This book constitutes one of the most important contributions to recent Kant scholarship. In it, one of the pre-eminent interpreters of Kant, Henry Allison, offers a comprehensive, systematic, and philosophically astute account of all aspects of Kant's views on aesthetics. The first part of the book analyses Kant's conception of reflective judgment and its connections with both empirical knowledge and judgments of taste. The second and third parts treat two questions that Allison insists must be kept distinct: the normativity (...) of pure judgments of taste, and the moral and systematic significance of taste. The fourth part considers two important topics often neglected in the study of Kant's aesthetics: his conceptions of fine art, and the sublime. (shrink)

'beauty has purport and significance only for human beings, for beings at once animal and rational' In the Critique of Judgement Kant offers a penetrating analysis of our experience of the beautiful and the sublime, discussing the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits of representation and the connection between morality and the aesthetic. He also investigates the validity of our judgements concerning the apparent purposiveness of nature (...) with respect to the highest interests of reason and enlightenment. The work profoundly influenced the artists and writers of the classical and romantic period and the philosophy of Hegel and Schelling. It has remained a central point of reference from Schopenhauer and Nietzsche through to phenomenology, hermeneutics, the Frankfurt School, analytical aesthetics and contemporary critical theory. J. C. Meredith's classic translation has been revised in accordance with standard modern renderings and provided with a bilingual glossary. This edition also includes the important 'First Introduction' that Kant originally composed for the work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

Kant's use of the leading thread of his table of logical forms of judgment to analyze judgments of taste yields more results than Allison's account allows. It reveals in judgments of taste the combination of two judgments: a descriptive judgment about the object, and a normative judgment about the judging subjects. Core arguments of Kant's critique of taste receive new light from this analysis.

This book departs from much of the scholarship on Kant by demonstrating the centrality of imagination to Kant's philosophy as a whole. In Kant's works, human experience is simultaneously passive and active, thought and sensed, free and unfree: these dualisms are often thought of as unfortunate byproducts of his system. Gibbons, however, shows that imagination performs a vital function in "bridging gaps" between the different elements of cognition and experience. Thus, the role imagination plays in Kant's works expresses his fundamental (...) insight into the complexity of cognition for finite rational beings such as ourselves. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 40.3 (2002) 406-408 [Access article in PDF] Book Review Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment Henry E. Allison. Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment. New York: Cambridge University Press, 2001. Pp. xvi + 424. Cloth, $69.95. Paper, $24.95. In his new book, Henry Allison provides a study (...) of the two introductions and the first half of Kant's Critique of the Power of Judgment to stand alongside his previous books on Kant's theoretical and practical philosophy, Kant's Transcendental Idealism (1983) and Kant's Theory of Freedom (1990). Those books showed Allison's commitment to the unity and coherence of Kant's thought, and it is the aim of the present book to demonstrate the connections between the two halves of Kant's third Critique, that is, Kant's aesthetics and his teleology, as well as to demonstrate the connections between Kant's aesthetic theory and both his theoretical and his practical philosophy. In order to defend the unity of the third Critique, Allison defends Kant's characterization of the judgment of taste as a species of reflective judgment, and argues that our judgments of beauty depend upon the principle of the purposiveness of nature that is also the basis for judgments about the systematicity of natural laws. To display the connections between Kant's aesthetics and his theoretical philosophy, [End Page 406] Allison uses the first Critique's distinction between the quid facti and the quid juris to explicate the relation between Kant's "analytic of the beautiful" and his "deduction of pure aesthetic judgment"; he then defends the success of Kant's strategy for the deduction of judgments of taste by grounding them in the general conditions of the possibility of cognition. Finally, in order to explain Kant's connection between aesthetics and morality, Allison interprets Kant's theory of the "intellectual interest" in the beautiful as evidence of nature's amenability to our achievement of the ends of morality, an assurance that we need not be motivated in the first place to act as morality requires, but rather to prevent our motivation to be moral from being undermined by our own predisposition to radical evil. He then defends Kant's thesis that all beauty, and thus natural as well as artistic beauty, can be seen as an expression of aesthetic ideas, and specifically of the morally requisite idea of nature's amenability to the achievement of our moral objectives.There is much in this approach with which I can agree, and some with which I cannot. I agree that there is much in Kant's general conception of reflective judgment that illuminates his conception of judgments of beauty, yet I do not think that the principle of taste is analogous to the principle of the purposiveness of nature, because it does not play a role in making particular judgments of taste analogous to the role the latter principle plays in the conduct of scientific inquiry. My own interpretation of Kant's model for making particular judgments of taste is not fundamentally different from that which Allison offers under the rubric of the quid facti, although we disagree about which of the four "moments" of the "Analytic of the Beautiful" are part of the meaning of a judgment of beauty and which function more as grounds for making judgments with such a meaning. But I am not persuaded by Allison's defense of Kant's deduction of pure judgments of taste, that is, his answer to the quid juris, from the objections that I and others have raised to it. Finally, although there are large areas of agreement between our interpretations of Kant's theory of intellectual interest in the beautiful, the claim that aesthetic experience is evidence of nature's amenability to the realization of the ends that we adopt in the name of morality is only part of the story that Kant develops in the Critique of Aesthetic... (shrink)

