A common narrative among some behavioural economists and policy makers is that experimental psychology highlights that individuals are more like Homer Simpson than the Mr Spock imagined by neoclassical economics, and that this justifies policies aiming to ‘correct’ individual behaviours. This narrative is central to nudging policies and suggests that a better understanding of individual cognition will lead to better policy prescriptions. I argue that this Homer economicus narrative is methodologically flawed, and that its emphasis on cognition advances a (...) distorted view of public policies consisting in fixing malfunctioning individuals, while ignoring the characteristics of the socio-economic environment that influence individuals’ behaviours. (shrink)

Der vorliegende Band leistet eine philosophische Untersuchung des Begriffs Ethos bei Homer. Traditionell schenken die Homer-Interpreten der konkreten Bedeutung des Begriffs allein in Bezug auf die Tiere Aufmerksamkeit und sprechen nicht uber den Zusammenhang des Wortes mit den menschlichen Figuren im Text. Auch wird deren psychologische Dimension in der Regel nicht beachtet. Die Analyse ist ein Beitrag zu einer anderen Art von Interpretation des Begriffs Ethos, in der wichtige Perspektivierungen, wie sie z. B. in der Philosophie, der Handlungspsychologie oder der (...) Gleichnistheorie unternommen werden, Berucksichtigung finden. Eine vollstandige Erfassung des Begriffs wird nicht angestrebt, vielmehr wird versucht, eine neue Lesart des Begriffs ethos im Zusammenhang mit den menschlichen Figuren bei Homer zu eroffnen. (shrink)

The first book to offer an integrated reading of ancient Greek attitudes to laughter. Taking material from various genres and contexts, the book analyses both the theory and the practice of laughter as a revealing expression of Greek values and mentalities. Greek society developed distinctive institutions for the celebration of laughter as a capacity which could bridge the gap between humans and gods; but it also feared laughter for its power to expose individuals and groups to shame and even violence. (...) Caught between ideas of pleasure and pain, friendship and enmity, laughter became a theme of recurrent interest in various contexts. Employing a sophisticated model of cultural history, Stephen Halliwell traces elaborations of the theme in a series of important texts: ranging far beyond modern accounts of 'humour', he shows how perceptions of laughter helped to shape Greek conceptions of the body, the mind and the meaning of life. (shrink)

The triangular desire and the scapegoat mechanism are the key issues of René Girard’s mimetic theory. The imitative desire to have what the other has conceals the ‘meta-physical’ desire to be the Other. The ‘inter-dividual’ human being does not recognize in his model/rival or in the idol/scapegoat the mimetic ‘counter-part’ of himself. How can Nietzsche’s reading of the ancient Greek agonal or competitive culture be re-interpreted in the context of his ambivalent relationship with Richard Wagner? What is the correlation of (...) Nietzsche’s mental illness and his choice in favour of the violence by Dionysus against the Judaeo-Christian truth of the innocent victim? Nietzsche’s attitude of resentment – from a 'thwarted and traumatized desire' – is put in a wider cultural-psychological and ‘anthropo-ethical’ context. The tripartite division of the soul according to Plato, Aristotle’s rhetoric ‘patho-etho-logy’ and the trifunctional hypothesis of Georges Dumézil make up the interpretative framework. Nietzsche’s ‘patho-logy’ – self-knowledge alienated from desire – and the destruction of his moral resilience typify an ‘autoimmune crisis’. (shrink)

«A genuine literary treatment of the soul» is what Eugenio Massa called the brief section of Egidio of Viterbo’s Sentences Commentary that he published in 1954. What Massa published is Egidio’s discussion of part of Peter Lombard’s third distinction in Book I, which bears the title «De imagine et similitudine Trinitatis in anima humana». The main topic at so early a place in the Sentences is not, strictly speaking, the human soul but the divine Trinity. The point of departure is (...) Lombard’s consideration of the soul as analogous to the Trinity; and behind that connection lies Augustine, who presented the soul as an image of the Trinity because he saw in the soul a unity and simplicity of substance but also Platonism’s tripartite divisions. These include, for example, the appetitive, emotional, and rational functions, from the Republic, and Augustine’s subdivision of the rational functions into memory, understanding, and will. This connection between Trinity and human soul, however, gave commentators excellent opportunities not only for theology, discourse about God, but also for psychology, the study of the soul. Descriptions of the human soul initially offered in the theological context became important in their own right. According to Massa, in light of the soul’s being created in God’s image, Egidio was able to make human dignity the major theme even at this early point in the commentary. (shrink)

Introduction; Aidos in Homer; From Hesiod to the Fifth Century; Aeschylus; Sophocles; Euripides; The Sophists, Plato, and Aristotle; References; Glossary; Index of Principal Passages; General Index.

This book offers a resolution of the paradox posed by the pleasure of tragedy by returning to its earliest articulations in archaic Greek poetry and its subsequent emergence as a philosophical problem in Plato's Republic. Socrates' claim that tragic poetry satisfies our 'hunger for tears' hearkens back to archaic conceptions of both poetry and mourning that suggest a common source of pleasure in the human appetite for heightened forms of emotional distress. By unearthing a psychosomatic model of aesthetic engagement implicit (...) in archaic poetry and philosophically elaborated by Plato, this volume not only sheds new light on the Republic's notorious indictment of poetry, but also identifies rationally and ethically disinterested sources of value in our pursuit of aesthetic states. In doing so the book resolves an intractable paradox in aesthetic theory and human psychology: the appeal of painful emotions. (shrink)

From the Stoics, there follows a psychological tradition leading, through Hobbes and Leibniz, to Peirce and Dewey. These thinkers are drawn on to show the significance of the conception of thinking first articulated in the Odyssey. Homer's work inaugurates an approach that has provoked philosophical conflict persisting into the present, and opposition to pragmatism and Pragmatism can be discerned in prominent critiques of Homer and his hero which are analyzed and countered in this study.

