Benardete paradoxes involve infinite collections of Grim Reapers, assassins, demons, deafening peals, or even sentences. These paradoxes have recently been used in arguments for finitist metaphysical theses such as temporal finitism, causal finitism, and discrete views of time. Here we develop a new finite Benardete-like paradox. We then use this paradox to defend a companions in guilt argument that challenges recent applications of patchwork principles on behalf of the aforementioned finitist arguments. Finally, we develop another problem for (...) those applications by examining the notion of exact duplication. (shrink)

José Benardete developed a famous paradox involving a beginningless set of items each member of which satisfies some predicate just in case no earlier member satisfies it. The Grim Reaper version of this paradox has recently been employed in favor of various finitist metaphysical theses, ranging from temporal finitism to causal finitism to the discrete nature of time. Here, I examine a new challenge to these finitist arguments—namely, the challenge of implying that the future cannot be (...) endless. In particular, I develop future-oriented Benardete paradoxes and examine their epistemic symmetry with past-oriented paradoxes. (shrink)

This is an exploration of a cluster of related logical results. Taken together these seem to have something philosophically important to teach us: something about knowledge and truth and something about the logical impossibility of totalities of knowledge and truth. The book includes explorations of new forms of the ancient and venerable paradox of the :Liar, applications and extensions of Kaplan and Montague's paradox of the Knower, generalizations of Godel's work on incompleteness, and new uses of Cantorian diagonalization. (...) Throughout, the concern is with metaphysical and epistemological implications of these results: what such results may have to teach us about knowledge, truth, and possibility. (shrink)

Given certain standard assumptions-that particular sentences are meaningful, for example, and do genuinely self-attribute their own falsity-the paradoxes appear to show intriguing patterns of generally unstable semantic behavior. In what follows we want to concentrate on those patterns themselves: the pattern of the Liar, for example, which if assumed either true or false appears to oscillate endlessly between truth and falsehood.

Predicates are term-to-sentence devices, and operators are sentence-to-sentence devices. What Kaplan and Montague's Paradox of the Knower demonstrates is that necessity and other modalities cannot be treated as predicates, consistent with arithmetic; they must be treated as operators instead. Such is the current wisdom.A number of previous pieces have challenged such a view by showing that a predicative treatment of modalities neednot raise the Paradox of the Knower. This paper attempts to challenge the current wisdom in another way (...) as well: to show that mere appeal to modal operators in the sense of sentence-to-sentence devices is insufficient toescape the Paradox of the Knower. A family of systems is outlined in which closed formulae can encode other formulae and in which the diagonal lemma and Paradox of the Knower are thereby demonstrable for operators in this sense. (shrink)

One set of neglected problems consists of paradoxes of omniscience clearly recognizable as forms of the Liar, and these I have never seen raised at all. Other neglected problems are difficulties for omniscience posed by recent work on belief de se and essential indexicals. These have not yet been given the attention they deserve.

This book is an introduction, entirely by example, to the possibilities of using computer models as tools in phosophical research in general and in philosophical logic in particular. Topics include chaos, fractals, and the semantics of paradox; epistemic dynamics; fractal images of formal systems; the evolution of generosity; real-valued game theory; and computation and undecidability in the spatialized Prisoner's Dilemma.

A close-knit family of conceptual structures underlies the range of philosophical phenomena from Descartes' Cogito through semantic and set-theoretical paradoxes to some of the major limitative results of twentieth-century logic. At issue are questions of indexicals, the nature of semantics, free will and determinism, and contemporary debates regarding the nature of consciousness. The conceptual structures that underlie all of these are variations on a single theme: the theme of reflexivity. OUr attempt here is to characterize reflexive conceptual structures more thoroughly (...) and more precisely than has been done before, making explicit the structure of paradox and the clear connections to major logical results. (shrink)

