Nietzsche's devastating demolition of religion would have seismic consequences for future generations. With God dead, he envisages a brilliant future for humanity- one in which individuals would at last be responsible for their destinies. Throughout history, some books have changed the world. They have transformed the way we see ourselves and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives and destroyed them. Now Penguin brings you the (...) works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. (shrink)

Este artículo pretende establecer una relación entre la frase “Dios ha muerto” y el tema de la ciencia en Nietzsche. Para tal fin, se hará un análisis de la frase “Dios ha muerto” a la luz de la reciente interpretación hecha en el mundo alemán. En segundo lugar, nos ocuparemos de los conceptos de ausencia y caos para determinar si dichas nociones pueden ser consideradas como un paso ulterior a la “muerte de Dios”. Finalmente, revisaremos el tema de la ciencia: (...) las opiniones que Nietzsche tenía de la misma, las implicaciones que se desprenden de sus obras y, sobre todo, el nexo directo de la ciencia con dicha muerte. El vínculo entre estos temas permite una nueva comprensión del futuro de las investigaciones sobre el filósofo de Röcken. This article aims to establish a relationship between the phrase “God has died” and the theme of science in Nietzsche. For this purpose, an analysis of the phrase “God has died” will be made in the light of the recent interpretation made in the German world. Secondly, we will deal with the concepts of absence and chaos to determine if these notions can be considered as a further step to the “death of God”. Finally, we will review the subject of science: Nietzsche's views on it, the implications that stem from its works and, above all, the direct nexus of science with that death. The link between these themes leads to a new understanding of the future of research on the philosophy of Röcken. (shrink)

In discussions of Kant’s contemporary relevance, the term ‘Kantian’ is usually used in three ways. First, it signifies the effort to make a fresh analysis of the text of Kant himself, in order to bring out its meaning and problems with more accuracy and penetration. Next, it is employed in a broader sense to cover the philosophical work being done by someone who belongs, however vaguely, to the Kantian tradition itself and who is seeking to prolong its method into present-day (...) issues. But there is a third meaning for the term, when it designates an independent treatment of a problem, in the course of which special attention is paid to the leads suggested by Kant for its resolution. The present paper can be called Kantian in this third sense. It does not attempt an exegesis of some texts in Kant himself, and neither does it work within the framework of a Kantian school of thought. But it does seek to show that one contemporary question receives considerable illumination, when the resources of Kant are brought to bear upon it. (shrink)

This paper traces the origins of the phrase “God is dead!” back to Hegel and Luther. It proceeds in the following four steps: Section I investigates the appearance of the theme of God’s death in Lutheran theology. Section II elaborates on Hegel’s adaptation of this theme in the context of his early work Faith & Knowledge. In section III, the paper continues on how the theme of the death of God developed from Luther to Nietzsche via Hegel, before concluding, (...) in section IV, by indicating the link between Protestantism and modern atheism. (shrink)

The article draws attention to a certain multi-layered parallel between Nietzsche and Badiou’s theory of the event, which the author argues Badiou evaded by a kind of strategic relocation. The article does not focus so much on (and certainly not against) Badiou’s philosophy, but attempts to assess the possible implications of this relocation for Badiou’s interpretation of Nietzsche. In the first part of the article, the key concepts of Badiou’s account of Nietzsche are introduced, such as “archi-politics”, “antiphilosophy”, and the (...) “event Nietzsche”. Later, it is shown that, despite some fundamental differences, there is a strong resemblance between some key concepts of Badiou’s theory of the event, especially those related to the notion of “intervention”, and some concepts found in Nietzsche. Finally, the paper focuses on the problem of the “death of God”, which is somehow absent in Badiou’s interpretation, even though the term itself resonates strongly in various aspects of Badiou’s philosophy. (shrink)

This paper attempts to present a 'time line' of the increasing levels of doubt and anxiety about the path of 'Progressive Civilization' from the heyday of Victorian liberalism in the early 19th Century to the rise of postmodernism in our day. It does so by tracking a line of thought through John Stuart Mill, Lord Bryce, Matthew Arnold, Henry Adams, Friedrich Nietzsche, Martin Heidegger and Walter Lippmann. It uses the quip coined by the Yippie leader Abbie Hoffmann in the 1960's (...) as a symbolic phrase for the terminus to which the "Idea of Progess" has led us in the 21st Century. The argument is that over the time period covered the most serious observers became increasingly aware of the disappearance from modern society's horizon of any idea of a transcendent meaning within which it could explain and justify to itself its own deepest purposes. The necessity for a persuasive 'metaphysics' which could show why the modern western experiment is a good thing became increasingly evident in inverse proportion to its philosophical availability. Note: This paper was delivered at the University of Maine on April 27, 2009 under the auspices of the Program in Western Civilization and American Liberty directed by Michael J.Palmer the Abraham Lincoln Professor of Political Philosophy in the Department of Political Science at the University of Maine. (shrink)

