Have we reached what Alexander Galloway dismissively refers to as ‘peak Deleuze’? In this essay, I argue that the arrival at end times – with the sense of mass extinction and philosophy's exhaustion – is indeed a moment of ‘peak Deleuze’, but that this gesture of exhaustion is already implicit in A Thousand Plateaus. Recognising the limits and seduction of a text is never as easy as it seems; every attempt to break up with Deleuze and Guattari, though necessary, (...) is fraught with a whole series of difficulties that were already visible in A Thousand Plateaus's own relation to its outside. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:After Extinction ed. by Richard Grusin, and: Anthropocene Poetics: Deep Time, Sacrifice Zones and Extinction by David FarrierChris CrewsRichard Grusin, editor. After Extinction. University of Minnesota Press, 2018. 272pp.David Farrier. Anthropocene Poetics: Deep Time, Sacrifice Zones and Extinction. University of Minnesota Press, 2019. 176pp.Thinking Critically and Poetically with the AnthropocenePublished within a year of each other, Richard Grusin’s edited collection, After (...) class='Hi'>Extinction, and David Farrier’s Anthropocene Poetics offer two valuable perspectives on the themes of extinction and the Anthropocene. Most readers are likely familiar with some version of the Anthropocene by now, and its usage in these books (with a few exceptions) follows a common refrain in the humanities and social sciences, where it is used as an umbrella term to describe a wide range of (mostly negative) impacts to the Earth associated with industrial civilization and human activities.The topic of extinction is a much older issue, but increasingly frequent (and alarming) reports about biodiversity loss and extinction from bodies like the United Nations, combined with activism from groups like Extinction Rebellion, have raised its profile. Elizabeth Kolbert’s 2014 book The Sixth Extinction: An Unnatural History, which performs a sort of Derridean hauntology throughout the pages of After Extinction, further reinforced this trend. As Richard Grusin notes in his Introduction to After Extinction, the book emerged from a conference hosted by the Center for Twenty-First Century Studies at the University of Wisconsin-Milwaukee which focused on the question of what comes after extinction. Each chapter is thought-provoking, but at times they sat uneasily together, producing a sort of Chthulucenic cacophony drawn from multiple disciplines and themes, from entangled humanism and the power of photography to a rethinking of disability and Indigenous languages in the Anthropocene. [End Page 156]I found David Farrier’s Anthropocene Poetics harder to pin down, despite being a more cohesive text. The book offers a series of ecocritical musings that engage with a series of poets and authors whose work Farrier uses to draw out a poetic imagination of the Anthropocene. Farrier develops this Anthropocene poetics through a dizzying array of textual and artistic examples that draws inspiration from queer ecology and New Materialism (e.g., Elizabeth Grosz, Timothy Morton, Jane Bennett, Quentin Meillassoux) to problematize the liminal spaces and borders between human and non-human agencies and affect, animacies and intimacies, while suggesting that poetry is well suited (perhaps best suited?) to help us rethink our relationship to deep time and geologic agency. While reading Farrier’s book, I could not help but think of Bruno Latour’s comments about how we need a new geostory to help us make sense of the Anthropocene.Farrier engages widely with Donna Haraway and Anna Tsing to develop some key themes, yet there is no attempt to force the concept of the Anthropocene into any prefigured box, despite his study’s grounding in ecocriticism and his stated sympathy with the fledgling field of Anthropocene studies. As Farrier notes, “I pursue a more inclusive approach to defining the Anthropocene, that is, that each discipline must do so according to its own terms and, by implication, that each discipline must reappraise its boundaries and assumptions in the Anthropocene’s shadows” (3). Farrier’s familiarity with both the scientific basis and cultural debates around the Anthropocene allows him to pull this off successfully.A key aim for Farrier is to explore what an Anthropocene poetics might look like, and to show how such a poetics can allow for more fluid engagements with the Anthropocene. He does this through three framing devices: intimacy (deep time), entanglements (sacrifice zones), and swerve (kin-making), each of which allows him to think more deeply about our growing awareness of deep time (past and future) and our entanglements with a changing planet. Farrier suggests this awareness is creating a deeper appreciation for how the human project is (and always has been) deeply bound up with other than human beings and non-human agencies. As Farrier argues: “One of the most striking and unsettling aspects of the Anthropocene is the newly poignant sense that our present is in fact accompanied by deep pasts and... (shrink)