Let us sum up. The paradox of the Knower poses a direct and formal challenge to the coherence of common notions of knowledge and truth. We've considered a number of ways one might try to meet that challenge: propositional views of truth and knowledge, redundancy or operator views, and appeal to hierarchy of various sorts. Mere appeal to propositions or operators, however, seems to be inadequate to the task of the Knower, at least if unsupplemented by an auxiliary recourse (...) to hierarchy. But the cost of hierarchy appears to be an abandonment of any notion of all truth or of omniscience. What the contradictions of the Knower seem to demand, then, is at least an abandonment of these. As noted in the introduction, the argument is complicated enough that one must be wary of dogmatic and precipitate conclusions. One may legitimately wonder whether some new response, or some variation on an old one, will yet offer a way out.Far too often, however, it is asked what has gone wrong with paradox rather than what paradox may have to teach us. What the Knower may have to teach us, I think, is that there really can be no coherent notion of all truth and really can be no coherent notion of omniscience. In its own way that conclusion is perhaps as humbling as is any traditional notion of God. (shrink)

Problems for 'precise replacements' as a way out of sorites paradoxes.

On swizzle sticks, sorites paradoxes, and precise replacements.

What the Sorites has to tell us is a simple truth regarding our categories. It appears to saddle us with something other than a simple truth—something worse, a contradiction or a problem or a paradox—only when we insist on viewing it through a discrete logic of categories. Discrete categories and discrete logic are for robots. We aren’t robots, and the simple truth is that we don’t handle categories in the way any discrete logic would demand. For us non-robots, what (...) the Sorites has to offer is a straightforward truth regarding how incapable robots and their logic are of handling categories like ours. (shrink)

What I hope to show here is that the costs of taking sorites arguments seriously, in particular the costs with respect to hopes for precise replacement are significantly greater than proponents of sorites arguments have estimated.

Philosophical modeling has a long and distinguished history, but the computer offers new and powerful prospects for the creation and manipulation of models. It seems inevitable that the computer will become a major tool in future philosophical research. Here I offer an overview of explorations in philosophical computer modeling that we in the Group for Logic and Formal Semantics at SUNY Stony Brook have undertaken: explorations regarding (1) the potential emergence of cooperation in a society of egoists, (2) self‐reference and (...) paradox in fuzzy logic, (3) a fractal approach to formal systems, and (4) on‐going explorations with models for the emergence of communication. The attempt is not to give a detailed report on any of these but to give a bird s‐eye view of them all, emphasizing the general form that the models take, the philosophical motivations behind them, and the kinds of philosophical results that they may have to offer. (shrink)

Our target is collectivities--all types of collectivities, beyond formal treatment in terms of sets alone. Collectivities are collections that can have members under all modalities: actual and potential members, definite and indefinite members, past and future members, members identifiable or unknown. The null collectivity aside, collectivities will indeed have members, but their membership need not be enumerable individual by individual or identifiable with precision. Collectivities are pluralities we generally access in terms of qualifying features and modalities rather than lists of (...) identifiable members. Our attempt is to do justice to collectivities in their generality and indeterminacy, with plena as a specific focus: large-scale macro-totalities on the order of all facts, all truths, and all things...a collectivity well beyond the technical machinery of sets. (shrink)

The opening pages of the annals of the Roman monarchy tell of long-lived rulers and thriving families. Augustus lived to the ripe age of seventy-six, survived by his wife of fifty-one years, Livia, who died at eighty-six, while her son Tiberius bettered his predecessor's record by two more years. Augustus’ sister Octavia gave birth to five children, all of whom lived long enough to get married; Agrippa left at least half a dozen children, and perhaps more; Germanicus, despite his tender (...) age at death, was survived by no fewer than three sons and three daughters. At the same time, longevity and abundant offspring went hand in hand with early death and misery. More than a few luminaries of Augustus’ court were less fortunate than their elders: Marcellus died at twenty-three, the elder Drusus at twenty-nine, Augustus’ heirs Gaius and Lucius Caesar at twenty-three and eighteen. Drusus had lost a number of children save three that survived; Germanicus buried three of his six sons as infants. (shrink)

