A table of contents, in lieu of abstract -/- Foreword by Aaron Ehasz -/- Introduction: “We are all one people, but we live as if divided” Helen De Cruz and Johan De Smedt -/- Part I The Universe of Avatar: The Last Airbender -/- 1 Native Philosophies and Relationality in ATLA: It’s (Lion) Turtles All the Way Down Miranda Belarde-Lewis and Clementine Bordeaux 2 Getting Elemental: How Many Elements Are There in Avatar: The Last (...) class='Hi'>Airbender? Sofia Ortiz-Hinojosa 3 The Personalities of Martial Arts in Avatar: The Last Airbender Zachary Isrow 4 The End of the World: Nationhood and Abolition in Avatar: The Last Airbender Nicholas Whittaker 5 The Bending World, a Bent World: Supernatural Power and Its Political Implications Yao Lin -/- Part II Water 6 Avatar: The Last Airbender and Anishinaabe Philosophy Brad Cloud 7 “Lemur!” – “Dinner!”: Human–Animal Relations in Avatar: The Last Airbender Daniel Wawrzyniak 8 On the Moral Neutrality of Bloodbending Johnathan Flowers 9 On the Ethics of Bloodbending: Why Is It So Wrong and Can It Ever Be Good? Mike Gregory 10 Mystical Rationality Isaac Wilhelm 11 “I will never, ever turn my back on people who need me”: Repairing the World Through Care Nicole Fice 12 Spirits, Visions, and Dreams: Native American Epistemology and the Aang Gang Justin Skirry and Samuel Skirry -/- Part III Earth 13 Time Is an Illusion: Time and Space in the Swamp Natalia Strok 14 There Is No Truth in Ba Sing Se: Bald-faced Lies and the Nature of Lying Nathan Kellen 15 The Rocky Terrain of Disability Gain in ATLA: Is Toph a Supercrip Stereotype or a Disability Pride Icon? Joseph A. Stramondo 16 The Earth King, Ignorance, and Responsibility Saba Fatima 17 The Middle Way and the Many Faces of Earth Thomas Arnold -/- Part IV Fire 18 The Battle Within: Confucianism and Legalism in the Nation, the Family, and the Soul Kody W. Cooper 19 Not Giving Up on Zuko: Relational Identity and the Stories We Tell Barrett Emerick and Audrey Yap 20 Uncle Iroh, from Fool to Sage – or Sage All Along? Eric Schwitzgebel and David Schwitzgebel 21 Being Bad at Being Good: Zuko’s Transformation and Residual Practical Identities Justin F. White 22 Compassion and Moral Responsibility in Avatar: The Last Airbender: “I was never angry; I was afraid that you had lost your way” Robert H. Wallace -/- Part V Air 23 The Fire Nation and the United States: Genocide as the Foundation for Empire Building Kerri J. Malloy 24 Anarchist Airbenders: On Anarchist Philosophy in ATLA Savriël Dillingh 25 A Buddhist Perspective on Energy Bending, Strength, and the Power of Aang's Spirit Nicholaos Jones and Holly Jones 26 Ahimsa and Aang’s Dilemma: “Everyone … [has] to be treated like they're worth giving a chance” James William Lincoln 27 The Avatar Meets the Karmapa: Interconnections, Friendship, and Moral Training Brett Patterson . (shrink)

In this chapter, the author provides an alternative, Ojibwe‐centered lens through which to view the Avatar: The Last Airbender ( ATLA ) show, as well as explores the importance of non‐Western narratives for youth who come from non‐Western traditions by comparing the unique worldview and history presented in ATLA with an Anishinaabe worldview. Mary Makoons Geniusz defines Anishinaabe as “the self‐designation of several American Indian Peoples, including Ojibwe, Ottawa, and Potawatomi”. A recurring theme in ATLA is the (...) sense of balance, spirituality, and interconnectedness in the world. Basil Johnston, an Ojibwe author, writes that, in an Ojibwe worldview, natural places like valleys, mountains, and woods each have a particular mood that reflects that location's “soul‐spirit”, the community of souls that reside there. (shrink)

The blind bandit -- Zuko alone -- The chase -- Bitter work -- The library.

