Le statut éthico-juridique des robots dotés de sensibilité est encore incertain, mais exige d’être pensé sans tarder. Si les économies d’échelle et les avantages sanitaires conduisent à une convergence des industries du soin et du sexe, les « sexbots » sont susceptibles d’attirer une stigmatisation qui accroîtra leur risque de maltraitance. Cet article soutient qu’il est éthiquement problématique pour les humains de créer des êtres sensibles, fabriqués à des fins utilitaires pour opérer des tâches que nous préférerions ne pas (...) avoir à accomplir, comme prendre soin des personnes âgées et des infirmes, ou comme fournir des services sexuels. Il convient de mettre en place des régimes de protection juridique appropriés à ces nouveaux problèmes. (shrink)

Humanoid robots used for sexual purposes are beginning to look increasingly lifelike. It is possible for a user to have a bespoke sexbot created which matches their exact requirements in skin pigmentation, hair and eye colour, body shape, and genital design. This means that it is possible—and increasingly easy—for a sexbot to be created which bears a very high degree of resemblance to a particular person. There is a small but steadily increasing literature exploring some of the ethical issues surrounding (...) sexbots, however sexbots made to look like particular people is something which, as yet, has not been philosophically addressed in the literature. In this essay I argue that creating a lifelike sexbot to represent and resemble someone is an act of sexual objectification which morally requires consent, and that doing so without the person’s consent is intrinsically wrong. I consider two sexbot creators: Roy and Fred. Roy creates a sexbot of Katie with her consent, and Fred creates a sexbot of Jane without her consent. I draw on the work of Alan Goldman, Rae Langton, and Martha Nussbaum in particular to demonstrate that creating a sexbot of a particular person requires consent if it is to be intrinsically permissible. (shrink)

In this chapter I'd like to focus on a small corner of sexbot ethics that is rarely considered elsewhere: the question of whether and when being a sexbot might be good---or bad---*for the sexbot*. You might think this means you are in for a dry sermon about the evils of robot slavery. If so, you'd be wrong; the ethics of robot servitude are far more complicated than that. In fact, if the arguments here are right, designing a robot to serve (...) humans sexually may be very good for the robots themselves. (shrink)

Fiction is an important tool in an artist/designer/developer’s vocabulary, but its usage is polyvalent. Speculative research in this article introduces the ‘rudiment’ to embrace the undeveloped and the improvisory phases of research practice. Fiction is used to reflect on the ways practicing designers and developers might already engage in misanthropic thinking – involving automated technologies. Tracing the misanthropic agencies in relation to automated technologies contributes to expanding the ways designers and developers reflect on the technical potential of their designs, with (...) whom they are designing (and for) and the way they understand their reflexive self. Bringing together Colson Whitehead’s novel The Intuitionist (1999) and its account of an elevator crash, their design and maintenance, with a narrative account of software agents enables an investigation into the promises made through a design-for-the-prevention-of-failure imperative. These examples highlight the relation between physical and non-physical failures such as failures to connect or to create intimacy. Those who contribute to designing in this article get caught up in configuring misanthropic agencies involving themselves, the designed artefact and the spaces they both inhabit be that an elevator in a housing block, or a sexbot in an online chat room. I will argue that the misanthropic agencies of automated technologies can have a confining impact on our emergent modes of design. Automated software operating in virtual spaces are confining in as much as they attempt to connect things to exploit the de-personalized aspects of automated, misanthropic agency. (shrink)

This chapter discusses three types of sociable robots for older adults: robotic caregivers ; robotic friends ; and sex robots. The central argument holds that society ought to make reasonable efforts to provide these types of robots and that under certain conditions, omitting such support not only harms older adults but poses threats to their dignity. The argument proceeds stepwise. First, the chapter establishes that assisting care-dependent older adults to perform activities of daily living is integral to respecting dignity. Here, (...) the argument establishes the vital role that carebots-of-the-future might play in aged societies as the supply of working age adults falls shy of demand. Next, the chapter extends this analysis to designing friendbots for socially isolated older adults. The argument holds that reasonable efforts to provide access to friendbots for socially isolated adults is also a future societal responsibility. Finally, the chapter applies similar reasoning to show that societies ought to make reasonable efforts to support sexual capabilities for older adults who want to be sexual but are bereft of sex partners. The argument draws on capability accounts of justice to show that when central human capacities, such as bodily integrity; intimate relationships; and the use of senses, imagination and thought, are at risk of falling below a threshold level, society should intercede. (shrink)

Sexbots are coming. Given the pace of technological advances, it is inevitable that realistic robots specifically designed for people's sexual gratification will be developed in the not-too-distant future. Despite popular culture's fascination with the topic, and the emergence of the much-publicized Campaign Against Sex Robots, there has been little academic research on the social, philosophical, moral, and legal implications of robot sex. This book fills the gap, offering perspectives from philosophy, psychology, religious studies, economics, and law on the possible (...) future of robot-human sexual relationships. (shrink)

