Too often the study of philosophical texts is carried out in ways that do not pay significant attention to how the ideas contained within them are presented, articulated, and developed. This was not always the case. The contributors to this collected work consider Jewish philosophy in the medieval period, when new genres and forms of written expression were flourishing in the wake of renewed interest in ancient philosophy. Many medieval Jewish philosophers were highly accomplished poets, for example, and made conscious (...) efforts to write in a poetic style. This volume turns attention to the connections that medieval Jewish thinkers made between the literary, the exegetical, the philosophical, and the mystical to shed light on the creativity and diversity of medieval thought. As they broaden the scope of what counts as medieval Jewish philosophy, the essays collected here consider questions about how an argument is formed, how text is put into the service of philosophy, and the social and intellectual environment in which philosophical texts were produced. (shrink)

Confronting the challenges of the 20th century, from modernity and the Great War to the Holocaust and postmodern culture, Jewish thinkers have wrestled with such fundamental issues as redemption and revelation, eternity and history, messianism and politics. From the turn of the century through the 1920s, European Jewish intellectuals confronted alienation and the challenges of modernity by seeking secure grounds for a meaningful life. After the Holocaust and the fall of Nazism, the rich results of their thinking—on topics such as (...) transcendence, redemption, revelation, and politics—were reinterpreted in an atmosphere of increasing disillusion and fragmentation. In Interim Judaism, Michael L. Morgan traces the evolution of this shift in values, as expressed in the work of social thinkers, novelists, artists, and poets as well as philosophers and theologians at the beginning and end of the century. Focusing on the problem of objectivity, the experience of the transcendent, and the relationship between redemption and politics, he argues that the outcome for contemporary Jews is a pragmatic style of religiosity that has abandoned traditional conceptions of Judaism and is searching and waiting for new ones, a condition that he describes as "interim Judaism." Published with the generous support of Hebrew Union College–Jewish Institute of Religion, Cincinnati. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:diacritics 30.2 (2000) 70-87 [Access article in PDF] Overhearing Hollander's Hyphens Poet-Critic, American-Jew Andrew Bush in memory of Maria TorokJohn Hollander. The Work Of Poetry. New York: Columbia UP, 1997. Hyphens Mordecai Kaplan's grand quest romance, Judaism as a Civilization (1934), finds its nadir midway through his argument. He had set out not from Judaism in search of, say, God, but from America in search of Judaism, an altogether (...) less auspicious quest. But having slain his rivals--gashed and gory Reformists, Orthodox and Conservatives Right and Left--he stops to survey the field in the section "Implications of the Proposed Version of Judaism." It is a dismal sight.Kaplan reached that perch by his unswerving loyalty to a reality principle that dictated a revised conceptualization of the "other-worldly." First, he called for a franker acknowledgment that Jewish civilization since the destruction of the second Temple was governed by "other-worldly sanctions" (primarily, reward beyond death for mitzvoth performed in this life): "the only plausible excuse for failing to recognize the predominance of other-worldliness in Judaism," writes Kaplan in a typically feisty moment, "is that it fills Judaism like an atmosphere, and is so ubiquitous as to escape notice" [213]. The proposition does not seem, on the face of it, to require a sharpened polemical edge. But Kaplan was arguing that the "other-worldly stage" of Jewish history was at an end. His position is not an outright rejection of the reality of the other-worldly, but rather an acceptance of the reality of a faith so diminished amongst the majority of modern Jews that otherworldly sanctions had ceased to function as an effective means of binding the community. If the future of Judaism was to be more than an illusion, he asserted, then a new form of coherence was necessary. Hence, the quest.The same reality principle operated with respect to the whole religious language of Judaism. Modernity had stripped "chosen-ness," "revelation," and even the "God-term" of their literal referents, leaving the central tenets of Judaism accessible to Kaplan's contemporaries only as metaphors. Kaplan's "proposed version of Judaism," which would of course become the platform for Reconstructionism, includes a powerful reading of those metaphors for modern Jews. No deconstructionist avant la lettre, for Kaplan the vitality of those metaphors depends upon some literal grounding, for which he offers the reconstructed literalism of the kehilla. Often a designation for congregations, thus closely associated with worship, and so a term vitiated by lapsed practice and intra-Jewish [End Page 70] strife, Kaplan's fundamental proposal is the establishment of the kehilla--which he translates as "community"--as a literal dwelling together in the neighborhood of a multipurpose "community center." 1 The proposal to build a voluntary ghetto without walls, to make community life binding again by giving it more than a virtual space, looks well beyond the subsequent realization in the form of America's numerous JCCs; but it presupposed a form of political organization at odds with American life, as Kaplan indicated through his mapping of Jewish political geography of the post-World War I era with respect to relative autonomy.The first zone on such a map was Palestine, "where the Jews are to be given the opportunity to develop their own civilization on the same terms as any other nation," which is to say, "if [a Jew] so chooses, to live entirely within his people's civilization" [215]. A second zone included those countries that admitted political identity to ethnic minorities, including Jews, where cultural autonomy was sufficient to allow for the "survival of the civilization of the Jew on a basis co-ordinate with the native civilization" [216]. In those cases, the Jew may live not only as a Jew, dwelling within a Jewish community, but may live a life no less Jewish than Czech, for instance. But in America, even for the Jew within walking distance of the proposed community center, that degree of autonomy does not exist; and with this realization, in a book directed specifically "toward a reconstruction of... (shrink)

The book offers a comprehensive philosophical reconstruction of the work of Edmond Jabès─a Jewish-French poet, modern Kabbalist and thinker. It is a starting point for an enquiry into the nature of the encounter between Judaism and modern philosophy. Philosophically, Judaism becomes a re-constructed tradition: a field played with by modern forces.

Hartmut Vollmer and Barbara Wright argue that women Expressionist poets have been largely neglected and forgotten. The article seeks to make a modest contribution towards remedying this scholarly lacuna by examining Hedwig Caspari’s poetry, while focusing on the relationship between Poet and God as reflected in her poetry. Caspari was a German-Jewish poet who lived and worked in Berlin. During her lifetime, she published two books—a play entitled Salomos Abfall and a volume of poetry entitled Elohim. Like her play, most (...) of her poetry deals with biblical themes. Caspari’s multifaceted relationship with God informs her poetry from the earliest to the latest poems. This article wishes to expose Caspari’s unique fe/male voice, showing her stance as a “prophet,” “lover,” and “Psalmist”, and attempts to explain why as a modernist poet she decided to write spiritual poetry. (shrink)

The poet and author Judah Leib Gordon (1830–92) was one of the key figures who promoted the Haskalah (The Jewish Enlightenment) among the large Jewish population in Eastern Europe in the second hal...

More than a century after the first appearance of Norden’s classic commentary on Aeneid VI in 1903 the time has come to see to what extent the new discoveries of Orphic materials and new insights in the ways Virgil worked enrich and/or correct our understanding of that text. We will therefore take a fresh look at Virgil’s underworld, but limit our comments to those passages where perhaps something new can be contributed. This means that we will especially concentrate on the (...) Orphic, the Eleusinian, and the, if usually neglected, Hellenistic-Jewish backgrounds of Aeneas’s descent. Yet a Roman poet hardly could totally avoid his own Roman tradition or the contemporary world, and, in a few instances, we will comment on these aspects as well. As Norden observed, Virgil had divided his picture of the underworld into six parts, and we will follow these in our argument.Plus d’un siècle après la publication, en 1903, du commentaire classique de Norden sur le livre six de l’Énéide, il est temps de considérer à quel point les nouvelles découvertes de matériel orphique et les nouvelles idées sur la manière de travailler de Virgile enrichissent et/ou corrigent la compréhension de ce texte. Il s’agit dès lors de porter un regard neuf sur l’au-delà de Virgile, mais en limitant nos commentaires aux passages sur lesquels il est possible d’apporter quelque chose de nouveau. Ce sont les éléments orphiques et éleusiniens, tout autant que l’arrière-plan hellénistique juif – souvent négligé – sur lesquels l’analyse se concentre. En outre, un poète romain pouvait difficilement négliger totalement sa propre tradition romaine ou le monde contemporain, et, à quelques reprises, ces aspects seront également commentés. Comme Norden l’a observé, Virgile a réparti l’image de l’au-delà en six parties, et c’est son parcours que notre analyse épouse. (shrink)

