Cosmogonic myths, also referred to as creation myths, are theological and philosophical explanations of ancient myths of creation within a religious Homo sapien hamlet. In the context of this article, the word myth is attributed to the extravagant quixotic interpretation in anecdote of what is accomplished or ceased as a key or essential phenomenon. The terms or language concepts of cosmogonic or creation invoke the start of things, whether by the desire and action of a surpass Actuality, by emergence from (...) some eventful Actuality or by an additional alternative process. Mystics, scientists, philosophers and theologians of today set forward a method, to my mind, of pluralistic interpretation of the whole understanding and interpretation of a cosmogonic and creation myth that includes a variety of Actualities, in the world, according to basic Western and Eastern religious and rational classifications. These rational classifications have a phenomenological epistemic impact and even a certain righteousness of whoever wants to believe whatever of creation. Let it be …, as it should be ontological and epistemological and be positive for theologians as objects and religious sapiens as subjects. (shrink)

It is not without fear and trembling that a historian of religion approaches the problem of myth. This is not only because of that preliminary embarrassing question: what is intended by myth? It is also because the answers given depend for the most part on the documents selected by the scholar. From Plato and Fontenelle to Schelling and Bultmann, philosophers and theologians have proposed innumerable definitions of myth. But all of these have one thing in common: they are based on (...) the analysis of Greek mythology. Now, for a historian of religions this choice is not a very happy one. It is true that only in Greece did myth inspire and guide epic poetry, tragedy and comedy, as well as the plastic arts; but it is no less true that it is especially in Greek culture that myth was submitted to a long and penetrating analysis, from which it emerged radically ‘de-mythicised’. If in every European language the word ‘myth’ denotes a ‘fiction’, it is because the Greeks proclaimed it to be such twenty-five centuries ago. What is even more serious for an historian of religion: we do not know a single Greek myth within its ritual context. Of course this is not the case with the paleo-Oriental and Asiatic religions; it is especially not the case with the so-called ‘primitive’ religions. As is well known, a living myth is always connected with a cult, inspiring and justifying a religious behaviour. None of this of course means that Greek myth should not figure in an investigation of the mythical phenomenon. But it would seem unwise to begin our kind of inquiry by the study of Greek documents, and even more so to restrict it to such documents. The mythology which informs Homer, Hesiod and the tragic poets represents already a selection and an interpretation of archaic materials, some of which had become almost unintelligible. In short, our best chance of understanding the structure of mythical thought is to study cultures where myth is a ‘living thing’, where it constitutes the very ground of the religious life; in other words, where myth, far from indicating a fiction , is considered to reveal the truth par excellence. (shrink)

This is the first recent translation of a crucial text by the German philosopher of life, Ludwig Klages. Klages was a philosopher of experience-beyond-the-subject, in other words, of ec...

The subject of this paper is a specific form of cosmogony—the conception of cosmogonic objectivation, interpreted as a tragedy or cosmogonic fall. This conception is examined on the basis of the evidence furnished by two sets of materials: firstly, the original texts and paraphrases of the Valentinian Gnostics of the 2nd and 3rd centuries AD, and secondly, the writings of the Russian philosophers Vladimir Solovyov, Lev Karsavin and Nikolay Berdyaev. The research reveals a series of specific features common to both (...) of these: in particular, the conception of cosmogonic objectivation appears to be connected with the doctrine of the absolute person’s fall, and with the motive of self-alienation. (shrink)

The subject of this paper is a specific form of cosmogony—the conception of cosmogonic objectivation, interpreted as a tragedy or cosmogonic fall. This conception is examined on the basis of the evidence furnished by two sets of materials: firstly, the original texts and paraphrases of the Valentinian Gnostics of the 2nd and 3rd centuries AD, and secondly, the writings of the Russian philosophers Vladimir Solovyov, Lev Karsavin and Nikolay Berdyaev. The research reveals a series of specific features common to both (...) of these: in particular, the conception of cosmogonic objectivation appears to be connected with the doctrine of the absolute person’s fall, and with the motive of self-alienation. (shrink)

The Heng Xian is one of the recently discovered paleographic materials that disclose a heretofore unknown richness of the cosmogonic thought of early China and contribute to our understanding of the elaboration of a uniform cosmogonic discourse during the late Warring States period. Focusing on the structure and vocabulary of the Heng Xian account, the present paper attempts to explore the conceptual core of its cosmogonic vision. Based on the idea of the spontaneous self-generation of the world out of some (...) primary state of simplicity, or nothingness, the cosmogony of the Heng Xian is quite close to the approach of the Laozi and other related texts. Nevertheless, many of its conceptual terminological features disclose an original understanding of the world genesis. (shrink)

