Of the hundreds of Greek common nouns and adjectives preserved in our MSS of Cicero, about three dozen are found written in the Latin alphabet as well as in the Greek. So we find, alongside συμπάθεια, alsosympathia, and ἱστορικός as well ashistoricus.This sort of variation has been termed alphabet-switching; it has received little attention in connection with Cicero, even though it is relevant to subjects of current interest such as his bilingualism and the role of code-switching and loanwords in his (...) works. Rather than addressing these issues directly, this discussion sets out information about the way in which the words are written in our surviving MSS of Cicero and takes further some recent work on the presentation of Greek words in Latin texts. It argues that, for the most part, coherent patterns and explanations can be found in the alphabetic choices exhibited by them, or at least by the earliest of them when there is conflict in the paradosis, and that this coherence is evidence for a generally reliable transmission of Cicero's original choices. While a lack of coherence might indicate unreliable transmission, or even an indifference on Cicero's part, a consistent pattern can only really be explained as an accurate record of coherent alphabet choice made by Cicero when writing Greek words. (shrink)

Our manuscripts of Cicero contain dozens of Greek words that are presented in some passages in Greek letters, and in others are transliterated into Latin. In a recent paper I collected the evidence for this phenomenon in connection with common nouns and adjectives, surveyed scholarship to date and posited an interpretative framework which is assumed in this study also. Key components of this framework are the use of mixed alphabets in surviving ancient documents and an awareness of the frequency with (...) which modern editors change the alphabets in the manuscripts when dealing with Greek words—hence the importance of using the apparatus critici, not just the printed text, of our editions. The earlier paper was also strict in its exclusion of words in continuous passages, and even short phrases, of Greek, since that context excludes the option of transliteration for the author. The major contention of that earlier study was that a coherent pattern of use in the manuscripts can only really be a reflection of Cicero's own considered choice of alphabets: consistently inexplicable choice may indicate that Cicero himself was indifferent to which alphabet he used for single Greek words, or that our copyists paid no attention to this aspect of their exemplars, or both. (shrink)

The neglected area of later Greek syntax is explored here with reference to the future optative. This form of the verb first appeared early in the classical age but virtually disappeared during the Hellenistic era. Under the influence of Atticism it reappeared in later literary texts, and this paper is concerned largely with its revival in late legal and epistolary texts on papyrus from Egypt. It is used mainly in set legal phrases of remote future conditions, but we also see (...) it in letters to express wishes (again, largely formulaic) for the future, both of which uses are foreign to Attic Greek. Finally, the future optative's appearance in conjugations on grammatical papyri from Egypt is used to demonstrate the form's presence in education even at the end of the classical world there, with the archive of Dioscorus of Aphrodito uniquely showing both this theoretical knowledge of it and examples of its application in legal documents. (shrink)

The difficulty of this little poem is shown by the facts that Ausonius had no idea what it was about, and that Westendorp Boerma's commentary takes 22 pages to explicate its five lines. The latter relies on Quintilian 8.3.27ff., who quotes the poem, saying that Vergil wrote it to attack a certain Cimber for his taste in obsolete words. This is no doubt the Annius Cimber whom Augustus ridiculed when reprimanding Mark Antony for a similar foible and who, as an (...) antiquarius is contrasted with the Asiatici oratores. For convenience, I have kept Westendorp Boerma's text, but I take issue with his interpretation on two points. 4 tau Gallicum: since Bücheler tentatively suggested it in RhM 38 , 508, the standard explanation of this has been to point out that a number of Latin inscriptions in Gaul use a Greek θ or else a barred D , to represent what appears to have been a dental fricative elsewhere indicated in Latin by -sd- or -st-. Thus Frank, AJP 56 , 255, quotes HYÐRITANVS for what is elsewhere spelled Thysdritanus, and says that ‘Ð clearly represents the best that one Celt could do with sd’. On the basis of this supposed Gallic incompetence, Frank went on to see the repeated -st- sounds in the poem as some sort of joke on the orator's inability to pronounce this sound. His view seems to have been generally accepted. There seems to me a profound error in this viewpoint which shows cultural imperialism at its worst. First, let us note that none of the examples of alleged substitution are in Latin words; they are native names for people or places or things. The Latin names by which we know some of them are only the approximation of foreigners, and not in any sense the ‘correct’ names of those people or places. (shrink)