The German-Jewish writer and poetess, Rose Ausländer, who came from Chernivtsi, capital of Bukovina, one of the former provinces of the Hapsburg Empire, is one of the most highly acclaimed lyric poets to have written in German in the 20th century. Throughout her whole life she was an adherent of the philosophy of Spinoza, first becoming acquainted with it in the so-called “ethics seminar” of the secondary-school teacher Friedrich Kettner. In the wake of the First World War the youth of (...) Chernivtsi were in need of new sources of intellectual stimulation, so he set out to introduce them to the philosophy of Spinoza, as well as to that of Constantin Brunner, a contemporary German philosopher influenced by him. Rose Ausländer remained a follower of Spinoza right up to the end of her life. This is confirmed by her two very different poems of the same name, “Spinoza”—the first composed before 1939, the second in 1979—as well as by her many explorations of topics drawn from his ethics, ranging from her very first printed poem, “Amor Dei,” up to her lyrics written in old age, in the 1970s and 1980s. In this short paper I will attempt to chart the course of, and analyze, her interest in Spinoza's philosophical system and life. (shrink)

The transformation of Noah into a Christian ideal in the writings of Aphrahat and Ephrem, with the resulting denigration of Noah in much rabbinic exegesis, is well documented. The purpose of this essay is to examine the characterization of Noah in the liturgical setting. Four groups of works are examined: the Hebrew Avodah poems and the hymns of Ephrem the Syrian ; and the kontakia of Romanos the Melodist and the liturgical poems of the Jewish poet Yannai. These sources reveal (...) that the individual poets felt great freedom to shape the character of Noah in distinctive ways, engaging with the various traditions of interpretation evident in the prose sources but using them in individualized ways. The resulting picture of Noah, when these poetic sources are brought to bear on the discussion, is much less predictable and more dynamic than might be assumed from study of the more“academic” prose sources alone. (shrink)

Avraham Yitzhaq Ha-Cohen Kook (1865-1935) stands as a colossal figure of modern Jewish history and thought. Jurist, mystic, poet, theologian, communal leader, founder of the modern Chief Rabbinate and still the defining thinker of Religious Zionism, he is indispensable for understanding modern Jewish thought, the contemporary State of Israel, and the most fundamental interactions of religion, nationalism, ethics and spirituality. Despite countless studies of him, almost no full-fledged intellectual biography of him exists in any language. This study of the years (...) before his momentous move to Jaffa in 1904, drawing on little-known works, including recently published manuscripts, begins to fill that gap. It traces his life and times in the remarkably intense Rabbinic intellectual milieu of late nineteenth-century Eastern Europe, and his path from a profound, regularly rationalist traditionalism, towards a dynamic theology and spiritual practice weaving together Kabbalah, philosophy, universal ethics, and romantic mysticism. (shrink)

Avraham Yitzhaq Ha-Cohen Kook (1865-1935) stands as a colossal figure of modern Jewish history and thought. Jurist, mystic, poet, theologian, communal leader, founder of the modern Chief Rabbinate and still the defining thinker of Religious Zionism, he is indispensable for understanding modern Jewish thought, the contemporary State of Israel, and the most fundamental interactions of religion, nationalism, ethics and spirituality. Despite countless studies of him, almost no full-fledged intellectual biography of him exists in any language. This study of the years (...) before his momentous move to Jaffa in 1904, drawing on little-known works, including recently published manuscripts, begins to fill that gap. It traces his life and times in the remarkably intense Rabbinic intellectual milieu of late nineteenth-century Eastern Europe, and his path from a profound, regularly rationalist traditionalism, towards a dynamic theology and spiritual practice weaving together Kabbalah, philosophy, universal ethics, and romantic mysticism. (shrink)

The Kuzari by Judah HaLevi, the Sephardic philosopher and poet, is one of the most important statements of Jewish thought from the last thousand years. It was written as an introduction to Judaism in the form of a dialogue, primarily between the king of the Khazars and the rabbi who explains Judaism to him. The King was exploring the possibility of converting to a monotheistic religion, and the question was whether Judaism, Christianity or Islam would be his choice. The King (...) called representatives of each of the three religious traditions to explain their central beliefs and practices. (shrink)

Abraham Isaac Hakohen Kook (1865-1935) served as the Ashkenazic Chief Rabbi of Erets Israel during the period of the British mandate. Rav Kook was a polymath, equally talented as a Talmudic legalist and rationalist philosopher, on the one hand, and as a mystic and poet, on the other. Today, we would say that he was both "left and right hemisphere." The present collection brings together in English translation Rav Kook's contributions to the field of Jewish history, though perhaps "historiosophy" would (...) be the better word. Rav Kook joins the ranks of those great Jewish thinkers who preceded him in interpretation of history: Maharal of Prague, Moses Hayyim Luzzatto and Zadok Hakohen of Lublin. If Rav Kook's philosophy were to be summed up in a single word, it would be: Kelaliyut or universality. Whereas most of us are held captive by individual events, Rav Kook has a great gift for the overview of history. He brings this gift to bear in his ability to provide perspective on the modern rebirth of Israel against the backdrop of mankind's ongoing spiritual evolution. In the latter regard, his vision has sometimes been compared to that of Teilhard de Chardin and Sri Aurobido, or more recently Ken Wilber. Contained in this collection are Rav Kook's eulogy for Herzl and Rav Kook's remarks at the opening of Hebrew University in Jerusalem. The essays are placed in historic context and provided with copious scholarly endnotes. (shrink)

Poete pour les Juifs, qui ne se sont pas reconnus dans sa philosophie, Salomon Ibn Gabirol a ete pour les chretiens le philosophe Avencebrol ou Avicebron. Dans le Fons Vitae, Ibn Gabirol cherche a concilier deux evidences qui se contredisent et auxquelles il adhere neanmoins absolument: l'evidence monotheiste d'un Dieu createur ex nihilo, et l'evidence neoplatonicienne de l'emanation graduelle de l'etre. Le Fons Vitae a joue un role important pour la scolastique chretienne, surtout dans la problematique de l'origine et de (...) la composition des substances spirituelles, l'Un, l'intellect et l'ame. Cette reprise de La philosophie de Salomon Ibn Gabirol, revue et mise a jour, s'accompagne de la nouvelle parution de la traduction francaise du Fons Vitae, sous le titre Le Livre de la Source de Vie. (shrink)

The essays collected in this new volume reveal Isaiah Berlin at his most lucid and accessible. He was constitutionally incapable of writing with the opacity of the specialist, but these shorter, more introductory pieces provide the perfect starting-point for the reader new to his work. Those who are already familiar with his writing will also be grateful for this further addition to his collected essays. The connecting theme of these essays, as in the case of earlier volumes, is the crucial (...) social and political role--past, present and future--of ideas, and of their progenitors. A rich variety of subject-matters is represented--from philosophy to education, from Russia to Israel, from Marxism to romanticism--so that the truth of Heine's warning is exemplified on a broad front. It is a warning that Berlin often referred to, and provides an answer to those who ask, as from time to time they do, why intellectual history matters. Among the contributions are "My Intellectual Path," Berlin's last essay, a retrospective autobiographical survey of his main preoccupations and "Jewish Slavery and Emancipation," the classic statement of his Zionist views, long unavailable in print. His other subjects include the Enlightenment, Giambattista Vico, Vissarion Belinsky, Alexander Herzen, G.V. Plekhanov, the Russian intelligentsia, the idea of liberty, political realism, nationalism, and historicism. The book exhibits the full range of his enormously wide expertise and demonstrates the striking and enormously engaging individuality, as well as the power, of his own ideas. "Over a hundred years ago, the German poet Heine warned the French not to underestimate the power of ideas: philosophical concepts nurtured in the stillness of a professor's study could destroy a civilization."--Isaiah Berlin, Two Concepts of Liberty , 1958. (shrink)