이 글은 한국사회에서 논란이 되는 리얼돌(real doll)이 단순한 성적 만족을 위한 도구 가 아닌 인격적 존재로 발전될 수 있는가에 관해 논하고자 한다. 그를 위해서 우선 리얼돌 에 반대하는 대표적인 입장의 핵심 논변인 ‘상징-결과 논변(symbolic-consequences argument)’을 비판적으로 검토해보고자 한다. ‘상징-결과 논변’은 리얼돌(섹스봇 포함)이 윤리적으로 문제가 있는 성적 규범(sexual norms)을 상징적으로 보여주며, 이는 결과적 으로 사회에 부정적인 영향을 미치므로 리얼돌의 생산 및 판매가 금지되어야 한다고 주장 한다. 본 논문에서는 윤지영(2020)의 입장을 ‘상징-결과 논변’으로 재구성하여, 그 타당성과 건전성을 검토해보고자 한다. 결론적으로 리얼돌이 여성에 대한 (...) 남성의 왜곡된 성적 인식 을 상징적으로 보여주며, 그 결과 리얼돌의 생산 및 판매가 금지되어야 한다는 이 논변은 건전하지 못한 논변임이 드러날 것이다. 끝으로 만일 ‘상징-결과 논변’이 건전하지 못한 논변이라면, 우리 사회가 리얼돌을 어 떻게 바라봐야 하는지(바라 볼 수 있는지), 그리고 철학의 영역이 끝나고 제도적, 법적 규 제가 시작되는 지점이 어디인지를 분명하게 드러내 보고자 한다. (shrink)

How should we react to the development of sexbot technology? Taking their cue from anti-porn feminism, several academic critics lament the development of sexbot technology, arguing that it objectifies and subordinates women, which is likely to promote misogynistic attitudes towards sex, and may need to be banned or restricted. This chapter argues for an alternative response. Taking its cue from the sex-positive ‘feminist porn’ movement, it argues that the best response to the development of ‘bad’ sexbots is to make (...) better ones. This will require changes to the content, process and context of sexbot development. Doing so will acknowledge the valuable role that technology can play in human sexuality, and allow us to challenge gendered norms and assumptions about male and female sexual desire. This will not be a panacea to the social problems that could arise from sexbot development, but it offers a more realistic and hopeful vision for the future of this technology in a pluralistic and progressive society. (shrink)

How should we react to the development of sexbot technology? Taking their cue from anti-porn feminism, several academic critics lament the development of sexbot technology, arguing that it objectifies and subordinates women, is likely to promote misogynistic attitudes toward sex, and may need to be banned or restricted. In this chapter I argue for an alternative response. Taking my cue from the sex positive ‘feminist porn’ movement, I argue that the best response to the development of ‘bad’ sexbots is (...) to make better ones. This will require changes to the content, process and context of sexbot development. Doing so will acknowledge the valuable role that technology can play in human sexuality, and allow us to challenge gendered norms and assumptions about male and female sexual desire. This will not be a panacea to the social problems that could arise from sexbot development, but it offers a more realistic and hopeful vision for the future of this technology in a pluralistic and progressive society. (shrink)

Sara Ahmed’s enquiry on what it means for sexuality to be lived as oriented from the work Queer Phenomenology inspired the art series ‘A Sexual Series’, based on post-humanist theory and asexual experience. Shapes of performative alter egos materialized from a queer cyborg position of technologically enhanced crip experiences (the strong symbolical constructing process of straightening scoliosis surgery). From being a glitch of the past towards a post-individualist future, the artificial intelligence sexbot is a metaphoric, elevated cyborg drag version of (...) the artist to embody asexuality and queer Otherness. Based on multitudes of CUNTraDICKtions to encourage self-reflection, the series explores the complexities of ob/scene and on/scene performances; the position of a sex positive asexual as well as questions of belonging as a naturally artificial rebel. (shrink)

A new book by Maurizio Balistreri, "Sex robot. L’amore al tempo delle macchine", is reviewed. Sex robots not only exacerbate social, ethical and cultural issues that already exist, but also come with emergent and novel ones. This book is intended to build on the recent research on both robotics and the growing scholarship on sex robots more generally, however with greater attention to the developments of the philosophical issues of how to deal with these new artefacts and steps for living (...) among these types of systems into the future. (shrink)

Ethically significant consequences of artificially intelligent artifacts will stem from their effects on existing social relations. Artifacts will serve in a variety of socially important roles—as personal companions, in the service of elderly and infirm people, in commercial, educational, and other socially sensitive contexts. The inevitable disruptions that these technologies will cause to social norms, institutions, and communities warrant careful consideration. As we begin to assess these effects, reflection on degrees and kinds of social agency will be required to make (...) properly informed decisions concerning the deployment of artificially intelligent artifacts in important settings. The social agency of these systems is unlike a human social agency, and this paper provides a methodological framework that is more suited for inquiry into artificial social agents than conventional philosophical treatments of the concept of agency. Separate aspects and dimensions of agency can be studied without assuming that agency must always look like adult human agency. This revised approach to the agency of artifacts is conducive to progress in the topics studied by AI ethics. (shrink)

Hockenhull y Leavitt Cohn introducen en su análisis de la escena tecnológica danesa el concepto de «aire caliente» para describir las medias verdades y exageraciones que las compañías utilizan para atraer la atención pública y la inversión. La ciencia ficción y los anuncios de las empresas del sector tecnológico describen con frecuencia a los robots del futuro como seres inteligentes y con capacidad de sentir y, por tanto, con la capacidad de sustituir a las personas como amantes y compañeros de (...) vida. El presente artículo tendrá como objetivo analizar estas expectativas presentes en los imaginarios sociotécnicos de la inteligencia artificial con la intención de descubrir sus problemas y facilitar un juicio menos inflado de «aire caliente». (shrink)

Slavoj Žižek’s latest book, A Left That Dares to Speak Its Name, is an anthology composed of 34 of the philosopher’s recent and, of course, polemical interventions into the public media. With topics ranging from Greta Thunberg to ‘rights for sexbots’ and the Israeli-Palestinian conflict to #MeToo, each intervention is typical of Žižek’s tendentious style and offers acute insight into an aspect of the current ‘global mess’.