Since my childhood I have given up several conceptions of God. Each time there was quite a wrench, for, in my own limited way, I had been walking with my ‘living’ God. In my philosophical and theological studies, I have been impressed by the fact that one deep-souled thinker found the living God of another ‘dead’. And then I realised that a God is ‘living’ or ‘dead’ insofar as ‘He’ answers questions that are vital to the given believer.

Since my childhood I have given up several conceptions of God. Each time there was quite a wrench, for, in my own limited way, I had been walking with my ‘living’ God. In my philosophical and theological studies, I have been impressed by the fact that one deep-souled thinker found the living God of another ‘dead’. And then I realised that a God is ‘living’ or ‘dead’ insofar as ‘He’ answers questions that are vital to the given believer.

It is well-known that Kant defends a conception of God and the final end of our moral striving, called the highest good. In this article, I outline Kant's argument for why we ought to have faith in God and hope for the highest good, and argue that the Kantian argument can be extended in such a way as to show the unity of the theological virtues. This feature of the Kantian account can then have ramifications in further questions regarding the (...) relationship of faith and moral action. (shrink)

The 2014 movie God’s Not Dead is a clear argument for the truth of its title; in other words, it is an argument that God exists. It does this, primarily, by having its protagonist, college freshman Josh Wheaton, present a number of arguments for God’s existence in front of his philosophy class. It is the purpose of this chapter to evaluate those arguments. In the end, we will see that the movie fails, pretty dramatically, at accomplishing its task, while (...) also unfairly demonizing those who deny its thesis along the way. (shrink)

Through Alfred North Whitehead’s metaphysics, the Philosophy of Organism, it will be argued that psychedelic experience is a vertical, lateral and temporal integration of sentience.

I come not to praise God but to bury him along with the dead gods of now forgotten religions. Not to praise him as the source of all that's good in the world, and hence the ultimate guide to human morals, but to indict him as the self-confessed source of all that's wrong with it. When the Christian God says in his Holy Scriptures, that he is the creator of evil, I am prepared to take him at his word.

Mutilation, along with all forms of maltreatment of the dead, was widely condemned by Greek authors of the Classical period. In a culture where the obligation to bury and respect the dead was seen as one of the strongest moral compulsions universal to all men, mistreating the dead was considered to be the most outrageous and unholy of actions, more suitable, as Herodotus states, for barbarians than for Greeks, ‘and even in them we find it loathsome’. The (...) importance of the theme of mutilating the dead in theIliad, where one can find numerous and surprisingly detailed descriptions of warriors maltreating the corpses of their enemies, is therefore puzzling, to say the least. (shrink)

The practice of prayer for the dead has been criticized by some Christians on the grounds that it is useless (on the assumption that a postmortem change in spiritual state is impossible) and even sinful inasmuch as it wills a state of affairs contrary to that which God has already ordained. In this article, I challenge these arguments using a Boethian or Augustinian conception of God’s relationship to time. If prayers from all times are perceived by God in a (...) tenseless present, I argue that prayer for the dead becomes no more problematic than petitionary prayer about the future. (shrink)

This chapter contains sections titled: Notes.

Background. Attending to goal-relevant information can leave us metaphorically ‘blind’ or ‘deaf’ to the next relevant information while searching among distracters. This temporal cost lasting for about a half a second on the human selective attention has been long explored using the attentional blink paradigm. Although there is evidence that certain visual stimuli relating to one’s area of expertise can be less susceptible to attentional blink effects, it remains unexplored whether the dynamics of temporal selective attention vary with expertise and (...) objects types in the auditory modality. Methods. Using the auditory version of the attentional blink paradigm, the present study investigates whether certain auditory objects relating to musical and perceptual expertise could have an impact on the transient costs of selective attention. In this study, expert cellists and novice participants were asked to first identify a target sound, and then to detect instrumental timbres of cello or organ, or human voice as a second target in a rapid auditory stream. Results. The results showed moderate evidence against the attentional blink effect for voices independent of participants’ musical expertise. Experts outperformed novices in their overall accuracy levels of target identification and detection, reflecting a clear benefit of musical expertise. Importanly, the musicianship advantage disappeared when the human voices served as the second target in the stream. Discussion. The results are discussed in terms of stimulus salience, the advantage of voice processing, as well as perceptual and musical expertise in relation to attention and working memory performances. (shrink)