Overview * Part I: Introduction * Philip Appleman, Darwin: On Changing the Mind * Part II: Darwin’s Life * Ernst Mayr, Who Is Darwin? * Part III: Scientific Thought: Just before Darwin * Sir Gavin de Beer, Biology before the Beagle * Thomas Robert Malthus, An Essay on the Principle of Population * William Paley, Natural Theology * Jean Baptiste Pierre Antoine de Monet Lamarck, Zoological Philisophy * Charles Lyell, Principles of Geology * John Herschell, The Study of Natural Philosophy (...) * William Whewell, Astronomy and General Physics Considered with Reference to Natural Theology * Alfred Russel Wallace, On the Tendency of Varieties to Depart Indefinitely from the Original Type * Part IV: Selections from Darwin’s Work * The Voyage of the Beagle * o Chapter I. St. Jago-Cape de Verd Island o Chapter XVII. Galapagos Archipelago * On the Tendency of Species to Form Varieties; and On the Perpetuation of Varieties and Species by Natural Means of Selection * o I. Extract from an unpublished Work on Species, by C. Darwin, Esq.... o II.of Letter from C. Darwin, Esq., to Prof. Asa Gray, Boston, U.S., dated Down, September 5th, 1857 * An Historical Sketch of the Progress of Opinion on the Origin of Species, previously to the : Publication of This Work The Origin of Species * o Introduction o Chapter I. Variation under Domestication o Chapter II. Variation under Nature o Chapter III. Struggle for Existence o Chapter IV. Natural Selection o Chapter VI. Difficulties on Theory o Chapter IX. On the Imperfections of the Geological Record o Chapter XIII. Mutual Affinities of Organic Beings: Morphology: Embryology: Rudimentary Organs o Chapter XIV. Recapitulation and Conclusion * The Descent of Man * o Introduction o Chapter I. The Evidence of the Descent of Man from Some Lower Form o Chapter II. On the Manner of Development of Man from Some Lower Form o Chapter III. Comparison of the Mental Powers of Man and the Lower Animals o Chapter VI. On the Affinities and Genealogy of Man o Chapter VIII. Principles of Sexual Selection o Chapter XIX. Secondary Sexual Characters of Man o Chapter XX. Secondary Sexual Characters of Man-continued o Chapter XXI. General Summary and Conclusion * Part V: Darwin’s Influence on Science * THE VICTORIAN OPPOSITION TO DARWIN * o David L. Hull, Darwin and His Critics o Adam Sedgwick, Objections to Mr. Darwin’s Theory of the Origin of Species o Sir Richard Owen, Darwin on the Origin of Species o Fleeming Jenkin, Review of the Origin of Species * VICTORIAN SUPPORTERS OF DARWIN * o Joseph Dalton Hooker, Flora Tasmaniae o Thomas Henry Huxley, On the Relations of Man to the Lowe Animals o Charles Lyell, Principles of Geology o Alfred Russel Wallace, The Debt of Science to Darwin * DARWIN AND THE SHAPING OF MODERN SCIENCE * o Scientific Method in Evolution o National Academy of Sciences, Evolution and the Nature of Science o Richard Dawkins, Explaining the Very Improbable o Lewis Thomas, On the Uncertainty of Science o Noretta Koetge, Postmodernisms and the Problem of Scientific Literary o Richard Dawkins, Science and Sensibility o The Neo-Darwinian Synthesis o Peter Bowler, The Evolutionary Synthesis o The Human Genealogy o Adam Kuper, The Chosen Primate o Ian Tattersall, Out of Africa Again... and Again? o Stephen Jay Gould, The Human Difference o Punctuated Equilibrium o Stephen Jay Gould, [On Punctuated Equilibrium] o Niles Eldredge, The Great Stasis Debate o Rethinking Taxonomy o Kevin Padian, Darwin’s Views of Classification o David L. Hull, Cladistic Analysis o Kevin Padian and Luis M. Chiappe, Cladistics in Action: The Origin of Birds and Their Flight o Evolution as Observable Fact o James L. Gould and William T. Keeton with Carol Grant Gould, How Natural Selection Operates o Peter r. Grant, Natural Selection and Darwin’s Finches o John A. Endler, Natural Selection in the Wild * Part VI: Darwinian Patterns in Social Thought * COMPETITION AND COOPERATION * o Richard Hofstadter, The Vogue of Spencer o Andrew Carnegie, The Gospel of Wealth o Peter Kropotkin, Mutual Aid o Martin A. Nowak, Robert M. May, and Karl Sigmund, The Arithmetics of Mutual Help * NATURE AND NURTURE * o Edward O. Wilson, Sociobiology: The New Synthesis o Stephen Jay Gould, Biological Potentiality vs. Biological Determination o Barbara Ehrenreich and Janet McIntosh, The New Creationism: Biology under Attack * EVOLUTION AND GENDER * o Elizabeth Cady Stanton, The Woman’s Bible o Nancy Makepeace Tanner, On Becoming Human o Evelleen Richards, Darwin and the Descent of Woman o James Eli Adams, Woman Red in Tooth and Claw * EVOLUTION AND OTHER DISCIPLINES * o Edward O. Wilson, [On Consilience] o Randolph H. Nesse and George C. Williams, Evolution and the Origin of Disease o Steven Pinker, How the Mind Works o Steve Jones, The Set within the Skull * Part VII: Darwinian Influences in Philosophy and Ethics * John Dewey, The Influence of Darwin on Philosophy * Daniel C. Dennett, Darwin’s Dangerous Idea: Natural Selection as an Algorithmic Process * Michael Ruse Darwinian Epistemology * Thomas Henry Huxley, Evolution and Ethics * Julian Huxley, Evolutionary Ethics * Michael Ruse and Edward O. Wilson, The Evolution of Ethics * Frans de Waal, Good Natured: The Origin of Right and Wrong in Humans and Other Animals * Matt Ridley, The Origins of Virtue * Part VIII: Evolutionary Theory and Religious Theory * MAINSTREAM RELIGIOUS SUPPORT FOR EVOLUTION * o Pope John Paul II, Message to the Pontifical Academy of Sciences o Central Conference of American Rabbis, On Creationism in School Textbooks o United Presbyterian Church in the U.S.A., Evolution and Creationsim o The Lutheran World Federation, [Statement on Evolution] o The General Convention of the Episcopal Church, Resolution on Evolutionism and Creationism o Unitariuan Universalist Association, Resolution Opposing "Scientific Creationism" * FUNDAMENTALIST CREATIONISM * o Eugene C. Scott, Antievolution and Creationism in the United States o The Scopes Trial o Thomas McIver, Orthodox Jewish Creationists o Harun Yahya, [Islamic Creationism] o Seami Srila Prabhupada, [A Hare Krishna on Darwinian Evolution] o Institute for Creation Research, Tenets of Creationism o Henry M. Morris, Scientific Creationism o Thomas J. Wheeler, Review of Morris o Richard D. Sjolund and Betty McCollister, Evolution at the Grass Roots o Richard D. Sjolund, [Creationism versus Biotechnology] o Betty McCollister, [The Politics of Creationism] o Molleen Matsumara, What Do Christians Really Believe about Evolution? o National Center for Science Education, Seven Significant Court Decisions Regarding Evolution/Creation Issues * PERSONAL INCREDULITY AND ANTIEVOLUTIONISM * o Richard Dawkins, [The Argument from Personal Incredulity] o Phillip E. Johnson, Darwin on Trial o Eugenie C. Scott, Review of Johnson o Michael Behe, Darwin’s Black Box o Robert Dorit, Review of Behe o Michael Ruse, Darwin’s New Critics on Trial * SCIENTISTS’ OPPOSITION TO CREATIONISM * o American Association for the Advancement of Science, Forced Teaching of Creationist Beliefs in Public School Science Education o American Institute of Biological Sciences, Resolution Oposing Creationism in Science Courses o National Association of Biology Teachers, Statement on Teaching Evolution o National Academy of Sciences, Frequently Asked Questions about Evolution and the Nature of Science * FUNDAMENTALIST CREATIONISM AND THE VALUE OF SATIRE * o Michael Shermer, Genesis Revisted: A Scientific Creation Story o Philip Appleman, Darwin’s Ark * Part IX: Darwin and the Literary Mind * DARWIN’S LITERARY SENSIBILITY * o Charles Darwin, Autobiography o L. Robert Stevens, Darwin’s Humane Reading o George Levine, Darwin and Pain: Why Science Made Shakespeare Nauseating o Gillian Beer, Darwin’s Plots * DARWIN’S INFLUENCE ON LITERATURE * o Lionel Stevenson, Darwin among the Poets o George Levine, Darwin among the Novelists o Joseph Wood Krutch, The Tragic Fallacy o Herbert J. Muller, Modern Tragedy o Philip Appleman, Darwin-Sightings in Recent Literature. (shrink)

