self: the "romantic" vs. the "realist".

Martha Nussbaum has argued in support of the view (supposedly that of Aristotle) that we can, through thought-experiments involving personal identity, find an objective foundation for moral thought without having to appeal to any authority independent of morality. I compare the thought-experiment from Plato’s Philebus that she presents as an example to other thought-experiments involving identity in the literature and argue that this reveals a tension between the sources of authority which Nussbaum invokes for her thought-experiment. I also argue (...) that each of her sources of authority presents further difficulties for her project. Finally, I argue that it is not clear that her thought-experiment is one that actually involves identity in any crucial way. As a result, the case she offers does not offer any satisfactory support for her view on the relation between identity, morality and thought-experiments, but we do gain some insights into what that relation really is along the way. (shrink)

Since Plato philosophers have struggled to understand the nature of ethics. It seems different from understanding the world around us, which we do by means of our senses and our sciences. Like mathematics ethics seems different. My brief dialogue seeks to unravel its mystery, and may tell you all you need to know about it.

Why do we remember? And, for that matter, what is remembering? Placed between body and mind, the phenomenon of memory simultaneously involves biological, psychological, semiotic, and metaphysical elements. Memory’s place at the heart of our understanding of ourselves is why many of the greatest philosophers of all the time have dealt with the problem – or, better, have had to deal with it. Plato, Aristotle, Augustine, Descartes, Locke, Kant, Hegel, Bergson, Russell, and Wittgenstein, are just a few among many (...) who have proffered explanations. While all such proposals have been deficient in their own ways, each has advanced our understanding of the myriad phenomena associated with memory. With recent developments in phenomenology, analytic philosophy, and the empirical sciences interest in memory has intensified. In the 20th century, philosophers were particularly interested in identifying its causes, the ontology of mnemonic traces, the mechanisms of recall, and its epistemic characteristics. Moreover, as philosophy has directed its sight towards social objects and structures, questions involving memory have developed political and social dimensions as well – extending the debate to collective memory. What are the mechanisms of intersubjective memorization and recall of information, ideas, and representations? What are the ethical dimensions and consequences of public memory? (shrink)

'Dialogue' was invented as a written form in democratic Athens and made a celebrated and popular literary and philosophical style by Plato. Yet it almost completely disappeared in the Christian empire of late antiquity. This book, the first general and systematic study of the genre in antiquity, asks: who wrote dialogues and why? Why did dialogue no longer attract writers in the later period in the same way? Investigating dialogue goes to the heart of the central issues of power, (...) authority, openness and playfulness in changing cultural contexts. This book analyses the relationship between literary form and cultural authority in a new and exciting way, and encourages closer reflection about the purpose of dialogue in its wider social, cultural and religious contexts in today's world. (shrink)

From the second half of the 16th century the question about Platonis Aristotelisque Concordia is no more a merely doctrinal problem, but it involves a discussion about methodus and ordo, according to the importance given to them in the coeval philosophical debate. In many cases underscoring Plato’s scientific merits, not only about inventio but also about the transmission of knowledge, meant promoting Platonism as a philosophy suitable for University. In this context the need for Platonic handbooks is perceived as (...) compelling, due to the recognised didactic superiority of Aristotle’s writings. The Compendio and the Vere Conclusioni are the specific contribution of Francesco Verino secondo, who gave holiday lectures on Plato at the Florentine Studium from 1576 to 1579. The present study focuses on the platonism of Francesco Verino, covering nearly all his works, printed and manuscript, in a constant comparison with his noble predecessors Marsilio Ficino, Giovanni Pico della Mirandola and Francesco Cattani da Diacceto. In order to give light to Verino’s lectureship, particular attention is paid to glosses in his working and teaching copy of Platonis Opera. (shrink)

This paper demystifies reflective practice on teaching by focusing on the idea of reflection itself and how it has been conceived by two philosophers, Plato and Irigaray. It argues that reflective practice has become a standardized method of defining the teacher in teacher education and teacher accreditation systems. It explores how practices of reflection themselves can suggest ways out of dictated pathways of reflection in teaching. Drawing on Luce Irigaray's and Plato's ideas on reflection, the paper includes a (...) critical overview of how reflective practice can contradict its own aims and become non-reflective, shutting off possibilities for transformations and educational differences that it has set out to achieve. Keeping up the deconstructive mood, the paper draws on Irigaray's re-reading of Plato's parable of the cave to argue that reflective teaching that merely reflects phallogocentric educational systems and that attempts to universally reproduce standardized forms of reflective practice can never be conducive to the diversification of educational spaces.The paper seeks to re-think Plato's idea of reflection as mere copying and takes up Irigaray's strategic mimesis to explore ways through which reflective practice can regain its critical edge and reactivate teachers' reflective voices. It argues for the repetition of the practice of reflection by drawing on a feminist critique that challenges phallogocentric reflective tendencies in education and for mimetic strategies that engender difference. (shrink)