The article is devoted to a comparative analysis of the role of the feminine principle in the cosmogonic ideas of the Slavic peoples and the philosophy of the Ancient East, in particular, India and China, to the establishment of common and distinctive features of female personification. The authors conclude that the ancient tribal culture, which was based on the logic of nature, the maintenance of the world in unity and the balance of opposites, was much more favorable to women than (...) monotheistic religions, which affirmed the sinful nature of women. Ideas about the origin and development of the universe occupy a central place in the mythological heritage, in the cosmic processes and powerful forces of nature, the unbreakable harmony of male and female principles can be traced, where male energy consists in the idea of fertilization, and female energy – in birth and creation. In every mythological system, there is a character of the Mother Goddess, who acts as a co-creator of the world and living beings, but with the establishment of the patriarchal system, the mythological paradigm undergoes changes, and the female principle is gradually recognized as secondary, or it was completely leveled in the processes of world creation. The archetype of the Great Mother reflects the functioning of human values and runs through the entire history of philosophy and culture. (shrink)

In 1957, Edgar Lobel published an Oxyrhynchus papyrus containing anonymous commentaries to poems of Alcman which has not ceased to fascinate philologists and historians of ancient philosophy.

The first-ever English translation of one of the most important metaphysical works of the 20th century: "Of Cosmogonic Eros" by the German visionary Ludwig Klages. This monograph is dedicated entirely to an in-depth examination of the mysteries of Eros and the most powerful forms of ecstasy. "Of Cosmogonic Eros" greatly impressed and influenced thinkers and artists like Walter Benjamin and Alfred Kubin but also German esoteric circles and literaries such as the great Hermann Hesse who wrote that in this book (...) “the nearly unutterable has been forged into words”. This first English edition of "Of Cosmogonic Eros" also features a substantial contextualized introduction by Professor Paul Bishop of the University of Glasgow. (shrink)

C. Lévi-Strauss advirtió que la variedad de mitos, lejos de constituir una proliferación anárquica de relatos, exhibe un aire de familia que trasparenta la profunda unidad del pensamiento humano. A partir de esta idea, el artículo muestra cómo ciertas teorías filosóficas y científicas sobre el origen del cosmos se apoyan en una estructura narrativa implícita en los mitos cosmogónicos. Esta comparación evidencia inesperadas afinidades en el intento por responder la pregunta por el origen del cosmos. C. Lévi-Strauss showed that -far (...) from constituting an anarchic proliferation of narratives- the variety of myths exhibits a familiarity which makes the deep unity of human thought transparent. Taking this idea as starting point, the article shows how certain philosophical and scientific theories regarding the origin of the cosmos rest on an implicit narrative structure found in the cosmogonic myths. This comparison makes evident some unexpected affinities found in the attempt to answer the question regarding the origin of the cosmos. (shrink)

The cosmogonic myth of the Paraphrase of Shem uses a Middle Platonist model that postulates the existence of two Minds, the paternal and the demiurgic. But the paternal Mind is located at the beginning in the pre-cosmic chaos, wrapped in restless fire and submitted to Darkness, the evil principle. Moreover, the succession of Minds proceeds according to the biological generative mode. According to this model, the production of Forms or Ideas is achieved in two steps. 1) When Spirit, the intermediary (...) principle between Darkness and Light, falls into the pre-cosmic chaos, it acts as a Stoic active principle and Mind, which was inert, becomes active and is able to shine upon Hades with its fiery Forms or Ideas (2,19-3,29). 2) When the Saviour comes to rescue the fallen light of Spirit, he provokes the formation of the cosmic womb. Darkness has intercourse with it and ejaculates its Mind as seed. It begets a second Mind and the Ideas are transferred at the same time in the cosmic womb. Nature will use them as “rational seeds” to construct the material world (3,30-6,30a). The philosophical context and the embryological terminology of the time must be taken into account to translate and interpret adequately those pages. (shrink)

Peirce’s cosmogonic philosophy of Nature represents a radical rethinking of the idea of emergence, replacing the traditional metaphysics of mechanism that was dominant within the science of the day with the idea of a chance world as the base or grounding condition of the general order of Nature. The result is a novel and potentially revolutionary account of emergent evolution that sees both the conditions of mechanism and generalized conformity to law as emergent conditions that come into being through evolutionary (...) processes operating at a cosmological scale. By grounding evolutionary cosmogony in the idea of chance Peirce’s philosophy of Nature represents a radical and important departure from much of the emergentist tradition. Most importantly, it offers the groundwork for a general theory of emergence that would see emergent phenomena as generally predictable and explicable part of the general order of Nature as such. (shrink)

We formulate a cosmogonic indifference principle in cosmology in terms of a dynamical system theory. While the choice between generic and fine tuned initial condition for our Universe has a rather philosophical character, there is a very generic set of initial conditions which give rise to the concordance inflectional ΛCDM model which becomes in good agreement with astronomical observations.