Allison begins this book by observing that although the eighteenth century is often called the “age of reason,” it has also been called the “century of taste.” There is a clear enough connection, however, between the two names, for anyone with eyes open enough to see it. For the phenomenon of taste—of likings and dislikings conforming to sharable standards, and invited or sought from others precisely for the sake of sharing them universally—was recognized by eighteenth-century rationalists, and certainly by Kant, (...) as a necessary adjunct or perhaps even a precondition for universally valid judgments based on reason, about science or morality or politics. Taste was also seen by them as overcoming the division between reason and sensation, and thus of making human beings whole; it is a way for reason to gain access to people’s feelings and motives, hence a precondition for it to shape their conduct. For Kant, a critique of aesthetic judgment is the inquiry in which the “great gulf” between knowledge and practice, theoretical understanding and moral reason is to be overcome and philosophy itself is to be made whole. (shrink)

Kant's theory of judgment involves his answer to the question "How is knowledge of the pattern underlying intentional strategies of objective - true and justified - representation of empirical events possible?" When we problematize this question, the problem of the scope of our notion of consistency in empirical reasoning emerges. We will argue in this article that Kant's theory includes a thesis about the circular nature of our patterns of consistency, based on the ability to protect the (...) conceptual presuppositions that harmonize knowledge of truth as opposed to falsity in any paradigm of theoretical reflection. This thesis allows Kant to develop a foundationalism about the knowledge of the content of judgments (the ability to recognize conceptual correctness or rule consistency) without committing to a static and transcendent view of the ideal object of our assertion strategies. In our view, this view is still one of the most competitive in describing the necessary - though not static - status of the propositions of empirical science. (shrink)

This book departs from much of the scholarship on Kant by demonstrating the centrality of imagination to Kant's philosophy as a whole. In Kant's works, human experience is simultaneously passive and active, thought and sensed, free and unfree: these dualisms are often thought of as unfortunate byproducts of his system. Gibbons, however, shows that imagination performs a vital function in "bridging gaps" between the different elements of cognition and experience. Thus, the role imagination plays in Kant's works expresses his fundamental (...) insight into the complexity of cognition for finite rational beings such as ourselves. (shrink)

The dominant view of the Western intellectual tradition, or perhaps more accurately, the continental European tradition, emphasizes the primacy of the universal over the particular when it comes to understanding the nature of knowledge. This preoccupation with the universal is undernined by the theory o.f tacit knowing which underlines the mediation of the universal and the particular with an emphasis on the lafter, that is, the particular. An analysis of Kant’s notions of determinative and reflective judgment reveals (...) that he grounds each in tacit processes, privileging the role of particular examples or exemplars. Structural similarities between Kant’s judgments of taste and Polanyi’s notion of personal knowledge illuminates Polanyi’s surprising claim that “The very nature of knowledge is in the Third Critique, not in the First Critique.”. (shrink)