A significant proportion of conservationists' work is directed towards efforts to save disappearing species. This relies upon the belief that species extinction is undesirable. When justifications are offered for this belief, they very often rest upon the assumption that extinction brought about by humans is different in kind from other forms of extinction. This paper examines this assumption and reveals that there is indeed good reason to suppose current anthropogenic extinctions to be different in kind from extinctions (...) brought about at other times or by other factors. Having considered – and rejected – quantity and rate of extinction as useful distinguishing factors, four alternative arguments are offered, each identifying a way in which anthropogenic extinction is significantly different from other forms of extinction, even mass extinction: (1) Humans are a different kind of natural cause from other causes of extinction; (2) Extinctions brought about by humans are uniquely persistent; (3) Anthropogenic extinctions are effectively random whereas past mass extinctions are rule-bound; (4) The impact of the current anthropogenic extinction event differs from the impact of other extinction events of the past, such that future recovery may not follow past patterns. Together, these four arguments suggest that the present-day extinction event brought about by humans may be unprecedented and that we cannot clearly extrapolate from past to present recovery from extinctions. Although insufficient as justification for the claim that present-day extinctions are undesirable, the arguments provide some ammunition for conservationists' conviction that species extinction – in which humans play an accelerating role – ought to be prevented. (shrink)

Some people feel distressed reflecting on human extinction. Some people even claim that our efforts and lives would be empty and pointless if humanity becomes extinct, even if this will not occur for millions of years. In this essay, I will attempt to demonstrate that this claim is false. The desire for long-lastingness or quasi-immortality is often unwittingly adopted as a standard for judging whether our efforts are significant. If we accomplish our goals and then later in life conclude (...) that these accomplishments were of no significance, then this is a sign that the desire for long-lastingness has crept into our standards. By recognizing this, and refraining from adopting an unreasonable standard to judge whether our efforts are significant, it will be to our advantage. Then, when we look back on life from an external perspective that encompasses times after humanity has become extinct, we will not conclude that our efforts amounted to nothing. Rather, we will conclude that many people made significant accomplishments that made their lives and the lives of other people better than they would have been if their goals had never been pursued. (shrink)

In the life of any species, extinction is the final evolutionary process. It is a common one at present, as the world is entering a major extinction crisis. The pattern of extinction and threat is very non-random, with some taxa being more vulnerable than others. Explaining why some taxa are affected and some escape is a major goal of conservation biology. More ambitiously, a predictive model could, in principle, be built by integrating comparable studies of past and (...) present extinctions. We review progress towards both explanatory and predictive frameworks, comparing correlates of extinction in different groups at different times. Progress towards explanatory models for the current crisis is promising, at least in some well-studied taxa, but the development of a truly predictive model is hampered by the formidable difficulties of integrating studies of present and past extinctions. BioEssays 22:1123–1133, 2000. © 2000 John Wiley & Sons, Inc. (shrink)

The paper explores the contact between the literary notion of the end of the world as depicted in H.G. Wells’s science fiction novel _The Time Machine_ and the concept of extinction, in the sense developed by the French naturalist Georges Cuvier, who at the turn of the 19 th century formulated a thesis about the structure of the world with a built-in end. The time traveller in Wells’s novel is driven into the distant future by an obsessive (...) desire to know the fate of the world. He encounters it on the shores of an already dead sea, where he is greeted by the image of a dying world, unmoving in the dull red light of a never-setting sun. Cuvier, on the other hand, encounters the end of the world as a reader of traces of history as told by nature through its layering and piling up. Within these layers, Cuvier recognises moments of repetitive interruptions that have left behind not only whole species and genera, but also entire worlds in the great natural history. The key question, then, is the status of the end within the proposed mechanism of return and repetition. (shrink)

The history of life on Earth has been shaken in the last half billion years by five mass extinctions that have killed at least three-quarters of biodiversity in a geologically short time. These five extinctions were due to major ecological upheavals, with endogenous or exogenous drivers (volcanic eruptions, impact of asteroids, etc.). Today, many data show that the current extinction rate is comparable to or even worse than that of the Big Five mass extinctions of the past. The (...) difference is that this time the asteroid is one species: Homo sapiens. There are good reasons to include the Sixth Mass Extinction in the definition of the Anthropocene. This drastic reduction in biodiversity will leave an irreversible geological and paleontological mark. It interacts with climate change, with a multiplicative effect. It contributes to the environmental crisis that reduces ecosystem services and threatens human health (i.e., likelihood of spillovers). (shrink)