This pioneering book presents a reconstitution of Charles Sanders Peirce philosophical system as a coherent architecture of concepts that form a unified theory of reality. Historically, the majority of Peircean scholars adopted a thematic approach to study isolated topics such as semiotics and pragmatism without taking into account the author’s broader philosophical framework, which led to a poor and fragmented understanding of Peirce’s work. In this volume, professor Ivo Assad Ibri, past president of The Charles Sanders Peirce Society and a (...) leading figure in the Brazilian community of Peircean scholars, adopts a systemic approach to Peirce’s thought and presents Peirce’s scientific metaphysics as a deep ontological architecture based on a semiotic logic and on pragmatism as criteria of meaning. Originally published in Portuguese, this book became a classic among Brazilian Peircean scholars by presenting a conceptual matrix capable of providing a clear reference system to ground the thematic studies into the broader Peircean system. Now translated to English, this reviewed, amplified and updated edition aims to make this contributions available to the international community of Peircean scholars and to serve as a tool to understand Peirce’s work in a more systemic way by integrating concepts such as experience, phenomenon, existence and reality, as well as theories such as Chance, Continuity, Objective Idealism, Cosmology and Pragmatism, in a coherent system that reveals Peirce’s complex metaphysical architecture. "As the philosophical reputation of Charles S. Peirce continues to rise to first-tier prominence in the history of American philosophy, Ivo Ibri’s Kósmos Noetós assumes a unique status in both a pioneering and a magisterial work of transcontinental Peirce scholarship. This original work of this internationally renowned scholar and editor, and Professor of Philosophy at the Pontifical Catholic University of San Paulo, penetrates to the heart of Peirce’s architectonic system of phenomenological, metaphysical, and semiotic categories which heuristically characterize our world as “a universe perfused with signs.” Ibri’s own synergistic commentary on the radiating registers of Peirce’s cosmogonically and pragmatistically conceived “one intelligible theory of the universe” also instructively contributes to the illumination of significant nodes of interface with a range of relevant theoretical trends in the contemporary academy; as well, it places Peirce in the company of such thinkers as Plato, Aristotle, Plotinus, Kant, and Schelling who preceded Peirce in providing a legacy of first-tier reasoning on our intelligibly developing world. Kosmos Noetos impresses as Ibri’s pure, lucid, passionately thought-loving, philosophical articulation of his own and as the indispensable prolegomena to all future Peirce studies." David Dilworth, State University of New York at Stone Brook – USA "Ivo Ibri has offered us in this exquisite work a framing of the inner logic of Charles S. Peirce's core metaphysical vision and its existential implications. It is a deep and nuanced exploration of the internal dynamics of Peirce’s central metaphysical categories, developed through rigorous and detailed attention to the evolution of Peirce’s thought on the ‘vitally important topics’ of the appearing, the reality, and the intelligibility of the world. The two-leveled format of the book, an intricate weaving of Peirce’s texts and discursive elaboration and linkage by Ibri, gives it a distinctive feel and is the bedrock of its value. The book is a remarkable combination of presentation and analysis. It is informed by Ibri’s deep philosophical culture and is a gentle and convincing argument for the centrality of metaphysics in understanding Peirce’s thought. It offers in a new way indispensable suggestions for our own attempts to think about our places in an evolving universe with the aid of Peirce and offers threads of thought to be followed up by others." Robert E. Innis, University of Massachusetts Lowell – USA. (shrink)

According to the ancient Greek Stoics, the cosmos regularly transitions between periods of conflagration, during which only fire exists, and periods of cosmic order, during which the four elements exist. This paper examines the cosmogonic process by which conflagrations are extinguished and cosmic orders are restored, and it defends three main conclusions. First, I argue that not all the conflagration’s fire is extinguished during the cosmogony, against recent arguments by Ricardo Salles. Second, at least with respect to the cosmogony, it (...) is not necessary to posit the existence of proto-elements. Third, while scholars such as Salles and David Hahm have argued that Cleanthes held a distinct theory of cosmogony from Zeno and Chrysippus, I argue that each of these Stoics endorse the same cosmogonic theory. (shrink)

The Taiyi shengshui 太一生水 is one of only a few texts in the early Chinese corpus to present a detailed cosmogony, one that traces the beginnings of the cosmos back to a variety of spiritual and natural forces, such as the divinity Taiyi and water. My primary question in this chapter is not to ask what that cosmogony was, but why such a cosmogonic text might have been written in the first place. Why in particular did authors in Warring States (...) China deem it necessary to go all the way back to the very beginning of everything to try to situate their thought and recommendations for human action? By comparing the Taiyi shengshui to various other cosmogonies in the textual tradition, we arrive at interesting insights into both the overarching moral agenda of the text as well as its specific contributions to cosmological thinking in early China. (shrink)

One of the more important cosmological consequences of Einstein's general theory of relativity is the hypothesis that our universe may either expand or contract with time. Relativistic cosmogony is concerned with those phases of this process which belong to the past. We begin with a digest of cosmogonic developments.