Nietzsche’s name has become almost synonymous with militant atheism. Born into a pious Christian family, this son of a Lutheran pastor declared himself the Antichrist. But could this have been yet another of his masks of hardness? Nietzsche rarely revealed his innermost self in the published writings, and this can be gleaned mainly from his private letters and the accounts of friends. These sources bring to light the philosopher’s inner struggle with his own, deeply religious nature.Losing his father at a (...) young age was a calamity from which Nietzsche never recovered, and I argue that his famous thought-image “God is dead” was a transfiguration of the painful memory of this loss. In this essay, I trace Nietzsche’s tortuous path from an ardent devotee of God to a vociferous critic of Christianity, a path that was punctuated with veiled longings for a loving deity. Deep in his heart, he remained faithful to Christian ideals. Rather like Cordelia, the only truly loving daughter of King Lear, Nietzsche refused to utter words of intense affection and reverence, as these had been blatantly devalued and corrupted. Instead, he adopted a mask of a wrongdoer and a blasphemer who took not the punishment but the guilt.Nietzsche’s attitude to religion is discussed from the perspective of his life, his personality, and his mental condition. The discussion draws on psychoanalytical concepts of Freud, Erikson, Winnicott and Kohut. This is not an exclusive reading, but complementary to other studies in this field. (shrink)

Atheists are frequently demonized as arrogant intellectuals, antagonistic to religion, devoid of moral sentiments, advocates of an "anything goes" lifestyle. Now, in this revealing volume, nineteen leading philosophers open a window on the inner life of atheism, shattering these common stereotypes as they reveal how they came to turn away from religious belief. These highly engaging personal essays capture the marvelous diversity to be found among atheists, providing a portrait that will surprise most readers. Many of the authors, for example, (...) express great affection for particular religious traditions, even as they explain why they cannot, in good conscience, embrace them. None of the contributors dismiss religious belief as stupid or primitive, and several even express regret that they cannot, or can no longer, believe. Perhaps more important, in these reflective pieces, they offer fresh insight into some of the oldest and most difficult problems facing the human mind and spirit. For instance, if God is dead, is everything permitted? Philosophers without Gods demonstrates convincingly, with arguments that date back to Plato, that morality is independent of the existence of God. Indeed, every writer in this volume adamantly affirms the objectivity of right and wrong. Moreover, they contend that secular life can provide rewards as great and as rich as religious life. A naturalistic understanding of the human condition presents a set of challenges--to pursue our goals without illusions, to act morally without hope of reward--challenges that can impart a lasting value to finite and fragile human lives. Collectively, these essays highlight the richness of atheistic belief--not only as a valid alternative to religion, but as a profoundly fulfilling and moral way of life. "This Atheists R Us compilation differs markedly in tone from Hitchens and Dawkins. Excellent fare for Christian small groups whose members are genuinely interested in the arguments raised by atheists." --Christianity Today "Readable, personal, and provocative.... Contrary to the popular image, atheism isn't all rebellious trumpets and defiant drums.... Here we have all the varieties of unreligious experience, a full symphony of unbelief." --Free Inquiry "Compelling and sophisticated arguments that religious people ought to confront." --Tikkun. (shrink)

‘God is dead’ can mean many things. It can mean that the way God has been thought of is no longer adequate, or that there is no God and never has been, or that human consciousness of God has receded. 1 Our concern in what follows begins with ‘the death of God’ in this last sense, in the specific sense of the death of an awareness of God or of an affective consciousness of God. Or rather, this is where (...) half of our concern begins. The other half begins with a phenomenon which is the mirror image of the death of God:the death of persons. By ‘the death of persons’ I mean something analogous to the sense specified for ‘the death of God.’ I mean the death or at least the decline of a consciousness of the inherent worth of persons, of the worth persons have as persons. In Kantian terms the death of persons is the loss of a consciousness of persons as ends in themselves. The death of God and the death of persons are parallel, and, furthermore, they are connected. The connection is not difficult to see, particularly if we remind ourselves of what Nietzsche said about the death of God. (shrink)

