Radical Orthodoxy is a new wave of theological thinking that seeks to re-inject the modern world with theology. The group of theologians associated with Radical Orthodoxy are dissatisfied with conteporary theolgical responses to both modernity and postmodernity Radical Orthodoxy is a collection that aims to reclaim the world by situating its concerns and activities within a theological framework. By mapping the new theology against a range of areas where modernity has failed, these essays offer us way out of the impasses (...) that postmodernity represents. (shrink)

Arguing for a new direction in postmodern theological thinking, away from the liberalism and nihilism of those who name themselves postmodern theologians, the ...

The book sets out to address and answer three questions from the point of view of Christian theology. The first is, from where does theology speak? The second is, what are the mechanisms whereby cultures change? The third is, how might we conceive the relationship between the contemporary production of theological discourse and the transformation of cultures more generally? Drawing upon the work of standpoint epistemologists, cultural anthropologists and social scientists, the book argues that public acts of interpretation are involvements (...) in renegotiating the future direction of cultural change. Though the enquiry is conducted from one particular standpoint - Christian theology - the observations and suggestions it makes regarding cultural transformation and the defense it makes of syncretism have more general application. (shrink)

Sketching the current division within receptions of Hegel, this article argues for Hegel as a philosophical theologian in a way that is not covered by the recent investigations into Hegel's theological project. Examining in particular the early work on Jesus Christ, the article analyses the changes in this work and how these changes in his understanding of Christology enabled Hegel to appreciate the logic of the Logos. This logic of the Logos is the basis for all his subsequent philosophy. It (...) is a logic that is made possible in his philosophical theology of mediation, incarnation, and reconciliation. (shrink)

Are there no new ideas to be invented? Are today's ideas really just borrowed from previous times? Postmodernism says this is so, and it's one of the hottest philosophies of today. The book provides an indispensable guide to this often-demanding terrain for readers encountering theories of postmodernism for the first time and places the subject in a broad context. It introduces a wide range of ideas, thinkers, and views yet maintains the readers' focus by linking theory with concrete examples from (...) both "high" and "popular" culture. After completing Teach Yourself Postmodernism , readers will never look at their world the same way again. (shrink)

Why believe? What kinds of things do people believe in? How have they come to believe them? And how does what they believe -- or disbelieve -- shape their lives and the meaning the world has for them? For Graham Ward, who is one of the most innovative writers on contemporary religion, these questions are more than just academic. They go to the heart not only of who but of what we are as human beings. Over the last thirty years, (...) our understandings of mind and consciousness have changed in important ways through exciting new developments in neuroscience. The author addresses this quantum shift by exploring the biology of believing. He offers sustained reflection on perception, cognition, time, emotional intelligence, knowledge and sensation. Though the 'truth' of belief remains under increasing attack, in a thoroughly secularized context, Ward boldly argues that secularity is itself a form of believing. Pointing to the places where prayer and dreams intersect, this book offers a remarkable journey through philosophy, theology and culture, thereby revealing the true nature of the human condition. (shrink)

expression that indicates hearer-familiarity conversationally implicates that the referent is in fact nonfamiliar to the hearer” (KW 177, emphasis in original, footnote added). The purpose of this note is two-fold: first, to look more closely at the proposed implicature; and second, to clarify its relation to a different implicature – a scalar implicature of nonuniqueness resulting from use of the indefinite rather than the definite article, which was proposed by Hawkins (1991). In the first section below we distinguish explicit from (...) implicit indications of familiarity. In §2 we look specifically at definite NPs from this perspective. In §3 we consider KW’s evidence for the familiarity implicature, and in §4 we argue that the existence of such an implicature does not cast doubt on the existence of Hawkins’ nonuniqueness implicature. The final section contains some concluding remarks. We should make clear that we may ultimately have little or no disagreement with KW on the issues here. (We have had some indication from one of the authors that that is the case.) Rather, our main purpose is clarificatory. Most importantly, we fear that a reader of KW may come away with the conclusion that their nonfamiliarity implicature in some way supplants or supersedes the Hawkins implicature, and we would like to ward off any such conclusion. (shrink)

This handbook charts and explores recurring themes and approaches to this broad and complex topic, particularly with regard to Theology.

The empirical data do not unequivocally support a consistent fixed capacity of four chunks. We propose an alternative account whereby capacity is limited by the precision of specifying the temporal and spatial context in which items appear, that similar psychophysical constraints limit number estimation, and that short term memory (STM) is continuous with long term memory (LTM).

Eminent theologians John Milbank, Graham Ward, and Edith Wyschogrod discuss aesthetics, placing radical orthodoxy in dialogue with postmodern theology.

A Christian theology that is orientated towards understanding incarnation must be interested in the nature of embodiment. As the experience of those involved in sports centres on the body and its attunement to the situation and environment in which it finds itself, so we can compare the states of immersion in the material world in the athlete’s experience and the experience of Christian piety. This essay offers a comparative phenomenology of two forms of embodiment: the athlete’s entry into ‘the zone’ (...) and the contemplative’s centring of the embodied soul in Christ. In doing so it opens up areas of both similarity and difference that are coming to be explored by neuropsychology and neurophysiology. and points to the development of a radical account of incarnation that takes embodiment and affectivity seriously. (shrink)