The study is carried out in five chapters, with the first two offering a reconsideration of the function of the imagination in the Transcendental Deduction and Schematism of the first Critique. The last three follow the order of topics discussed by Kant in the third Critique in regard to judgments of taste, the sublime, and teleology; they conclude with an interpretation of "productive imagination" as a "model for the ideal of intellectual intuition". The comparison between "human and divine spontaneity" is (...) introduced in the first chapter, where Gibbons notes that while we have "Kant's explicit and repeated emphasis on the difference" between these, "in considering the similarity of these types of spontaneity," she wishes "to correct a possible imbalance in Kant's exposition": there are, she suggests, "formal similarities between these types of spontaneity". The main thrust of the first chapter is to respond to a particular reading of Kant—namely, to those unsympathetic interpreters who see in the Deductions an "imaginary subject of transcendental psychology" and also to those who give a "sympathetic reading" but do so in terms of an identification of "all aspects of synthesis with concept application," thereby reducing the "role of the transcendental synthesis of the imagination to that of unifying a manifold of intuition under a concept". Gibbons holds instead that the "theory of synthesis... focuses on the nature of human cognition and what is required for us to know anything about objects" and, further, that it presupposes "the broader function of the imagination as grounding the possibility of concept-application in the first place". (shrink)

An account of judgment ought to explain the fact that a judgment is, or may be, about some object. A judgment may be about some object if it contains some part, or term, which is related to the object, on the one hand, and related to- ‘combined with’ — the other parts of the judgment, on the other, in such a way that the whole judgment is consequently about that object. The relation of that term (...) to the object may be called ‘reference.’ It is the relation of ‘reference’ that might make a judgment ‘objective,’ and make it be about one or another particular object; and it is the relation combining the referring term with another term that makes the whole thing a judgment; that is, that makes the whole thing represent something as being true of the object referred to. (shrink)

The legislative sense of law of Kant's first two Critiques shows what conditions must be met to assure that every constituent within an ideal context will be treated equally. The evaluative and judicial sense of law that relates to reflective judgment in the third Critique and can be carried forward to the philosophy of right has the more difficult task of reconciling conflicting interests that manifest themselves in more limited regional contexts.

Kant's theory of judgment establishes the conceptual framework for understanding the subtle relationships between the experimental scientist, the modern instrument, and nature's atomic particles. The principle of purposiveness which governs judgment has also a role in implicitly guiding modern experimental science. In Part 1 we explore Kant's philosophy of science as he shows how knowledge of material nature and unobservable entities is possible. In Part 2 we examine the way in which Kant's treatment of judgment, with (...) its operating principle of purposiveness, enters into his critical project and underlies the possibility of rational science. In Part 3 we show that the centrality given to judgment in Kant's conception of science provides philosophical insight into the investigation of atomic substances in modern chemistry. (shrink)

Providing a unique interpretation of Kant's theory of judgement as integral to his overall project, Claudia Brodsky explores his continued relevance to contemporary theoretical concerns. The Linguistic Condition traces how Kant combined sensus communis, or common sense with the communicative nature of judgement to reveal that, for him, acts of judgement are dependent on their linguistic articulation, so that in Kantian philosophy language and judgement are inextricably linked. In this first in-depth analysis of language in the Critique of Judgement, (...) Brodsky forms creative connections between literature and philosophy. (shrink)

There is a widespread misinterpretation of kant according to which an analytic judgment is one that follows from a definition. Through a study of kant's theory of definition, And the role in knowledge that he ascribes to definition, It is shown that this is indeed a misinterpretation. Much criticism of kant's theory of analytic judgments is vitiated by substituting a modern definition of "analytic" for the one kant gave.

In the modern discussions about possibility of synthetic a priori propositions, the theory of definition has a fundamental importance, because the most definition’s theories hold that analytic judgments are involved by explicit definition. However, for Kant –first author who pointed out the distinction between analytic and synthetic propositions–many analytic judgments are made by analysis of concepts which need not first be established by definition. Moreover, for him not all a priori knowledge is analytic. The statement that not all analytic (...) judgment is derived from definition and possibility of synthetic a priori knowledge, indicates Kant didn’t believe, contrary to modern theories about analytic judgment, the definition is an essential ground of knowledge. (shrink)

In the modern discussions about possibility of synthetic a priori propositions, the theory of definition has a fundamental importance, because the most definition’s theories hold that analytic judgments are involved by explicit definition . However, for Kant –first author who pointed out the distinction between analytic and synthetic propositions–many analytic judgments are made by analysis of concepts which need not first be established by definition. Moreover, for him not all a priori knowledge is analytic. The statement that not all (...) analytic judgment is derived from definition and possibility of synthetic a priori knowledge, indicates Kant didn’t believe, contrary to modern theories about analytic judgment, the definition is an essential ground of knowledge. (shrink)