“God is dead!” This is one of the most famous claims in Nietzsche’s philosophy, difficult to fully affirm. While the higher men fail to overcome the ghost of God, Zarathustra joyfully affirms God’s death. This affirmation deconstructs the metaphysical and moral concept of “divinity,” turning it into a metaphor. The new metaphor of the divine, mainly developed through the figure of Dionysius, expresses the capacity of affirming life beyond the old values, related to the dead God. It also (...) involves the creation of a higher body beyond the body of despair, associated with these values. The purpose of this paper is to study the relationship between the death of God and the body in Nietzsche’s account by analyzing the meanings of this death for the higher men, the question of the divine in Zarathustra’s account, and the status of the Dionysian body. (shrink)

This paper argues for the value of the ‘strange’ as a hermeneutical tool to open fresh perspectives on an issue of widespread human concern, specifically how to deal with and relate to the dead. Traditional Chinese folk religion and the animistic ghost culture found within it is introduced and the role of gods, ancestors, and ghosts explained. The view that death is not the end of life but the transition to a new relationship with the living raises questions about (...) our potential obligations to the dead. It also has implications for our thinking about intergenerational justice and the role of our memory of the past in shaping our present and future experience. (shrink)

Leszek Kołakowski, who was brought up in the climate of Marxist philosophy, has moved away very considerably from the Marxist position of extreme atheism, but he may not be called a convert. Of the two contrasting attitudes which may be assumed in respect of the existential problems, the attitude of the priest and the attitude of the jester, Kołakowski is closer to the latter. The priest, if he is to perform his role well, should take his duties seriously; he should (...) be convinced of the truth of the deity that he serves. In carrying out his office he is expected to be ceremonious, formal and serious. The jester's position is more comfortable. His task is not to conduct a systematic and serious search for the truth: it is more the role of the critic. He is to observe the faults, the nonsenses, and the blunders, unconcerned for the persons at the butt-end of his critique and how they are to extricate themselves from it. The jester need not be a merry clown at all. Perhaps that is why alongside God, the sub-title of Kołakowski's book mentions things that are sad. Kołakowski is fascinated by the figure of Satan, who wants to be taken seriously but in culture, especially in the folk culture is attributed grotesque forms. Only the devil of the jasełka traditional Polish Christmas play makes audiences laugh hilariously, the real devil is deadly serious, since he is eternally thirsting for the truth and for love. Kołakowski is not pleased with his role of jester. But neither would he be any use as a priest. He has no gospel of his own which he could pass on to other people. He is trapped between two absurdities, which he briefly formulates after Pascal as: „The basic tenets of faith... are absurd, and yet the world image which excludes those tenets is even more absurd". (shrink)

Leszek Kołakowski, who was brought up in the climate of Marxist philosophy, has moved away very considerably from the Marxist position of extreme atheism, but he may not be called a convert. Of the two contrasting attitudes which may be assumed in respect of the existential problems, the attitude of the priest and the attitude of the jester, Kołakowski is closer to the latter. The priest, if he is to perform his role well, should take his duties seriously; he should (...) be convinced of the truth of the deity that he serves. In carrying out his office he is expected to be ceremonious, formal and serious. The jester's position is more comfortable. His task is not to conduct a systematic and serious search for the truth: it is more the role of the critic. He is to observe the faults, the nonsenses, and the blunders, unconcerned for the persons at the butt-end of his critique and how they are to extricate themselves from it. The jester need not be a merry clown at all. Perhaps that is why alongside God, the sub-title of Kołakowski's book mentions things that are sad. Kołakowski is fascinated by the figure of Satan, who wants to be taken seriously but in culture, especially in the folk culture is attributed grotesque forms. Only the devil of the jasełka traditional Polish Christmas play makes audiences laugh hilariously, the real devil is deadly serious, since he is eternally thirsting for the truth and for love. Kołakowski is not pleased with his role of jester. But neither would he be any use as a priest. He has no gospel of his own which he could pass on to other people. He is trapped between two absurdities, which he briefly formulates after Pascal as: „The basic tenets of faith... are absurd, and yet the world image which excludes those tenets is even more absurd". (shrink)

With a preface by Gianni Vattimo, this book offers both an overview of contemporary Italian philosophy and a new interpretation of Nietzsche’s ‘God is Dead’ in connection with the notion of freedom as the original dynamic of the will to power.