The argument rests on earlier work questioning the Russellian separation of levels and arguing that Russellian levels should be taken to include the levels of particle and aggregate, and generality and detail. That earlier work argues from the non-separation of particle and aggregate that predictability is limited and that physics cannot come to an end. This leads to a view of the world as flux. Identifiable objects demanding explanation can only be temporary entities emerging from flux and explanation can only (...) be local and historical. This precludes explanation of totality and leads us to reject Leibniz’s question. Baldwin’s argument from possible worlds theory that a null world is possible is examined and questioned. Koon’s combination of the kalam argument with the grim reaper paradox is not queried but a way is found of circumventing it. It is noted in passing that the argument does not have the anti-theistic implications which may appear. (shrink)

Causal finitism, the view that the causal history of any event must be finite, has garnered much philosophical interest recently—especially because of its applicability to the Kalām cosmological argument. The most prominent argument for causal finitism is the Grim Reaper argument, which attempts to show that, if infinite causal histories are possible, then other paradoxical states of affairs must also be possible. However, this style of argument has been criticized on the grounds of (i) relying on controversial modal (...) principles, and (ii) providing a false diagnosis of the paradoxes involved. In this paper, I develop a new kind of Grim Reaper argument immune to these criticisms. I show that, by using insights from the literature on time travel, causal finitists should instead argue that infinite causal histories are problematically inexplicable, as they entail the possibility of unexplained foiling mechanisms. The fruits of this paper are that (i) a novel supporting argument for the Kalām is developed, and (ii) along the way of building this argument, it is shown that the literatures on time travel and causal finitism are deeply and intimately connected. (shrink)

Did the universe begin to exist? If so, did it have a cause? Or could it have come into existence uncaused, from nothing? These questions are taken up by the medieval-though recently-revived-kalam cosmological argument, which has arguably been the most discussed philosophical argument for God's existence in recent decades. The kalam's line of reasoning maintains that the series of past events cannot be infinite but rather is finite. Since the universe could not have come into being uncaused, there must be (...) a transcendent cause of the universe's beginning, a conclusion supportive of theism. This anthology on the philosophical arguments for the finitude of the past asks: Is an infinite series of past events metaphysically possible? Should actual infinites be restricted to theoretical mathematics, or can an actual infinite exist in the concrete world? These essays by kalam proponents and detractors engage in lively debate about the nature of infinity and its conundrums; about frequently-used kalam argument paradoxes of Tristram Shandy, the Grim Reaper, and Hilbert's Hotel; and about the infinity of the future. (shrink)

Patrick Grim advances arguments meant to show that the doctrine of divine omniscience—the classical doctrine according to which God knows all truths—is false. In particular, we here have in mind to focus on two such arguments: the set theoretic argument and the semantic argument. These arguments due to Grim run parallel to, respectively, familiar paradoxes in set theory and naive truth theory. It is beyond the purview of this article to adjudicate whether or not these are successful arguments (...) against the classical doctrine of omniscience. What we are here interested in is a way in which these arguments can be generalized. In particular, we show how generalizations of those arguments can target, explicitly, alternatives to the classical doctrine of omniscience, including what we here call 'restricted omniscience' and 'open future open theism'. As a corollary, considerations of Grim-style arguments do not support these alternatives to the classical doctrine of omniscience over the classical doctrine. We conclude that what is paradoxical is not the classical doctrine of omniscience just as such; rather, what is paradoxical is a core commitment shared by the classical doctrine and its more modest alternatives, namely, the thesis that God is a perfectly logical reasoner. (shrink)

Although recent evidence is somewhat ambiguous, if not confusing, Patrick Grim still seems to believe that his Cantorian argument against omniscienceis sound. According to this argument, it follows by Cantor’s power set theorem that there can be no set of all truths. Hence, assuming that omniscience presupposes precisely such a set, there can be no omniscient being. Reconsidering this argument, however, guided in particular by Alvin Plantinga’s critique thereof, I find it far from convincing. Not only does it have (...) an enormously untoward side effect, but it is self-referentially incoherent as well. (shrink)

