Pour autant que nous lisions Sade dans la perspective de la métaphysique platonicienne, il nous apparaít comme un scélérat psychopathe, dont l'oeuvre est digne de bûcher. Car si ses romans sont le reflet de la réalité, il n'у a pas de justification pour lui. Mais le monde sadique, prétend-il, en effet, à être une copie du monde réel, dont l'existence n'est encore que potentielle? Faut-il alors craindre Sade et le prendre pour un fou en le mettant sous le boisseau? L'analyse (...) de la conscience sadique enlève des doutes et des hésitations qui naissent en nous. Sade n'est pas aliené dans le sens que nous voulions imputer. D'un coté la perversion, de l'autre coté l'experience à laquelle il soumet, sous la pression des forces obscures, sa propre conscience, excluent les raisons de nos accusations. L'oeuvre de Sade est, en vérité, une manifestation de ce que G. Deleuze a nommé "renversement du platonisme". En tant que telle elle se développe en dehors de la distinction platonicienne fondamentale: Originel - Copie, en devenant une évocation du troisiéme "élément platonicien" - "faux prétendant", soit du Simulacre. С'ést en "faux" ou "simulé" qu elle retrouve sa vérité. Ce contexte permet de traiter Sade comme un grand precurseur de Nietzsche et de voir en lui un penseur anticipant beaucoup de problibnes actuels de la philosophie contemporaine, comme par exemple le problème du nihilisme. Le systeme sadique c'ést une singuliére synthése qui se compose, en outre de "motifs nietzschéennes", d'un mécanisme du siécle des lumiéres et d'une philosophie kantienne de volonté, alors de deux conceptions antinomiques de la pensée du XVIIIе siécle. Done on ne peut pas exagérer en disant que Sade est un penseur traversant son époque et ouvrant des horisons nouveaux devant la "philosophie de l'homme". II est très significatif que le dévoilement de ces horizons n'est pas pour Sade un effort exclusivemant théorique, mais qu'il est une tentative d'une dimension pratique. Ses solutions philosophiques, Sade les paye de la géhenne de sa propre conscience, qui, tourmenté par la nécessité d'une négation, culmine en anéantir un proche ainsi que soi-méme. (shrink)

Models are of central importance in many scientific contexts. The centrality of models such as inflationary models in cosmology, general-circulation models of the global climate, the double-helix model of DNA, evolutionary models in biology, agent-based models in the social sciences, and general-equilibrium models of markets in their respective domains is a case in point (the Other Internet Resources section at the end of this entry contains links to online resources that discuss these models). Scientists spend significant amounts of time building, (...) testing, comparing, and revising models, and much journal space is dedicated to interpreting and discussing the implications of models. In short, models are one of the principal instruments of modern science. (shrink)

This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the (...) basic general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis. (shrink)

While Hermann Levin Goldschmidt didn’t read Yiddish anarchists, there seems to have been a convergent evolution in their thinking. Goldschmidt’s looking up to Jewish lore as a source of liberating creativity is commonly encountered in Yiddish anarchist texts. His view of action as a constant response to internal and external challenges in the struggle for an open future is developed by Isaac Nachman Steinberg on the basis of nineteenth-century vitalism. Goldschmidt’s theory of anarchist individualism as willed self-limiting solidarity has a (...) compelling parallel in Hillel Solotaroff’s view of history. His use of impressionism and photography to eternalize the immediacy of human actuality is akin to Rudolf Rocker’s championing of decadent literature. In both cases, the goal of anarchism is not a dictatorship of the former downtrodden, but a continuous and contradictory evolution of freedom in ever-changing contexts. (shrink)

This is an extensive review of recent work on the foundations of statistical mechanics.

Determinism and chance seem to be irreconcilable opposites: either something is chancy or it is deterministic but not both. Yet there are processes which appear to square the circle by being chancy and deterministic at once, and the appearance is backed by well-confirmed scientific theories such as statistical mechanics which also seem to provide us with chances for deterministic processes. Is this possible, and if so how? In this essay I discuss this question for probabilities as they occur in the (...) empirical sciences, setting aside metaphysical questions in connection with free will, divine intervention and determinism in history. (shrink)