This book presents a defense of the reality of God in the sense in which Nietzsche proclaimed His death. It explores various contemporary versions of Nietzsche's maxim God is dead and proposes an alternative to them. Philip E.Devine critically examines three views that, in one way or another, accept the death of God and take it as central to the intellectual life: pragmatism, which asserts that the only end of the intellectual life is the pursuit of worldly goods other (...) than truth; relativism', which admits a multiplicity of truths corresponding to the modes of life pursued by human beings; and nihilism, to which the pursuit of truth is a deception. Devine then defends his own position on the nature of God and religion and argues for a convergence between the concerns of faith and philosophy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Killing God, Liberating the “Subject”: Nietzsche and Post-God FreedomMichael LackeyIIndeed, we philosophers and “free spirits” feel, when we hear the news that “the old god is dead,” as if a new dawn shone on us; our heart overflows with gratitude, amazement, premonitions, expectations. 1After God’s death, if Michel Foucault is to be believed, the death of the subject followed quite naturally. But how, one might ask, did that (...) fateful event of God’s death necessarily lead to the demise of that most noble animal? Answering this question is crucial, for once we understand how, for Nietzsche, God’s existence and His metaphorical participation in the creation of humanity are most destructive of what is most vital within the human, then we will see how, in killing God and His crown of creation, Nietzsche does not become the quintessential nihilist; rather, he becomes, to his mind, the first sane voice crying in the intellectual wilderness: make way the coming of a new human, a “subject” which can only become a “self “ when it paradoxically learns to overcome its very constructed “self.” Nietzsche’s logic therefore runs as follows: so long as God exists, a subject which overcomes itself cannot come into being; for as Richard Schacht rightly notes, the God-hypothesis serves as a support for the traditional subject-hypothesis in Nietzsche’s writings. So to produce a self-overcoming subject Nietzsche must first kill what he considers that stodgy old tyrant of the soul. But this raises the question of how one goes about doing away with [End Page 737] God. In Twilight of the Idols Nietzsche gives his reader a puzzling answer to this question when he says that he fears that “we are not getting rid of God because we still believe in grammar” (“Reason,” 5). 2 Given Nietzsche’s logic, to kill off God he needs to eliminate belief in grammar, and once God is dead, he can then do away with the subject. In what follows I will show how Nietzsche tries to eliminate God and the traditional subject through his extended analysis of what it means to “believe in grammar.”IIIf there is today still no lack of those who do not know how indecent it is to “believe”—or a sign of decadence, of a broken will to live—well, they will know it tomorrow. 3To understand what it means to believe in grammar, it is best to note how Nietzsche contrasts belief and freedom. More starkly, we could say that for Nietzsche to have faith means, necessarily, to lack freedom; or to be free means, necessarily, to reject faith. Nietzsche makes this clear in the fifth book of GS when he says: “Once a human being reaches the fundamental conviction that he must be commanded, he becomes ‘a believer.’ Conversely, one could conceive of such a pleasure and power of self determination, such a freedom of the will that the spirit would take leave of all faith and every wish for certainty, being practiced in maintaining himself on insubstantial ropes and possibilities and dancing even near abysses” (§ 347). I isolate this passage not in order to outline Nietzsche’s criticism of belief but rather to understand how Nietzsche defines freedom by contrasting it with belief. Such an analysis of course begs the question how it is possible that belief necessarily precludes freedom. Intuitively, it would seem that belief and freedom entail no contradiction. For instance, given two choices, to believe in God or not to believe in God, I exercise my freedom in choosing one belief over the other. With this example, it would seem that belief necessarily presupposes freedom. So how is it that Nietzsche concludes that freedom and belief are irreconcilable?That Nietzsche considers faith obscene is clear when he tells us in AC that belief of any kind is a “sign of decadence” (§ 50) which leads to “self-alienation” (§ 54). In fact he goes so far as to claim that faith is actually “slavery in a higher sense” (§ 54). To see why belief implies slavery we must first understand what Nietzsche means by faith. While the standard view suggests that faith is... (shrink)