The central thesis of this paper is that Epicurus held that swerves of the constituent atoms of agents' minds cause the agents' volitions from the bottom up. "De Rerum Natura" 2.216-93 is examined at length, and Lucretius is found to be making the following claims: both atoms and macroscopic bodies sometimes swerve as they fall, but so minimally that they are undetectable. Swerves are oblique deviations, not right-angled turns. Swerves must be posited to account both for cosmogonic collisions quite generally (...) and for every "free volition," including those of animals. All volitions are fresh starts of macroscopic motion, caused by that "something in our chests" which later philosophers would call 'the faculty of will.' Since nothing can come to be from nothing, volitions must be caused from the bottom up by swerves, fresh starts in the mind's atoms motions caused by the atoms' inherent swerviness. This is what Lucretius is saying, and what Epicurus had to say in order to defend both libertarianism and atomism. Modern scholars are wrong, then, in rejecting the interpretation of Guissani and Bailey, which was crudely stated, but substantively correct. The rival interpretations of Furley, Fowler, and Englert do not do justice to Epicurus' libertarianism, and that of Sedley does not do justice to his atomism, which entails universal bottom-up causation. Epicurus did not himself draw much attention to his positive doctrine of the swerve, preferring to emphasize the untenability of the deterministic alternative. The notoriety of the doctrine in Cicero's day is due primarily to Chrysippus, who insisted that swerves cannot occur, since they would be 'uncaused' motions, and secondarily to Carneades and Zeno of Sidon. (shrink)

[Does the gymnosophist’s reply to Alexander’s question on the origin of time indeed reflect an Indian doctrine?] The episode of Alexander’s interview with the gymnosophists has come down to us in several versions, among which the one in Plutarch’s Vita Alexandri is the most renowned. In this connection, the question arises whether the solutions given by the naked philosophers to the puzzles propounded by Alexander can be shown to reflect genuine Indian doctrines. Challenging Dumézil’s reply in the affirmative, the author (...) contends that they cannot. While most questions and answers are scarcely relevant to the investigation, as being of little (if any) philosophical import, the analysis concentrates on the more significant ones, and especially on the solution offered to the question as to which of the two — day or night — came first. According to Dumézil, the gymnosophist’s answer reported by Plutarch, i. e. that the day came first, by one day, reflects the vedic doctrine of the primeval cosmogonic role of Dawn and Light. Against this may be argued in the first place that such doctrine does not enjoy any prominent status in the Vedas themselves — quite to the contrary, it stands up disadvantegeously to many all-important texts, such as the Nāsadīyasūkta, which assign the primeval status to Darkness — and cannot therefore be regarded as being specifically Indian any more than its opposite. Secondly, it is shown that the Greek tradition is at great variance on this very point, to the extent that all logically conceivable solutions (i. e., precedence of day by one day / day by one night / night by one day / night by one night) are represented in some version or other. This inconsistency appears to stem from the fact that no particular doctrine (Indian or whatever) was envisaged; according to the present author, we have reason to believe that the gymnosophist’s reply was rather meant to set off by means of a paradox the sheer impossibility of a solution (all four alternatives being equivalent to that effect). This interpretation is reinforced by the gymnosophist’s own remark confessing the aporetical nature of his reply, and finally by a further recourse to paradox — this time a variant of the well-known “paradox of the liar” — which the author lays bare in the otherwise inexplicable dénouement of the anecdote. (shrink)

I argue that the Carroll-Chen cosmogonic model does not provide a plausible scientific explanation of our universe's initial low-entropy state.

This paper analyses which are the great cultural cosmogonic models of creation in mythology; so it will be an essay of comparative mythology about the origin of the world, a study marked by the concern to detect philosophical principles that guide this area of thought.

It is a well-established opinion in the literature that the immediate circle of Plato’s disciples maintained that the generation of the cosmos described in the Timaeus was to be understood as an illustrative, or educational metaphor. On this account, Plato’s students were the first to hold an eternalist, metaphorical reading of the generation of the world, challenged by the Peripatos. When criticising their position in the De Caelo, however, Aristotle describes Early Academic philosophers as holding the more nuanced view that (...) the world is ‘indestructible and yet generated’ (ἄφθαρτον μὲν […] γενόμενον δέ). Is it possible to make any sense of this formulation and restore a different position for Early Academic philosophers? In this paper, I claim that the standard reading can be challenged and that there is ground to believe that Speusippus and Xenocrates held that the world is generated but everlasting. What they denied having happened in time and said should be understood as an illustrative metaphor is the transition from the absence of an order to order or, in other words, the cosmogonic process itself. (shrink)

This paper critically reads and analyzes the first discourse of Āruṇi and Śvetaketu in the first half of the sixth chapter of the Chāndogya Upaniṣad. It argues that, except for a few interpolated lines in VI.2 and VI.3, the entire discourse constitutes one integrated whole with a specific indicatory knowledge at its core that indicates deeper truth underlying all realities, and its characterization and twofold elaboration with reference to macro- and microcosmos. In light of two cosmogonic accounts from the JaiminīyaBrāhmaṇa (...) and some other Vedic passages, this paper argues that Āruṇi’s cosmogony originally posited asat as the primordial entity, which has not yet acquired any phenomenal form. Incidentally it also demonstrates that in this discourse the term ādeśa cannot denote a ‘method of substitution’ as proposed by Thieme and taken over since then by several scholars. (shrink)

