This article aims to analyze The free negress Elisabeth: prisoner of color, a historical novel from Suriname written by Cynthia McLeod. The focus given to the research intends to problematize the way the place of speech acts in the construction of the fiction, highlighting historically silenced voices. In addition, the study of the place of speech of black women during the Dutch colonization in Suriname aims to contribute to the debate on racial and gender inequality that underlies colonial (...) societies and remains to today. For the discussions, this research will be based on the reflections of Akotirene, Morrison and hooks, among others. (shrink)

Although contemporary historical novels share a number of features with the traditional historical novel, as analysed by Lukács (1981), they display a fundamental change in the perception of history, evident in the disappearance of the omniscient narrator, in their choice of significant and representative figures, and scepticism regarding teleology of history or the world-historical role of war and violence. On the one hand, history has become a riddle, and this is reflected in the preference for the (...) form of the detective novel, for which the model is The Name of the Rose (Eco 1983). On the other hand, there is a clear preference for two historical periods: the collapse of the ancient world and the birth of the modern from the Renaissance to the 18th century. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Rhetoric of Narrating Communal History in the Nineteenth-Century Finnish Historical NovelMari Hatavara (bio)Det var en mulen och dyster afton om våren 1718. Klockan knäppte fem minuter till sex i salen på den ståtliga herrgård, som tillhört den stolte Baronen Göran Boije, och som nu ägdes af hans enka, fru Catharina Boije. I detsamma hördes en klocka ringa gårdsfolket tillsamman för aftonbönen. I nedra ändan af salen samlades (...) med sakta steg allt gårdsfolket i tyst förbidan. Nu slog vägguret sex. […]It was a cloudy and dreary evening in the spring of 1718. The clock turned five to six in the great hall of the stately manor which once had belonged to the proud Baron Göran Boije, and which now was in the possession of his widow, Lady Catharina Boije. At the very moment, a bell was heard to summon all the folk together for an evening prayer. The servants gathered in the lower end of the hall with silent footsteps in a quiet waiting. The clock struck six now. […](All translations mine.)Finland's first historical novel, Fredrika Runeberg's Fru Catharina Boije och hennes döttrar (Lady Catharina Boije and Her Daughters) (1858),1 begins with this passage after a short frame narrative. The very first sentence provides the date where the story-world is set, and the lines following describe a setting suitable for that period of time. This is in accordance with the generic tradition of the historical novel. Even if the historical novel has very few characters whom theorists would agree upon, most theories of historical novel concur on the statement that the genre is "by definition referential, gesturing toward a world commonly understood to have existed" (Maxwell 545). This emphasis on the story-world has dominated the study of the historical novel. What I want to stress, however, are the specific ways in which a historical novel—to use Richard Maxwell's words—gestures toward this commonly comprehensible, preexistent world. How is the story-world made understandable to a reader and offered as the past? I want to demonstrate the importance of the literary means that help mediate between the past of the story-world and the present of the reader.The passage above begins with the retrospective view: the narrator refers to a date over two hundred years ago, and the passage is in the past tense. The text does, however, also apply expressions like "now." This indicates a point of view that is present in the story-world, at least in terms of temporality. The impression of a viewpoint present in the story-world is further emphasized by the frequent references to aural experience; the [End Page 21] sounds heard (the bell and the clock) and not heard (silent footsteps and quiet waiting) offer the reader an interpretative position that takes her into the story-world through experience. The origin of the experience, however, is not specified. Two questions arise that are crucial to my argument: Is the experiencing subject located temporally in the story-time or in the narrator's retrospective time? Is there a single experiencing subject? While the first question tackles the relationship between the past tense and the deictic markers indicating the present ("now"), the second question is concerned with features like the hearing of the sound of the bell in the passage: because the hearing is depicted in the passive mode, the hearer could be anybody or everybody.These two questions, the first about temporality and the second about the experiencing subject, intersect in the study of narrative identity. Alan Palmer suggests that in current research on narrative literature the individual consciousness has been emphasized at the expense of the social, and he stresses the importance of studying the latter (136). Still, individual and social modes of narrativizing one's past and present share common features, with the most important one perhaps being the need to mediate between different levels of time. Whereas self-narrations attempt to bridge the gap between the former, experiencing I, and the present, narrating I, historical narratives attempt to bridge the gap between characters experiencing the... (shrink)