Contemporary continental philosophy approaches metaphysics with great reservation. A point of criticism concerns traditional philosophical speaking about God. Whereas Nietzsche, with his question "God is dead; who killed Him?" was, in his time, highly 'unzeitgemäß' and shocking, the twentieth century by contrast, saw Heidegger's concept of 'onto-theology' and its implied problematization of the God of the metaphysicians quickly become a famous term. In Heidegger's words, to a philosophical concept or 'being' we can neither pray, nor kneel. Heidegger did not, (...) however, return to the God of Christian faith. He tried to initiate a new way of speaking about God--a way that reveals the limits of philosophical discourse. Derrida, Marion, Bataille, Adorno, Taubes and Bakhtin, each in their own way, continue this exploration begun by Nietzsche and Heidegger. This book takes a fresh look at these developments. The 'death of God' as the editors say in an introductory study, announces not so much the death of the 'old God'--the God of philosophers, theologians and believers--but rather the death of the god who put himself on His throne: autonomous human reason. In listening to the reactions to this dethronement of autonomous reason, the editors believe they hear the echoes of an experience of an embarrassment rooted partly in an old medieval tradition: negative theology. With the death of this 'new god', might a sensitivity reappear for transcendence? Here the editors want to offer a platform where contemporary philosophers of culture can again pose the question of speaking about God. (shrink)

"God is dead. God remains dead. And we have killed him." This is the book in which Nietzsche put forth his boldest declaration. It is also his most personal. Essential reading for students of philosophy, history, and literature, it features some of Nietzsche's most important discussions of art, morality, knowledge, and, ultimately, truth.

The Reveries sur la nature primitive de l'homme are one of the important books of the dawn of the nineteenth century. In this text, Senancour limns an image of the world in accordance with the scientific thought of his time. It is a disenchanted image, dominated by mechanical necessity, and in it the distinction between good and evil no longer holds. God is absent; the world is not his creation. And Senancour expresses no regret:Everything in nature is indifferent, for everything (...) is necessary: all is beautiful, for all is determined. The individual is nothing, as a being apart: his cause and his end lie beyond him. Only the whole exists absolutely, invincibly, with no other cause, with no other end beyond itself, with no laws but those of its nature, with no other product than its permanence…. The beautiful, the true, the just, evil, and disorder exist only for the weakness of mortals…. The same earth contains happy orchards and ruinous volcanoes. The villain triumphs, the hero dies; the orchard withers, the volcano is snuffed out; one and the same destruction devours both the animate and the inanimate, shrouded in the same oblivion; and in a world reborn, there remains not a trace of what was abhorred or deified in a bygone world. (shrink)

This introductory essay addresses Nietzsche's famous claim that God is dead, develops his arguments for it, and examines its potential implications for contemporary religious and ethical thought.

Deland S. Anderson traces the origin of the idea, "God is dead," in the philosophy of G.W.F. Hegel. Focusing on issues of language, life, and learning, Anderson presents an integrated perspective on the death of God in Hegel's philosophy as it emerged in the early years at Jena. He argues that Hegel's pronouncement of the death of God was the beginning of his radically innovative system of speculative discourse, which revolutionized not only philosophy byt the wider culture as well.

With a preface by Gianni Vattimo, this book offers both an overview of contemporary Italian philosophy and a new interpretation of Nietzsche’s ‘God is Dead’ in connection with the notion of freedom as the original dynamic of the will to power.