When introducing a collection of essays on Yiddish, Joseph Sherman asserted, among other things, that: Although the Nazi Holocaust effectively destroyed Yiddish together with the Jews of Eastern Europe for whom it was a lingua franca, the Yiddish language, its literature and culture have proven remarkably resilient. Against all odds, Yiddish has survived to become a focus of serious intellectual, artistic and scholarly activity in the sixty-odd years that have passed since the end of World War II. From linguistic and (...) literary research in the leading universities of the world to the dedicated creativity of contemporary novelists and poets in Israel and America, from the adaptation of Yiddish words and phrases to the uses of daily newspapers in English to the elevation of Yiddish as a new loshn koydesh by Hasidic sects, from the publication of new writing to the translation of its established canonical works into modern European languages, Yiddish is continually reminding the world of its vibrancy, relevance and importance as a marker of Jewish identity and survival. (shrink)

Edited by one of the most renowned scholars in the field, Voices of Ancient Philosophy: An Introductory Reader is a unique and accessible introduction to the richness of ancient philosophy. Featuring a topical--as opposed to chronological--organization, this text introduces students to the wide range of approaches and traditions in ancient philosophy. In each section Annas presents the ancient debates on a particular philosophical topic, drawing on a greater diversity of ancient sources than a chronological approach allows. The book is divided (...) into six sections: Fate and Freedom; Reason and Emotion; Knowledge, Belief, and Skepticism; Metaphysical Questions; How Should You Live?; and Society and the State. Annas includes a generous selection of the works of Plato and Aristotle, as well as those of the Stoics, Epicureans, and Skeptics. She also includes selections from less familiar philosophers and from authors in whose works philosophical issues arise, such as poets, medical writers, historians, and Jewish and Christian writers. The volume features biographical sketches of the philosophers, a timeline, and short discussions of the major movements in ancient philosophy. An excellent text for courses in ancient philosophy and history of philosophy, Voices of Ancient Philosophy: An Introductory Reader will also be of interest to scholars and general readers. (shrink)

Following decades of neglect, the work of the German Jewish philosopher, literary author, cultural critic, and poet Günther Anders (1902–1992) is gaining increasing recognition in the English-speaking world. This translation of “Résistance heute” (Resistance Today) makes one of Anders’s most programmatic and polemical short texts available. Published at the height of his anti-nuclear activism, “Resistance Today” is the written version of a speech Anders delivered in November 1962 upon acceptance of the northwest Italian city of Omegna’s Resistance Prize (other notable (...) recipients included Jean-Paul Sartre and Frantz Fanon). It first appeared in print in the West German left-wing journal Das Argument in November 1963. Clearly written for the occasion, the text condenses (and often further radicalizes) key premises about the end of history, the amoral character of work, and the continuity between Nazi totalitarianism, the nuclear age and the world of consumerism that are developed in great nuance across a range of books that Anders had recently published. Key co-ordinates include: Die Antiquiertheit des Menschen 1 (The Obsolescence of Human Beings 1, 1956), his groundbreaking critique of technology; Der Mann auf der Brücke (The Man on the Bridge, 1959), a philosophical travel diary occasioned by Anders’s 1958 visit to Japan and his participation at the World Conference Against Atomic and Hydrogen Bombs in Tokyo; Burning Conscience (1961), a correspondence with the American reconnaissance pilot Claude Eatherly, who scouted the target area before the Enola Gay went on to drop the atom bomb on Hiroshima. It seems likely that Burning Conscience, which turned into an international bestseller, occasioned the award of the prize. (shrink)

Vera Schwarcz's Place and Memory in the Singing Crane Garden examines the moral, philosophical, and historical meanings of a garden built by a Manchu Chinese prince, subsequently destroyed by British imperialists, commandeered by Red Guard radicals, and finally transformed into the grounds of an art museum. Reading Singing Crane Garden in the context of Schwarcz's previous writings on Chinese intellectuals and Jewish traditions, as well as insights provided by critical philosophers and geographers, this essay explores the moral and ethical dimensions (...) of locating history in specific “emplacements”. The argument begins by examining the phenomenology of place articulated by Edward Casey, weaves through discussions of Chinese spatiality, embodiment, and garden aesthetics, and comments on Schwarcz's study of broken monuments and stele through comparisons with Classical Chinese writers and the contemporary American poet Louise Glück. Comparisons are made between the destruction of the garden by the British forces of James Elgin, the murder of the journalist Thomas Bowlby, and the purging, imprisonment, torture, and brutality against scholars and intellectuals by the Red Guards under Mao. The essay closes with commentaries on Schwarcz's reflections concerning continuing global atrocities, and new insights into the ways that understanding landscape architecture as a form of history can bring meaning to questions of memory, loss, and the desire to evoke unrecoverable experiences. (shrink)

W. B. Yeats’ poem “Politics” has as its epigraph Thomas Mann’s remark, “In our time the destiny of man presents its meaning in political terms.”1 Yeats chose the epigraph in 1938, just before World War II, for a poem proclaiming that sexuality holds his interest more than politics. This still may be true for poets, but by the looks of things, not for many contemporary critics, who, if they do not choose one over the other, subsume one under the other. (...) For them everything is political , which is to hold that everything is reduced to questions of power. So it is, in their eyes, with canons.The first canonization of note for western culture seems to have been that of the Hebrew Scriptures; and although there is much dispute about the whole matter of how that occurred, it is interesting to observe that in a 1971 book entitled The Shaping of Jewish History: A Radical New Interpretation Ellis Rivkin presents the development of that canon in political terms, arguing that production of the Hebrew Scriptures “was not primarily the work of scribes, scholars, or editors who sought out neglected traditions about wilderness experience, but of a class struggling to gain power.”2 In a very interesting article on this subject, Gerald L. Bruns observes that the lesson of this is that the concept of canon is not literary but a “category of power” . Rivkin himself decides, as Bruns remarks, to treat “the promulgation of canonical texts of the Scriptures, not according to literary criteria but according to power criteria” . Presumably it is this program that warrants Rivkin’s subtitle Radical New Interpretation. But what would the literary criteria that are opposed to power criteria here be? Are there any longer believers in the more than trivial existence of such criteria? Does the destiny of literature now present its meaning political terms? If there are no longer thought to be such things as literary criteria, is there, can there be, literature? We have heard answers in the negative to the last question; and the notion of canon has recently been addressed almost always in terms of politics and power, most notably, of course, but certainly not exclusively, by feminist and minority critics. The destiny of women’s writing has certainly presented its meaning in political terms. Hazard Adams is professor of English and comparative literature at the University of Washington. He has recently completed The Book of Yeats’ Poems and a collection of critical essays. (shrink)

Ayant vecu en Espagne chretienne et en Espagne musulmane, en butte aux humiliations de la Croix et du Croissant, temoin de la diffusion parmi les Juifs de la philosophie greco-arabe dont il reconnait et deplore le pouvoir de seduction et les ravages qu'elle provoque, Juda Hallevi, l'un des plus grands poetes de l'Age d'or, achevera vers la fin de sa vie un ouvrage et accomplira une action d'eclat qui lui assureront une place de premier plan dans le judaisme. Defendant dans (...) un livre, devenu classique, sa foi contre la philosophie, le christianisme et l'Islam, il tentera, contrairement a la plupart des penseurs juifs du Moyen Age, de mettre en lumiere la specificite de la religion, qui cesse d'etre pour lui la version populaire allegorisee du systeme de Platon ou d'Aristote, et de fournir une interpretation de l'existence juive sur sa terre ancestrale et dans l'Exil. Ayant egalement compris que ni en Orient ni en Occident il n'existe un lieu d'espoir en qui puisse se fier, il s'arrach, non sans dechirement, a l'Espagne, sa terre natale, et bravant tous les dangers, il part pour Sion, qu'il a chantee en des vers emouvant. Mais sa mort en Egypte fait eclore la legende. (shrink)