The main characters in Avatar: The Last Airbender who practice the different styles of bending namely, Katara, Toph, Zuko, and Aang, each draw from the martial arts style that influenced the creation of the bending style, and they also take on personality traits that are representative of the philosophical principles that the martial art is based on. This chapter explores these four main characters, the elemental categories to which they belong, the martial arts that influence their bending, (...) and how their personalities are influenced by the philosophies from which those martial arts are derived. Waterbending is based on the martial art Tajiquan, commonly known as Taiji. Earthbending is based on a particular type of Kung Fu, Hong Jia, in which the practitioner takes rooted stances to create a strong sense of balance so that they cannot be moved. Aang is the last of the airbenders after the Fire Nation's genocide. (shrink)

The hashtag #RepresentationMatters is widely used among disability activists on social media because disabled people are often simply ignored in popular culture. Several disabled characters inhabit the Avatar: The Last Airbender universe, but Toph Beifong is the most prominent. Toph is a major character who plays an essential role in the victory over the Fire Nation's imperialism. A rarity in media, Toph's character has as much depth as any member of Team Avatar. The “Irrationally and Infectiously (...) Happy Disabled Person” is a master narrative that contrasts with Disabled Person Better Off Dead, but which is also damaging to disabled people. Barnes argues that hermeneutical injustice appears when disabled people try but fail to make sense of their experience of flourishing with a disability because it is so commonly assumed that disability consigns a person to a horrific, tragic fate. (shrink)

The everydayness of benders reflecting the physical properties of their elements reminds the authors of the work of the late Jicarilla Apache philosopher V.F. Cordova. Cordova describes “bounded space” as a land base defined by geographic features such as mountains, rivers, deserts, lakes, oceans, and canyons. At the beginning of each Avatar: the Last Airbender ( ATLA ) episode, the audience is reminded: “Long ago, the four nations lived together in harmony”. The sequence shows four individuals bending (...) the water, earth, fire, and air elements. The specific bounded spaces of the respective nations are reflected in their people and their benders. The ATLA universe provides narratives that point to Indigenous intergenerational ways of knowing. Within the ATLA universe, the authors witness regular connections with the spirit realm or spirit world. Many Indigenous scholars have explored these connections to the “spirit world” as understood in ATLA. (shrink)

This public philosophy piece examines moral responsibility and alternatives to angry blame as exemplified in the TV show Avatar: The Last Airbender.

People often use memes to express their ideological stance on real world events. This study departs from a recent COVID-19-related meme which makes use of elements known from the animated televisio...

Anarchists get a bad rap. More often than not, TV shows, comic‐books, videogames and sometimes even serious journalism portray anarchists as lazy work‐shirkers or as cartoonish evil villains, hell‐bent on causing chaos for chaos's sake. Unfortunately, the world of Avatar: The Last Airbender is not immune to this habit. Book Three of Avatar: The Legend of Korra even features an antagonist, Zaheer, who is nominally an anarchist. Anarchists would never jealously guard knowledge in a personal library, (...) like the owl spirit Wan Shi Tong. Anarchism involves a radical commitment to democracy‐sharing power and an opposition to unjust hierarchies. Anarchism also involves a way of looking at human beings and human interaction. This perspective is encapsulated in the anarchist principle “mutual aid,” which is often ascribed to the Russian biologist and philosopher Pyotr Kropotin. (shrink)

In the world of Avatar: The Last Airbender (ATLA) and The Legend of Korra (LOK) —let’s call it the Bending World—some people (“benders”) are endowed with telekinetic superpowers to maneuver surrounding objects without physical interaction, by mentally steering (“bending”) one of the four classical “elements of nature” composing the objects: air, fire, water, and earth. Perhaps, in a world where the fundamental laws of nature are radically different from those of our world, the fundamental conditions and manifestations (...) of politics should be radically different too. That, of course, is not to deny that political bodies familiar to us are depicted in ATLA and LOK: tribes, monarchies, autonomous townships, city-states, loose federations, colonial empires, and democracies. Despite those familiar depictions, however, it’s worth contemplating how the existence of supernatural power might fundamentally alter the norms and rationales of politics—and how it might in turn help us better understand our own political reality. (shrink)