ABSTRACT This article, based on Bakhtin’s studies, focuses on the historical novel genre and its particularities. The route is based on the concept of chronotope, representing the inseparability of time and space. The materiality of analysis is the novel Verde Vale, by Urda Alice Klueger. The analysis carried out highlights the chronotope of transmigration as a figure that underlies the historical narrative; it unfolds into two subordinate themes: the threshold and soil chronotopes, symbolizing the movements observed (...) in the narrative construction of the novel. Linked to these chronotopic representations, the theme of the soil, which implies rooting and also refers to the origin, allows the expansion of the analysis bringing the phenomena of toponymy and anthroponymy closer together, worked as memory and identity events. RESUMO Este artigo aborda o gênero romance histórico e suas particularidades a partir dos estudos de Bakhtin. O trajeto se faz em torno do conceito de cronotopo, figurando a indissociabilidade de tempo e espaço. A materialidade de análise é a obra Verde vale, de 1979, da catarinense Urda Alice Klueger. A análise realizada destaca o cronotopo da transmigração como figura que alicerça a narrativa histórica; ele se desdobra em dois temas subordinados: o cronotopo da soleira e o da terra, simbolizando os movimentos observados na construção narrativa do romance. Vinculado a essas representações cronotópicas, o tema da terra, que implica enraizamento e remete também a origem, permite a ampliação da análise aproximando os fenômenos de toponímia e antroponímia, trabalhados como eventos de memória e identidade. (shrink)

The articles in this Focus section are devoted to fictional works that take episodes in the history of science as their topic and to the use of fictional techniques in popular histories of science. Along with specifying the obvious defects of many such texts as works of history, the authors are looking to identify literary techniques that might usefully be adopted by historians. Careful reading of some of the best works of fiction can yield a further benefit, since they may (...) raise fundamental issues about the certainty with which we can know the past and the means by which we can represent it in historical writing. (shrink)

The article aims at addressing the question of representations of World War Two in Croatian and Serbian literature that were subversive in the sense that they queried the legend not simply by rejecting communism and affirming nationalism, but by emphasizing the uncertainty and sensibility of the human beings, a typical modern reaction to violence and, in general, modernist topoi. In this article I will focus on modernist novelistic representations of the 1960s in which the uncertainty and instability of collective warrants (...) are foregrounded. As a result a subversive meaning is produced which contradicts not only communism and revolution but more generally war as such, including the universal features of war such as confronting loneliness, love as an expression of an individual rather than a collective sense of existence, and the impossibility of a valid representation of past events. (shrink)

For purposes of initial discussion, technology may be taken to mean applied science, thereby drawing attention to the practical applications of researches and discoveries made by science. This gives technology an importance which is not always fully recognised. Technology entails an enlargement of the apparatus with which man shapes, and is shaped by, his environment. This in turn leads to a modification of the behaviour-pattern defined by an earlier, if cruder, technology.

Predictivists use the no miracle argument to argue that “novel” predictions are decisive evidence for theories, while mere accommodation of “old” data cannot confirm to a significant degree. But deductivists claim that since confirmation is a logical theory-data relationship, predicted data cannot confirm more than merely deduced data, and cite historical cases in which known data confirmed theories quite strongly. On the other hand, the advantage of prediction over accommodation is needed by scientific realists to resist Laudan’s criticisms (...) of the no miracle argument. So, if the deductivists are right, the most powerful argument for realism collapses. There seems to be an inescapable contradiction between these prima facie plausible arguments of predictivists and deductivists; but this puzzle can be solved by understanding what exactly counts as novelty, if novel predictions must support the no miracle argument, i.e., if they must be explainable only by the truth of theories. Taking my cues from the use-novelty tradition, I argue that (1) the predicted data must not be used essentially in building the theory or choosing the auxiliary assumptions. This is possible if the theory and its auxiliary assumptions are plausible independently of the predicted data, and I analyze the consequences of this requirement in terms of best explanation of diverse bodies of data. Moreover, the predicted data must be (2) a priori improbable, and (3) heterogeneous to the essentially used data. My proposed notion of novelty, therefore, is not historical, but functional. Hence, deductivists are right that confirmation is independent of time and of historical contingencies such as if the theorist knew a datum, used it, or intended to accommodate it. Predictivists, however, are right that not all consequences confirm equally, and confirmation is not purely a logical theory-data relation, as it crucially involves background epistemic conditions and the notion of best explanation. Conditions (1)–(3) make the difference between prediction and accommodation, and account for the confirming power of theoretical virtues such as non ad-hocness, non-fudging, non-overfitting, independence and consilience. I thus show that functional novelty (a) avoids the deductivist objections to predictivism, (b) is a gradual notion, in accordance with the common intuition that confirmation comes in degrees, and (c) supports the no miracle argument, so vindicating scientific realism. (shrink)