This paper argues that the structural obscurity in Kant’s Critique of the Power of Judgment reflects his tacit employment of three correlated but distinct notions: necessity considered as the universal validity of the judgment of taste; necessity considered as a feature of the judgment itself; and necessity considered as a feature of the mental free harmony that obtains in judging certain forms with taste. These distinctions have not been sufficiently recognized by commentators so far. Clarification of (...) these three notions can shed new light on the structure of the first part of Kant’s third Critique as well as on debates over the plausibility of his claims regarding taste. (shrink)

During the last twenty years, Kant's theory of biology has increasingly attracted the attention of scholars and developed into a field which is growing rapidly in importance within Kant studies. The volume presents fifteen interpretative essays written by experts working in the field, covering topics from seventeenth- and eighteenth-century biological theories, the development of the philosophy of biology in Kant's writings, the theory of organisms in Kant's Critique of the Power of Judgment, and current perspectives on the (...) teleology of nature. (shrink)

Rousseau’s influence on Kant in the realm of ethical theory is well established. Just as Kant credits Hume with inspiring his critique of metaphysics, Kant admits a debt to Rousseau as an inspiration for his egalitarian approach to ethics. There is reason to suspect, however, that Rousseau’s influence extends beyond the realm of ethics, and into Kant’s Critique of Judgment. While ostensibly a work about aesthetic and teleological judgment stemming from the line of aesthetic thought that (...) includes the Earl of Shaftsbury, some commentators, most notably Hannah Arendt, have read the third Critique as a political treatise. In doing so, she attributes to Kant the first truly democratic political theory by heralding the egalitarianism within his theory of judgment as a true revolution in the realm of political philosophy. Unfortunately, such politically minded commentators have failed to spot the Rousseauian heritage of the concepts that permeate the book. This heritage is especially problematic for Arendt who understands Rousseau’s philosophy as justifying the kind of tyranny found in modern day despotism. In neglecting to explore the link between Rousseau and Kant’s theory of judgment, Arendt’s analysis of Kant overreaches. This paper seeks to temper her championing of Kant by demonstrating the extent of Rousseauian influence on the third Critique in order to better understand Kant’s place in the history of political theory. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kant’s Theory of ActionLara DenisRichard McCarty. Kant’s Theory of Action. Oxford-New York: Oxford University Press, 2009. Pp. xxiv + 250. Cloth, $74.00.This significant, stimulating contribution to Kantian practical philosophy strives to interpret Kant’s theory of action in ways that will increase readers’ understanding and appreciation of Kant’s moral theory. Its thesis is that Kant combines metaphysical freedom and psychological determinism: (...) our actions within the phenomenal world are causally determined by our prior psychological states in that world and are appearances of our free action in the noumenal world. McCarty argues for a metaphysical, “two-worlds” interpretation of Kant’s transcendental distinction between appearances and things in themselves over epistemological or methodological “two-standpoints” interpretations familiar from Christine Korsgaard [End Page 533] and Henry Allison (along the way, McCarty also challenges Allison’s “Incorporation Thesis”). Some of the book’s arguments are textual, displaying perceptive readings of Kant’s lecture notes, published works, and philosophical influences. Others primarily concern the philosophical plausibility or moral tenability of various positions one might attribute to Kant. The book’s greatest strength is McCarty’s positive account of Kant’s theory of action. He presents a coherent, even elegant, two-worlds model. His interpretations of maxims, incentives, empirical character, and Gesinnung are insightful.The book’s first two chapters introduce McCarty’s understanding of maxims and incentives and begin tackling what he calls “the problem of justification and explanation.” Chapter 3 defends the claim that Kant embraced psychological determinism. Chapters 4 and 5 present McCarty’s two-worlds interpretation of the transcendental distinction, defend it from objections, and argue for its superiority over two-standpoint interpretations. Chapter 6 focuses on moral motivation, presenting respect for the moral law as an incentive capable of explaining morally justified actions, and distinguishing between morally worthy and virtuous action so as to defend Kant’s ethics from common objections. Chapter 7 similarly disentangles notions of a good will and virtue, provocatively claiming that all human agents have both a good will and virtue. The main task of chapter 7, however, is analysis of the radical evil in human nature. Chapter 8 raises questions about Kant’s conception of the highest good—particularly, the afterlife in which we are to continue our moral progress—as an object of rational hope.I read the book’s main argument as follows:1. Kant’s theory of action must solve “the problem of justification and explanation”: it must show how the reasons that justify a judgment that one ought to do something can also explain one’s doing it. Kant’s theory of action must solve this problem because if what justifies an action cannot also explain it, such justification is “irrelevant.” Only if our actions are explicable in terms of practical reasoning is justification of action by practical reasoning (e.g. by reference to hypothetical or categorical imperatives) “relevant” to our conduct. The problem of justification and explanation arises as it does within Kant’s ethics because Kant holds that pure reason is capable of issuing in action; yet he also holds that human beings and other imperfectly rational agents do not invariably act as we recognize we ought. So we cannot explain our acting as we ought (when we do) simply by appeal to “ought implies can,” internalism, or “the causality of freedom.”2. Psychological determinism, combined with a metaphysical interpretation of Kant’s transcendental distinction, allows Kant to solve the problem of justification and explanation. Through a timeless, free act in the noumenal world, we each fix our empirical character, which serves as the “causal law” for our actions in the phenomenal world. Maxims, which function as both major premises in practical syllogisms and rules of our empirical characters, provide bases for both the imperatival justifications and motivational explanations of human actions. The “logical force” of a maxim justifies action on it; the “psychological force” of the maxim—specifically, of the incentive incorporated into the maxim—explains action on it.3. Psychological determinism is compatible with and beneficial for Kant’s moral theory. Most crucially, it is compatible with the freedom necessary for moral agency and responsibility.4. Two-standpoint... (shrink)