The Avatar: The Last Airbender ( ATLA ) series as a whole portrays Aang's journey from being a scared boy, who ran from his training, to becoming Avatar Aang, who is able to face Fire Lord Ozai. ATLA similarly emphasizes such connections in its portrait of Aang's quest, for his journey toward maturity draws on the work and play he shares with many others before the series comes to its conclusion. Ogyen Trinley Dorje expresses a similar (...) awareness of the weight of an exalted title in his experience as the Karmapa. Aang grows in the community, illustrating the Karmapa's words about the importance of relying on others. Dorje highlights the Buddhist teaching that competition creates the illusion that life is a zero‐sum game and that it undermines our happiness. As the Karmapa emphasizes, interconnectedness does not negate individuality. (shrink)

This chapter aims to establish what it is that bloodbending is, according to its treatment in the Avatar: The Last Airbender ( ATLA ) series. It explores why this is particularly bad in ways that other forms of bending are not. The chapter addresses the question about potentially permissible forms of bloodbending and whether this affects or does not affect Katara and the Council of Republic City's decision to ban bloodbending in The Legend of Korra. Bloodbending was (...) discovered by Hama, a southern waterbender who was held in captivity by firebenders in a prison where waterbenders were deprived of water. The practice of bloodbending has brought about objectionable consequences, but in ATLA the consequences are miniscule compared to almost all other forms of bending at the end of the Hundred Year War. In order to show what makes bloodbending particularly objectionable, the chapter describes the philosopher Immanuel Kant. (shrink)

Book Three of Avatar: The Last Airbender portrays Uncle Iroh as wise and peace‐loving, in the mold of a Daoist sage. This chapter argues that Iroh's Book One foolishness is a pose, and Iroh's character does not fundamentally change. In Book One, he is wisely following strategies suggested by the ancient Chinese Daoist philosopher Zhuangzi for dealing with incompetent leaders. His seeming foolishness in Book One is in fact a sagacious strategy for minimizing the harm that Prince (...) Zuko would otherwise inflict on himself and others a gentle touch that more effectively helps Prince Zuko find wisdom than would be possible with a more confrontational approach. To understand Iroh's wisdom, it is useful to look to the ancient Daoist philosopher Zhuangzi, specifically his advice for dealing with incompetent rulers by following peacefully along with them, unthreateningly modeling disregard for fame and accomplishment while not being too useful for their ends. (shrink)

The world of Avatar: The Last Airbender is composed of four nations that are profoundly out of balance. The creators of the show put a lot of care into designing each nation with its own culture. This chapter shows how ethical‐epistemological maps can be changed and adapted to new experiences in the physical world. Human experience, however, is not limited to just the physical for Native Americans. Throughout the series, the Aang Gaang uses Inuit Traditional Knowledge, Inuit (...) Qaujimajatuqangit, found within Southern Water Tribe culture to build their ethical‐epistemological maps. These maps were built step by step from a wide variety of experiences. Luckily, they didn't limit themselves to just their day‐to‐day experiences in the physical world. The Aang Gaang would've missed out on a lot of useful knowledge and guidance had they ignored dreams, visions, and spiritual experiences. (shrink)

Genocide results from a complex process of intentions, ideologies, and actions that are put in motion to achieve an outcome that benefits the perpetrators. Genocide is part of the history of the United States and of the Fire Nation in Avatar: The Last Airbender that is typically unquestioned and underplayed. Avatar: The Last Airbender opening refers to the old days, a time of peace when the Avatar kept the balance between the Water Tribes, (...) Earth Kingdom, Fire Nation, and Air Nomads. The United States' intentional extermination of diverse peoples is an inseparable part of the processes used to build its continental empire. Seen as a means to securing the land, destroying Indigenous peoples is understood as a necessity, rather than a tactic of empire building. The foundations of the Fire Nation and the United States were built on unstable grounds, causing one to collapse and the other to wrestle with a reckoning on its origins. (shrink)