This article discusses a case study that explored the potential of nonfiction graphic novels to develop pre-service teachers’ understanding of agency in a social studies methods course. White pre-service teachers were aske'd to read one graphic novel and then add frames, re-narrate frames, and reflect on their decisions. The positionalities of researchers, who are White males, and participants were part of our analysis. The researchers found that pre-service teachers made revisions to the graphic novels to change the historical (...) actors’ decisions: within the constraints of the historical situation's circumstances; to better fit their own ethical framework; and to critique the author's interpretation of the historical event and the amount of agency assigned to certain historical actors. We also reported findings related to shifts in understanding related to positionality. The pre-service teachers’ revisions demonstrated their understanding of historical actors’ ability to make choices; however, for most pre-service teachers those decisions were limited by, and insignificant in comparison to, the constraints of societal structures. Most pre-service teachers viewed these structures as operating outside of the realm of ethics that they used to articulate and identify agency, and thus, these structures were not responsive to changes in individual or collective agency. Implications are provided for social studies teacher educators. (shrink)

Deployment Realism resists Laudan’s and Lyons’ objections to the “No Miracle Argument” by arguing that a hypothesis is most probably true when it is deployed essentially in a novel prediction. However, Lyons criticized Psillos’ criterion of essentiality, maintaining that Deployment Realism should be committed to all the actually deployed assumptions. But since many actually deployed assumptions proved false, he concludes that the No Miracle Argument and Deployment Realism fail. I reply that the essentiality condition is required by Occam’s razor. (...) In fact, there is a simpler formulation of essentiality which escapes Lyons’ criticisms and rescues the No Miracle Argument and Deployment Realism from their purported historical counterexamples: a hypothesis is essential when it has no proper parts (in Yablo’s sense) sufficient to derive the same prediction. Although essentiality so conceived cannot be detected prospectively, this is just natural, and it is not a problem but an advantage for Deployment Realism. (shrink)

This article examines the new type of hero created by Ayn Rand and finds its roots in Chernyshevsky's “new human.” Rand's characters share such features as extremism, asceticism, escapism, and the desire to transform the world. Moreover, Rand's heroes exhibit the self-building and “wholeness” traits of the “superhuman” as found in myths and in Renaissance and Masonic ideas.