In both scientific and popular circles it is often said that we are in the midst of a sixth mass extinction. Although the urgency of our present environmental crises is not in doubt, such claims of a present mass extinction are highly controversial scientifically. Our aims are, first, to get to the bottom of this scientific debate by shedding philosophical light on the many conceptual and methodological challenges involved in answering this scientific question, and, second, to offer new (...) philosophical perspectives on what the value of asking this question has been — and whether that value persists today. We show that the conceptual challenges in defining ‘mass extinction’, uncertainties in past and present diversity assessments, and data incommensurabilities undermine a straightforward answer to the question of whether we are in, or entering, a sixth mass extinction today. More broadly we argue that an excessive focus on the mass extinction framing can be misleading for present conservation efforts and may lead us to miss out on the many other valuable insights that Earth’s deep time can offer in guiding our future. (shrink)

From an impersonal, timeless perspective it is hard to identify good reasons why it should matter that human extinction comes later rather than sooner, particularly if we accept that it does not matter how many human beings there are. We cannot appeal to the natural narrative shape of human history for there is no such thing. We have more local and particular concerns to which we can better appeal but only if an impersonal, timeless perspective is abandoned: only from (...) a generation–centred perspective do such concerns help to make sense of our concern for the timing of our own extinction. (shrink)

Are the methods of synthetic biology capable of recreating authentic living members of an extinct species? An analogy with the restoration of destroyed natural landscapes suggests not. The restored version of a natural landscape will typically lack much of the aesthetic value of the original landscape because of the different historical processes that created it—processes that involved human intentions and actions, rather than natural forces acting over millennia. By the same token, it would appear that synthetically recreated versions of extinct (...) natural organisms will also be less aesthetically valuable than the originals; that they will be, in some strong sense, ‘inauthentic’, because of their peculiar history and mode of origin. I call this the ‘genesis argument’ against de-extinction. In this article I critically evaluate the genesis argument. I highlight an important disanalogy between living organisms and natural landscapes: viz., it is of the essence of the former, but not of the latter, to regularly reproduce and die. The process of iterated natural reproduction that sustains the continued existence of a species through time obviously does not undermine the authenticity of the species. I argue that the authenticity of a species will likewise be left intact by the kind of artificial copying of genes and traits that a de-extinction project entails. I conclude on this basis that the genesis argument is unsound. (shrink)

Thresholds for disease extinction provide essential information for the prevention and control of diseases. In this paper, a stochastic epidemic model, a continuous-time Markov chain, for the transmission dynamics of West Nile virus in birds is developed based on the assumptions of its analogous deterministic model. The branching process is applied to derive the extinction threshold for the stochastic model and conditions for disease extinction or persistence. The probability of disease extinction computed from the branching (...) process is shown to be in good agreement with the probability approximated from numerical simulations. The disease dynamics of both models are compared to ascertain the effect of demographic stochasticity on West Nile virus dynamics. Analytical and numerical results show differences in model predictions and asymptotic dynamics between stochastic and deterministic models that are crucial for the prevention of disease outbreaks. It is found that there is a high probability of disease extinction if the disease emerges from exposed mosquitoes unlike if it emerges from infectious mosquitoes and birds. Finite-time to disease extinction is estimated using sample paths and it is shown that the epidemic duration is shortest if the disease is introduced by exposed mosquitoes. (shrink)

I have three aims in this paper. First, to consider the temporal way in which we conceptualise extinction. Second, to argue that our colloquial notion of time is in certain ways inadequate so far as said consideration goes. And third, in light of a different model of temporality better suited to thinking about extinction, to ask: what do we do now?

