Peirce’s sign model is introduced as incompatible with structural semiology in the majority of semiotics textbooks. In this paper, I would like to argue against this general polarization of the semiotic discipline. I focus on compatibilities between Lucien Tesnière’s syntactic theory (verbal valency) and Peirce’s logic of relatives. My main argument is that structural linguistics is not necessarily dyadic, and that Peirce’s sign doctrine is perfectly structural. To define the structural approach in Peirce, I analyze the notions of form (...) (structure) and substance in Hjelmslev and Peirce. The aim of my argument is to contribute to attempts to introduce Peirce’s theory to the field of linguistics in the hope that such an integration will be beneficiary for general linguistics. To extend and support my argument, I provide some examples from biology where Peirce’s theory has been applied. I demonstrate an analogy between the biological structures of proteins and the structure of a sentence with Peirce’s own writings. I consequently introduce Peirce as the first structural semiologist and as the first biolinguist. (shrink)

This paper examines the color symbolic values in two different and unrelated languages, Arabic and English. It analyses the colors mentioned in the Qur’an semiotically and their translation based on Peirce’s semiotic model of sign interpretation, while considering the socio-cultural differences that influence the understanding and rendering of color signs, informed by corpus-based analysis. Although the Qur’an contains the most basic colors like other languages, the semiotic values of some colors are different. The study shows that colors in the Qur’an, (...) and Arabic in general, are tightly linked to the environment and culture of the early Muslims who received the Qur’an first-hand from the Prophet. These colors as situated in their culture could appear positively or negatively to users in other languages in a way that is not intended in the source text. Therefore, the translator’s awareness of the socio-cultural signs could bridge the gap between the different systems of codification and recodification of signs. (shrink)

What does Saussure really mean by “semiology”? This is the question we try to answer in this text. In fact, reading his writings and notes, we realize that Saussure uses the term “semiology” in different contexts and with different meanings. So the notion of “semiology” issued from his works is more complex than it seems because it undergoes several transformations throughout the development of Saussurian thought. The term “semiology” never appears in the texts published during in (...) his lifetime, but we find several mentions of this notion in the manuscript sources that make up the Saussurian corpus. While this term appears first during the period between 1881 and 1891, especially in all the documents known under the title of Phonétique, in the Gothic lessons, and in the manuscript “De l’essence double du langage”, the notion of “semiology” is presented to the public in the Cours de linguistique générale with a very precise meaning that has been taken up in Adrien Naville’s Nouvelle Classification des sciences. Then, after the publication of a large part of Saussure’s autograph writings, Ecrits de linguistique générale, we can return to this notion not only to trace its genesis, but also to better understand its complexity. And this is what we propose to do in this article. (shrink)

This critical interpretation shows Derridian thought to be permeated by a semiology that reduces all meaning to the signification of signs thus challenging the philosophy of deconstruction at its roots.

For the last twenty years Luis Prieto, in his published work in French, has reiterated that the systematic study of the codes (other than natural languages) which were invented by men for communication purposes is in and of itself an undertaking essential for an understanding of both the laws of communication in general and of the mechanisms of these systems of communication—the totality of which would make up the (Saussurian) semiology of communication (Prieto 1966, 1968, 1975). Among these systems (...) the symbols of chemistry—referred to as such for a long time— and their combinatory rules constitute a very ancient code or series of codes (Crosland, 1962). Up to now this code has not been subjected to a genuine semiological study, except for the essay by Dagognet (1969, see Mounin 1970) which is more literary or poetical and metaphysical than scientific. (shrink)

As with any historical study, including that of knowledge and ideas, the progress of the semiology of the theater is subject to periodicity. The aim of any division into periods is to obtain a global view, even at the price of simplifications, but it can also bring out the hidden aspects of the phenomena under study.The semiology or semiotics of the theater, that is, the application of the idea of sign to the art of the spectacle, has a (...) long past, in which several stages may be distinguished, and first of all those that I would call the presemiology and the protosemiology of the theater. (shrink)

An introduction to an English translation of Jan Mukařovský´s lecture The Semiology of Art. In this lecture Mukařovský, a Czech aesthetician, literary historian, theorist, and leading proponent of Czech structuralism, develops his interpretation of the semiotics of art from a detailed explanation of the basic functions of the artistic sign. He emphasizes the role of the aesthetic function, which is dominant but latently and potentially contained in all the other functions of the linguistic and the artistic sign. He then (...) defines the artistic sign as the dialectical negation of the communicative sign. (shrink)

Bradley contends that the semiology of Charles Sanders Peirce , the founder of pragmatism, is a standing challenge as much to Gadamerian hermeneutics as to Saussure’s structuralism and its deconstructionist progeny. For Peirce physical matter itself is one specific mode of the activity of semiosis or sign interpretation. The paper outlines the central point and purpose of Peirce’s general metaphysics and describe the basic features of his theory of signs.