Resumen: Entre 1842 y 1870, la narrativa chilena presenta un paulatino proceso de desarrollo que oscila entre la novela -cuando no el cuento- y el folletín. Lastarria califica su cuento “El mendigo” como “novela histórica”. A su vez, Alberto Blest Gana luego de publicar folletines en diversos periódicos de la época toma nítida distancia de ese tipo de “novela popular cuando en 1862 reflexiona acerca de la novela propiamente tal y al declarar -en 1864- que solo pretende ser un novelista (...) al estilo de Balzac. No obstante, el folletín de filiación europea presentará -hacia 1870- una precisa fórmula como es la denominada “novela indiana” que critica Zorobabel Rodríguez. Por lo mismo, proponemos que en las instancias fundacionales de la narrativa nacional se anticipa la tendencia de recurrir al folletín poniendo de relieve el motivo del amor imposible que no puede superar obstáculos de diversa índole, sean ellos sentimentales, estamentales, políticos o historiográficos. Nuestra hipótesis es que en el curso de la novela chilena liberal, de sello romántico sentimental, esta estructura modélica no es ajena a la narrativa nacional, hecho que permite dar curso a la narración -entre otros- de acontecimientos propios de la conquista, la independencia y la República.: Between 1842 and 1870, the Chilean narrative presents a gradual development process that oscillates between the novel -if not the short story- and the folletin. Lastarria describes his story “El mendigo” as an “historical novel”. At the same time, Alberto Blest Gana wins after publishing brochures in various newspapers of the time, he takes a clear distance from that type of "popular novel” when in 1862 he reflects on the novel itself and in declaring -in 1864- that it only pretends to be a Balzac-style novelist. However, the European affiliation booklet will present -by 1870- a precise formula such as the so-called “Indian novel” criticized by Zorobabel Rodríguez. For the same reason, we propose that in the foundational instances of the national narrative the tendency to resort to the newsletter is anticipated, highlighting the reason for impossible love that cannot overcome obstacles of various kinds, whether they are sentimental, social class, political or historiographic. Our hypothesis is that in the course of the liberal Chilean novel, with a sentimental romantic stamp, this model structure is no stranger to the national narrative, a fact that allows the narration -among others- of events of the conquest, independence and the Republic. (shrink)

While many recognize that rigid historical and compositional goals are inadequate in a world where climate and other global systems are undergoing unprecedented changes, others contend that promoting ecosystem services and functions encourages practices that can ultimately lower the bar of ecological management. These worries are foregrounded in discussions about Novel Ecosystems (NEs); where some researchers and conservationists claim that NEs provide a license to trash nature as long as some ecosystem services are provided. This criticism arises from (...) what we call the " anything goes " problem created by the release of historical conditions. After explaining the notion of NE, we identify numerous substantive motivations for worrying about the anything-goes-problem and then go on to show the problem can be solved by correcting two mistaken assumptions. In short, we argue that the problem is a product of adopting an overly sparse functional perspective and one that assumes an unrealistically high degree of convergence in the trajectories of natural processes. Our analysis illuminates why such assumptions are unwarranted. Finally, we further argue that adopting an appropriate ethical framework is essential to overcoming the anything-goes-problem and suggest that a certain virtue ethics conception of ecological management provides useful resources for framing and resolving the problem. (shrink)

In this paper I comment on a recent paper by [Scerri, E., & Worrall, J. . Prediction and the periodic table. Studies in History and Philosophy of Science, 32, 407–452.] about the role temporally novel and use-novel predictions played in the acceptance of Mendeleev’s periodic table after the proposal of the latter in 1869. Scerri and Worrall allege that whereas temporally novel predictions—despite Brush’s earlier claim to the contrary—did not carry any special epistemic weight, use-novel predictions (...) did indeed contribute to the acceptance of the table. Although I agree with their first claim, I disagree with their second. In order to spell out my disagreement, I not only revisit Scerri and Worrall’s interpretation of crucial historical evidence they have cited in support of the ‘heuristic account’ of use-novel predictions, but I also criticise the latter on general grounds.Keywords: Periodic table; Dmitri Mendeleev; Noble gases; Use-novel predictions; Heuristic account; Ad hoc hypotheses. (shrink)

A historical novel, this is the beautifully-told story of Louis Hegel, illegitimate son of the philosopher G.W.F. Hegel. Ultimately disowned by his father and forced to use his mother's name, Louis died in Indonesia, as Ludwig Fischer, at the age of 24--the bastard son of SPIRIT.

While many recognise that rigid historical and compositional goals are inadequate in a world where climate and other global systems are undergoing unprecedented changes, others contend that promoting ecosystem services and functions encourages practices that can ultimately lower the bar of ecological management. These worries are foregrounded in discussions about 'novel ecosystems' (NEs), where some researchers and conservationists claim that NEs provide a license to trash nature as long as certain ecosystem services are provided. This criticism arises from (...) what we call the 'anything goes problem' created by the release of historical conditions. After explaining the notion of NEs, we identify numerous substantive motivations for worrying about the 'anything goes problem' and then go on to show that the problem can be solved by correcting two mistaken assumptions. In short, we argue that the problem is a product of adopting an overly sparse functional perspective that assumes an unrealistically high degree of convergence in the trajectories of natural processes; our analysis illuminates why such assumptions are unwarranted. Further, we argue that adopting an appropriate ethical framework is essential to overcoming the 'anything goes problem', and suggest that a certain virtue-ethics conception of ecological management provides useful resources for framing and resolving the problem. (shrink)