During the 17th century, important conventions for the visual representation of the Earth as a whole were established by writers of Theories of the Earth. This essay examines how the emergence of visual representations contributed to the establishment of a new print tradition of multicontextual discourse and critical debate. Four vignettes contrast varying uses of global depictions: the incidental global depictions and mathematical vision of Johannes Kepler; the cosmogonic sections and chemical vision of Robert Fludd; the geogonic sections and mechanical (...) vision of René Descartes; and the global views and classical vision of Thomas Burnet. The continuities of visual conventions and the contrasts of disciplinary perspectives and local contexts observed in these vignettes conforms well to the characterization of Theories of the Earth as an interdisciplinary print tradition. (shrink)

One of the trademarks of Nicolai Hartmann’s ontology is his theory of levels of reality. Hartmann drew from many sources to develop his version of the theory. His essay “Die Anfänge des Schichtungsgedankens in der alten Philosophie” testifies of the fact that he drew from Plato, Aristotle, and Plotinus. But this text was written relatively late in Hartmann’s career, which suggests that his interest in the theories of levels of the ancients may have been retrospective. In “Nicolai Hartmann und seine (...) Zeitgenossen,” Martin Morgenstern puts the emphasis on contemporaries of Hartmann: Émile Boutroux, Max Scheler, Heinrich Rickert, Karl Jaspers, and Arnold Gehlen. But there is another plausible source for Hartmann’s conception of levels that has so far remained overlooked in the literature. Hartmann studied with and was influenced by Nikolai Lossky. Lossky has a theory of levels that he adopted from Vladimir Solovyov. Solovyov presents his theory of levels, among other places, in Oпpaвдaнie дoбpa, where he says that the five principal stages of the cosmogonic process of ascension toward universal perfection, which are given in experience, are the mineral or inorganic realm, the vegetal realm, the animal realm, the realm of natural humanity, and the realm of spiritual or divine humanity. This theory appears to bear significant similarities with the theory of levels of reality that Hartmann will develop a few decades later. Solovyov was widely read in Russia and it would be unlikely that Hartmann was not at least minimally acquainted with his work. Chances are that Hartmann came into contact with it in some details. An intellectual lineage could thus likely be traced from Hartmann back to Solovyov. In this paper, I document and discuss this possible lineage. (shrink)

This study aims at a better understanding of Peirce’s conception of a philosophy of history. Peirce has a well defined place for historiography in his classification of the sciences, but what he has to say about history as a philosopher is not primarily referring to it as a form of historiographic knowledge, but to history as a process and a medium. As a process, history is, fundamentally, a cooperative activity of man resulting in civilization and capable of varying categoriological degrees (...) of directionality that reflect the ‘agents’ knowledge’ of history incorporated in the communicative practices of their community. As a medium, history – in the light of the cosmogonic narrative of Peirce’s evolutionary metaphysics and of his mature conception of the summum bonum – is one of two forms of expression of the Absolute. Our paper studies the development of these conceptions from the Schellingian influences on “The Place of Our Age in the History of Civilization” (1863), to “Fixation of Belief” (1877) and “Evolutionary Love” (1892). Throughout this development, Peirce remains primordially interested in the philosophy of history as a mode of normatively conceiving of history (as a medium) in a way that enables us to pragmatically project our cultural development as a process in which an increasing control over our own history is actualized. (shrink)

An Omega Point Theory says that reality is making progress from some initial state to some final state. It moves from some Alpha Point (the initial state) to some Omega Point (the final state). The progress is an increase in some quality. For example, reality is making progress from the chaotic to the orderly; or it is making progress from the simple to the complex; or from the mindless to the mental; or from evil to good. Here we focus on (...) the Omega Point theory of Peirce. An Omega Point Theory is an evolutionary cosmology – it says that the universe is evolving from the Alpha Point to the Omega Point. Peirce refers to his evolutionary cosmology as a Cosmogonic Philosophy would suppose that in the beginning – infinitely remote – there was a chaos of unpersonalized feeling, which being without connection or regularity would properly be without existence. This feeling, sporting here and there in pure arbitrariness, would have started the germ of a generalizing tendency. Its other sportings would be evanescent, but this would have a growing virtue. Thus the tendency to habit would be started; and from this, with the other principles of evolution, all the regularities of the universe would be evolved. At any time, however, an element of pure chance survives and will remain until the world becomes an absolutely perfect, rational, and symmetrical system, in which mind is at last crystallized in the infinitely distant future. (Peirce, Collected Papers , 6.33). (shrink)

Can we conceive of disorder in a positive sense? We organize our desks, we discipline our children, we govern our polities--all with the aim of reducing disorder, of temporarily reversing the entropy that inevitably asserts itself in our lives. Going all the way back to Hesiod, we see chaos as a cosmogonic state of utter confusion inevitably reigned in by laws of regularity, in a transition from fearful unpredictability to calm stability. In contrast to a similar early Chinese notion of (...) chaotic disorder (luan), early Daoists posit a type of chaos that is to be cultivated rather than feared. This chaos is a primal disorder, akin to Hesiod's, but rather than threatening disruption, it is replete with creative potential and through spontaneous action yields orderly processes that proceed from the concretion of things to their dissolution and back, in a complex web of relations. This processional activity, although taken in one sense as cosmogonic, in a more important sense is immanent at every moment of activity. This article identifies terms of chaos, such as dun dun 沌 沌, hundun 渾 沌, and xingming 涬 溟 in Laozi and Zhuangzi and examines the passages in which they occur. Analyzing these passages brings us to a better understanding of "chaos" in a Chinese sense and to a familiarity with related terms in its semantic field, such as xuan 玄 (dark, mysterious), miao 妙 (subtle/profound), wei 微 (minute/inchoate), xiao 小 (small/minute), and pu 樸 (uncarved block). We see that the Daoist ideal is to return to a chaotic inchoateness by melding with the cosmos and there finding a repository of creative potential. This notion of chaos as the inchoate is used a springboard into understanding the origins of Daoist spontaneity. (shrink)