The prevailing interpretation of Kant’s _First Critique _in Anglo-American philosophy views his theory of a priori knowledge as basically a theory about the possibility of empirical knowledge, or the a priori conditions for that possibility. Instead, Robert Greenberg argues that Kant is more fundamentally concerned with the possibility of a priori knowledge—the very possibility of the possibility of empirical knowledge in the first place. Greenberg advances four central theses: the _Critique_ is primarily concerned about the possibility, or (...) relation to objects, of a priori_,_ not empirical knowledge, and Kant’s theory of that possibility is defensible; Kant’s transcendental ontology must be distinct from the conditions of the possibility of a priori knowledge; the functions of judgment, in Kant’s discussion of the Table of Judgments, should be seen according to his transcendental logic as having content, not as being just logical forms of judgment making; Kant’s distinction between and connection of ordering relations and reference relations have to be kept in mind to avoid misunderstanding the _Critique_. At every step of the way Greenberg contrasts his view with the major interpretations of Kant by commentators like Henry Allison, Jonathan Bennett, Paul Guyer, and Peter Strawson. Not only does this new approach to Kant present a strong challenge to these dominant interpretations, but by being more true to Kant’s own intent it holds promise for making better sense out of what have been seen as the _First Critique_’s discordant themes. (shrink)

This is Werner S. Pluhar's translation of Immanuel Kant's Critique of Judgment (Kritik der Urtheilskraft) for Hackett Publications (Indianapolis, Indiana). ISBN 9780872200258 (paperback).

In this paper, I treat the question of whether and in what regard Kant's theory of biology contains a version of the argument from design, which is the question of whether Kant considers the purposive order of organized nature as a physicotheological proof for the existence of God, and in turn, the existence of God as the supersensible ground for the teleological order of organized nature. As an introduction to the topic, I name traditional examples of the argument from (...) design (section 1). I then outline Kant's changing attitude towards the argument in his Theory of Heavens, his Argument essay and the three Critiques, highlighting Kant's return to the argument from design in the CPJ after examining and rejecting it in his earlier writings. I elaborate in detail Kant's different uses of the argument in the "Critique of the Teleological Power of Judgment" (section 2). In section 3, I develop a consistent reading of Kant's references to the physicotheological proof in the "Critique of the Teleological Power of Judgment": in the "Analytic" he develops a teleological account of nature that makes no use of the argument from design but is consistent with it. In the "Dialectic" and the "Methodology", however, Kant discusses more ambitious systematic questions: the unity of the theoretical laws of nature and the unity of the natural and the supernatural moral laws. These are questions that require an explicit reference to the argument from design (section 3). (shrink)