S'opposant à la clôture hégélienne de la négativité, c'est-à-dire à l'esclavage intériorisé et affirmé par l'homme posthistorique, Bataille définit l'homme en tant que l'être ontologiquement déchiré, constitué par le conflit incontournable pouvant être enlevé non par un moment quelconque de l'histoire, mais uniquement par la mort. Contrairement à la prise de position hégélienne mystifiée l'homme n'est pas, selon Bataille, exclusivement une conscience tout à fait temporalisée, mais aussi un corps et une impulsion ou bien une emanation personifiée de l'énergie cosmique (...) et solaire. En tant que tel il est une négativité par excellence, une tension notoire entre l'interdit et le projet d'une part et la transgression et le dépense anarchique de l'autre, donc un être convulsif orienté non vers la plénitude positivement défini, mais vers la perte. Plus que par les avantages de la culture rejetant la violence et diminuant une existence devenant plus en plus utilisée et fonctionnalisée, l'homme est instigué, selon Bataille, par le sacré qui détermine originairement la dynamique de la vie. Attiré par le sacré en tant que le revers de l'homogénéité de la culture l'homme se dirige vers l'existence tragique souveraine, aspire à l'impossible. Aux système, savoir, possibilités, histoire et vie miasmatique excluant l'extase qui pour la raison n'est rien ou est par elle au moins tout à fait instrumentalisée dans la stratégie de sa ruse, Bataille oppose l'impossible athéologique et asystématique ou bien le non-savoir en tant que régions où se manifeste la souveraineté de l'homme. La souveraineté paradoxale du point de vue des codes pragmatiques, parce que fondée non sur le choix assidu et avare de l'accumulation et de la durée, mais sur le choix excessif de la perte, rudimentaire pour la vie traitée comme une explosion dionysiaque ou solaire. (shrink)

Обґрунтовано стратегію високочастотної біржової торгівлі (high-frequency trading) акціями. Для цього досліджено особливості та обмеження біржової високочастотної торгівлі, визначено верхню межу прибутку агресивного «шкідливого» високочастотного трейдера, обґрунтовано оптимальну частоту стратегії біржової високочастотної торгівлі акціями, розглянуто емпіричне підтвердження прогнозованості біржових курсів акцій на надкоротких горизонтах інвестування.

"Vom Erkennen des literarischen Kunstwerks" ist zuerst (poln. 1937) als erkenntnistheoretisches - und geringfügig populäreres - Pendant zur ontologischen Theorie "Das literarische Kunstwerk" (1931) angelegt. In der deutschen Fassung (Erstpublikation 1968) wird es zum gedankenreichen literaturphilosophischen Alterswerk. Wie schon "Der Streit um die Existenz der Welt" (Erstpublikation 1947/48), so ist auch "Vom Erkennen" als Antwort auf Krieg, Völkermord und Totalitarismen zu lesen, im Sinne des Beharrens auf den Fundamenten der humanen Existenz. Dem "Ende der Ontologie" setzt Roman Ingarden (1893-1970) (...) den Nachweis der Notwendigkeit ontologischer Reflexion bei der Ergründung erkenntnistheoretischer Sachverhalte entgegen (vgl. die 'ästhetische Konkretisation'), der am Wert verzweifelten Nachkriegsliteratur die Erörterung der Werte, Wertqualitäten und ihrer möglichen Synthesen im konkretisierten literarischen Kunstwerk. Gegenüber "Das literarische Kunstwerk" arbeitet er neu die quasi-zeitliche Dimension des literarischen Kunstwerks aus, 'entdeckt' die künstlerischen Funktionen der Unbestimmtheit, bezieht die Lyrik und das Gattungswesen der Literatur ein und analysiert die verschiedenen Erkenntnisziele und -zugänge zum literarischen Kunstwerk. Dem Liebhaber vermittelt das Buch eine Begründung des legitimen Entzückens am ästhetischen Gegenstand, dem Literaturwissenschaftler eine Grundlegung seiner analytischen und funktionellen Erkenntnisoperationen. Ein ausführliches analytisches Inhaltsverzeichnis, ein davon abgeleitetes System von Kolumnentiteln sowie ein Personenverzeichnis erleichtern in dieser neuen Ausgabe die Arbeit mit diesem Buch. (shrink)

In two recent papers Barry Loewer (2001, 2004) has suggested to interpret probabilities in statistical mechanics as Humean chances in David Lewis’ (1994) sense. I first give a precise formulation of this proposal, then raise two fundamental objections, and finally conclude that these can be overcome only at the price of interpreting these probabilities epistemically.

Patterns of inattention in children: Findings from the inattention checklist for teachers This study concerns construction of a checklist for teachers designed to find out types of attention disorders in children. Inattention is not a homogenous phenomenon. Patterns of coexistence of inattention signs and other behavioral symptoms could reflect different psychological mechanisms. In first study teachers described 242 children aged 9 to 10 using Inattention Checklist for Teachers. In second study teachers described 361 children aged 8 to 10 using modified (...) version of the ICT. Factor analysis conducted in the first study resulted in extraction of five factors. In the second study previously extracted factors were validated by cluster analyses and profiles referring to co-occurring behavioral symptoms were developed. Analysis of profiles has shown that attention disorders comprise at least two groups of inattention symptoms that in relation to other factors and learning difficulties constitute different patterns of inattention. It is suggested that these patterns reflect differences between attention disorders caused by cognitive malfunctioning, impaired behavioral or emotional control. (shrink)

