ABSTRACTNaturalistic studies of emotional reactivity in depression have repeatedly found larger decreases in negative affect among depressed individuals in response to daily positive events. T...

ABSTRACTHedonic deficits are linked to protracted dysphoric affect in depression, a disorder characterised by emotion context insensitivity. Recent findings from daily life studies contradict the ECI view. This study longitudinally investigated DA across laboratory and daily life contexts and the conditions associated with discrepancies in DA reactivity. Thirty-three healthy controls and 41 adults with major depressive disorder provided responses to neutral and positive films viewed in the laboratory and daily events recorded over the course of three days using ecological momentary (...) assessment methodology. The current study reports on participants’ appraisals of films and events and their subsequent DA, both rated individually after each task and daily event. Despite large group similarities in appraisals of the positive film and life events, MDDs appraised the neutral film and neutral life events as less important and less pleasant (film: d =... (shrink)

Appraisal theories predict that emotional experiences are tightly linked to context appraisals. However, depressed people tend to perceive a variety of emotional events more negatively and stressfully and their emotional experience has been described as context insensitive. This raises the question: how different is the intensity of context appraisals from related emotion experiences among depressed relative to healthy people? Surprisingly, we do not know how cohesive intensity of context appraisals and emotional experiences are in depression. In this study, we assessed (...) differences in intensity of context appraisals and emotional experiences across 1634 daily events during three days within and between depressed participants (N = 41) and healthy controls (N = 33) using linear mixed models. Models compared intensities of stressfulness and unpleasantness appraisals to the intensity of negative affect, and intensity of pleasantness appraisals to the intensity of positive affect. Our findings partially supported our predictions of lower cohesiveness in depression: while intensities of pleasantness appraisals and positive affect were more alike among control participants, intensities of unpleasantness and stressfulness appraisals were more similar to the intensities of negative affect in the depressed group. Current work suggests that hedonic dysfunction in depression is possibly driven by a loosely tied positive context appraisal-emotion experience process. (shrink)

Although the differences between Spinoza and Nietzsche are crucial, there are several aspects on which one can trace a relevant set of similarities between the two authors. The refutation of teleology, transcendence and free will, together with the consequent embracement of fatality, the pursuit of joy, and the particular emphasis on affectivity are just a few of the resemblances that can be drawn between Spinoza and Nietzsche. This paper is focused only on the last aspect mentioned above. Both Spinoza and (...) Nietzsche developed an account of immanent pursuit of joy, which can be derived from a particular understanding of affects. The two philosophers tried to create a peculiar bridge between knowledge and affectivity, which meant a significant departure from their previous philosophical tradition, and which gave them an idiosyncratic place in the entire picture of modern thought. (shrink)

The purpose of my paper is to challenge the binary classification of authenticity, which is currently employed in the bioethical debate on enhancement technologies. According to the standard dichotomy, there is a stark opposition between the self-discovery model, which depicts the self as a substantial and original inwardness, and the self-creation model, which assumes that the self is an open project, that has to be constituted by one’s free actions. My claim is that the so-called self-creation model actually conflates two (...) distinct versions of authenticity: one that is decisionist and one that is experimentalist. Hence, my proposal is to distinguish between three different models of authenticity: (i) self-discovery, which is an expressivist model of authenticity; (ii) existential commitment, which is a decisionist model; and (iii) reinvention of the self, which is an experimentalist model. Such a three-fold distinction will vast a more nuanced and clear light upon the enhancement debate. (shrink)

In this paper I would like to give a brief account of self-creation in Nietzsche’s work, by employing some of Michel Foucault’s ideas. For Nietzsche, life should be lived like “a work of art without an author”. This phrase may sound at first strange, but it makes sense if we take a look at Foucault analysis on authorship. The author is not something given, a transcendental and external agent, but something that emerges in the process of writing. In the same (...) way, the subject is not an autonomous and absolute entity, but something that emerges in the process of subjectivation. If we understand this, then we can move forward to investigate some of Nietzsche’s most famous, yet intriguing concepts. Assuming this new account of the subject, ideas like “become who you are”, the dichotomy “master/slave”, “eternal recurrence of the same” etc. will bear new meanings that can give new answers to the old question: “How should one live?”. (shrink)