Virtuosity in music performance is often associated with fast, precise, and efficient sound-producing movements. The generation of such highly skilled movements involves complex joint and muscle control by the central nervous system, and depends on the ability to anticipate, segment, and coarticulate motor elements, all within the biomechanical constraints of the human body. When successful, such motor skill should lead to what we characterize as fluency in musical performance. Detecting typical features of fluency could be very useful for technology-enhanced learning (...) systems, assisting and supporting students during their individual practice sessions by giving feedback and helping them to adopt sustainable movement patterns. In this study, we propose to assess fluency in musical performance as the ability to smoothly and efficiently coordinate while accurately performing slow, transitionary, and rapid movements. To this end, the movements of three cello players and three drummers at different levels of skill were recorded with an optical motion capture system, while a wireless electromyogrphy (EMG) system recorded the corresponding muscle activity from relevant landmarks. We analyze the kinematic and coarticulation characteristics of these recordings separately and then propose a combined model of fluency in musical performance predicting music sophistication. Results suggest movements from expert performers' are characterized by consistently smooth strokes and scaling of muscle phasic coactivation. The explored model of fluency as function of movement smoothness and coarticulation patterns was shown to be limited by the sample size but serves as a proof of concept. Results from this study show the potential of a technology-enhanced objective measure of fluency in musical performance, which could lead to improved practices for aspiring musicians, instructors, and researchers. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Prayer for the Dead, A Prayer for the LivingVincent J. MinichielloAs a first year resident physician, I am just beginning to understand the responsibilities and the practice of medicine. I have difficulty telling people “I’m a doctor,” because I’m not sure I believe it myself. And yet within the past eight months, I have already been challenged to mediate situations that bring me to not only fully (...) accept my vocation as a physician, but also to grow on a mental level, a human level, and a spiritual level. In the following reflection, I recount one of those moments that occurred during a rotation in the medical intensive care unit.At 6 p.m. I was coming on for my night shift knowing that the family of one of the patients I would be caring for had decided earlier in the day to withdraw medical care for their dying sister. The woman had been admitted to the ICU the previous night unconscious and in multi organ system failure—heart, lungs, liver, kidneys, all failed—as a result of chronic alcoholism and most recently drinking daily for three weeks with barely any other dietary intake. She was being kept alive with mechanical ventilation and three IV drips of medications to maintain her blood pressure. She was 45 years old. After a few more hours of saying goodbye, her sister came up to me and said that the family was ready to proceed. To withdraw care. I thought a lot about this phrase we use [End Page 204] “withdrawing care” that night. This encounter was the first time I had ever been the physician entering these orders into the computer. To me, what I was doing that night was in fact the complete opposite of “withdrawing” care. I felt, instead, that I was giving even more care. How?First, by caring more for the patient. By making sure she was comfortably extubated, by helping to reposition her in the hospital bed in a way that appeared more natural, and by praying. I prayed that when we stopped the pressors and the ventilator, she would pass quietly and find peace in Heaven, when she perhaps found very little on Earth.Second, by caring more for her family. It was my responsibility to guide them through this dying process, a process that I had only encountered two or three times previously in my life. I felt unsure, frightened, and nervous, not wanting to make a mistake or be inadvertently insensitive. Once again, prayer and what I perceive to be God’s grace filled me with the love I needed to outline the process, to encourage family members to hold her hand and to speak with her while she died.Once the medications were stopped and she was breathing unassisted, her lungs gasped once … twice. Was the soul being released from the body or was the body clinging onto the soul? And then, within two minutes, silence. I left some space to pause and then when the time felt right, stepped forward for the death pronouncement. “The heart is not beating, the lungs have stopped breathing” was all I could manage to say. Why did I remove the “she” and “her”? Why could I not say, “She is dead”? At the time I could not have answered those questions. Thinking back, I believe it was easier for me to vocalize that her body had simply stopped functioning, while I quietly held on to the belief that her soul continued to exist. Should I have held back as I did? Would it have been better for the family to hear that their sister was unquestionably dead? Perhaps. Nevertheless, the family understood, they cried, they held their sister’s hand. And then let go.At this point I took a breath, left the room, and without pause stepped straight into …A 46 year old woman with a history of drug and alcohol abuse was being wheeled into the ICU on a hospital bed right in front of me as the door behind me closed. Her nose and mouth were caked with white powder and she was in the embrace of some hallucination, clawing... (shrink)

There is considerable evidence that beliefs in supernatural punishment decrease self-interested behavior and increase cooperation amongst group members. To date, research has largely focused on beliefs concerning omniscient moralistic gods in large-scale societies. While there is an abundance of ethnographic accounts documenting fear of supernatural punishment, there is a dearth of systematic cross-cultural comparative quantitative evidence as to whether belief in supernatural agents with limited powers in small-scale societies also exert these effects. Here, we examine information extracted from the Human (...) Relations Area Files on cultural discourse about the recently deceased, local ancestor spirits, and mortuary practices across 57 representative cultures. We find evidence that in traditional small-scale societies ancestor spirits are commonly believed to be capable of inflicting harm, with many attendant practices aimed at mitigating this danger. However, such beliefs do not appear to promote cooperation, as ancestor spirits seem to be concerned with interactions between themselves and the living, and to prioritize their own welfare. Many attendant practices are inconsistent even with bipartite cooperation with ancestors that could be viewed as a model for other relationships. The broader implications of this research for the cultural evolution of religion are discussed. (shrink)