Plato’s philosophy is important to Badiou for a number of reasons, chief among which is that Badiou considered Plato to have recognised that mathematics provides the only sound or adequate basis for ontology. The mathematical basis of ontology is central to Badiou’s philosophy, and his engagement with Plato is instrumental in determining how he positions his philosophy in relation to those approaches to the philosophy of mathematics that endorse an orthodox Platonic realism, i.e. the independent existence of (...) a realm of mathematical objects. The Platonism that Badiou makes claim to bears little resemblance to this orthodoxy. Like Plato, Badiou insists on the primacy of the eternal and immu- table abstraction of the mathematico-ontological Idea; however, Badiou’s reconstructed Platonism champions the mathematics of post-Cantorian set theory, which itself af rms the irreducible multiplicity of being. Badiou in this way recon gures the Platonic notion of the relation between the one and the multiple in terms of the multiple-without-one as represented in the axiom of the void or empty set. Rather than engage with the Plato that is gured in the ontological realism of the orthodox Platonic approach to the philosophy of mathematics, Badiou is intent on characterising the Plato that responds to the demands of a post-Cantorian set theory, and he considers Plato’s philosophy to provide a response to such a challenge. In effect, Badiou reorients mathematical Platonism from an epistemological to an ontological problematic, a move that relies on the plausibility of rejecting the empiricist ontology underlying orthodox mathematical Platonism. To draw a connec- tion between these two approaches to Platonism and to determine what sets them radically apart, this paper focuses on the use that they each make of model theory to further their respective arguments. (shrink)

_"A genial exercise in public philosophy" (_Kirkus_, starred review) from one of the world's best-known popular philosophers__ "Simon Critchley is an international treasure—that rare and real philosopher who embraces Rousseau’s ‘feeling of existence,’ David Bowie’s vision of love, and Philip K. Dick’s genius with genuine wrestling and a soulful smile!’’—Cornel West, Harvard University_ The moderator of the _New York Times_’ Stone column and the author of numerous books on everything from Greek tragedy to David Bowie, Simon Critchley has (...) been a strong voice in popular philosophy for more than a decade. This volume brings together thirty-five essays, originally published in the _Times,_ on a wide range of topics, from the dimensions of Plato’s academy and the mysteries of Eleusis to Philip K. Dick, Mormonism, money, and the joy and pain of Liverpool Football Club fans. In an engaging and jargon‑free style, Critchley writes with honesty about the state of world as he offers philosophically informed and insightful considerations of happiness, violence, and faith. Stripped of inaccessible academic armatures, these short pieces bring philosophy out of the ivory tower and demonstrate an exciting new way to think in public. (shrink)

Questo lavoro si propone di indagare le occorrenze del lessico femminile, in particolare γυνή e μήτηρ, nel Timeo, per far emergere la posizione di Platone riguardo alle donne che si può evincere dall’ermeneutica dei passi esaminati. Bisogna considerare anche i problemi relativi all’interpretazione degli scritti di Platone, come le strutture argomentative di cui si serve e la complessità di alcuni concetti. Le occorrenze nel Timeo, sebbene non numerose, sono contenutisticamente significative, data la natura di questo dialogo che si propone di (...) identificare la posizione e il ruolo nel cosmo dell’uomo e della sua anima. Nel prologo del Timeo, come anche nella Repubblica, Platone esprime posizioni più aperte riguardo al ruolo sociale delle donne; invece in altri passi, come quelli che trattano della trasmigrazione delle anime, Platone si serve di immagini relative alle donne per aiutare i suoi ascoltatori a comprendere questioni molto complesse. Tali immagini, per essere comprensibili, devono rispecchiare l’idea riguardo alle donne comune al tempo di Platone. (shrink)

This paper, originally read on the site of Plato’s dialogue Phaedrus, attempts to show how the two seemingly distinct themes of this dialogue, eros and rhetoric, are really one. Socrates there employs rhetoric, in which his decent but somewhat dull interlocutor, Phaedrus, takes great pleasure, in order to persuade the latter to assume philosophical eros, inclining his soul to truth. This aim contrasts vividly with the nihilistic one pursued by the greatest of the Sophist rhetoricians, Gorgias. Ultimately, philosophical eros (...) conduces to intimations of immortality. This could be demonstrated, if more time were available, by exploring certain works of contemporary literature and philosophy; for example, in his Totality and Infinity, Emmanuel Levinas cites the Phaedrus more frequently than any other text. (shrink)