One of the awesome things about Avatar: The Last Airbender ( ATLA ) is the attention given to non‐human animals in their different relationships to humans. This chapter focuses broadly on what interactions with animals in ATLA can tell us about humans. Character development and personal growth are key features of ATLA, and the best example of constant learning is definitely Sokka, though Aang has something to teach us too. Sokka's relation to animals here is simple: he's (...) a hunter and animals are food. In short, we can learn from ATLA that when it comes to human–animal relations we should think more critically about our interactions with animals. Sokka demonstrates how contact with animals can encourage one to develop such empathy and thereby re‐think how “natural” it really is to use animals as we please. (shrink)

Care ethics holds that, to live a good life, one should work to create and maintain healthy relationships. The feminist orientation of care ethics also reminds us that care isn't a personal matter, but that it is entrenched in social and political contexts. As in personal relationships, one should aim to care about and for one's wider communities in a way that promotes healthy relations. Care ethics appears in Avatar: The Last Airbender in at least two ways. (...) First, the practice of caring is deeply rooted in the moral lives of some of the characters in the series. This chapter focuses on Katara, although similar arguments could be made about Iroh, Aang, and others. Second, care motivates the political goal of the Gaang which, ultimately, is to repair their world so people can live well. This requires the Gaang to address local and global harms caused by Fire Nation imperialism and industrialization. (shrink)

In the world of Avatar: The Last Airbender ( ATLA ), the special materials called Elements seem to be major and basic components of the universe. In our world, by contrast, air is a mixture of oxygen and other gases, fire is the visible portion of chemical combustion, water is dihydrogen monoxide, and earth is a mixture of various sorts of molecules. Metaphysics deals with the ways things exist or could exist, how they come to be or (...) change, and how these things are related to each other logically and physically. Ancient philosophy might provide some inspiration. This chapter extracts some insights from the ancient Greeks, and then looks into Mesoamerican philosophy. It examines South and East Asian philosophy for clues. If spirits and the Elements are separate kinds of substances, then it is possible that the ATLA universe is dualistic: that there are two types of fundamental things in that universe. (shrink)

As Avatar: The Last Airbender illustrates, toughness and hardness can be accompanied by great sensitivity, rigidity by openness, roughness by love. Thus, the show sets up a one‐sided stereotype which over time dissolves into a balanced, at King Bumi rules Omashu, which is introduced as an ordered and well‐organized city, with mighty walls and tough guards who kick out the cabbage merchant due to some rotten cabbages in his load and demand respect for the elderly‐so far, so (...) earthy. The Avatar, is the great bridge between worlds not just between those of spirits and humans, but also between different sides. In Western philosophy, the terms “false alternative,” “false dilemma,” and “false dichotomy” refer to an informal fallacy which revolves around exactly such an illegitimate restriction of options. Philosophy provides the tools to uncover such fallacious reasoning and problematic assumptions. (shrink)

As Avatar: The Last Airbender concludes, Aang faces an ethical challenge. Philosopher Terrance McConnell notes that many people think of ethical dilemmas as occurring when a person “regards herself as having moral reasons to do each of two actions, but doing both actions is not possible”. Air Nomads live a quasi‐monastic life of non‐attachment, peace, and freedom. Aang, as an Air Nomad, is generally portrayed as deeply compassionate, even as he struggles with having to grow up in (...) wartime. In contrast to Sublime Ahimsic Practice, Avataric philosophy pulls its inspiration from a different source. Aang's dilemma seems to be genuine: his Avataric duties and Air Nomadic beliefs prescribe non‐negotiable obligations that pull in different directions. Sublime Ahimsic Practice aims to remind us that we are all worthy of being treated like we are worth giving a chance. (shrink)

In this chapter, the author argues that Avatar: the Last Airbender ( ATLA ) actually provides us with what the he will call an abolitionist philosophical account. Abolitionism is a theory of justice – derived primarily from the work of Black radicals – built on claims that global and local injustices can be explained by evil institutions or ways of life that cannot be reformed or changed, but that must be abolished. The world of ATLA is built (...) on a very specific metaphysical picture, the idea that the world is made up of the four elements. The natural causes the social, and so the latter ends up taking the shape of the former. The connection between the nations and the elements is deeper than production design. The swamp is not just an entire ecosystem, consisting of varied and distinct elements, but is in fact “one big, living organism”, a unity. (shrink)