The aim of this commentary is to underpin Duffley’s notion of a stable mental content that corresponds to the literal word meaning with a computationally plausible cognitive theory. Our approach is to investigate what these stable contents could be according to the so-called Predictive Processing architecture. We argue that recent advances in cognitive science can make at least two contributions to the debate. First, they can provide some underpinning of Duffley's ideas of a stable linguistic meaning associated with the sign. (...) Second, they provide resources to understand how the semiological principle is compatible with a dynamic and flexible notion of "meaning". (shrink)

The dawn of music semiology showcases the work of ten leading musicologists inspired by the work of Jean-Jacques Nattiez. Reflecting the energy and diversity of the young field of music semiology, chapters in this volume discuss music and gesture, the psychology of music, and the role of ethnotheory, and offer new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, and modernism from Wagner to Boulez.

In this article I critically engage with Robert Craig’s constitutive metamodel of communication theory from the vantage point of an integrational semiology, as developed by Oxford Professor Roy Harris in his book Signs, Language and Communication (1996). I argue that Harris’ dichotomy of a ‘segregational’ vs. an ‘integrational’ tradition of theorizing language and communication makes the metamodel redundant on the grounds that Craig’s communicational perspective on social reality is replaced by two semiologies sponsoring mutually exclusive ontologies and epistemologies.

This thesis is to make sure the art's political possibility especially in the age of the technological reproduction. Since Benjamin declared the death of the 'aura' in the modern art, the concept of the art has been criticized and changed, that of the simulacre which Plato had blamed in his 'republics' newly appeared passing through the post-modern application of Baudrillard. But the simulacre is not negative any more here, even though it was the side effect of the mimesis(the poetic process, (...) so long as it is not oblivious that simulacre is just the fake reality as Plato and Baudrillard said, it was different from the real. The artwork could not be free from the destiny of the dream, for it is available after awakening out of it. In the post-modernism the distinction between the dream and the real disappeared, which could be linked to understanding the fetishism of the technological reproduction widely spreading among the highly industrialized people. The semiology of Saussure could be borrowed to make people isolated of it awakened to the revolutionary subject. That is to say, if the simulacre is like the dreaming, to draw the social revolutionary possibility of it, they need to overcome these fetishism, that is, the learning that this dream is not the reality, and after that they can leap as another subject perceiving the power of that dream. According Freud, the dream is based on the unconscious process of the empty signs. And the teaching of 'the signs of the equivalent differences' in Saussure makes us free from the essentialism of the word(a sort of the fetishism), know that we are so much as the sign or the citizen empty in it, and so get to know that we need another signs, or neighbors even though, and for they are empty, too. The revolutionary subject is not based on the great individual subject but the empty(lost) 'us' that so need to associate each other. And the post-modern art, popular mass art can help us being social subjects. That is what Benjamin had dreamed in post-aura art through 'the artworks in the age of the technological reproduction'. (shrink)

_Making Sense of Tantric Buddhism_ fundamentally rethinks the nature of the transgressive theories and practices of the Buddhist Tantric traditions, challenging the notion that the Tantras were "marginal" or primitive and situating them instead--both ideologically and institutionally--within larger trends in mainstream Buddhist and Indian culture. Critically surveying prior scholarship, Wedemeyer exposes the fallacies of attributing Tantric transgression to either the passions of lusty monks, primitive tribal rites, or slavish imitation of Saiva traditions. Through comparative analysis of modern historical narratives--that depict (...) Tantrism as a degenerate form of Buddhism, a primal religious undercurrent, or medieval ritualism--he likewise demonstrates these to be stock patterns in the European historical imagination. Through close analysis of primary sources, Wedemeyer reveals the lived world of Tantric Buddhism as largely continuous with the Indian religious mainstream and deploys contemporary methods of semiotic and structural analysis to make sense of its seemingly repellent and immoral injunctions. Innovative, semiological readings of the influential _Guhyasamaja Tantra_ underscore the text's overriding concern with purity, pollution, and transcendent insight--issues shared by all Indic religions--and a large-scale, quantitative study of Tantric literature shows its radical antinomianism to be a highly managed ritual observance restricted to a sacerdotal elite. These insights into Tantric scripture and ritual clarify the continuities between South Asian Tantrism and broader currents in Indian religion, illustrating how thoroughly these "radical" communities were integrated into the intellectual, institutional, and social structures of South Asian Buddhism. (shrink)