The submitted study presents a philosophical assessment of the Kant's Theory of Aesthetics, which is mainly exposed in his "Critique of Judgment". In the author's view Kant's Theory represents one of the most important interpretations of the fundamental philosophical problem of aesthetic Being in the modern history of philosophy, and is, at the same time, one of the best examples of Cartesian account of the metaphysical foundations of aesthetics. Upon reflection this fact turns out to be a (...) very important one for our understanding of philosophical origins of modern aesthetics. (edited). (shrink)

In hisCritique of the Power of Judgement, Kant explicates the creation of works of fine art (schöne Kunst) in terms of aesthetic ideas. His analysis of aesthetic ideas claims that they are not concepts (Begriffe) and are therefore not definable or describable in determinate language. Nevertheless, Kant claims that aesthetic ideas are communicable via spirit (Geist), a special mental ability he associates with artistic genius. This paper argues that Kant's notion ofGeistis central to his analysis of fine art's expressive power. (...) The notion ofGeistconstitutes a conceptual link between Kant's aesthetic theory and that of G. W. F. Hegel, for whose analysisGeistis the subject. (shrink)

Kant was among the first philosophers to recognize that modalities come in many varieties, and that there are systematic connections among them--an insight which has since been confirmed by the multitude of applications of the basic techniques of formalized modal logic. In particular, He recognized an affinity among what are now called doxastic and epistemic logics, As well as with a logic of judging which has not exact counterpart in contemporary thought. This paper will be concerned with the explication of (...) the theory of judgment in its relation to the logics of belief and knowledge. It will seek to show that there is a clear and consistent way to translate Kant's notions of modality into modern symbolic terminology, And that the relations he took to hold among them are well-grounded in his philosophy of logic. (shrink)

It is clear that Kant's theory of motivation plays a central role in his ethical theory as a whole. Nevertheless, it has been subjected to many interpretations: (i) the 'orthodox' interpretation, (ii) the 'Aristotelian' or 'Humean' interpretation and (iii) the 'rationalist' interpretation. The first part of the thesis aims to provide an interpretation of Kant's theory of rational agency and motivation. I argue that the 'orthodox' and 'Aristotelian' interpretations should be rejected because they are incompatible with Kant's (...) conception of freedom, defending an account of Kant's position that goes along the lines of the rationalist interpretation. I show that Kant's theory of motivation is committed to a form of cognitivism, that is, the cognitive aspects of a motive are always the active factors in motivation. In Kant's terminology, the motives are provided by the agent's maxims, which express the reasons from which the agent acts. This part of the thesis examines Kant's theory of imperatives and his theory of motivation for cases of permissible, moral and immoral action. I conclude that in Kant's system, three levels of moral assessment can be distinguished: (i) rightness, (ii) moral worth, and (iii) virtue. However, my interest in Kant's theory is not merely exegetical; thus, the second aim of the thesis is to place Kant's position within the context of the following contemporary debates in metaethics: (i) debates about the relation between moral judgement and motivation, and (ii) debates about the nature of reasons for action, arguing that the Kantian position still represents an attractive philosophical view today. In relation to (i), I argue that Kant is committed to a form of motivational internalism, reconstruct Kant's argument for this view and reply to some possible externalist objections. In relation to (ii), I claim that since Kant's conception of reasons, based on the concept of maxims, differs from an internal conception of reasons (i.e., a conception that identifies reasons with the agent's desires), and from an external conception of reasons (i.e., a conception of reasons that identifies reasons with facts of the agent's situation), the term volitionism should be reserved to describe Kant's position. (shrink)

Immanuel Kant’s Critique of the Power of Judgment has recently received an increasing amount of attention from philosophers interested in the development of German Idealism, and with the recent publication of a new translation of the Third Critique, this trend is not likely to change any time soon. It is for this reason that Henry Allison’s latest book, Kant’s Theory of Taste: A Reading of the Critique of Aesthetic Judgment, comes at such an opportune time.