In the quest to discover the neural bases of cognition, rigorous behavioral tools are equally as important as sophisticated tools for neural intervention. This paper evaluates several episodes in the development of a novel behavioral tool for rodent cognitive testing, the rodent touchscreen operant chamber. Using conceptual tools on offer in the philosophical literature on exploratory experimentation and control, I illuminate how optimization of this behavioral tool and an understanding of the causal knowledge it may be used to generate (...) historically has involved dynamic interplay between community-driven exploratory practices operating in parallel with causal hypothesis-driven research. (shrink)

In this study, I explore the viability of what Carl Dreyer called film novels or filmscripts in the form of novels. I show that these novels are viable---that is, they can be written and filmed in ways that deeply engage us in understanding them. ;In the introduction, I explain that this study is a poetics---that is, it formally defines film novels, specifies a standard for successful film novels, and specifies ways of creating film novels so that they are likely to (...) be successful. I then survey what scholars have written about these script-like novels. ;In the first chapter, I define film novels as short, visually engaging novels-that is, short novels that continually engage readers in picturing scenes. I then explore the historical background of this type of novel. ;In the second chapter, I explain that successful film novels are interpretively engaging---that is, they engage readers, not only in continually picturing scenes, but also in thoughtfully interpreting them. I then trace the history of film novels and show how they, and films based on them, have engaged readers and viewers in interpreting them. ;In the third chapter, I explain that thoughtful interpretation can be understood as generous interpretation if we use the word generous as Jean-Paul Sartre did. Drawing on Sartre's philosophy of literature, I explain how generous writers engage readers in generous interpretation. ;In the fourth chapter, I explain how writers can generously create characters and plots for film novels. In the fifth, I present detailed exercises to help writers generously create scenes and storylines for film novels. In the sixth, I explain how filmmakers can generously turn film novels into films. ;I conclude that film novels come from a tradition of highly visual novels, film novels can be deeply engaging, and this engaging quality can be preserved in films. (shrink)

The first, easiest answer to the question "What do novels speak about?" is D. H. Lawrence's conviction that novels are about "man alive," as quoted at the beginning of Guido Mazzoni's recent book on the theory of the novel.1 In a slightly more explicit accounting, one could say that novels speak about human actions and passions. These answers are the first, because they are plausible and general. They are the easiest, because they state the obvious. And yet, precisely because (...) they are so obvious, such answers often tend to be overlooked in our search for better, more complete explanations.One can improve these answers by noting that, culturally and historically, the novel has been divided into older, therefore... (shrink)

The purpose of this article is to delineate the process of evolution of know­ledge organization systems (KOSs) through identification of principles of unity such as internal and external unity in organizing the structure of KOSs to achieve content storage and retrieval purposes and to explain a novel method used in ranking of KOSs by proposing the principle of rank unity. Different types of KOSs which are addressed in this article include dictionaries, Roget’s thesaurus, thesauri, micro, macro, and meta-thesaurus, ontologies, (...) and lower, middle, and upper-level ontologies. This article relied on dialectic models to clarify the ideas in Kant’s know­ledge theory. This is done by identifying logical relationships between categories (i.e., Thesis, antithesis, and synthesis) in the creation of data, information, and know­ledge in the human mind. The Analysis has adapted a historical methodology, more specifically a documentary method, as its reasoning process to propose a conceptual model for ranking KOSs. The study endeavors to explain the main elements of data, information, and know­ledge along with engineering mechanisms such as data, information, and know­ledge engineering in developing the structure of KOSs and also aims to clarify their influence on content storage and retrieval performance. KOSs have followed related principles of order to achieve an internal order, which could be examined by analyzing the principle of internal unity in know­ledge organizations. The principle of external unity leads us to the necessity of compatibility and interoperability between different types of KOSs to achieve semantic harmonization in increasing the performance of content storage and retrieval. Upon introduction of the principle of rank unity, a ranking method of KOSs utilizing cognition states as criteria could be considered to determine the position of each know­ledge organization with respect to others. The related criteria of the principle of rank unity- cognition states- are derived from Immanuel Kant’s epistemology. The research results showed that KOSs, while having defined positions in cognition states, specific principles of order, related operational mechanisms, and related principles of unity in achieving their specific purposes, have benefited from the developmental experiences of previous KOSs, and further, their developmental processes owe to the experiences and methods of their previous generations. (shrink)