In spite of claims made by Freud himself and others in his behalf that psychoanalysis rests on clinical investigations alone, free of historical influence, there is good reason to believe that Freud's work belongs to the mainstream of Western intellectual history. His theories on the psychology of artistic creation, for instance, indicate that he was deeply influenced by Nietzsche but was moved to quarrel with him in behalf of even older contentions which date back to Plato. The very structure (...) of Freud's theory of the mind can, indeed, be seen as the result of adjustments made in Nietzsche's psychology - adjustments which, in effect, amount to restatements of Platonic esthetic, political and social doctrine. (shrink)

ABSTRACT This introduction argues for competing diachronic and synchronic accounts of melancholy in European and American culture. Taking the pioneering and yet belated work Saturn and Melancholy (1964) of Erwin Panofsky, Fritz Saxl, and Raymond Klibansky as its starting point, this article situates melancholy as at once its own, often local and non-specialist discourse as well as a conceptual web binding together medical, artistic, and social innovations, competitions, and turmoil. As a subject, melancholy demands interdisciplinary study, as Dürer’s print Melencolia (...) I continues to prove. As a locus of methodological innovation, melancholy in the wake of Panofsky, Saxl, and Klibansky continues to yield the alternative genealogies, conceptual histories, and formal artistic vocabularies of this volume’s contributions whether moving backwards from Dürer to Homer or forward to the present day with Lars von Trier and major European novelists. (shrink)

In the following essay the author examines those aspects of the evolution of the concept of psyche from Homer to Aristotle that show striking dissimilarities with our modern understanding of the soul/mind. In this analysis, the author gives more room to the problem of the Homeric soul-words, for Homer's picture of the soul seems to be especially challenging for our conceptual schemes. The guiding suspicion during this study is that there is a temptation for modern students of this subject (...) to suppose a greater continuity between their understanding of what it is to be a soul or mind and ancient thinkers' grasp of the same experiential field than is warranted by available textual evidence. The article focuses on some of the astonishing features of the concept of psyche from Homer to Aristotle--features that are, hopefully, able to reconstruct in spite of the assimilating force of the authors' prejudices. 2012 APA, all rights reserved). (shrink)

As well as producing one of the finest of all poetic traditions, ancient Greek culture produced a major tradition of poetic theory and criticism. Halliwell's volume offers a series of detailed and challenging interpretations of some of the defining authors and texts in the history of ancient Greek poetics: the Homeric epics, Aristophanes' Frogs, Plato's Republic, Aristotle's Poetics, Gorgias's Helen, Isocrates' treatises, Philodemus' On Poems, and Longinus' On the Sublime. The volume's fundamental concern is with how the Greeks conceptualized (...) the experience of poetry and debated the values of that experience. The book's organizing theme is a recurrent Greek dialectic between ideas of poetry as, on the one hand, a powerfully enthralling experience in its own right and, on the other, a medium for the expression of truths which can exercise lasting influence on its audiences' views of the world. Citing a wide range of modern scholarship, and making frequent connections with later periods of literary theory and aesthetics, Halliwell questions many orthodoxies and received opinions about the texts analysed. The resulting perspective casts new light on ways in which the Greeks attempted to make sense of the psychology of poetic experience—including the roles of emotion, ethics, imagination, and knowledge—in the life of their culture. Readership: Scholars and students of Greek literature, Greek poetics, and literary theory and criticism. (shrink)

In 24 Gesangen schildert die "Ilias" die Endphase des zehnjahrigen Kampfes um Troja. Im Mittelpunkt der breit angelegten dramatischen Handlung steht der von Agamemnon in seiner Ehre verletzte Achilleus. Homer schopfte zwar aus dem reichen Fundus mundlicher Uberlieferung, konzentrierte jedoch alle kompositorischen und stilistischen Mittel auf ein Zentralmotiv, den Zorn des Achilleus, so dass bereits die "Ilias" eine Dichtung von uberraschender Individualitat ist. Mit Urtext, Anhang und Registern.".

The humanist tradition developed in the Renaissance that not only cultivated the human spirit but applied its knowledge for the purpose of improving society across various humanist and scientific disciplines is not altogether extinct. Using the erudite Swiss physician and botanist Anton Schneeberger (1530–1581) as a founding father of sorts of modern humanist medicine confronted with war, I discuss the recuperation of humanism in the twentieth century, first in the thought of psychologist Kurt Lewin (1890–1947) who, under war circumstances, produced (...) a work whose analytical acumen can still be used today, and subsequently in the creation of the discipline of narrative medicine that, unwittingly perhaps, echoes Schneeberger’s insight into the imperative of inserting storytelling into the practice of both patient- and physician-centered medicine. In the background of the argument is the existence of a new society, a martial society that functions as if there were war despite its ostensible state of peace. (shrink)