Paradoxes are mind-dependent in a number of ways. First, by definition, paradoxes offer surprises or apparent contradictions. Since surprise and appearance rely on subjective psychological reactions, paradoxes rely on psychological events. Second, propositional versions of the liar paradox must eventually appeal to sentences if they are to achieve traction, yet sentential versions of the liar paradox rely on language and hence on mentality. Third, belief paradoxes such as B, "No one believes B", transparently hinge on the existence of (...) mental states. (Belief paradoxes – extending work by Burge, Buridan, Grim, Sainsbury, and Sorensen – demonstrate a fundamental limitation on all cognitive systems: that none can hold all and only truths.) Finally, it is argued that belief paradoxes, like liar paradoxes, arise from the nature of semantic representation. (shrink)

n the John Locke Lectures, included in Meaning and the Moral Sciences, Hilary Putnam argues that "the 'softness' of social facts may affect the 'hard' notions of truth and reference" Without fully endorsing Putnam's argument, I hope to show that a similar argument could be constructed for a slightly different conclusion: that the 'softness' of ethics may affect the 'hard' notions of truth and reference.

Allen s has proposed a new approach to possible worlds, designed explicitly to overcome Cantorian difficulties for possible worlds construed as maximal consistent set of propositions. I emphasize some of the distinctive features of Hazenworlds, some of their weaknesses, and some further Cantorian problems for worlds against which they seem powerless.

The solemnity, sacrifice, and concern for the state of the soul portrayed at Opie's funeral seems out of place among anarchists on motorcycles. The chapter analyzes if Opie's wake should be regarded as a religious rite as Sons of Anarchy are not a Christian sect, nor do they belong to any religious body that Americans commonly embrace. The chapter touches upon gender inequality in religious rites, and male bonding that becomes a primary good and maybe even something like a religious (...) duty. German classicist Walter Burkert terms such a group is a Männerbund (or MB), literally an “all‐male society.” The chapter explains the significance of ubiquitous symbol for the Sons of Anarchy MC – the Grim Reaper logo. Like the image of Santa Muerte, the Reaper logo is what scholars of religion call a hierophany. Finally, the chapter talks about the tragic flaws in the faith of SAMCRO. (shrink)

‘The problem with simulations is that they are doomed to succeed.’ So runs a common criticism of simulations—that they can be used to ‘prove’ anything and are thus of little or no scientific value. While this particular objection represents a minority view, especially among those who work with simulations in a scientific context, it raises a difficult question: what standards should we use to differentiate a simulation that fails from one that succeeds? In this paper we build on a structural (...) analysis of simulation developed in previous work to provide an evaluative account of the variety of ways in which simulations do fail. We expand the structural analysis in terms of the relationship between a simulation and its real-world target emphasizing the important role of aspects intended to correspond and also those specifically intended not to correspond to reality. The result is an outline both of the ways in which simulations can fail and the scientific importance of those various forms of failure. (shrink)

Robustness has long been recognized as an important parameter for evaluating game-theoretic results, but talk of ‘robustness’ generally remains vague. What we offer here is a graphic measure for a particular kind of robustness (‘matrix robustness’), using a three-dimensional display of the universe of 2 × 2 game theory. In such a measure specific games appear as specific volumes (Prisoner’s Dilemma, Stag Hunt, etc.), allowing a graphic image of the extent of particular game-theoretic effects in terms of those games. The (...) measure also allows for an easy comparison between different effects in terms of matrix robustness. Here we use the measure to compare the robustness of Tit for Tat’s well-known success in spatialized games (Axelrod, R. (1984). The evolution of cooperation . New York: Basic Books; Grim, P. et al. (1998). The philosophical computer: Exploratory essays in philosophical computer modeling . Cambridge, Mass: MIT Press) with the robustness of a recent game-theoretic model of the contact hypothesis regarding prejudice reduction (Grim et al. 2005. Public Affairs Quarterly, 19 , 95–125). (shrink)