This paper deals with the reasons for literal interpretation of Plato’s Timaeus (Aristoteles) against non-literal (Speusippus and Xenocrates). Its starting point is “dichotomy” between poetry (mythos) and philosophy that we can find, as well, in some commentary on the Genesis of Moses. But, instead dichotomy here is suggested some kind of iterative reading: the Timaeus of Plato is the poetry because God’s act of creation is the poetry, too. Artistic elements in this dialogue of Plato are in the function of (...) his cosmogonical realism. It is supported with the thesis that the purpose of Plato’s Timaeus is not pedagogical or didactical, but soteriological; its aim is salvation of man. (shrink)

The question of the beginning of the world, it’s first rule, genesis and structure followed humanity since the dawn of time, becoming a source for philosophy and science. Search for a rational answer to that question lead, throughout the ages, to a creation of many cosmogonic concepts which referenced various philosophical traditions. While they currently hold only historical value, in many cases they contained ideas, sometimes still very inarticulate, which revolutionized the science in later years. One of such concepts was (...) proposed by Michael Sendivogius, a Renaissance polish alchemist. In his approach, creation of world is dynamic and multiphase. In his vision, the world is something, which is subject to evolution (though he does not use this term), inevitably changes, and thus undergoes a permanent creation. In this creation of the world, as Sendivogius describes it, one can distinguish three fundamental stages, responsible for which are three factors: God, Nature and man. The goal of this article is to present how, according to Sendivogius, the world is created, what tasks in this continuous process are carried out by God, Nature or the man, and in what relations they remain, in regards to themselves and the world they create. (shrink)

“Huo” 或 in “Heng Xian” 恆先 of the Chu bamboo slips in the Shanghai Museum is a significant concept in cosmology and cosmogony. “Huo,” as a cosmogonic period, is after “heng” 恆, but prior to qi 氣, hence it is relatively important. This term in the manuscript is used as an indefinite pronoun, meaning “something”, rather than “exist”, “indefinitely/ maybe” or “a state between being and nothingness”. However, in the cosmogonic sequence, it is indeed intermediate between nothingness and being. That (...) “huo,” as an indefinite pronoun, can be used as a philosophical concept is testified by “Bai Xin” 白心 in the Book of Guanzi 管子 and “Ze yang” 則陽 in the Book of Zhuangzi, in which the term “huo” also means “something.” “Heng Xian” uses an indefinite pronoun “huo” to refer to a stage in the genesis of the cosmos. This shows, on the one hand, that its author has contemplated cosmology more profoundly; on the other hand, it shows that the author’s knowledge about the structure of cosmogony has not yet been fully developed. Moreover, the concepts “huo” and “heng xian” both develop the notion implicit in the concept of “heng.”. (shrink)

Russian philosophy of the 19th century was developing in close contact with European philosophy. The strongest influence on Russian thought was exerted by classical German philosophy. One significant example is the teaching of Vladimir Solovyov, an outstanding 19th century thinker. Solovyov owes several principles of his teaching to Friedrich Schelling, from whom he assimilated his cardinal concept of all-embracing being; also to Schelling we can trace Solovyov’s conviction that the will constitutes the determining principle of being as well as his (...) conception of the suffering and developing God. Finally, it was largely through Schelling’s influence that Solovyov shaped his cosmogonic theory associated with his sophiology, based on the thesis of the falling away from God of His ‘Alter Ego’, His ‘Prototype’. According to Solovyov, ‘the Second God’, or Sophia-Wisdom, is God-Made-Man, the Absolute coming into being, whose life underlies the substance of historical process. (shrink)