Cosmopolitanism in the contemporary debate is firmly based in the Western tradition of liberal thought, which is culturally situated. The liberal conception of self alienates nature and childhood and its internal logic justifies colonialism and carries patriarchal and racialized baggage. Cosmopolitan Liberalism is a critique of the Western tradition of liberal thought and an effort to overcome the philosophical boundaries of individualism towards a more inclusive and open conception. It seeks to expand the theoretical basis of individuality beyond its own (...) limitations towards the ideal of universal love and the moral principle of compassion which are compatible with all world cosmologies--liberal and non-liberal. Cosmopolitan Liberalism is a reflection on what it is that all human beings owe one another in spite of the many humanly created borders that set us apart"--Provided by publisher. (shrink)

In this paper, I will compare Kant’s and Kierkegaard’s reflections on faith as they are articulated in the particular analyses of Abraham’s sacrifice. Kant’s prosecution of Abraham, which commences from the idea of “natural religion”, rests on two interrelated lines of attack, an epistemological one and ethical one, which deem Abraham’s action to be morally reprehensible. For Kant, the primacy of the practical reason leaves no special room for divine duties that are not ethical at the same time. On the (...) other hand, Kierkegaard’s defence of the sacrifice is orbiting around the possibility of a teleological suspension of the ethical. If such a suspension is possible, then faith is a paradox according to which the single individual is higher than the universal. As such, an absolute duty to god is possible, but such a duty is not rationally justifiable or publicly communicable. My paper ends with to some considerations about the protestant inheritance of both, Kant and Kierkegaard. (shrink)

This paper aims to highlight some major differences between the ethics of “self-becoming”, as it was sketched by Friedrich Nietzsche, and the so-called “aesthetics of existence”, which was developed in Michel Foucault’s late work. Although the propinquity between the two authors is a commonplace in Foucauldian exegesis, my claim is that the two projects of self-creation are dissimilar in four relevant aspects. To support my thesis I will use Foucault’s four-part ethical framework through which I will analyze each of the (...) two projects. Foucault, Nietzsche, self-creation, will to power, aesthetics of existence, ethical substance, mode of subjectification, ethical work, ethical telos, power relations. (shrink)

This paper is a critical investigation about the historical origins of two contemporary approaches in ethics: moral particularism and moral generalism. Moral particularism states that there are no defensible moral principles and that moral thought doesn’t consist in the application of moral principles to cases, but in understanding the morally relevant features of an action, which vary from case to case. In opposition, moral generalism is the traditional claim that moral decisions are made by applying general rules to particular actions. (...) Plato is often seen as a moral generalist for his appeal to Forms which are universal standards, while Aristotle is regarded as a precursor of moral particularism for stressing the importance of the “the prudence”, which is the intellectual capacity to perceive the irreducible specificity of a context, and the importance of “the means” which differs from person to person. First I will take Plato into discussion, and I will briefly reconstruct his theoretical account on Justice and virtue in order to establish his “generalist” orientation. Then I will analyze Aristotle’s alleged particularism by appealing to his texts and assessing some considerations of a few contemporary authors. At the end of the paper, I will question both particularism and generalism for the appropriation of the two ancient philosophers, on the ground that modern moral philosophy which is an action centered ethics is hard to reconcile with ancient moral thought which was an agent centered one. (shrink)

In contemporary philosophy, there is a widespread distinction between authenticity as self-discovery (which is an essentialist model, inspired by Rousseau, Herder and the Romantic tradition) and authenticity as self-creation (an existentialist model, inspired mainly by Kierkegaard and Sartre). In this paper, I would like to propose a threefold classification, which ads another model of authenticity, irreducible to any of the previous two. This third model is authenticity as self-reinvention, that could be reconstructed from Nietzsche’s philosophy. The self-reinvention model rests on (...) three different, yet interrelated, ideas: 1) Vitalism: The authentic individual wholeheartedly embraces every aspect of his existence, even pain and sufferings, thus proving he truly owns himself. 2) Perspectivism: The authentic individual is able to reinterpret his mental states in the utmost personal manner, through the transvaluation of values (Umwertung aller Werte) and the spiritualization (Vergeistingung) of his drives. 3) Experimentalism: Authenticity is an incessant play, a constant process of identity formation, which corresponds to Nietzsche’s hypothesis of “the subject as multiplicity” and to his ideal of existence as a work of art or of becoming the poet of your life. (shrink)

