In May 1968, Gilles Deleuze was an established philosopher teaching at the innovative Vincennes University, just outside of Paris. Félix Guattari was a political militant and the director of an unusual psychiatric clinic at La Borde. Their meeting was quite unlikely, yet the two were introduced in an arranged encounter of epic consequence. From that moment on, Deleuze and Guattari engaged in a surprising, productive partnership, collaborating on several groundbreaking works, including _Anti-Oedipus_, _What Is Philosophy?_ and _A Thousand Plateaus_. (...) class='Hi'>François Dosse, a prominent French intellectual known for his work on the Annales School, structuralism, and biographies of the pivotal intellectuals Paul Ricoeur, Pierre Chaunu, and Michel de Certeau, examines the prolific if improbable relationship between two men of distinct and differing sensibilities. Drawing on unpublished archives and hundreds of personal interviews, Dosse elucidates a collaboration that lasted more than two decades, underscoring the role that family and history—particularly the turbulent time of May 1968—play in their monumental work. He also takes the measure of Deleuze and Guattari's posthumous fortunes and the impact of their thought on intellectual, academic, and professional circles. (shrink)

Il est assez rare qu’un concept philosophique s’échappe de l’arène académique. C’est pourtant le cas du concept de spécisme, qui a fait une entrée remarquée dans la sphère publique au cours de la dernière décennie. Il est désormais au cœur du débat de société sur nos devoirs envers les animaux non humains. Hélas, ce concept et les enjeux qu’il soulève sont souvent mal compris. Nombreux sont les auteurs qui contestent sa légitimité alors qu’ils le maitrisent mal. D’autres l’utilisent plus volontiers (...) sans toutefois mieux le comprendre. Les confusions qui entourent cette notion l’empêche de contribuer à la discussion autant qu’elle le pourrait. Le présent ouvrage entend remédier à cet état de faits en donnant de la notion de spécisme une présentation à la fois assez précise pour rendre justice aux discussions philosophiques dont elle fait l’objet et suffisamment claire pour être accessible à quiconque s’intéresse au statut moral des animaux. Il se divise en deux parties. La première aborde des questions ontologiques : Qu’est-ce exactement que le spécisme ? À quelles conditions existe-t-il ? Ces conditions sont-elles remplies dans les faits ? Quant à la seconde, elle porte sur des questions éthiques : Le spécisme peut-il être justifié ? Faut-il au contraire le condamner au même titre que le racisme et le sexisme ? (shrink)

Animal ethicists often distinguish between direct and indirect defenses of speciesism, where the former appeal to species membership and the latter invoke other features that are simply associated with it. The main extant charge against indirect defenses rests on the empirical claim that any feature other than membership in our species is either absent in some humans or present in some nonhumans. This paper challenges indirect defenses with a new argument, which presupposes no such empirical claim. Instead, the argument from (...) discordance resorts to the following principle: a certain feature can only justify discriminating on the basis of that feature. (shrink)

Renowned philosopher and prominent French critic François Noudelmann engages the musicality of Jean-Paul Sartre, Friedrich Nietzsche, and Roland Barthes, all of whom were amateur piano players and acute lovers of the medium. Though piano playing was a crucial art for these thinkers, their musings on the subject are largely scant, implicit, or discordant with each philosopher's oeuvre. Noudelmann both recovers and integrates these perspectives, showing that the manner in which these philosophers played, the composers they adored, and the music (...) they chose reveals uncommon insight into their thinking styles and patterns. Noudelmann positions the physical and theoretical practice of music as a dimension underpinning and resonating with Sartre's, Nietzsche's, and Barthes's unique philosophical outlook. By reading their thought against their music, he introduces new critical formulations and reorients their trajectories, adding invaluable richness to these philosophers' lived and embodied experiences. The result heightens the multiple registers of being and the relationship between philosophy and the senses that informed so much of their work. A careful reader of music, Noudelmann maintains an elegant command of the texts under his gaze and appreciates the discursive points of musical and philosophical scholarship they involve, especially with regard to recent research and cutting-edge critique. (shrink)

At the end of World War II, F. A. Hayek denounced the then-popular idea of central planning by arguing that, if pursued to its logical conclusion, it would entail totalitarianism. But there were at least two problems. First, judging by his example of Nazi Germany, state control over the economy appears to be a consequence, not a cause, of the monopolization of political power. Second, he conflated socialism and mere interference in the market with central planning. Therefore, history did not (...) so much falsify Hayek's prediction as bypass it: Once the vogue for central planning faded in the West, Hayek's book became irrelevant—except, ironically, in Germany. There, it was read as a manifesto for “good planning” through the rule of law. Alongside other “neoliberal” writers, Hayek had a profound (if little acknowledged) influence on the shape of the emerging Federal Republic and, through it, on the whole European institutional framework. (shrink)

A defence of the 'pragmatic' theory of anaphora (which stresses the analogy between anaphora and deixis) against an argument put forward by Gareth Evans.