Machine ethics and robot rights are quickly becoming hot topics in artificial intelligence and robotics communities. We will argue that attempts to attribute moral agency and assign rights to all intelligent machines are misguided, whether applied to infrahuman or superhuman AIs, as are proposals to limit the negative effects of AIs by constraining their behavior. As an alternative, we propose a new science of safety engineering for intelligent artificial agents based on maximizing for what humans value. In particular, we challenge (...) the scientific community to develop intelligent systems that have human-friendly values that they provably retain, even under recursive self-improvement. (shrink)

The book is a collection of the author’s selected works in the philosophy and history of logic and mathematics. Papers in Part I include both general surveys of contemporary philosophy of mathematics as well as studies devoted to specialized topics, like Cantor's philosophy of set theory, the Church thesis and its epistemological status, the history of the philosophical background of the concept of number, the structuralist epistemology of mathematics and the phenomenological philosophy of mathematics. Part II contains essays in the (...) history of logic and mathematics. They address such issues as the philosophical background of the development of symbolism in mathematical logic, Giuseppe Peano and his role in the creation of contemporary logical symbolism, Emil L. Post's works in mathematical logic and recursion theory, the formalist school in the foundations of mathematics and the algebra of logic in England in the 19th century. The history of mathematics and logic in Poland is also considered.This volume is of interest to historians and philosophers of science and mathematics as well as to logicians and mathematicians interested in the philosophy and history of their fields. (shrink)

According to J=K, only beliefs that qualify as knowledge are epistemically justified. Traditionalists about justification have objected to this view that it predicts that radically deceived subjects do not have justified beliefs, which they take to be counter-intuitive. In response, proponents of J=K have argued that traditionalists mistake being justified with being excused in the relevant cases. To make this response work, Timothy Williamson has offered a dispositional account of excuse which has recently been challenged by Jessica Brown. She has (...) presented cases in which Williamson’s account excuses subjects believing things in an epistemically reckless fashion. To steer clear of Brown’s counterexamples, I argue for a modification of Williamson’s account that employs a more fine-grained notion of the dispositions involved. (shrink)

In the paper some applications of Gödel's incompleteness theorems to discussions of problems of computer science are presented. In particular the problem of relations between the mind and machine (arguments by J.J.C. Smart and J.R. Lucas) is discussed. Next Gödel's opinion on this issue is studied. Finally some interpretations of Gödel's incompleteness theorems from the point of view of the information theory are presented.

This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the (...) basic general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis. (shrink)

This volume is a serious attempt to open up the subject of European philosophy of science to real thought, and provide the structural basis for the interdisciplinary development of its specialist fields, but also to provoke reflection on the idea of ‘European philosophy of science’. This efforts should foster a contemporaneous reflection on what might be meant by philosophy of science in Europe and European philosophy of science, and how in fact awareness of it could assist philosophers interpret and motivate (...) their research through a stronger collective identity. The overarching aim is to set the background for a collaborative project organising, systematising, and ultimately forging an identity for, European philosophy of science by creating research structures and developing research networks across Europe to promote its development. (shrink)

The volume contains twenty essays devoted to the philosophy of mathematics and the history of logic. They have been divided into four parts: general philosophical problems of mathematics, Hilbert's program vs. the incompleteness phenomenon, philosophy of mathematics in Poland, mathematical logic in Poland. Among considered problems are: epistemology of mathematics, the meaning of the axiomatic method, existence of mathematical objects, distinction between proof and truth, undefinability of truth, Goedel's theorems and computer science, philosophy of mathematics in Polish mathematical and logical (...) schools, beginnings of mathematical logic in Poland, contribution of Polish logicians to recursion theory. (shrink)

Violence occupies a regal position in the work of de Sade. It manifests itself in two forms: sexual persecution and enlightened reasoning. De Sade uses his most precious instrument as a semblance, by creating a magic spectacle of a gothic novel, and as truth, when he presents himself as a metaphysician and moralist. What kind of reading of de Sade deserves the title of the most adequate one? Does de Sade exist in text only? Is he the liberator, so praised (...) by surrealists? Or does his transgressive nature go beyond the postulates of moral or social-political liberalism and penetrate the sphere of existence, demanding such actions that could be performed only by an individual consciously aiming at its doom? In his theatrum of passions and arguments, de Sade returns to the motif of rivalry between good and evil, simulating various narrative positions: from impulsive libertinism to dark Gnosticism, and reaches for complementary means of expression: from apology of crime to a lyrically tinted martyrological emphasis. Reading de Sade need not cause indignation. If one remembers that he is a transhistorical philosopher, one can deal with him in the way suggested by Chantal Thomas – euphorically. The reading of de Sade, like all other texts, depends on the times; in his case, the best atmosphere is provided by the mental and political atmosphere created by liberal democracy. He can be read there with open mind and physically relaxed, lightly – as becoming for a comoedia. (shrink)