"Stoic erôs" sounds like a contradiction in terms. The ancient Stoics are notorious for their claim that the ideal human life is free of passion. So when it comes to arguably the most passionate emotion of all, we might expect them to take a uniformly dim view. Just like anger, fear, grief, and the other passions censured by Stoic theory, erotic love would seem to have no place in the best human life. -/- In fact the Stoics distinguish two forms (...) of erôs. In vicious agents erôs is indeed a passion and thus born out of a defective rational judgment about what is needed for happiness. But there is also a positive form of erotic love, practiced by the Sage on the basis of knowledge, which aims to reproduce his virtuous condition in others. I show how the Stoics' wider theoretical commitments in ethics, epistemology, aesthetics, and psychology support their duplex account of erôs. I also consider the influence of Plato's Symposium on the Stoic account, arguing for hitherto unrecognized links with Socratic moral psychology. I conclude with an assessment of how the Stoic erotic ideal fares in relation to our intuitions about the non-egoistic and particularized nature of love. (shrink)

Sir Anthony Kenny here tells the fascinating story of the birth of philosophy and its remarkable flourishing in the ancient Mediterranean world. This is the initial volume of a four-book set in which Kenny will unfold a magisterial new history of Western philosophy, the first major single-author history of philosophy to appear in decades. Ancient Philosophy spans over a thousand years and brings to life the great minds of the past, from Thales, Pythagoras, and Parmenides, to Socrates, Epictetus, Marcus Aurelius, (...) and Augustine. The book's great virtue is that it is written by one of the world's leading authorities on the subject. Instead of an uncritical, straightforward recitation of known facts-Plato and his cave of shadows, Aristotle's ethics, Augustine's City of God-we see the major philosophers through the eyes of a man who has spent a lifetime contemplating their work. Thus we do not simply get an overview of Aristotle, for example, but a penetrating and insightful critique of his thought. Kenny offers an illuminating account of the various schools of thought, from the Pre-Socratics to the Epicureans. He examines the development of logic and reason, ancient ideas about physics ("how things happen"), metaphysics and ethics, and the earliest thinking about the soul and god. Vividly written, but serious and deep enough to offer a genuine understanding of the great philosophers, Kenny's lucid and stimulating history will become the definitive work for anyone interested in the people and ideas that shaped the course of Western thought. (shrink)

The Routledge Companion to Metaphysics is an outstanding, comprehensive and accessible guide to the major themes, thinkers, and issues in metaphysics. The Companion features over fifty specially commissioned chapters from international scholars which are organized into three clear parts: History of Metaphysics Ontology Metaphysics and Science. Each section features an introduction which places the range of essays in context, while an extensive glossary allows easy reference to key terms and definitions. The Routledge Companion to Metaphysics is essential reading for students (...) of philosophy and anyone interested in surveying the central topics and problems in metaphysics from causation to vagueness and from Plato and Aristotle to the present-day. (shrink)

At 236D-239C, Sophist presents three arguments to the conclusions, that the expression ›not-being‹ does not say or express anything, that we cannot even conceive of the alleged entity of not-being and that we contradict ourselves when claiming that not-being is not and that the expression ›not-being‹ does not express anything at all. I intend to answer five questions concerning these arguments: What does Plato mean when he says that the expression ›not-being‹ does not say any-thing at all? What sort (...) of semantic relation does he think the expression ›not-being‹ involves? How could he possibly explain that ›not-being‹ is, after all, an expression? What does he think we are to learn about the contradictions ensued by our talk of not-being? And what does he think is the ontological status of not-being? My motivation for considering these questions is that the arguments against not-being in Sophist 236D-239C have not been charitably discussed and therefore have not been fully explored. (shrink)

Simone de Beauvoir’s early enthusiasm for the philosophy of Henri Bergson (1859-1941)—denied in her 1958 autobiography, Memoirs of a Dutiful Daughter—is a surprising discovery in her 1927 handwritten student diary, as I reported in 1999 and explored at more length in 2003 (Simons 1999; Simons 2003). Discovered by Sylvie Le Bon de Beauvoir after Beauvoir’s death in 1986 and now housed in the Bibliothèque nationale, Beauvoir’s student diary first appeared in print in the 2006 volume, Diary of a Philosophy Student: (...) 1926-27, followed in 2008 by the French publication, Cahiers de jeunesse: 1926-1930. Since my 1999 analysis of the 1927 diary, the publication of the 1926 diary and other posthumously discovered texts has deepened and complicated the evidence of Bergson’s influence.1 In this chapter, I propose to take up and expand upon my earlier analyses in the light of this new evidence, arguing that Beauvoir’s methodological turn to the description of immediate experience, especially her method of writing philosophy in literature and her lifelong interest in describing the subjective experience of time, drew upon Bergson’s philosophy before her first encounter with Husserl’s phenomenology which may have come as early as 1927; that her concept of bad faith and interest in exposing distortions in perception and thinking, as in the chapters in The Second Sex on myths about women, drew upon Bergson’s philosophy long before she had read Marx; and that her earliest formulation of the problem of the Other drew upon Bergson’s distinction between the “social self and the deep self,” two years before she met Jean-Paul Sartre and two decades before she first read Hegel’s Phenomenology. (shrink)