Bloodbending is sometimes referred to as the “puppetmaster technique” because it is the only bending art whose focus is on the direct manipulation and control of a target. Incarcerated in a maximum‐security prison designed specifically to hold waterbenders, Hama was powerless to resist her captors due to their restriction of any liquid that could be used to bend. The bending styles in Avatar: The Last Airbender draw their inspiration from real‐world Chinese martial arts. Karl Friday describes satsujinken (...) in a more complicated way: “when a combatant uses force of will to overpower, immobilize, and strike down an opponent before he can react, this is called ‘setsunin‐to’”. It could be a perfect description of bloodbending as practiced by Hama: a use of already established and morally neutral techniques for the domination and overpowering of a person for egoistic aims. (shrink)

In this chapter, we explore some ways in which reasoning based on mysticism can be rational, focusing on the episode “The Fortuneteller,” in which Aang, Katara, and Sokka save a village from a volcanic eruption. Throughout this episode, Sokka advocates a purely empirical approach to reasoning. The villagers, however, believe that no source of knowledge is more reliable than Aunt Wu, the local fortuneteller. At several points in the episode, Sokka claims that the villagers’ reliance on Aunt Wu is irrational. (...) The villagers claim otherwise: since Aunt Wu has never led them astray, it is rational to rely on her. As we will see, the villagers are right. Their approach to reasoning – based on Aunt Wu’s fortunetelling – is more rational than it initially seems to be. Roughly put, despite their belief in the mystical, the villagers behave in accord with a standard philosophical theory of rational decision-making, a theory of what makes some decisions rational and other decisions not. So Sokka is wrong to claim that the villagers’ reliance on Aunt Wu is irrational. The villagers behave quite rationally. (shrink)

This chapter argues that the Earth King of Ba Sing Se, King Kuei, willfully maintained ignorance of the true state of his kingdom so that he could enjoy the privileges that came with his position, while remaining derelict in his duty to his people. The King maintains this ignorance at the expense of his people, both by condoning certain urban designs and by resisting knowledge that upsets his lifestyle. When the Avatar team first arrive at Ba Sing Se in (...) “City of Walls and Secrets,” Joo Dee tells them that the city has many walls and each wall serves a purpose, but people know there is more to the walls than their utility. This chapter looks at the ways that urban design promote artificial social homogeneity and prevent cross‐economic and cultural socialization. (shrink)

In a typical fantasy universe, distribution of supernatural capacities across the population is extremely unequal. The Bending World is no exception. A minority of people are born benders, while the majority are born nonbenders. Granted, no bender appears to be (super)powerful enough to subdue all other benders at once, and political assassinations do occur in the Bending World. The reincarnation of the Avatar can be seen as an instance of the more general problem of leadership succession, a concern in (...) both our world and the Bending World. In time, democracy will crumble in the face of persistent supernatural inequality – whether giving way to another zealous experiment in support of watchful bloodbending “de‐benders,” or being overthrown by someone who happens to be the most powerful bender in the world. All in all, the Bending World is – much more so than ours – a bent world. (shrink)

The proposal of the ‘Anthropocene’ as a new geological epoch where humans represent the dominant natural force has renewed artistic interest in the ‘geopoetic’, which is mobilized by cultural producers to incite changes in personal and collective participation in planetary life and politics. This article draws attention to prior engagements with the geophysical and the political: the work of Simone Weil and of the editors of the Martinican cultural journal Tropiques, Suzanne and Aimé Césaire. Synthesizing the political and scientific shifts (...) in human-world relationships of their time, both projects are set against oppressive or narcissistic materialisms and experiment with the image of the ‘cosmic’ to cultivate a preoccupation not with a tangible materialism but with an intangible one that emphasizes process and connectivity across wide spatial and temporal scales. The writers’ movement between poetics and politics will be used to enquire what kind of socio-political work a contemporary geopoetic could potentially do. (shrink)