The astounding flourishing of fashion we have witnessed for the past centuries would not have been possible without a range of specifically modern phenomena like capitalism, the rise of an ambitious middle-class, the growth and diversification of mass-communication, and the Industrial Revolution. However, there is yet another interesting link between the two as they both have a common ‘condition of possibility’, that makes them interconnected. In this paper I will argue that such a condition is what I loosely call a (...) ‘will to novelty’. Following some of Herbert Blumer’s suggestions, I will argue that the quest for renewal remains probably the best explanation of all possible candidates in explaining the incessant change of fashion (one of such candidates being Simmel’s famous class-differentiation analysis). My claim is that such a pursuit of renewal is undertaken for the sake of renewal itself, and this is a key aspect that connects fashion with modernity, namely an aesthetic concept of modernity, which I will outline, in the footsteps of Michel Foucault and Matei Călinescu, as a quest for novelty and change. Unlike the bourgeois modernity or the scientific one, the aesthetic modernity does not innovate for the sake of profit or truth respectively, but for the sake of innovation itself. Like fashion, the aesthetic modernity is an expression of the ‘will to novelty’. (shrink)

In this paper I will discuss the problem of justification in moral particularism. The first part is concerned with Jonathan Dancy’s account of justification, which is a narrative one. To justify one’s choice is to present a persuasive description of the context in a narrative fashion, not to subordinate singular cases to universal rules. Since it dismisses arguments and employs persuasiveness, this view seems irrational, so the second part of my paper will consist of a personal reconstruction and reformulation of (...) Dancy’s account that will aim at defending particularist justification from being labeled as “irrational”. (shrink)

Cum arată un om moral? Este acesta un om care se află în posesia unor principii ferme și știe cum să le aplice? Sau este un om care, neavând nevoie de reguli morale, reușește de fiecare dată să ia decizia corectă? Poate fi moralitatea codificată într-un set de principii universale? Sau viața morală este mult prea complexă pentru a fi guvernată de reguli stricte? Dar dacă moralitatea nu constă în aplicarea unor standarde generale, ci în capacitatea de a lua decizii (...) corecte, cum știm că o decizie este corectă? Iar dacă explicațiile morale trebuie să fie structurate de crtierii universale, cum putem să dăm seama de pluralitatea și singularitatea contextelor etice? Toate aceste întrebări și dileme, care au configurat destinul eticii occidentale de la Platon și Aristotel până în zilele noastre, sunt abordate într-o cheie nouă în filosofia morală contemporană. Apologia principiilor morale și critica acestora constituie cei doi poli între care oscilează etica, împărțind filosofia morală contemporană în două concepții rivale: generalismul și particularismul. Ce argumente au filosofii generaliști și cum răspund susținătorii particularismului? Cât de valabile sunt raționamentele vehiculate și ce s-ar putea spune în plus? Nu cumva, în decursul istoriei, s-a pierdut ceva esențial pentru gândirea morală, ceva care face ca frământările etice ale omului contemporan să fie nesfârșite, sterile și înșelătoare? (shrink)

Aurel Codoban, Sacru si ontofanie. Pentru o nouã filosofie a religiilor (The Sacred and Ontophany. For a New Philosophy of Religions) Ed. Polirom, Iasi, 1998.

In a time of globalization, Political Philosophy for the Global Age provides a theoretical basis for the convergence of human values in terms of legitimate conceptions of time, language, and notions of self. Sánchez Flores reviews what she considers to be the most important positions in the current debate on political theory (liberalism, communitarianism, feminism, and postcolonialism) and also proposes her own original contribution. Sánchez Flores’s unique approach is a critique of a type of morality formulated solely on the basis (...) of the Judeo-Christian view of reality. It is a theoretical construct that becomes an invitation to explore other notions of human morality and an inquiry into the need to produce a political philosophy that universalizes an ethics of caring and responsibility as well as provides a locus where diverse human cultures can meet. (shrink)

"Music before all else..." yes, but what music, when the last century focused on discussing the very concept itself? This work studies the passage from modern art to contemporary art while considering the fundamental transformations of the musical paradigm.

Focusing on the work of such artists as Tania Bruguera, Isaac Julien, Rosemary Laing, Dierk Schmidt, Hito Steyerl, Lyndell Brown and Charles Green, Veronica Tello argues that their practices represent an emergent paradigm of contemporary...