Sons of Anarchy puts us in a world where bikers and other criminal gangs rule, where violence is normal, and where everyone is tattooed. The conjunction of these three things calls to mind our tendency to form expectations of people based on their appearance and especially on how they have chosen to permanently alter their bodies, with ink or in other dramatic ways. The fact that many people modify their bodies, whether through tattoos, piercings, or muscle toning and weight loss, (...) betrays the natural identification each of us feels with our body. We recognize the Sons of Anarchy characters in part by their tattoos, which reflect their choices, values, and personal histories. Getting a giant Grim Reaper tattoo that transforms one's appearance to reflect one's loyalties is akin to other ceremonies that induct someone into an organization or demonstrate someone's dedication to something. (shrink)

It is widely accepted that the way information transfers across networks depends importantly on the structure of the network. Here, we show that the mechanism of information transfer is crucial: in many respects the effect of the specific transfer mechanism swamps network effects. Results are demonstrated in terms of three different types of transfer mechanism: germs, genes, and memes. With an emphasis on the specific case of transfer between sub-networks, we explore both the dynamics of each of these across networks (...) and a measure of their comparative fitness. Germ and meme transfer exhibit very different dynamics across linked networks. For germs, measured in terms of time to total infection, network type rather than degree of linkage between sub-networks is the primary factor. For memes or belief transfer, measured in terms of time to consensus, it is the opposite: degree of linkage trumps network type in importance. The dynamics of genetic information transfer is unlike either germs or memes. Transfer of genetic information is robust across network differences to which both germs and memes prove sensitive. We also consider function: how well germ, gene, and meme transfer mechanisms can meet their respective objectives of infecting the population, mixing and transferring genetic information, and spreading a message. A shared formal measure of fitness is introduced for purposes of comparison, again with an emphasis on linked sub-networks. Meme transfer proves superior to transfer by genetic reproduction on that measure, with both memes and genes superior to infection dynamics across all networks types. What kinds of network structure optimize fitness also differ among the three. Both germs and genes show fairly stable fitness with added links between sub-networks, but genes show greater sensitivity to the structure of sub-networks at issue. Belief transfer, in contrast to the other two, shows a clear decline in fitness with increasingly connected networks. When it comes to understanding how information moves on networks, our results indicate that questions of information dynamics on networks cannot be answered in terms of networks alone. A primary role is played by the specific mechanism of information transfer at issue. We must first ask about how a particular type of information moves. (shrink)

The goal of philosophy of information is to understand what information is, how it operates, and how to put it to work. But unlike ‘information’ in the technical sense of information theory, what we are interested in is meaningful information. To understand the nature and dynamics of information in this sense we have to understand meaning. What we offer here are simple computational models that show emergence of meaning and information transfer in randomized arrays of neural nets. These we take (...) to be formal instantiations of a tradition of theories of meaning as use. What they offer, we propose, is a glimpse into the origin and dynamics of at least simple forms of meaning and information transfer as properties inherent in behavioral coordination across a community. (shrink)

Understanding the dynamics of information is crucial to many areas of research, both inside and outside of philosophy. Using computer simulations of three kinds of information, germs, genes, and memes, we show that the mechanism of information transfer often swamps network structure in terms of its effects on both the dynamics and the fitness of the information. This insight has both obvious and subtle implications for a number of questions in philosophy, including questions about the nature of information, whether there (...) is genetic information, and how to arrange scientific communities. (shrink)

A glowing review of an outstanding collection, with critical points regarding counterfactuals and God's options.