Big historians are attempting to construct a general holistic narrative of human origins enabling an approach to studying the emergence of complexity, the relation between evolutionary processes, and the modern context of human experience and actions. In this paper I attempt to explore the past and future of cosmic evolution within a big historical foundation characterized by physical, biological, and cultural eras of change. From this analysis I offer a model of the human future that includes an addition and/or reinterpretation (...) of technological singularity theory with a new theory of biocultural evolution focused on the potential birth of technological life: the theory of atechnogenesis. Furthermore, I explore the potential deep futures of technological life and extrapolate towards two hypothetical versions of an ‘Omega Civilization’: expansion and compression. (shrink)

In discussions of the date at which Philodemos wrote the treatise περ σημείωѵ κаί σημεώσεωѵ there is general agreement on one point ‘that for this purpose our best evidence is a passage from col. 2, II. 11 sqq., of the papyrus. The author is there explaining the difficulties of induction in allowing for unobserved variations, and in taking Man as an instance he quotes first ‘the Kretan giant’ and then οѷ)ς έѵ՚ Акώρε π∋γμα∕ονς δονσιν νλει δ՚ ν∕αóγο’ Aντώνιος νûν ∕ (...) κ Ʃụρίαμσ(ατ. In the last line the letters of the papyrus are ΕΞΡΙΑΣ, which equally well may represent either § 'ρας or κ Σνρας but κ Σνρας has held the field since it was first suggested by Gomperz. (shrink)

The Spanish Civil War was one of the pivotal events of the 1930’s, the moment when fascism and socialism came into open conflict. First published in 1939, _The Spanish Tragedy_ recounts the experiences of Jef Last. Activist, poet and novelist, Last might have been the archetypal Republican volunteer but his experience left him even more disenchanted than most. Critical of Soviet Communism, a court martial loyal to Moscow tried to sentence him to death and he was forced to (...) flee to Scandinavia. (shrink)

In discussing the authorship of the first suasoria preserved in Cod. Vat. Lat. 3864 I said that an argument against its Sallustian origin had been found in the words ‘paulo ante hoc bellum’ of 4, 1. By this phrase the author marks an interval of twenty-seven years, and I suggested, as had been done before, that perhaps this is hardly the way ‘in which a man still under forty would refer to so long an interval which had ended only four (...) years before he was writing.’ The elasticity of Latin words indicating number and magnitude is familiar, but by the kindness of Dr. Rice Holmes I have been reminded of a place where some of the more interesting examples have been collected. Dr. Postgate, on p. lxxiv of his edition of Lucan VIII., mentions among other Caesarian passages B.C. 3, 106, 1, where the few days concerned in ‘Caesar paucos dies in Asia moratus’ are something like three weeks; and B.G. 3, 20, 1, where ‘paucis ante annis’ dates an event which probably happened either twenty-one or twenty-two years before the time with which the narrative is concerned. To these Dr. Holmes would add Cic. in Cat. 3, 1, 3, and, by way of contrast, Caesar B.C. 3, 25, 1. In the former the ‘eruption’ of Catiline on the night of November 8–9 is described by Cicero on December 3, twenty-four days later, as having occurred ‘paucis ante diebus’: in the latter a period of scarcely three months is ‘multi menses.’. (shrink)

Slavoj Žižek is one of the most influential philosophers of our current age. His work as a whole largely draws from Platonic, Cartesian, Hegelian and Lacanian thought, and has been applied to the analysis of empirical sciences, political-economic theory, as well as contemporary spirituality and theology. Jordan Peterson is a well respected clinical psychologist and has recently become one of the most influential public intellectuals of our current age. His work as a whole largely draws from Christian, Nietzschean, Jungian and (...) Piagettian thought, and has been antagonistically situated in contemporary debates on the nature of gender identity, sexual expression, communist ideology, and the importance of responsibility for a meaningful life. During Peterson’s rise to global fame these two thinkers have often been symbolically positioned by those familiar with their work as figures in an oppositional determination : Žižek standing for the future of the progressive left and revolutionary communist values, and Peterson standing for the future of the conservative right and traditional patriarchal values. In this work it is argued that the difference internal to this antagonistic positioning can be put to a productive utility. Towards this end I first attempt to use Christianity, Postmodernism and Psychoanalysis as thematic structures to focus on their core differences. Secondly, I attempt to summarize the major points of agreement that emerged from their public debate/dialogue/discussion. These two goals are established to demonstrate the importance of higher order dialogue capable of reconciling opposed figures of consciousness. Such reconciliation would not represent a synthesis to erase all differences, but rather a reconciliation that would open new spaces of productive discourse capable of approaching the nature of psychology and society. (shrink)