This article focuses on trans-linguistic relationships between the German aphoristic writings of Israeli, Hebrew poet, and rabbi Elazar Benyoëtz and his personal library, which is one of the last and largest private book collections in Israel to contain the German-Jewish literary canon. By reading traces from the library’s marginalia and paraphernalia, analyzed here for the first time, the article presents five case studies that sketch Benyoëtz’s transformation during the 1960s and 1970s from a Hebrew poet into the most influential contemporary (...) writer of aphorisms in German. The article also presents points of departure for future research into the development of the Archiv Bibliographia Judaica, the largest encyclopedia of Jewish authors in the German language. (shrink)

Herodas'Mimiamb7 has often attracted scholarly attention on account of its thematic preoccupation with the sexuality of ordinary people, thus offering a realistic and exciting glimpse of everyday life in the eastern Mediterranean of the third centuryb.c.e. In addition, his obscure reference in lines 62–3 to the obsession of women and dogs with dildos has been the focus of long-standing scholarly debate: while most scholars agree that the verses employ a metaphor, possibly of obscene nature, their exact meaning is still to (...) be clarified. In response, this article offers an additional paradigm which stresses the cultural osmosis between the Greeks and their eastern neighbours in the Hellenistic period; in my view, Herodas' peculiar choice of expression could be explained more aptly through this hitherto unnoticed perspective. Despite having frustratingly little information about the poet and his life, his familiarity with the Hellenistic East is often implied in his poetic settings: for example, Cos inMimiamb2 and probably locations in Asia Minor inMimiambs6 and 7 are considered likely to reflect the places where he lived. Hence, it is reasonable to assume that Herodas spent periods of his life in areas of the eastern Aegean where cultural interaction was practically unavoidable. Moreover, his first poem exhibits a certain amount of knowledge and admiration for Ptolemaic Egypt and, although this does not necessarily mean that he lived there, he must have been very familiar with Alexandria and its erudite circles. After all, Herodas, a contemporary of Theocritus who subscribed to his preference for short, elegant poetic forms, shared the latter's interest in the lowly mime, which both of them invested with learned language. Thus, specific motifs, such as the visit of an abandoned mistress to the witches in a desperate attempt to coax back a cruel lover, are treated by both poets and ultimately derive from the literary corpus of mimes by the influential Sophron. Theocritus was also familiar with locations in Cos, an island that appears to have been culturally diverse. One of the foreign communities that increasingly made its presence felt in third-centuryb.c.e. Asia Minor and the nearby islands of the eastern Aegean was that of the Jews, although the history of particular communities is often difficult to recover. Nevertheless, we do know that as early as the third centuryb.c.e. ‘various Jewish authors writing in Greek had adopted the prevailing patterns of Greek literature in its many forms, filling them with Jewish content’. The Jews had a prominent and well-documented presence at Alexandria, where their interaction with the Greeks was promoted by the Ptolemies. There, already by the middle of the third centuryb.c.e., the Pentateuch (the Hebrew Torah) had been translated into Koine Greek by royal request, which probably indicates a sizeable community able to participate dynamically in the cultural interface of Ptolemaic Alexandria. In the following pages, I shall revisit the past interpretations of the aforementioned verses inMimiamb7 before arguing that the key to their understanding lies in the interaction of the Greeks with near eastern cultures, particularly the Jews, who seemed to have employed a distinctive metaphor about ‘dogs’ and their perceived sexual habits. (shrink)

Jacques Derrida wrote twice, in 1984 in "Shibboleth" and in 2002 for his Paris seminar lectures, about "The Meridian," Paul Celan's Georg Büchner prize speech that forms the most elaborate exposition of the poet's poetics. In both readings Derrida, in one way or the other, deals with the question of time. In "Shibboleth," at stake is the notion of date; in the seminar lectures, the "other's time." Through the Greek, Christian, and Jewish experiences involved, the present article takes the notion (...) of Augenblick as a fil conducteur. (shrink)

The History of Islam, which makes use of the Qur’ān, ḥadīth and many auxiliary sources, did not ignore the different elements that would shed light on the events of the periods it studied. At this point, the poem draws attention as an important source containing much data on the history of the prophets, sīrat, genealogy, and socio-cultural life. Umayya b. Abū l-Ṣalt (d. 8/630) is an important poet who has witnessed both the Jāhilī Period and the Islamic period, and has (...) poems containing the above-mentioned themes. There are different opinions about his belief status. In this context, there are discourses that consider him as Christian, Jewish, Hanīf, and monotheist. However, although it is a fact that Umayya was a ḥanīf in Jāhilī Period, his oppositional attitude with the advent of Islam is another fact. In the historical sources, there are many poems which are attributed to Umayya and contain different subjects. When these poems are examined, especially the poems that deal with the belief of oneness and the hereafter; it is seen that the creation of the world, the lives of past tribes and prophets, sīrat, some cultural elements, elegy, praise, and lineage were also handled by him. However, when the content and style of Umayya's poems, especially about the lives of the prophets, are examined, there are doubts as to whether these poems belong to him. For example, his poem about the story of Adam is as follows: “And they all prostrated to Adam by His permission / Only the damned, the sinner, and the expelled refused it /The Lord of the servants said to Iblis: / Get out of there fired, cursed and vilified.” When compared with the verses of the Qur'ān, it is seen that the information presented by Umayya about the story of Adam does not contradict with the information in the Qur'ān. “It is We Who created you and gave you shape; then We bade the angels prostrate to Adam, and they prostrate; not so Iblis; He refused to be of those who prostrate.” “(Allāh) said: "Get thee down from this: it is not for thee to be arrogant here: get out, for thou art of the meanest (of creatures).” In Umayya's poems, the story of Noah is discussed in with more details: “In the evening the flood was sent and the water overflowed. / There was no container to hold it. / He swims like an arrow seeking revenge. / And crossing the sea. / Everything began to speak with a miracle. / And the crow responded to the rooster's trust with treason. / After seven days the dove was sent / That; was unafraid of dangers and showed courage. / It was said, let's search the earth / Can you find a dry place with a water source in its furthest part? / Flew away fast. / Then he brought a cluster of black sticky mud on it.” In the poems of Umayya, in which he talks about the stories of the Prophet, many words and stories that the Arabs do not know are used. The story of the crow, rooster, and pigeon in this poem is one such example. It is said that Umayya was influenced by the old books and the words of the People of the Book in the story about the crow, the rooster, and the pigeon. Because, although there are differences in the details, it is seen that this issue is mentioned in the Torāh. Cevād Ali, who touches on this issue, states that “if it is true that these poems belong to him” and says that the available data is evidence that Umayya met with the People of the Book and knew the content of their books. While evaluating this issue, Behcet Abdulagafur referred to the 49th verse of the Surah Hūd and he emphasized two possibilities, pointing out that the story was not known to people before, including the Prophet Muḥammad: Umayya recited them from the Qur'ān and sang his poems according to the Qur'ān. However, this is a low probabilirty. Or, this poem does not belong to him and was later made up for him. He saw the second option more strongly and said that the poem did not resemble Umayya's style as a reason. The Prophet avoided a wholesale approach and evaluated Umayya's poems according to their content. Because while approving some of his poems, he also banned his poems that he sang as a lament for the polytheists killed in Badr, which did not comply with the Islamic understanding. The Prophet said about him: “His poetry became a Muslim, but his heart denied it.” Thus, while revealing that the content of Umayya's poems is generally suitable for Islam, he also stated that he was not a Muslim. At the same time, he banned his poems that were against Islam. (shrink)