_Making Sense of Tantric Buddhism_ fundamentally rethinks the nature of the transgressive theories and practices of the Buddhist Tantric traditions, challenging the notion that the Tantras were "marginal" or primitive and situating them instead -- both ideologically and institutionally -- within larger trends in mainstream Buddhist and Indian culture. Critically surveying prior scholarship, Wedemeyer exposes the fallacies of attributing Tantric transgression to either the passions of lusty monks, primitive tribal rites, or slavish imitation of Saiva traditions. Through comparative analysis of (...) modern historical narratives -- that depict Tantrism as a degenerate form of Buddhism, a primal religious undercurrent, or medieval ritualism -- he likewise demonstrates these to be stock patterns in the European historical imagination. Through close analysis of primary sources, Wedemeyer reveals the lived world of Tantric Buddhism as largely continuous with the Indian religious mainstream and deploys contemporary methods of semiotic and structural analysis to make sense of its seemingly repellent and immoral injunctions. Innovative, semiological readings of the influential _Guhyasamaja Tantra_ underscore the text's overriding concern with purity, pollution, and transcendent insight -- issues shared by all Indic religions -- and a large-scale, quantitative study of Tantric literature shows its radical antinomianism to be a highly managed ritual observance restricted to a sacerdotal elite. These insights into Tantric scripture and ritual clarify the continuities between South Asian Tantrism and broader currents in Indian religion, illustrating how thoroughly these "radical" communities were integrated into the intellectual, institutional, and social structures of South Asian Buddhism. (shrink)

Utopics has two parts. The first is a study of Thomas More's Utopia, where the noun "utopia" appears for the first time. It attempts to provide the elements for a theoretical reflection on utopic signifying practice. The second part can be seen as an application of the first: It is an analysis of utopic and pseudo-topic spaces. Marin's analysis shows how utopian texts open the way to an alternative future.

KEY TO FOOTNOTE ABBREVIATIONS MM-P. Structure Phenomenology Sense Praise Signs Visible Themes Humanism Primacy Maurice Merleau-Ponty The Structure of ...

This issue of the Bucknell Review studies the achievements of phenomenology and structuralism and their role in philosophy and in preparing for the emergence of semiotics. The articles in this volume reflect the preoccupations of the past decade. It is hoped that these essays will suggest some practical critical analysis on this subject.

This dissertation examines the questions of interpretation raised by the naturalist vocabulary employed by Nietzsche in the writings of his last creative years, 1885-88. In particular, the concepts of life, physiology and nature which are central to these texts are elucidated in relation to the theory of language and rhetoric that Nietzsche developed in the early 1870's. The first chapter details the problems posed by this naturalistic vocabulary: in particular whether it justifies the interpretation of Nietzsche as a contradictory and (...) irrational thinker, who criticizes metaphysics only to reinscribe a naturalistic metaphysics within his own philosophy. The chapter concludes with the hypothesis that it is appropriate to approach the later writings in light of Nietzsche's early theory of language and rhetoric. The second chapter is devoted to a close reading of the two most important texts by Nietzsche on the subject of language and rhetoric, the essay "On Truth and Lie in the Extra-Moral Sense" and the notes for the course on rhetoric. The third chapter examines the relationship between these texts and The Birth of Tragedy, written eighteen months earlier. Here I argue that the model of signification articulated in "On Truth and Lie" and the course on rhetoric is already operative in the earlier text. Drawing on the conclusions of the two preceding chapters, the final chapter returns to address the question of Nietzsche's naturalism. The concepts of life, physiology and nature are elucidated in relation to Nietzsche's theory of language and rhetoric and the various textual models at work in these texts. (shrink)

Thinking through other minds encompasses new dimensions in computational psychiatry: social interaction and mutual sense-making. It questions the nature of psychiatric manifestations in light of recent data on social interaction in neuroscience. We propose the concept of “social physiology” in response to the call by the conceivers of TTOM for the renewal of computational psychiatry.