The law of the collegium of ivory and citrus-wood merchants is best known for its suspected prohibition against outsiders or non-practitioners. The present study argues that the regulation in question actually prohibits curatores from enrolling outsiders—the text curiously labels such an offense ‘fraud’. Rather than banning outsiders altogether, the law provides that only quinquennales shall have the authority to admit non-practitioners. It is still a rather unusual law, and since it conveys the impression that this collegium is wildly popular even (...) among non-practitioners, and headed by quinquennales who excel in the virtue of orderliness, its audience and function are both scrutinized here. (shrink)

The dominant forms of thought today exist as either deconstructive or metalinguistic structures. Here we attempt to situate dialectical thinking as a constructive meta-mediation of this opposition between deconstruction and metalanguage. Dialectical thinking offers us a way to think about the processual nature of reason itself as a force of thought mediating being. In this mode of understanding we attempt to think the possibility of articulating the meaning and importance of ‘metaontology’ defined as the ontology of epistemology. In a metaontology (...) we treat the structure of concepts not as reflecting external territory, nor as existing at a distance from external territory, but as having their own territory. We attempt to approach metaontology by reflectively observing the singularity of the author’s own internal territorial map, revealing a ‘quadratic twisted circularity’; and also the movement of the symbolic order itself, revealing a possible invariant unsymbolizable real. From these reflections we dive into the foundations of dialectical thinking, starting with Plato, and then exploring modifications introduced by Hegel and Lacan. Finally, we offer a dialectical structure of knowledge for the 21st century. This offering is meant only as an offer, a consideration, for how dialectics can be deployed at the location of key antagonisms in the contemporary field. The hope is that future dialecticians. (shrink)

The Sallustian Suasoriae are far from being works whose origin and authenticity can be claimed as matters of earth-shaking importance. As forms of composition their interest is mild; linguistically they are less valuable than bizarre; and as historical records theysuffer from the defect of most Suasoriae—that the author cannot advise about the past and is compelled to deal chiefly with the potentialities of the future. But in spite of this it is not without reason that in Germany much attention has (...) been paid to these few pages of Latin during the last twenty years. If they are what they seem to be, their evidence, such as it is, must at least be taken seriously. And this evidence is not without promise; for not only do these pieces contain several scraps of otherwise missing information largely about the prosopography of the last century B.C., but in general they purport to express the views of Sallust—a man who was no fool, even if his ability was not so great as has some-times been alleged—on the political and economic difficulties of Rome during the closing phase of the career of Julius Caesar. Material of this kind cannot lightly be neglected; but at the same time the significance, both of the author's suggestions and of his casual references to events inthe past, will depend to a great extent on the author having been Sallust himself, and not a member of some rhetor's establishment writing perhaps a hundred years or more after the events with which he pretends to be contemporary. So though there may be no welcome for yet another addition to the literature of a subject whose bibliography is already long, it may still be worth while to make some observations which will perhaps help to show that, wherever the true conclusion about the authenticity of these pamphlets may lie, at least it does not lie in the direction which has been taken in recent years by several scholars—in particular by Pöhlmann and Eduard Meyer. (shrink)