The Ālvārs are the seventh–ninth century Tamil poet saints whose works achieved the status of sacred canon in what became, after the time of the theologian Rāmānuja, the Śrīvaiṣṇava community and tradition of south India. Their poems are honored as excellent poetry, as expressive of the experience of the poets themselves and of their encounters with Nārāyaṇa, their chosen deity, and finally as revelation, the divine Word uttered in human words. This thematic issue of Sophia is interested in investigating the (...) transformations or adaptations that a human language — speaking, writing — undergoes when transmitting a divine message, a revelation expressed in human words. This essay suggests that exploring how traditions have thought and performed the divine in human language can be undertaken usefully; that spiritual charged poetry is a powerful medium of divine communication in human words that both fall short in speaking of God and yet, in that failure, speak eloquently; and that reading intertextually, even interreligiously, is a way to disclose powerfully that divine communication. This essay reflects on all this by studying closely verse 57 of the Tiruviruttam of Śaṭakōpan, the greatest of these poet saints. It aims to show how even the outside reader — ‘the pilgrim reader’ who is neither a native nor a tourist — can enter into the interpretive process and find, in the elusive poetic words, a point of access to the revelation of the tradition. Some brief comparison is made with the interpretation of the Song of Songs in Jewish and Christian commentarial tradition. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Edging Toward IberiaJean Dangler (bio)As I edge toward a complete definition of medieval Iberia, with its constellation of Muslim and Christian realms and Jewish communities from approximately 500 to 1500 CE, I strive for precise word use, for unity and accuracy, but I am always on the perimeter of Iberia’s fullness. I am always at its edge trying to capture it all by researching Castilian kingdoms here and Muslim (...) realms there, or Jewish poets in this instance and Aragonese physicians in that one. Iberia is more than mere geography. Just when I am certain that I have arrived at an airtight definition of the place, its inhabitants, and its cultural production, another contingency emerges to throw my neat design into a state of doubt and disorder. Iberia always eludes me. sI my area of study fully “medieval Iberia?” Do I always consider Portugal after its twelfth-century split from Castile? When dealing with medieval Iberia, how can I separate North Africa from al-Andalus, the name the Muslims gave their Iberian territory? And if I cannot divide them, should my area of study be Iberia and North Africa? Can “Iberia” contain North Africa in its meaning? And where does medieval Iberia fall, in “Christian Europe” (yes), or toward “the Muslim east” (yes), which was not truly “toward the east” at all? How to contain all that diversity in one obligatory word, in one comprehensive toponym?I wonder if trying to find the perfect name for the diversity of the Iberian Middle Ages is an important or worthy undertaking. Many colleagues are content to use limited terms such as “medieval Spain” or “Hispania,” but I am not. A growing number of scholars, such as María Rosa Menocal [“Visions of al-Andalus” 12] and Anthony Pym [14–15], have recently discussed this difficulty in nomenclature, yet I cannot help but think that this is our own modern preoccupation: medieval people surely did not conceive of medieval Iberia in this way. We invented the Middle Ages. Modern scholars especially from the nineteenth century on determined and maintained, however loosely, chronological breaks between what we call Antiquity and the Middle Ages, and between the medieval and early modern periods.1 In addition, scholars often erroneously applied modern values to the past, as demonstrated in studies by, for instance, Norman F. Cantor, John Dagenais, Umberto Eco, Mark D. Meyerson, and Gabrielle M. Spiegel. These investigations point out many modern presumptions about the medieval period, such as about ethnicity, hierarchies of powerful and marginalized groups, gender relations, nationhood, or authorship and book production in medieval manuscript culture. And while the most useful scholarship avoids the unthinking application of modern concepts to the medieval period, it is evident that scholars are always confined by their own limits and values, even if they wish to describe the past with accuracy. It is like walking a tightrope between the medieval period and the present; it is like being on Iberia’s edge, trying to have that broad scope from the twenty-first century to contain it all. But the tightrope, the edge is [End Page 12] like quicksand that constantly shifts; it is a border without limits. Edging toward Iberia is being outside Iberia, moving around it, toward it, but being in it at the same time.One example of how modern constructs continue to inform our understanding of the past is the artificial periodization of the era into roughly ten centuries. Yet even the recognition of the medieval period as a modern invention does not change the practical value of terms such as “medieval” or “the Middle Ages,” which are maintained by scholars and the public alike.2 Eco suggests that to some degree we always recast the Middle Ages in our contemporary image, which manifests in modern novels, movies, and scholarship. He calls attention to the constructed quality of the medieval period by delineating ten types of “Middle Ages” made popular nowadays through media and scholarship, including “the Middle Ages as a barbaric age” and “the Middle Ages... of occult philosophy” [69, 71].How do we characterize or study the medieval period in a way that demonstrates medieval issues and values rather than... (shrink)

This article intervenes in the project of theorizing the politics of reconciliation and transitional justice with the suggestion that (a) more attention be paid to subjective experiences and discursive sensitivities affected/shaped by the trauma of historical violence and injustice, and that (b) the constitutive as well as potentially subversive working of these experiences and sensitivities be recognized. It focuses specifically on Paul Celan (1920?1970), a Jewish-Romanian-German poet and Holocaust survivor, proposing a reading of his work that connects aspects of the (...) poetic, the traumatic and the peripheral that are relevant to political theories of reconciliation and justice. Celan's work is shown to problematize the dominant understandings of communal temporality that are encoded in the reconciliatory transitional project. This temporality approximates a linear and progressive motion: the transitional community (a) leaves behind the legacies of the ?violent past? and (b) imagines (and moves towards) its future as an emancipative movement positioned beyond the constraints of the historical violence and injustice. In Celan's work, however, the traumatized subject's experience of temporality is understood metaphorically as an impossible passage. In contrast to the linear and progressive unfolding of the collective imaginary, the movement within a passage is repetitive, elliptical and, quite literally, aporetic (impassible). There is no guarantee of a successful passing through; instead, within the passage, Celan's traumatic and poetic subject encounters the abysmal. This basic contrast suggests that a critical theory of reconciliation should not only account for the fragility of human life in relation to historical violence, but respond to the constant proximity of violence within the reconciliatory project itself. (shrink)

Applying an ecocritical lens to Holocaust literature, this paper explores the connection between the natural world and the seemingly unnatural machinations of the Holocaust by placing two writers in conversation: Abraham Sutzkever and Vasily Grossman. For Sutzkever, the famed Yiddish poet of Vilna, poetry was linked to survival and to the environment, sometimes emerging from a bog, wilderness, or mutilated landscape but shining all the more brightly for its mired origins. Grossman, another important documenter of the Holocaust, was a Soviet-Jewish (...) writer known for his reportage, fiction, and compilations of Jewish documents from the Second World War. Like Sutzkever, Grossman was occupied in his work with the earth and its animate and inanimate inhabitants, from the crying stones and soil of Treblinka to the red sunset of a humanity ravaged by genocide. When faced with the almost unnarratable desolation and loss encountered during the Holocaust, both authors turned to their environment as a literary tool, a means of conveying that which could not be conveyed through traditional or accepted language. Nature and the nonhuman world became vehicles for an exploration of trauma and violence that in many ways extended beyond human comprehension, and therefore required a mode of imagining that similarly extended beyond human experience alone. At the same time, both Sutzkever and Grossman can be seen attempting to allow nonhuman nature to speak in its own voice, however inflected by human perspectives the hearing and translation of that voice may be. This paper therefore reveals and highlights the importance of addressing the interactions between human and nonhuman nature in Holocaust literature. (shrink)