Я интерпретирую философские взгляды Вернера Гайзенберга как прагматизм и неметафизический реализм виттгенштайновского типа. «Замкнутая теория» – виттгенштайновское правило/концепт. В отличие от Бокулич, предпочитающей позицию Дирака относительно природы связей между различными физическими теориями, я отдаю предпочтение позиции Гайзенберга. Моя позиция, интерпретирующая Гайзенберга, также прямо противоположна позиции Поппера: критерием устоявшейся научной (замкнутой) теории является её нефальсифицируемость. -/- I interpret philosophical views of Werner Heisenberg as a pragmatism and non-metaphysical realism of a Wittgensteinian kind. The “closed theory” is a Wittgensteinian rule/concept. Unlike Alisa (...) Bokulich, favouring Dirac’s position about inter-theoretical relations, I favour Heisenberg’s one. My position, interpreting Heisenberg’s notion of a closed theory, is also in direct opposition to Popper’s one: the criterion of an established scientific (closed) theory is its non-falsifiability. (shrink)

Response to Alex Byrne's paper 'Knowing what I see'.

ABSTRACTWhat does it take for lawyers and others to think or talk about the same legal topic—e.g., defamation, culpability? We argue that people are able to think or talk about the same topic not when they possess a matching substantive understanding of the topic, as traditional metasemantics says, but instead when their thoughts or utterances are related to each other in certain ways. And what determines the content of thoughts and utterances is what would best serve the core purposes of (...) the representational practice within which the thought or utterance is located. In thus favoring a “relational model” in metasemantics, we share Ronald Dworkin's goal of explaining fundamental legal disagreements, and also his reliance on constructive interpretation. But what we delineate is a far more general and explanatorily resourceful metasemantics than what Dworkin articulated, which also bypasses some controversial implications for the nature of law that Dworkin alleged. (shrink)

In this book it explores science and technology, makes connections between these epistemic, cultural, and political trends, and develops profound insights into the nature of our postmodernity.

" L ABCDaire consiste à disperser volontairement une certaine philosophie, afin de la rendre plus lisible ou plus visible. Les mots ouvrent ; de vives discussions. Nous avancerons à chaque fois une réponse qui ne sera pas toujours partagée. Nous ne nous en plaignons pas. La philosophie, en général, ne répugne pas à cette situation. " Dans la diversité des analyses de François Dagognet un fil conducteur rend sa démarche particulièrement originale : alors que dominent chez bon nombre de (...) penseurs la condamnation de la technique et le ressentiment envers l'époque, ce philosophe ne cesse de souligner les aspects positifs, libérateurs et créatifs du monde actuel y compris dans les domaines qui passent pour les plus redoutables, même s'il n'a de cesse aussi d'en déceler les dysfonctionnements. (shrink)

On the basis of a comparison between a French record store and a Malian street vendor, the article questions the various forms of listening at stake in each case, forms which constitute simultaneously various modes of appropriating the music, and various trademarks of possible worlds of musical exchanges. In such worlds, ordinary and specific as they are, the shop-keeper remains our favorite gate-keeper: this is a tale of the « withering away of the intermediaries s, only in reverse.

In Specters of Marx, Derrida proposes a return to the spirit of Marxism as a way of dealing with the 'repoliticization' of contemporary realities. I suggest that Derrida's rediscovery of Marx allows one to map out what I call the end(s) of postmodernism, that is to say, the point(s) where the cultural free-play characteristic of the postmodern mood is confronted with renewed questions of politics, ideology and technology. Through a micro-reading of Derrida's text, two possible end(s) of postmodernism are identified. (...) One is a 'retro-(post)modernist' discourse which turns liberal and provides the vision of a 'New International' as an end result. The other is a '(post)-postmodern' approach which finds a way of tackling politics and ideology by rediscovering a mode of situationist engagement. By investigating the 'specters' of postmodernism through Derrida's recent work, this paper contributes to the debate over what type of theoretical formations may emerge after postmodernism. Key Words: culture • deconstruction • Derrida • détournement • ideology • Marx • the New International • postmodernism • situationism. (shrink)

Cumulative technological culture (CTC) refers to the increase in the efficiency and complexity of tools and techniques in human populations over generations. A fascinating question is to understand the cognitive origins of this phenomenon. Because CTC is definitely a social phenomenon, most accounts have suggested a series of cognitive mechanisms oriented toward the social dimension (e.g., teaching, imitation, theory of mind, and metacognition), thereby minimizing the technical dimension and the potential influence of non-social, cognitive skills. What if we have failed (...) to see the elephant in the room? What if social cognitive mechanisms were only catalyzing factors and not thesufficient and necessaryconditions for the emergence of CTC? In this article, we offer an alternative, unified cognitive approach to this phenomenon by assuming that CTC originates in non-social cognitive skills, namely technical-reasoning skills which enable humans to develop the technical potential necessary to constantly acquire and improve technical information. This leads us to discuss how theory of mind and metacognition, in concert with technical reasoning, can help boost CTC. The cognitive approach developed here opens up promising new avenues for reinterpreting classical issues (e.g., innovation, emulation vs. imitation, social vs. asocial learning, cooperation, teaching, and overimitation) in a field that has so far been largely dominated by other disciplines, such as evolutionary biology, mathematics, anthropology, archeology, economics, and philosophy. (shrink)