In several recent issues of this journal, I argued for an account of property possession as strict, numerical identity. While this account has stuck some as being highly idiosyncratic in nature, it is not entirely something new under the sun, since as I will argue in this paper, it turns out to have a historic precedent in Plato⠀™ s theory of forms. Indeed, the purpose of this paper is twofold. The first is to show that my account of property (...) possession can be utilized to provide a novel interpretation of Plato⠀™ s theory of forms. And the second is to show that once it has been divorced from a variety of implausible doctrines with which it has historically been wedded, Plato⠀™ s central insight that all properties possess themselves, far from being of mere historical interest, is independently plausible, ironically enough, even from an empirical point of view. (shrink)

This article discusses the similarities and differences between what might be called two »crises of historical consciousness« in the late 17th and the late 20th, the first engendered by a combination of philosophical scepticism with new techniques for questioning the credibility of historical sources and detecting forgeries, the second in our crisis. The result is a widespread cultural relativism to which the debates on colonialism and feminism as well as the practice of anthropology and literary theory have contributed. (...) In both periods, the debate about epistemology is linked to the opening of the frontier between history and fiction and the rise of a hybrid genre of historical novel/novelistic exemplified by St. Real and Defoe in the first crisis, and by Eco, Keneally and many others today. (shrink)

This essay aims to sharpen debates on the pros and cons of historical epistemology, which is now understood as a novel approach to the study of knowledge, by comparing it with the history of epistemology as traditionally pursued by philosophers. The many versions of both approaches are not always easily discernable. Yet, a reasoned comparison of certain versions can and should be made. In the first section of this article, I argue that the most interesting difference involves neither (...) the subject matter nor goal, but the methods used by the two approaches. In the second section, I ask which of the two approaches or methods is more promising given that both historical epistemologists and historians of epistemology claim to contribute to epistemology simpliciter . Using traditional problems concerning the epistemic role of perception, I argue that the historical epistemologies of Wartofsky and Daston and Galison fail to show that studying practices of perception is philosophically significant. Standard methods from the history of epistemology are more promising, as I show by means of reconstructing arguments in a debate about the relation between perception and judgment in psychological research on the famous moon illusion. (shrink)

A challenging question regarding compensation for historic injustices like slavery or colonialism is whether there is anyone to whom it would be just to ascribe duties of compensation given that allegedly all the perpetrators--the guilty parties--are dead. Some answer this question negatively, arguing it is wrong to ascribe to anyone compensatory duties for injustices committed by others who died multiple generations ago. This objection to compensation for historic injustice, which I call the Historical Responsibility Objection (HRO), takes as its (...) core premises (1) that one must be guilty of wrongdoing with respect to a given historic injustice in order to bear a duty to compensate for the injustice, and (2) that no one alive today can be considered so guilty because no one alive today was alive when the historic injustice occurred. The result is that we cannot ascribe compensatory duties to anyone for any historic injustic. While all arguments I am aware of that refute HRO reject premise (1), this paper sketches a novel refutation of HRO by exploring the implications of rejecting premise (2). Doing so would invoke the state as a collective agent, distinct from its constitutive individual agents, liable to acquire compensatory duties for wrongs it commits that none of its constitutive individuals bear. To the extent that states that are collective agents committed historic injustices, such states have duties to compensate for historic injustice. (shrink)