Herodas'Mimiamb7 has often attracted scholarly attention on account of its thematic preoccupation with the sexuality of ordinary people, thus offering a realistic and exciting glimpse of everyday life in the eastern Mediterranean of the third centuryb.c.e. In addition, his obscure reference in lines 62–3 to the obsession of women and dogs with dildos has been the focus of long-standing scholarly debate: while most scholars agree that the verses employ a metaphor, possibly of obscene nature, their exact meaning is still to (...) be clarified. In response, this article offers an additional paradigm which stresses the cultural osmosis between the Greeks and their eastern neighbours in the Hellenistic period; in my view, Herodas' peculiar choice of expression could be explained more aptly through this hitherto unnoticed perspective. Despite having frustratingly little information about the poet and his life, his familiarity with the Hellenistic East is often implied in his poetic settings: for example, Cos inMimiamb2 and probably locations in Asia Minor inMimiambs6 and 7 are considered likely to reflect the places where he lived. Hence, it is reasonable to assume that Herodas spent periods of his life in areas of the eastern Aegean where cultural interaction was practically unavoidable. Moreover, his first poem exhibits a certain amount of knowledge and admiration for Ptolemaic Egypt and, although this does not necessarily mean that he lived there, he must have been very familiar with Alexandria and its erudite circles. After all, Herodas, a contemporary of Theocritus who subscribed to his preference for short, elegant poetic forms, shared the latter's interest in the lowly mime, which both of them invested with learned language. Thus, specific motifs, such as the visit of an abandoned mistress to the witches in a desperate attempt to coax back a cruel lover, are treated by both poets and ultimately derive from the literary corpus of mimes by the influential Sophron. Theocritus was also familiar with locations in Cos, an island that appears to have been culturally diverse. One of the foreign communities that increasingly made its presence felt in third-centuryb.c.e. Asia Minor and the nearby islands of the eastern Aegean was that of the Jews, although the history of particular communities is often difficult to recover. Nevertheless, we do know that as early as the third centuryb.c.e. ‘various Jewish authors writing in Greek had adopted the prevailing patterns of Greek literature in its many forms, filling them with Jewish content’. The Jews had a prominent and well-documented presence at Alexandria, where their interaction with the Greeks was promoted by the Ptolemies. There, already by the middle of the third centuryb.c.e., the Pentateuch (the Hebrew Torah) had been translated into Koine Greek by royal request, which probably indicates a sizeable community able to participate dynamically in the cultural interface of Ptolemaic Alexandria. In the following pages, I shall revisit the past interpretations of the aforementioned verses inMimiamb7 before arguing that the key to their understanding lies in the interaction of the Greeks with near eastern cultures, particularly the Jews, who seemed to have employed a distinctive metaphor about ‘dogs’ and their perceived sexual habits. (shrink)

In the modern mind the circumstance of Jewishness has been burdened with many questionable associations, particularly in the arts. Although Harold Rosenberg writes that, "in regard to art, being Jewish appears to be no more than an accident,"1 vulgar associations of Jews with art stubbornly subsist, an extreme example being Nixon's "now the worst thing is to go to anything that has to do with the arts . . . the arts, you know—they're Jews, they're left wing—in other words, stay (...) away. . . ."2 Despite the recurrence of such cloudy associations, the issue has remained curiously submerged. It is commonplace in our century to find a kind of reflexive yoking of Jews with art, particularly avant-garde art. The incalculable effects of such attitudes on modern art itself are rarely weighted. Accidental as the Jewish artist may be in his own view, he remains a somewhat suspect accident in the eyes of others. Can we continue to regard the fact of being a modern Jewish artist as "accidental," or is there a significant context which must be acknowledged? · 1. Harold Rosenberg, "Jews in Art," The New Yorker, 22 December 1975.· 2. Nixon to Haldeman: Watergate tapes, Newsweek, 19 August 1974. Dore Ashton, professor of art history at The Cooper Union, has served as the curator of art exhibitions both in the United States and abroad and as an art critic for The New York Times. She is author of, among others,Art Before Columbus, Poets and the Past, The Unknown Shore, A Reading of Modern Art, The New York School: A Cultural Reckoning, and Yes But...A Critical Study of Philip Guston. She has also contributed "On Harold Rosenberg" to Critical Inquiry. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:666 Feminist Studies 44, no. 3. © 2018 by Feminist Studies, Inc. Lana Dee Povitz To See and Be Seen: In Conversation with JEB August 12, 2017; a hot, bright morning. Ariel and I disembark at the train station in Takoma, DC, and head toward the waiting car. In the driver’s seat is one of the most important photographers of lesbian lives in the United States, Joan E. Biren, (...) popularly known as JEB. Decades before social media made images of nearly anything accessible to nearly anyone with a web connection, JEB published Eye to Eye: Portraits of Lesbians in 1979—in her words, “The first lesbian [photography] book that was going to say LESBIAN on the cover and have real people with real faces and first names on the inside.”1 A videographer later in her career, JEB made her mark traveling around the country in the late 1970s and early 1980s with her Dyke Show.2 Formally titled Lesbian Images in Photograph : 1850–the present, this constantly evolving visual and audio performance featured between three hundred and four hundred slides of lesbians or lesbian-like women from 1850 to the present.3 At the crest 1. Joan E. Biren, phone interview with Ariel Goldberg, October 10, 2017. Transcript in author’s possession. 2. JEB toured with the Dyke Show in the United States and Canada from 1979 to 1985. See Sophie Hackett, “Queer Looking,” Aperture 218 (Spring 2015): 40–45. 3. Ibid. On “lesbian-like” women and finding lesbians throughout history before the consolidation of the identity category, see Judith M. Bennett, “‘Lesbian-Like’ and the Social History of Lesbianisms,” Journal of the History of Sexuality 9, nos. 1–2 (January–April 2000): 1–24; David M. Halperin, “The First Homosexuality?” in his How to Do the History of Homosexuality Lana Dee Povitz 667 of the women’s liberation movement, audiences crowded together wherever they could to see the show—in living rooms, garages, church basements, community centers, and feminist bookstores—sitting rapt on the ground or on folding chairs. For many in these all-women spaces, JEB’s slides were the first images of women like them they’d ever seen. It’s Ariel who has arranged today’s interview, doing research for the book they’re writing about the influence of the twentieth century’s LGBTQ photographers on contemporary mainstream image culture. Ariel Goldberg is a photographer and poet who crisscrosses New York City working as an adjunct on different college campuses. The more they tell me about JEB in the weeks leading up to this meeting, the more I sense something genealogical afoot. Each representing the white, Jewish, middle -class,antiracist-lesbian-grassroots activism of their respective eras, both JEB and Ariel are self-taught, collaborative, and accountable to their circles of activist/artist friends. They pursue projects with or without (usually without) institutional support and brim with interests that hover between marginal and hot. As for me, I’m a historian, tagging along for the ride. I know little about photography, its practitioners, or its technologies, but I’m dipping into a new research project about the impact of social-movement participation on activist lives. And, aware of JEB’s role as a documentarian of (Chicago: The University of Chicago Press, 2002): 48–80; Leila Rupp, Sapphistries : A Global History of Love Between Women (New York: New York University Press, 2011); Valerie Traub, Thinking Sex with the Early Moderns (Philadelphia : University of Pennsylvania Press, 2016). See also Cait McKinney, “‘Finding the Lines to My People’: Media History of Queer Bibliographic Encounter,” GLQ: Journal of Gay and Lesbian Studies 24, no. 1 (January 2018): 55–83. For a discussion of queer desire for belonging based in literature, see Christopher Nealon, Foundlings: Lesbian and Gay Historical Emotion Before Stonewall (Durham: Duke University Press, 2001).  Ariel Goldberg, by Lana Dee Povitz. 668 Lana Dee Povitz social justice movements, including women’s and gay liberation, as well as her theoretical contributions to the early lesbian-separatist collective known as the Furies Collective, I am curious what this veteran activist life looks like now. Ariel and I speculated about JEB on the ride down from New York. We know she... (shrink)

This paper is an attempt to discuss the connections between Dante’s Divine Comedy and the poetic representations of the extermination of Jews during World War II. The work of the Italian master proves to be a point of reference for many Polish and Polish-Jewish poets in their search for the right language to describe the brutal reality of the Holocaust, to render the cruelty of this crime and the immense suffering of its victims, to testify about their own experience, and (...) to pay a tribute to the murdered. The poetry discussed in this text was written, among others, by Michał Maksymilian Borwicz, Izabela Gelbard, Janina Podlodowska, Krystyna Żywulska, and Andrzej Bursa. The references to the Divine Comedy are made in two ways and serve two basic purposes. Firstly, their aim is to portray the Holocaust as a reality confusingly similar to Dante’s inferno, secondly, they are to present the Holocaust as a reality far worse, more brutal and more gruesome than Dante’s hell. The second of the abovementioned ways of poetic presentation of the experience of the Shoah is very often connected with bitter irony, characteristic especially for Jewish art and sometimes directed against the sender of the message itself. In the course of analysis and interpretation, the phenomenon of universalization and partial decontextualization of originally religious motifs comes to the fore. The author argues that the reality of the Shoah can be compared to the devil’s abyss only if this abyss is no longer perceived as the place of eternal and just condemnation for sinners. The twentieth-century “hell” of concentration camps and ghettoes, though associated with Dante’s inferno, is not the place of deserved punishment, but of cruel crime and of immense, blameless and unjustifiable suffering. (shrink)