What I wish to argue for in this essay is the theological advantage of turning from the stasis of analogy and symbol to the dynamism and semiosis of allegory. The move from static, atemporal discussions of analogy and symbol to allegory will lend itself to a rather different model for the hermeneutical task. It is one that is founded upon narrative, mimesis and participation, and one that presents a more dynamic view of the relationship between revelation , disclosure , representation (...) and knowledge. I begin by examining a constellation of inter‐related ideas—narrative, participation in an unfolding tradition, knowledge and discipleship—in what is often read as an appeal in the Lukan Preface to historical facts. I then return to Aristotle, to develop the rich association between mimesis and phronesis, rhetoric and knowledge, and to point out the ambiguous nature of analogy to ontology. The practice of living, for Aristotle, I suggest, is allegorical. It is with Gregory of Nyssa's work on allegory that I put together the Lukan emphasis upon participation and discipleship with an account of reading creation allegorically. With Gregory, we learn how to read the world in the light of its Christic watermark and in the power of a Trinitarian desire. In modernity such allegorical reading fell out of favour, and it is a recapitulation of that theologically informed, allegorical reading that this essay finally exhorts. (shrink)

The customary assumption about dying is that one would rather not. The event of death itself should be postponed for as long as possible, and comfort may be gained from doctrines which promise a victory over it. We celebrate those who try to cheat it. The dying Henry James thought he was Napoleon, and there is something in that, over and above the pathos of a wandering mind, that exemplifies, however parodically, the mental set we expect to find and what (...) we relish in those who attempt to press their own strong case against the disintegrative flow of time and change. We assume that one should struggle against death, setting such a stamp on life that even if the body must die, something the mind has done may not. Attitudes that run counter to this stubbornness are thought defeatist or unwholesome. In his own decline, Charles Baudelaire, catching sight of himself in a mirror, bowed, thinking himself a stranger. That confusion is more chilling than Jams’ because it undermines the treasured integrity of the self: it shows that death is not an invader attacking suddenly from outside. We are in one sense always in its keeping. In this essay I shall argue that whatever revolt against death may catalyse the act of writing poetry, poems are intimately tied to death in ways that complicate and even undermine that revolt. Indeed, since the inception of Romanticism , a poem in order to be a poem has had to engage not only with the fact that in the midst of life we are in its negation, but also with death’s analogues: madness, trance, divisions and questionings of the self. The relationship between poetry and the disruption of the customary self may even be celebratory.But before investigating the relationship between poetry and death, we had better be sure that one can indeed die:At first glance, the preoccupation of the writer who writes in order to be able to die is an affront to common sense. It would seem we can be sure of at least one event: it will come without any approach on our part, without our bestirring ourselves at all; yes, it will come. That is true, but at the same time it is not true, and indeed quite possibly it lacks truth altogether. At least it does not have the kind of truth which we feel in the world, which is the measure of our action and of our presence in the world. What makes me disappear from the world cannot finds its guarantee there; and thus, in a way, having no guarantee, it is not certain. This explains why no one is linked to death by real certitude. No one is sure of dying.1No one can think to cheat death, but to contemplate death is to introduce into thought the epitome of doubt. The one thing I can never know in advance or know demonstrably, by my very nature and by its, is the actual instant of my own death. Conventionally, “I will go when my time comes”: the phrase gestures toward the privacy of each human death, and the Protestant tone of “my time”—part predestination, part ownership—barely hides the inaccessibility of death inside that privacy. There are two certainties in life. One is that death will come. The other is that no one can be sure of this. Perhaps no one has truly died yet. 1. Maurice Blanchot, The Space of Literature, trans. Ann Smock , p. 95; all further references to this work, abbreviated SL, will be included in the text. Geoffrey Ward is lecturer in English at the University of Liverpool. He is at present completing his first critical book, The Poetry of Estrangement. His published articles include essays on symbolism in John Ashbery, Conrad’s English, metaphor in Shelley’s longer poems, the novels of Henry Green, and Wyndham Lewis. He has also published five volumes of poetry, mot recently Not the Hand Itself. (shrink)

How the Light Gets In: Ethical Life I presents a systematic account of the teachings of the Christian faith to offer a vision, from a human, created, and limited perspective, of the ways all things might be understood from the divine perspective. It explores how Christian doctrine is lived, and the way in which beliefs are not simply cognitive sets of ideas but embodied cultural practices. Christians learn how to understand the contents of their faith, learn the language of the (...) faith, through engagements that are simultaneously somatic, affective, imaginative, and intellectual.In the first of four volumes, Graham Ward examines the complex levels of these engagements through three historical developments in the systematic organization of doctrine: the Creeds, the Summa, and Protestant dogmatics. He outlines a methodology for exploring and practicing systematic theology that captures how the faith is lived in cultural, social, and embodied engagements. Ward then unpicks several fundamental theological concepts and how they are to be understood from the point of view of an engaged systematics: truth, revelation, judgement, discernment, proclamation, faith seeking understanding, and believing as it relates to and grounds the possibilities for faith.This groundbreaking work offers an interdisciplinary investigation through poetry, art, film, the Bible and theological discourse, analysing the human condition and theology as the deep dream for salvation. The final part relates theology as a lived and ongoing pedagogy concerned with individual and corporate formation to biological life, social life, and life in Christ. Here an approach to living theologically is sketched that is the primary focus for all four volumes: ethical life. (shrink)

Beginning with a discussion of Fritz Lang's ‘Metropolis’, this paper considers the rise of the city from a theological perspective. The ideal of the modern city was, it is argued, a secularised version of the City of God: the city was to be a place where all human desires might be met, a city without a church because the moral perfection of each human being has been fulfilled. The advent of the postmodern city of consumerist desire undermines this secular dream, (...) and opens a space for theologians to frame alternative visions of cities of erotic participatory desire. (shrink)