The article argues that the work of literary theorist Mikhail M. Bakhtin presents a starting point for thinking about the instrumentalization of climate change. Bakhtin’s conceptualization of human–world relationships, encapsulated in the concept of ‘cosmic terror’, places a strong focus on our perception of the ‘inhuman’. Suggesting a link between the perceived alienness and instability of the world and in the exploitation of the resulting fear of change by political and religious forces, Bakhtin asserts that the latter can only be (...) resisted if our desire for a false stability in the world is overcome. The key to this overcoming of fear, for him, lies in recognizing and confronting the worldly relations of the human body. This consciousness represents the beginning of one’s ‘deautomatization’ from following established patterns of reactions to predicted or real changes. In the vein of several theorists and artists of his time who explored similar ‘deautomatization’ strategies – examples include Shklovsky’s ‘ ostranenie’, Brecht’s ‘ Verfremdung’, Artaud’s emotional ‘cruelty’ and Bataille’s ‘base materialism’ – Bakhtin proposes a more playful and widely accessible experimentation to deconstruct our ‘habitual picture of the world’. Experimentation is envisioned to take place across the material and the textual to increase possibilities for action. Through engaging with Bakhtin’s ideas, this article seeks to draw attention to relations between the imagination of the world and political agency, and the need to include these relations in our own experiments with creating climate change awareness. (shrink)

Confucianism and Legalism are two schools of Chinese philosophy. This chapter explores contrasts between Confucian and Legalist visions of the nation, the family, and the soul through Zuko's journey. It covers the tension between the legacies of his two great‐grandfathers, Sozin and Roku, and shows that the battle within Zuko and the royal family is at root a philosophical struggle between these two differing philosophical visions. Finally, the chapter addresses that Zuko's battle within reflects something true about human nature that (...) the Legalists and the Confucians partly grasped, and which one twentieth‐century villain‐turned‐hero, Aleksandr Solzhenitsyn, helps clarify. The Legalists emphasized natural tendencies toward evil. Zuko's story suggests that both schools point to something true in human nature, that human beings have the natural capacity for both good and evil, and that it is all too human to be deceived by evil masquerading as good. (shrink)

In the last few years, avatars have been increasingly used in treating persistent persecutory auditory verbal hallucinations. The digital representation (an avatar) of persecutory hallucinations is voiced by the therapist and engages the patient in a dialogue, progressively conceding its power and, hence, reducing the stress experienced by the patient. Such attempts at integrating digital representations and cognitive behavior therapy raise a range of philosophical questions, which this chapter tackles along two trajectories. From an epistemological standpoint, we inquire (...) what notion of mental disorder can underlie the use of avatar therapy, and how our understanding of psychiatric diseases can be affected by the implementation of such a therapy. Relatedly, from an ethical standpoint, we reflect on some of the controversial issues posed by such therapeutic strategies. Discussing selected epistemological and ethical aspects stemming from the latest relevant literature both in philosophy and in psychiatry, the chapter aims to provide a tentative evaluation of trade-offs between the promises of and the limits to this therapeutic option. (shrink)

Mr. Powell's ingenious observations on The Simile of the Clepsydra in Empedocles raise afresh the problem of the precise form and construction of the instrument with whose aid Empedokles is said to have reached his memorable conclusion that air is a corporeal substance. That ‘klepsydra’ was the name of the instrument in question is shown by a comparison of Aristotle, Phys. 213a, 22 sqq. with Empedokles, fr. 100; but though so far the fragment is plain, in its detailed interpretation there (...) arises a difficulty which is the subject of the present note. Empedokles is explaining his theory of respiration, and the theory is illustrated by the action of this apparatus. To make clear the general drift of the passage, it may be well to quote again so much of it as is relevant. ‘Thus do all things draw breath in and breathe it out again. All have bloodless tubes of flesh extended over the surface of their bodies; and at the mouths of these the outermost surface of the skin is perforated all over with pores closely packed together, so as to keep in the blood while a free passage is cut for the air to pass through. Then, when the thin blood recedes from these, the bubbling air rushes in with an impetuous surge; and when the blood rushes back it’ ‘is breathed out again. (shrink)

Marxism has been for a long time the reference of the European Worker's Movement. It took the form of a millenarist faith and was embodied in large organizations. Orthodox marxism had no more reason for existence when the working class was integrated in the modern society.Communism gave a new inspiration but at the expense of an intellectual degeneration. When it became a state religion, marxism stopped to be creative and became a Gnosis. The varied forms of leftisms which emerged in (...) the sixties are the last avatar of marxism in the developped countries. But they have only a remote relationship with Marx's doctrine. The same process took place in the Third World where the marxist-leninist vulgate was absorbed by nationalism. (shrink)