Illusionism about phenomenal consciousness is the thesis that phenomenal consciousness does not exist, even though it seems to exist. This thesis is widely judged to be uniquely counterintuitive: the idea that consciousness is an illusion strikes most people as absurd, and seems almost impossible to contemplate in earnest. Defenders of illusionism should be able to explain the apparent absurdity of their own thesis, within their own framework. However, this is no trivial task: arguably, none of the illusionist theories currently on (...) the market is able to do this. I present a new theory of phenomenal introspection and argue that it might deal with the task at hand. (shrink)

Phenomenal consciousness appears to be particularly normatively significant. For this reason, sentience-based conceptions of ethics are widespread. In the field of animal ethics, knowing which animals are sentient appears to be essential to decide the moral status of these animals. I argue that, given that materialism is true of the mind, phenomenal consciousness is probably not particularly normatively significant. We should face up to this probable insignificance of phenomenal consciousness and move towards an ethic without sentience.

Cet essai insiste avant tout sur la pluralité et la complexité de l'inscription, de l'œuvre musicale dans le temps. Si c'est incontestablement au XXe siècle que se sont multipliées les avancées, ces dernières n'en seront pas moins mises en regard d'expériences antérieures souvent décisives, comme celle du style classique par exemple. La malléabilité de sa morphologie (le temps est celui de son mode de déroutement), se lit ainsi tout autant dans la pensée grammaticale que dans les conduites formelles. Celles-ci se (...) jouent tout d'abord dans la priorité donnée à l'assise technique du langage, aux limites parfois d'une abstraction nécessaire à la définition de l'outil, mais ensuite et surtout, dans l'exploration souvent insaisissable du passé, du présent et du a futur. Les mises en perspectives (dialectiques ou non), le jeu sur les effets de la réminiscence, de la prémonition du retour, ou au contraire, la concentration sur l'instant, le moment, dévouent l'élasticité du temps que la musique modifie au gré de ses constructions, jusqu'à parfois le dissoudre aux limites de la perception qui seront invoquées en fin d'ouvrage. (shrink)

Illusionism about consciousness is the thesis that phenomenal consciousness does not exist, but merely seems to exist. Embracing illusionism presents the theoretical advantage that one does not need to explain how consciousness arises from purely physical brains anymore, but only to explain why consciousness seems to exist while it does not. As Keith Frankish puts it, illusionism replaces the “hard problem of consciousness” with the “illusion problem.” However, a satisfying version of illusionism has to explain not only why the illusion (...) of consciousness arises, but also why it arises with its particular strength: Notably, why we are so deeply reluctant to recognize the illusory nature of consciousness. Explaining our strong intuitive resistance to illusionism means solving what I call the “illusion meta-problem,” which I think is a part of the illusion problem. In this paper, I argue that current versions of illusionism are unable to solve the illusion meta-problem. I focus on two of the most promising recent illusionist theories of consciousness, and I show why they fail to explain the peculiar reluctance we encounter whenever we try to accept that consciousness is an illusion. (shrink)

This article examines G.H. Mead’s critique of psychoanalysis, in order to show how it reflects the parallels with his own conception of social psychology. In showing that both Freud and Mead address the same issues of the redefinition of the psyche based on experimental psychology in their own theoretical entreprise, the analysis makes clear that Freud’s two topics (Conscious, Preconscious, Unconscious; Superego, Ego, Id) and Mead’s theory of the Self (I, Me, Self) are closely related but nevertheless kept apart by (...) fundamental oppositions. However, further explorations in Lacan’s reading of Freud help in seeing how close psychoanalysis and social psychology can be, by shifting attention to the distinction between unconscious and conscious communication. By addressing the issue of emotions in social life, a final look at the transformation of social norms shows how the confrontation between social psychology and psychoanalysis can be fruitful. (shrink)

Adopting a communication as constitutive of organization (CCO) perspective on ethics and corporate social responsibility (CSR) invites us to create the conditions of a dialogue, discussion, or debate between various stakeholders, who can then try to confront their respective positions on a given issue, and possibly come to a decision regarding how a situation should be evaluated and/or responded to. As shown in this article, getting human stakeholders to voice their concerns about a specific situation is a way not only (...) to rationally confront multiple viewpoints on what should be done about it (à la Habermas) but also to allow elements of this situation to reveal themselves in a discussion. This is why any ethical decision has to experience a form of undecidability and surprisability. When beliefs and opinions can be called into question, it means that participants are ready to become attentive to what a situation might surprisingly call for. Communication is therefore a matter of ventriloquism, as human participants should also be considered the means by which elements of a situation manage to express themselves in a discussion, dictating specific courses of action over others. This concretely means that multiple voices can be heard in such a scene: not only the voices of the human stakeholders who speak to each other but also the voices of facts, principles, future generations, ecosystems, populations that are made to say things through these various turns of talk. (shrink)