Ecstatic naturalism and classical American philosophy both emphasize the creative possibilities of nature and expound metaphysical views in support of them. Ecstatic naturalism proposes that the creative transformations witnessed at the level of nature natured are sustained and empowered by nature naturing, which consists in innumerable “potencies.” This view has a historical precedence in Charles Peirce’s evolutionary cosmology, most notably in its cosmogonic stage of a “Platonic world” that consists in innumerable aesthetic potentialities. While Peirce’s cosmological position shares some affinities (...) with ecstatic naturalism, it nonetheless proposes its own unique theoretical stance on the creativity of.. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 97 Unity and Reform: Selected Writings of Nicholas de Cusa. Edited by John P. Dolan. (Notre Dame, Indiana: University of Notre Dame Press, 1962. Pp. viii -I- 260. $6.50.) This volume was designed to serve both the cause of historical instruction and the cause of "unity and reform" as it has been stimulated by the present ecumenical movement and Council. Professor Dolan's Introduction emphasizes the practical aspects (...) of the Bishop's career, especially his efforts to combat the disintegration of the Respublica Christiana of the fifteenth century. He explains the Bishop's achievements, both ecclesiastical and philosophical, in terms of the problems of his own time. However, the reader soon discovers in the narrative of the Introduction as well as in the selections from Cusanus's works that the current revival of interest in this theologian and philosopher is due to the important bearing which he has on the Catholic efforts toward reunion and reform today. Only Book III of Learned Ignorance is included; then follow in their entirety Concerning Wisdom, The Vision of God or the Icon, Concerning Concord in Religious Belief (De Pace Fidei); and to illustrate Nicholas of Cusa's interest in mathematics and physics, the volume concludes with a dialogue on experiments in weighing. Hrne~a~T W. Sca~NEm~tt Claremont, California La cosmologie de Giordano Bruno. By Paul-Henri Michel. (Paris: Editions Hermann, 1962. Pp. 341.) Malgr~ les excellents travaux d~j~ publi~s (ceux d'Emile Namer, d'Augusto Guzzo et d'autres ~minents sp~cialistes bruniens), Giordano Bruno demeure une figure historique la lois tr~s c~l~bre et bien myst~rieuse au demeurant. L'exceUent ouvrage de Paul-Henri Michel rendra ainsi les plus grands services aux historiens de la pens~e qui se penchent avec curiosit~ sur la d~concertante p~iode de transition qui s~pare les philosophes de la Renaissance de l'av~nement en Europe d'attitudes proprement modernes devant la r~alit~ ext~rieure et l'homme. S'appuyant sans cesse sur les textes originaux de Bruno lui-mdme, pourvu d'un index complet, le bel ouvrage du Pr. Michel ne d~cevru passes lecteurs ~xudits. Comme il se dolt, rauteur commence par faire le point sur l'homme Bruno, s'attachant faire la distinction qui s'impose entre l'histoire et la l~gende--car la k~gende s'est empar ~e de ce philosophe, consid~r~ volontiers comme un athfie materialiste total ayant voulu d~truire la religion catholique, attitude louse ou vilipendfie selon clue Bruno sera vu comme un h~r~tique pervers ou, au contraire, comme un glorieux martyr de la "librepens ~" rationaliste. On appr~.iera tout sp~cialement les pages (p. 10 et suivantes) darts lesquelles M. Michel s'efforce de faire toute la lumi~re ~, propos du proc~s ecd~iastique de Giordano Bruno--sur lequel toute la lumi~re souhaitable n'avait pas encore ~t~ faite. Mais la majeure paxtie du volume est consacr~e ~ un expos~ m~thodique du syst~me du monde, telle clue l'~tude minutieuse de tousles textes accessibles permet de le structurer. En dix chapitres, l'auteur passe minutieusement--mais toujours d'une mani~re remarquablement logique et claire--les grandes articulations autour desquelles tourne toute la cosmologie brunienne: Le monde comme objet de connaissance, Cosmogonic, Ens mobile, LAme du Monde, La mati~re et l'univers infini, Le systkme solaire, Les mondes innombrables, L'univers vivant, Temps et dternit~. Le grand nombre des citations ~tendues faisant de cette belie ~tude une sorte de fort commode anthologie m~thodique de la pens~e brunienne. 98 HISTORY OF PHILOSOPHY I1 est incontestable que nous autres contemporains sommes toujours endins 5. voir en Giordano Bruno un penseur franchement "moderne," et le fait est qu'il brave volontiers, prenant intrdpidement parti pour le syst~me de Copernic, la philosophie scolastique et la th~ologie scripturaire; son grandiose hymne mdtaphysique 5. l'infini de l'univers et 5. la r6partition innombrable des syst~mes plan~taires rend be1 et bien un son r~volutionnaire pour son temps. Ce n'est d'ailleurs pas pour rien que Bruno rut mis 5. l'index pour... (shrink)

This paper focuses on the new evidence concerning the conception of cosmic justice in Greek thought offered by the Derveni papyrus. Beginning with a Heraclitean dictum about the regularity of the sun cited in column IV, I attempt to understand it in the context of Heraclitus’ cosmology. Accordingly, I turn to the Derveni author’s exegesis of the Orphic theogony and suggest that the prominent role of Zeus in the Derveni cosmogony and the allegorical interpretation of him as air and Mind (...) implies that the Derveni author adopts a distinct conception of cosmic justice intermingled with theological elements. Zeus, air, and Mind are the supplementary aspects of the cosmic god who directs the cosmogonic process and maintains the current configuration of the cosmos. (shrink)