The paper assesses Martin’s recent logico-phenomenological account of judgment that is cast in the form of an eclectic history of judging, from Hume and Kant through the 19th century to Frege and Heidegger as well as current neuroscience. After a preliminary discussion of the complex unity and temporal modalities of judgment that draws on a reading of Titian’s “Allegory of Prudence” (National Gallery, London), the remainder of the paper focuses on Martin’s views on Kant’s logic in general (...) and his theory of singular existential judgment in particular. The paper argues against Martin’s key claims of the primacy of formal logic over transcendental logic and of the synthetic nature of judgment in Kant. It also takes issue with each of the four interpretations of singular existential judgment in Kant offered by Martin: existence as logical predicate, as copula, as thesis and as logical subject. (shrink)

The starting point of my study is Kant’s remark to the effect that Garve in his treatise on the connection between morality and politics presents arguments in defence of unjust principles. Recognition of these principles is, according to Kant, an inadvisable concession to those who are inclined to abuse it. I interpret this judgement by making a detailed comparison of the texts of the two treatises. I demonstrate that Garve’s work is an eclectic attempt to combine in one concept (...) the lessons of historical experience with the ideas drawn from British empiricism and German rationalism. These ideas were criticised by Kant in his “critical” period. There is a consensus among researchers that Garve condoned the expansionist policy of Frederick II of Prussia, totally denied that legality in international relations was possible and in general deserved the reputation of an conservative. From that point of view the key values for Garve were the security and well-being of the state. I offer an alternative interpretation of Garve’s position because I believe that the value of political stability plays an important role in it. Such an interpretation makes it possible to treat Garve’s narrative as it was assessed by Kant, i.e. as a concession to the common principles of political practice as a result of a failure to find the guiding theory. My study has established that the role of Garve’s work in the writing of Kant’s treatise Toward Perpetual Peace was more significant than Kant’s own words suggest. Besides, I show that it was under Garve’s influence that Kant turned to the problem of excessive complexity of the principles involved in the search for concrete political decisions. Garve obviously laments this complexity and yet makes these principles still more complex. Kant offers a simpler solution of the problem on the basis of his theory of morals and right. (shrink)

One thing to expect from a theory of absolute music is that it explains what makes it so significant to us. Kant rightly observes that the essence of absolute music is our affective response to it. Yet none of the standard 18 th century theories, arousal theory and aesthetic rationalism, can explain both the universality of a judgment of taste and its subjective emotional content. The paper argues that Kant’s own aesthetic theory of aesthetic ideas (...) is on the right path for explaining the emotive significance of music, but that Kant does not further pursue this route because his interest in a “theory of music” is only peripheral to his systematic interest as a transcendental philosopher. For both philosophical and historical reasons, Kant does not have a “theory of music.” Nevertheless, if we free Kant’s conception of aesthetic idea and its restriction to Geist from the background of its 18th century humanism, then Kant’s aesthetics of free play becomes a good theory to account for the broad variety of emotions in absolute music as a fine art proper. (shrink)

In the literature on Hannah Arendt’s Lectures on Kant’s Political Philosophy, two sorts of claim have been made by different interpreters. First, there is Beiner’s observation that there is a shift in Arendt’s thoughts on judgment, which has led to the idea that Arendt develops two distinct theories of judgment. The second sort of claim concerns Arendt’s use of Kant’s transcendental principles. At its core, it has led to the critique that Arendt detranscendentalizes — or empiricalizes (...) — Kant, by linking Kant’s judgments of taste to an empirical sociability. In this article, I argue against both of these claims. Early fragments of Arendt’s on judgment make clear that she develops only one theory of judgment. It is only that it is not until later in her life that she fully elaborates it. Nor does Arendt confuse Kant’s idea of enlarged thinking with an actual dialogue with others. In fact, Arendt introduces an interesting interdependence between judgment and speech, or communication. I develop my argument by first outlining the problems Arendt hoped to resolve via judgment. Through my reading of the Lectures on Kant’s Political Philosophy, I show how Arendt interprets Kant’s Critique of Judgment not as his theory of aesthetic judgments, but as an answer to the more general question ‘How do I judge?’ I also clarify the difference Arendt draws between common sense and community sense. With community sense, Arendt uncovers a foundation not only for men as political beings but also for the idea of humanity. This finding is often overlooked in the literature. I conclude with another Arendtian distinction that is often overlooked, that between spectators and the solitary philosopher. (shrink)