Martin (Mordechai) Buber was born in Vienna in 1878. He lived in Germany until 1933, then emigrated to Switzerland, and later to Palestine. After the Second World War, the philosopher condemned Arab-Jewish hostility and inhumane actions towards Palestinian Arabs. Buber died in 1965 in Jerusalem. The creative legacy of the philosopher is extremely popular in many countries. As a thinker, Buber combined many diverse interests and aspirations. He was a non-trivial sage-philosopher, a brilliant translator of the Tanakh, a researcher of (...) Hasidism, an outstanding educator and preacher, poet and writer. Buber's views are close to dialectical theology and existentialism. The central idea of Buber's philosophy is being as a dialogue between God and man, man and the world. Developing the concept of religious existentialism, the thinker significantly enriched philosophical anthropology. The insight expressed by him, rooted in the biblical tradition, is simple and majestic: a person's life is in dialogue with other people who are like him. This dialogue is creative and saving when it is carried out through the medium of God, his precepts about morality and love. It is in this dialogue that the vitality of God himself is revealed. Thus, Buber responded with all his creativity to the philosophical ideas of the XX century, to the ideas of "the death of God" and "the death of Man". (shrink)

The title of the article refers to the excessive ideological force deployed in Zionism to foster national and religious unity. As a closed and totalizing system, the Zionist enterprise precludes the representation of minority cultures and has yet to provide, if it ever can, an adequate definition of Palestinians, Mizrahim (Jews of Middle Eastern and North African origins) and other minorities – Karaites, Bedouins and Samaritans – much less one of gender sexuality, religion or personhood. Ironically, it was through the (...) contemporization of Hebrew that a distinctive Israeli society was forged, which set the limits of the imagined geography of the body. Modern Hebrew also produced a hierarchy of different literatures, each with its own ideological parameters of inclusion and exclusion. Paradoxically, as I argue, the cacophonous intertextualiy of the Hebrew canon drowns out the voices of minority Jewish writers, who are ‘relegated to constantly repositioning themselves’ within dominant (Ashkenazi) Israeli culture and society. Eli Bachar and Shelly Elkayam are among the Mizrahi poets I introduce here, whose work powerfully illustrates the colonizing aspects of hunger, eating and feeding through the trope of the ma'akhelet, Abraham's sacrificial knife, as a way to rethink intertextuality. (shrink)

Under the sign of Libitina, the Roman goddess of burials and funerals invoked in Horace's Ode 3.30, this essay provides a celebratory introduction to the work of the Polish Jewish poet Zuzanna Ginczanka, situating her within the cultural history of commemoration and consecration of the dead in Poland and the painful confrontation with the unburied dead of the Holocaust, of whom Ginczanka is one. Her best-known poem, a bitter parody of Juliusz Słowacki's “My Testament,” turns the Horatian notion of poetry (...) as the most precious and enduring legacy on its head by construing the author's meager household possessions, looted after her denunciation to the Nazis in wartime, as the only offering her fellow citizens will cherish, while the text itself was actually brought as evidence in a postwar trial of the Polish woman she accuses in the poem and contributed to a conviction for collaboration. Using historian Thomas Laqueur's terms necro-sociability and necronominalism as competing impulses in a seemingly intractable struggle, this essay argues that it is possible to find in Ginczanka's joyful defiance of traditional accounts of body and spirit the point of departure for a poetics that claims a new freedom of imagination in the attempt to transcend the most stubborn of memory wars. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:248 HISTORY OF PHILOSOPHY be taken from a philosophical point of view. Since it is not certain whether the author of the Prolegomena was or was not a Christian (p. xlix), "god" should not be capitalized, and the translation of T&~ia 5~l~ttovo'f~l~taTa as "God's creation" at IV. 15. 6 is actually misleading. Moreover, for no apparent reason, 0~oX07tz6gis translated as "metaphysical" in the first four chapters, but as "theological" (...) thereafter. Inaccuracies are very few indeed. "Ungrateful" is peculiar for o~5~5t• at I. 2. 25, and so is "adapted state" for ~to~tTe[a~ ~no~ae0g at I. 5.35; X. 26. 38, 40, and 44; at II. 10. 11, there is no need to translate o~Te&0t~6)g bu~yovxctL as "they do not aim at accurate expression," and on p. 32, line 1, "as yet" is not in the Greek of the Prolegomena, although it should have been, if the Anonymous had quoted correctly from Plato, Phaedrus 229 E. But this is trifling criticism of a work which leaves nothing to be desired in any other respect, and which displays the same high qualities of scholarship which we have come to expect of the author on the basis of his earlier achievements. MARTIN OSTWALI) Swarthmore College The Fountain of Life (Fons Vitae). By Solomon ibn Gabirol (Avicebron). Specially abridged edition, translated from the Latin by Harry E. Wedeck, with an Introduction by Theodore E. James. (New York: Philosophical Library, 1962. Unpaged introduction, 133 pp. $4.75.) The romance of the nineteenth-century discovery, by Salomon Munk, that "Avicebron's" Fons Vitae, a major source of neoplatonic thought in the thirteenth and fourteenth centuries, was actually the work of the eleventhcentury Hispano-Jewish poet, Solomon ibn Gabirol, and has often been retold. It is, indeed, a remarkable story. Perhaps its most noteworthy feature is that it reveals how closely alike Muslim, Jewish, and Christian philosophers were; by implication, then, it indicates that theological considerations were of less importance in medieval philosophy than is suggested by most historical accounts. Although the story of The Fountain of Lqe has now become an oft-told tale, the work itself has never been available in English dress. The present edition remedies this situation in part. It presents Tract III of the original text, a section dealing with the existence of simple spiritual substances. Harry Wedeck's translation is lucid and readable. Theodore E. James's introduction is useful for the beginning student but too elementary to be of much use to a more advanced reader. It is good that there is now this much to recommend to our students; we may hope that the day will come when BOOK REVIEWS 249 larger sections of the work will be translated-preferably not from the Latin, but from the Arabic original. JOSEPHL. B~u Columbia University Commentary on the Metaphysics of Aristotle. By St. Thomas Aquinas. Trans. by John P. Rowan. (Chicago, Illinois: Henry Regnery Company, 1961. Pp. xxiii + 955.2 vols., boxed, $25.00.) Generally speaking, the two Summae of St. Thomas, long available in English translation, contain all that is most personal and most profound in his philosophical thought. Nonetheless, it is quite impossible to get a fully adequate conception of St. Thomas' place in the history of western thought from a consideration of his theological writings alone. Hence, by translating St. Thomas' Commentary on the Metaphysics of Aristotle into English, Professor J. P. Rowan has provided the non-Latin reading student of the history of philosophy an invaluable service. For it is in his r61e as Aristotelian commentator that we see St. Thomas creating for the Schoolmen a version of Aristotle which served to render the Stagirite's thought into terms which became fundamental to the philosophical defense of Christianity. Further, by keeping in mind the fully-developed notions of St. Thomas on the existence of God and the nature of being as these are given us to understand in the Summae, the reader becomes better enabled, by a critical reading of Thomas' Commentary, to grasp the sense in which the Saint's theological writings are said by his enthusiasts to represent a "completing" and "perfecting" of... (shrink)

Heine is one of Germany's most renowned poets. His Jewish heritage and his Christian baptism have informed both his life's work as well as its reception. He was an expert and a passionate reader of the Bible. Despite his criticism of the official system of churches and religious communities, he greatly appreciated religion and its symbolic language, which speaks especially to the poet – even in its silences.

Explores Blanchot's philosophical meditation on three poets, Mallarmé, Hölderlin, and René Char alongside his contribution to Jewish philosophy.