We extend previous work on cooperation to some related questions regarding the evolution of simple forms of communication. The evolution of cooperation within the iterated Prisoner's Dilemma has been shown to follow different patterns, with significantly different outcomes, depending on whether the features of the model are classically perfect or stochastically imperfect (Axelrod 1980a, 1980b, 1984, 1985; Axelrod and Hamilton, 1981; Nowak and Sigmund, 1990, 1992; Sigmund 1993). Our results here show that the same holds for communication. Within a simple (...) model, the evolution of communication seems to require a stochastically imperfect world. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume 30, Number 2, November 2004, pp. 213-236 Pleased and Afflicted: Hume on the Paradox of Tragic Pleasure E. M. DADLEZ How fast can you run? As fast as a leopard. How fast are you going to run? A whistle sounds the order that sends Archie Hamilton and his comrades over the top of the trench to certain death. Racing to circumvent that order and arriving (...) seconds too late, Archie's friend Frank screams in rage and despair. Archie is cut down before he has run twenty yards. Peter Weir's film Gallipoli is a chronicle of the disastrous Dardanelles campaign of the first World War, but it is also a film about racing. Archie is trained by his uncle Jack to run "as fast as a leopard." The film begins as it ends, with Archie sprinting in response to a whistle. Frank is first shown racing after a train, along with friends who are on their way to enlist. Archie and Frank meet while competing in a race, they race in Cairo once they have enlisted, and they finally race death. From the beginning, Archie has been faster; even at the end he is the first to die. And from the beginning he has swept Frank along in his wake, encouraging him, pushing him, inspiring him, and helping him to positions for which he is inadequately qualified. In the end, Archie's compassion and kindness prompt a decision which has grim consequences both for himself and for hundreds of others. Knowing that his friend fears death in the trenches, Archie recommends Frank as a substitute for himself, a designated message runner. But Frank is not fast enough, and falls short by mere seconds which Archie would not have lost. This is what leads to the failure of the one real effort to countermand the fatal charge. E. M. Dadlez is Professor of Humanities and Philosophy, University of Central Oklahoma, Edmond, OK 73034, USA. e-mail: [email protected] 214 E. M. Dadlez I am an emotional wreck by the time the movie is over, though I should admit that most of my tears are the result of sheer rage. Both my dogs exited the room in some haste once I began to shout at the television and the unpardonably dimwitted British officers who sat sipping tea at a comfortable distance as they gave the order for soldiers to commit suicide. But it isn't just the scope of the real human disaster, or the enormity of the blunder, or the pointlessness of the entire enterprise, or even my renewed conviction that stupidity is, in fact, evil, that is so unsettling. The film unnerves with respect to personal as well as global concerns, focusing attention on the chance of vanity's leading one to undertake responsibilities beyond one's competence, the possibility of advancement or security being achievable only at the expense of another, and the realization of how easy it might be to let those things happen. Gallipoli is a sad, disturbing film, and the spectator is grieved and disturbed in the course of watching it. Yet, having said that, I must own to having a copy in my possession, and to having watched it more than once. I recommend it to friends, offering to lend them my videotape. In fact, I press it on them. I say that it is a terrific, rewarding work which they should take the time to see. How is it that I can describe my experience of the film in such glowing terms and at the same time acknowledge the extreme distress I felt in the course of watching it? How can I reconcile the discordant aspects of my experience? David Hume explores some possible answers in his essay "Of Tragedy."1 He begins by calling attention to the paradox of tragic pleasure: It seems an unaccountable pleasure, which the spectators of a well written tragedy receive from sorrow, terror... and other passions, which are in themselves disagreeable and uneasy. The more they are touched and affected, the more are they delighted with the spectacle.... The whole art of the poet is employed in rousing and supporting the compassion and... (shrink)

ABSTRACT This article distinguishes nine senses of polarization and provides formal measures for each one to refine the methodology used to describe polarization in distributions of attitudes. Each distinct concept is explained through a definition, formal measures, examples, and references. We then apply these measures to GSS data regarding political views, opinions on abortion, and religiosity—topics described as revealing social polarization. Previous breakdowns of polarization include domain-specific assumptions and focus on a subset of the distribution’s features. This has conflated multiple, (...) independent features of attitude distributions. The current work aims to extract the distinct senses of polarization and demonstrate that by becoming clearer on these distinctions we can better focus our efforts on substantive issues in social phenomena. (shrink)

Polarization is a topic of intense interest among social scientists, but there is significant disagreement regarding the character of the phenomenon and little understanding of underlying mechanics. A first problem, we argue, is that polarization appears in the literature as not one concept but many. In the first part of the article, we distinguish nine phenomena that may be considered polarization, with suggestions of appropriate measures for each. In the second part of the article, we apply this analysis to evaluate (...) the types of polarization generated by the three major families of computational models proposing specific mechanisms of opinion polarization. (shrink)