Restrictive border protection policies directed toward managing the flow of refugees coming into neoliberal democracies (and out of failing nation-states) are a defining feature of contemporary politics. In this book, Verónica Tello analyses how contemporary artists-such as Tania Bruguera, Isaac Julien, Rosemary Laing, Dinh Q. Lé, Dierk Schmidt, Hito Steyerl, Lyndell Brown and Charles Green-negotiate their diverse subject positions while addressing and taking part in the production of images associated with refugee experiences and histories. Tello argues that their practices, which (...) manifest across a range of contexts including Cuba, the United States, Australia and Europe, represent an emergent, global paradigm of contemporary art, 'counter-memorial aesthetics'. Counter-Memorial Aesthetics, Tello argues, is characterized by its conjunction of heterogeneous signifiers and voices of many times and places, generating an experimental, non-teleological approach to the construction of contemporary history, which also takes into account the complex, disorienting spatial affects of globalization. Spanning performance art, experimental 'history painting', aftermath photography and video installation, counter-memorial aesthetics bring to the fore, Tello argues, how contemporary refugee flows and related traumatic events critically challenge and conflict with many existing, tired if not also stubborn notions of national identity, borders, history and memory. Building on the writings of such thinkers as Michel Foucault and Jacques Rancière, this book offers a useful concept of 'counter-memory' for the twenty-first century. It shows how counter-memorial aesthetics is not only central to the nexus of contemporary art and refugee histories but also how it can offer a way of being critically present with many other, often interrelated, global crises in the contemporary era. (shrink)

This is the first critical edition and study of a unique and important Muslim polemic against Christians and Jews. The Book of Disputation was written in Arabic by a Mudejar (subject Muslim living under Christian rule in late medieval Iberia) and offers new insight into the cultural and intellectual life of this Muslim minority. The text advances arguments drawn from natural philosophy-largely from Aristotle and Averroes-along with more traditional revealed sources such as the Qur'an and the Bible. Mudejar communities suffered (...) a diminution of religious and political intelligentsia over time. This text, however, highlights the author's particular conception of the world as the creation of God in his defense of Islam, demonstrates the vitality of intellectual life among Muslims in medieval Christian Iberia, and documents the continued cultivation of natural philosophy within these Muslim communities. (shrink)

Ce livre étudie le paradigme musical qui traverse le romantisme allemand, le symbolisme français et le formalisme de la fin du xixe siècle. Sous l'hypothèse de la musicalité, il propose un modèle transversal d'analyse des arts et replace le symbolisme dans le cadre d'une histoire des formes esthétiques.

This book is the first to approach Jacques Rancière’s work from a legal perspective. A former student of Louis Althusser, Rancière is one of the most important contemporary French philosophers of recent decades: offering an original and path-breaking way to think politics, democracy and aesthetics. Rancière’s work has received wide and increasing critical attention, but no study exists so far that reflects on the wider implications of Rancière for law and for socio-legal studies. Although Rancière does not pay much specific (...) attention to law—and there is a strong temptation to identify law with what he terms the "police order"—much of Rancière’s historical work highlights the creative potential of law and legal language. Indeed, he repeatedly offers powerful instances of what Robert Cover labelled _jurisgenesis, _of norm-generation, with important legal implications and ramifications. So, rather than excavate the Rancièrean corpus for isolated statements about the law, this volume reverses such a method and asks: what would a Rancière-inspired legal theory look like? Bringing together specialists and scholars in different areas of law, critical theory and philosophy, this rethinking of law and socio-legal studies _through_ Rancière provides an original and important engagement with a range of contemporary legal topics, including constituent power, constitutional interpretation, the judicialization of politics, legal subjectivity, conflicts, human rights, the nomos of modernity, globalization, and the sensory configurations of law. It will, then, be of considerable interest to those working in these areas. (shrink)

Starting from the assumption that everything is measured in this world, the author sets out to ask some questions about the value and the measure of the human soul and postulates that we should distinguish between an earthly measure and a divine measure of the soul. He concludes that the “positive” measure of the soul is acquired according to its redemption and salvation for the eternal life, because a saved soul is worthier than the whole world.

Filosofía y cultura novohispana -- Un tema de antropología filosófica : los indígenas americanos son seres humanos -- Humanismo novohispano -- Colofón : "Indio".

Given the diversification of upper secondary educational level, the student population that accesses higher education have social, academic and cultural characteristics, which put new challenges to the institutions of this educational level to respond. This article presents an experience of this characteristics of the undergraduate students from the National Pedagogical University. Unidad- Ajusco.