The notion of a hypothesis being deployed essentially in the derivation of a novel prediction plays a key role in the deployment realist reply to Laudan’s and Lyon’s attacks to the No Miracle Argument. However Lyons criticized Psillos’ criterion of essentiality, urging deployment realists to abandon this requirement altogether and accept as true all the assumptions actually deployed in novel predictions. But since many false assumptions were actually deployed in novel predictions, he concludes that the “no miracle (...) argument” and deployment realism fail. I reply that the essentiality condition is required by Occam’s razor, and a “no miracle argument” deprived of that condition is a straw man. While Lyons’ criticisms of Psillos’ formalization of essentiality may be well taken, I suggest that there is a simpler formulation which escapes those criticisms and is enough to deal with the supposed counterexamples to the No Miracle Argument and deployment realism: a hypothesis is essential when it does not have a proper part (in Yablo’s sense) from which the prediction could also be derived. I then show how this condition rescues deployment realism from Lyons’ purported historical counterexamples. Essentiality in this sense cannot be detected prospectively, but this is just what we should expect, and far from causing problems for deployment realists, this frees them from unreasonable obligations. (shrink)

_A Historical and Contemporary Look at Psychological Systems_ offers a novel approach to examining the history and current state of scientific psychology. This boldly original volume analyzes the systems of psychology in an innovative new way. The author provides interconnectedness to, as well as the distinctiveness of, the diverse theoretical approaches to psychology. The book revisits the roots of psychology and traces them to the current state of the field, both theoretically and methodologically. Readers will gain a clearer (...) understanding of the foundational differences and similarities that currently exist in psychological theories. The volume reviews four broad systems of psychology: behavioral, cognitive, humanistic, and psychodynamic. Evolutionary and neuro- psychology are considered as additional approaches that influence _all four_ psychological systems. The book opens with the historical background that led to the emergence of the four systems. It traces the concept of the soul through the periods of the ancient Greeks and Romans to the beginnings of psychology as an empirical science. Differences and similarities of the four systems are then explored with respect to eight fundamental psychological issues: consciousness, reductionism, teleology, determinism, values, spirituality, therapy, and psychological research procedures. Intended for advanced undergraduate or beginning graduate level courses in the history and systems of psychology, this book_ _will also appeal to researchers in this area. To facilitate the book’s use as a textbook, it features discussion questions at the end of each chapter. (shrink)

This essay aims to sharpen debates on the pros and cons of historical epistemology, which is now understood as a novel approach to the study of knowledge, by comparing it with the history of epistemology as traditionally pursued by philosophers. The many versions of both approaches are not always easily discernable. Yet, a reasoned comparison of certain versions can and should be made. In the first section of this article, I argue that the most interesting difference involves neither (...) the subject matter nor goal, but the methods used by the two approaches. In the second section, I ask which of the two approaches or methods is more promising given that both historical epistemologists and historians of epistemology claim to contribute to epistemology simpliciter. Using traditional problems concerning the epistemic role of perception, I argue that the historical epistemologies of Wartofsky and Daston and Galison fail to show that studying practices of perception is philosophically significant. Standard methods from the history of epistemology are more promising, as I show by means of reconstructing arguments in a debate about the relation between perception and judgment in psychological research on the famous moon illusion. (shrink)

The article aims at showing how far the technologies of audiovisual registration affect not only the ontology of images but also our sense of realism in politics and history. As argue Jacques Derrida and Bernard Stiegler, historical events have become “tele-events” after the birth of these technologies. Our handling with images has changed accordingly. As argues Pietro Montani, we no longer consider them as “copies” of real objects but rather as “occasions” for initiating processes of “validation” of history. Hannah (...) Arendt’s opposition between the ancient concept of history being based on praxis and the modern concept of history as “fabrication” (poiesis) of the humankind must be therefore reconsidered. History is rather the negotiation between these two attitudes (praxis and poiesis): cinema might be one of the exemplary sources of this negotiation, as epitomized by the documentary work in the audiovisual archives conducted by Esfir Shub (1927) and Harun Farocki (1992). Representation (Louis Martin) becomes thus a dynamical power of imagination dealing with historical and political reality; consequently, the “ideal spectator”, just as the “ideal reader” for novels (Umberto Eco), is charged with a new task of actualizing the sense of images with regard to their historical and political references. (shrink)