Abstractabstract:The categories of myth and history do not fit easily within Shinran's "true essence of the Pure Land way." Mythopoetic narratives in Shin Buddhism are circumscribed within the broader themes of teaching, practice, shinjin, and realization, which comprise that path. Pure Land narratives do not play the type of cosmogonic or etiological role accorded generally to myth. Some religious concerns associated with myth and history are addressed in Shinran's understanding of the dynamics of upāya. The retrieval of mythos in Shin (...) Buddhism may yield a surplus of meaning in the realization of shinjin at the coalescence of myth and history. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:European Network of Buddhist-Christian StudiesJohn D'Arcy MayThe European Network of Buddhist-Christian Studies met at Samye Ling, Scotland, 16-19 May 2003. The theme of the meeting was "Buddhists, Christians, and the Doctrine of Creation."Samye Ling, founded in 1967 by Dr. Akong Tulku Rinpoche and now under the guidance of his brother, the Venerable Lama Yeshe Losal, is one of the oldest and largest Buddhist monasteries in Europe. Ven. Yeshe, in (...) welcoming conference participants, told how the monastery has both materially and spiritually reinvigorated what had become a depressed area around the town of Lockerbie in southwest Scotland. Despite the inclement weather, it was thus an appropriate venue for the fifth conference of the European Network of Buddhist-Christian Studies on the topic of creation. As Perry Schmidt-Leukel (Glasgow), who organized the conference, pointed out in his opening remarks, creation in view of ultimate redemption is the quintessentially Christian doctrine. Yet Buddhism certainly did not see samsara as the ultimate reality, and even if the origin of the world was ultimately an unanswerable question, Buddhism too was confronted by the problem of evil.Ernst Steinkellner (Vienna) opened the conference proper with an account of Buddhist critiques of Hindu doctrines of creation. The absolute Brahman was not a creator, but in the course of doctrinal evolution (the masculine Brahman becoming the post-Vedic Brahma) the world came to be seen as the work of a kind of demi-urge, leaving open the question of why. Buddhism, restricting itself to the realm of the finite, mocked Brahmin ideas of the cause of the world, but still had to account for the existence and nature of the world. By the time the Madhyamaka had developed theories of momentary creation, these had become part of the common logic of Buddhists and Hindus.This was followed by a presentation on contemporary Buddhist critiques of creation and creator doctrines by José Cabezón (Santa Barbara), who pointed out certain affinities between modern theories of many universes without beginning or end and traditional Buddhist ideas. Buddhism, he maintained, has an aversion to cosmological uniqueness, whether spatial, temporal, causal, or personal, but it does [End Page 237] regard the causal law of karman as ineluctable. Despite the critiques of Buddhist thinkers such as Gunapala Dharmasiri of Sri Lanka, who are under the misapprehension that Buddhism is on a par with science whereas Christianity is merely religion, this lays the basis for a metaphysics. The site of both suffering and liberation is the cocreativity of all beings. Buddhism is concerned not with being, but with consciousness.Eva Neumaier (Calgary) suggested that in fact Buddhism does have conceptions of creation, but in narrative form, represented in the cosmological structure of the world as the product of the Buddha's meditation rather than as a cosmogony. Creation is not ex nihilo, because nature predates any act of creation, yet the "emptiness" of shūnyatā is also the "swollenness" of fulfilled potential. The Buddha has been represented as the all-creating sovereign, and pure mind has been interpreted as the gender-neutral mother-father of all Buddhas, the "primordial basis." The "original enlightenment" objected to by Critical Buddhism enabled Buddhists to adapt pre-Buddhist ideas such as the Tao, even to the extent of tolerating animistic polytheism.If this presentation surprised some participants, it provided the perfect counterpart to the paper on Christian ideas of creation by John Keenan (Middlebury College). The Jewish and Christian conceptions of creation arise out of events in history, the exodus from Egypt being the originating metaphor. For Christians, liberation from the bondage of sin was the legacy of Israel's tribal warrior God. The Genesis accounts of creation are essentially liturgical, not cosmogonic. Creation is simply assumed as the evidence of divine transcendence; God is not a benevolent parent. The pagan critics who mocked the Jewish and Christian creation stories were just as misguided as the Buddhists who ridiculed the Vedic myths. God was eventually conceived as ipsum esse, the "to be" of things, a nonsubstantialist account that does not purport to answer the question "why." According to the logic of Buddhism, the complete enlightenment of all would mean the... (shrink)

The Stoics’ way of presenting principles – the active and the passive – is ambiguous because they say that principles are two while also suggesting that they are inseparable and thus interdependent. This ambiguity cannot be resolved in favour of one or the other side of the dilemma, as is shown by analysis of two possible models of the relations among principles – a causal and a categories-based model. This ambiguity is rather a necessary consequence of the Stoic view of (...) principles and should be compared to the ambiguity of Plato’s concept of “principles” in the Timaeus. Plato’s Receptacle is in a similar relation to other constitutive elements of his cosmogonical account as are the two Stoic principles, each to the other. In particular, the relation between the Receptacle and qualities in it is to be seen as a systematic parallel to the relation of the Stoic principles (and probably also its historical model). The concluding claim is that Plato and the Stoics advance a similar kind of dualism which should be called such, despite its ambiguity. The ambiguity in both systems is due to the need to see the principles in such a relation as would reveal their dependence, and thus secure the basic unity of the cosmos. (shrink)