The Hong and Page ‘diversity trumps ability’ result has been used to argue for the more general claim that a diverse set of agents is epistemically superior to a comparable group of experts. Here we extend Hong and Page’s model to landscapes of different degrees of randomness and demonstrate the sensitivity of the ‘diversity trumps ability’ result. This analysis offers a more nuanced picture of how diversity, ability, and expertise may relate. Although models of this sort can indeed be suggestive (...) for diversity policies, we advise against interpreting such results overly broadly. (shrink)

Polarization is a topic of intense interest among social scientists, but there is significant disagreement regarding the character of the phenomenon and little understanding of underlying mechanics. A first problem, we argue, is that polarization appears in the literature as not one concept but many. In the first part of the article, we distinguish nine phenomena that may be considered polarization, with suggestions of appropriate measures for each. In the second part of the article, we apply this analysis to evaluate (...) the types of polarization generated by the three major families of computational models proposing specific mechanisms of opinion polarization. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume 30, Number 2, November 2004, pp. 213-236 Pleased and Afflicted: Hume on the Paradox of Tragic Pleasure E. M. DADLEZ How fast can you run? As fast as a leopard. How fast are you going to run? A whistle sounds the order that sends Archie Hamilton and his comrades over the top of the trench to certain death. Racing to circumvent that order and arriving (...) seconds too late, Archie's friend Frank screams in rage and despair. Archie is cut down before he has run twenty yards. Peter Weir's film Gallipoli is a chronicle of the disastrous Dardanelles campaign of the first World War, but it is also a film about racing. Archie is trained by his uncle Jack to run "as fast as a leopard." The film begins as it ends, with Archie sprinting in response to a whistle. Frank is first shown racing after a train, along with friends who are on their way to enlist. Archie and Frank meet while competing in a race, they race in Cairo once they have enlisted, and they finally race death. From the beginning, Archie has been faster; even at the end he is the first to die. And from the beginning he has swept Frank along in his wake, encouraging him, pushing him, inspiring him, and helping him to positions for which he is inadequately qualified. In the end, Archie's compassion and kindness prompt a decision which has grim consequences both for himself and for hundreds of others. Knowing that his friend fears death in the trenches, Archie recommends Frank as a substitute for himself, a designated message runner. But Frank is not fast enough, and falls short by mere seconds which Archie would not have lost. This is what leads to the failure of the one real effort to countermand the fatal charge. E. M. Dadlez is Professor of Humanities and Philosophy, University of Central Oklahoma, Edmond, OK 73034, USA. e-mail: [email protected] 214 E. M. Dadlez I am an emotional wreck by the time the movie is over, though I should admit that most of my tears are the result of sheer rage. Both my dogs exited the room in some haste once I began to shout at the television and the unpardonably dimwitted British officers who sat sipping tea at a comfortable distance as they gave the order for soldiers to commit suicide. But it isn't just the scope of the real human disaster, or the enormity of the blunder, or the pointlessness of the entire enterprise, or even my renewed conviction that stupidity is, in fact, evil, that is so unsettling. The film unnerves with respect to personal as well as global concerns, focusing attention on the chance of vanity's leading one to undertake responsibilities beyond one's competence, the possibility of advancement or security being achievable only at the expense of another, and the realization of how easy it might be to let those things happen. Gallipoli is a sad, disturbing film, and the spectator is grieved and disturbed in the course of watching it. Yet, having said that, I must own to having a copy in my possession, and to having watched it more than once. I recommend it to friends, offering to lend them my videotape. In fact, I press it on them. I say that it is a terrific, rewarding work which they should take the time to see. How is it that I can describe my experience of the film in such glowing terms and at the same time acknowledge the extreme distress I felt in the course of watching it? How can I reconcile the discordant aspects of my experience? David Hume explores some possible answers in his essay "Of Tragedy."1 He begins by calling attention to the paradox of tragic pleasure: It seems an unaccountable pleasure, which the spectators of a well written tragedy receive from sorrow, terror... and other passions, which are in themselves disagreeable and uneasy. The more they are touched and affected, the more are they delighted with the spectacle.... The whole art of the poet is employed in rousing and supporting the compassion and... (shrink)