Eric Katz in Zombie Arguments defends the thesis authenticity is indispensable to conservation. I agree. However, I argue authenticity appears in degrees and can be reclaimed by populations through their continuing evolutionary responses to the world. This means that interventions that diminish the value of a population through reducing their authenticity can be permitted in limited cases. When our actions retain the remaining authentic features in a threatened population we should allow such a diminishment as authenticity can be reclaimed in (...) time. (shrink)

Explanation is a perennially hot topic in philosophy of science. Yet philosophers have exhibited a curious blind spot to the questions of how explanatory projects develop over time, as well as what processes are involved in generating their developmental trajectories. This paper examines these questions using research into the end-Permian mass extinction as a case study. It takes as its jumping-off point the observation that explanations of historical events tend to grow more complex over time, but it (...) goes beyond this observation by scrutinizing the processes responsible for generating this pattern. Surveying several decades of research into the end-Permian extinction, I suggest that the principal “driver” of explanation in geohistory is non-explanatory work: work that is undertaken to increase our descriptive understanding of a phenomenon, not to test a particular explanatory claim. Non-explanatory work drives explanation by imposing or eliminating demands on explanation, and by furnishing new resources for constructing explanatory models. Explanations grow more complex because the demands on explanation tend to increase with ongoing characterization of the target phenomenon, and characterization tends grows the roster of explanatory resources. However, the fact that non-explanatory work sometimes eliminates demands on explanation means that this trend is not irreversible. I suggest that to achieve a more rounded view of the dynamics of explanation, philosophers should ask how research into complex phenomena is organized, as well as how explanatory progress depends upon the coordination of different kinds of material and epistemic resources. (shrink)

Focusing particularly on the role of the clock in social life, this article explores the conventions we use to “tell the time.” I argue that although clock time generally appears to be an all-encompassing tool for social coordination, it is actually failing to coordinate us with some of the most pressing ecological changes currently taking place. Utilizing philosophical approaches to performativity to explore what might be going wrong, I then draw on Derrida’s and Haraway’s understandings of social change (...) in order to suggest a fairly unconventional, but perhaps more accurate, mode of reckoning time in the context of climate change, resource depletion, and mass extinctions. (shrink)

Caroline New is an energetic activist who has interpolated critical realist ideas into the front-line of political activism. In this wide-ranging interview, she begins by reflecting on her life and how she became a realist and her account is illustrated with personal anecdotes recalling memories of well-known philosophers and activists from the time. She discusses how her position set her apart from other feminists and she examines the interacting threads of longstanding debates on the political left, as well as (...) longstanding debates within critical realist circles, such as the relative importance of quantitative methods in social research and the scope for agency as a source of intentional change. Finally she brings some of her ideas to bear on contemporary issues. This engaging interview notably provides some of the social context in which critical realism developed, while also pointing towards its future potential. (shrink)

Caroline New is an energetic activist who has interpolated critical realist ideas into the front-line of political activism. In this wide-ranging interview, she begins by reflecting on her life and how she became a realist and her account is illustrated with personal anecdotes recalling memories of well-known philosophers and activists from the time. She discusses how her position set her apart from other feminists and she examines the interacting threads of longstanding debates on the political left, as well as (...) longstanding debates within critical realist circles, such as the relative importance of quantitative methods in social research and the scope for agency as a source of intentional change. Finally she brings some of her ideas to bear on contemporary issues. This engaging interview notably provides some of the social context in which critical realism developed, while also pointing towards its future potential. (shrink)

To explain the origin of thorium, the Austrian geophysicist Kirsch in 1922 postulated a hypothetical isotope, thoruranium , by analogy with actinouranium. The theoretical life-time of thoruranium was predicted as being too short for it to have survived in the recent geological past. Available geological data was not inconsistent with this hypothesis, but neither did it confirm it. Within five years one new piece of geological evidence, which appeared not to conform with predictions based upon this alleged U-236, was (...) accepted even by Kirsch as sufficient to falsify his theory. However, during the 1940s, U-236 was produced artificially, and its characteristics were found to conform with those postulated for thoruranium. Subsequent research on the origin of the universe has confirmed that indeed a natural endowment of U-236 did once exist in considerable abundance. (shrink)

In this paper we articulate how time and temporalities are involved in the making of living things. For these purposes, we draw on an instructive episode concerning Norfolk Horn sheep. We attend to historical debates over the nature of the breed, whether it is extinct or not, and whether presently living exemplars are faithful copies of those that came before. We argue that there are features to these debates that are important to understanding contemporary configurations of life, time, (...) and the organism, especially as these are articulated within the field of synthetic biology. In particular, we highlight how organisms are configured within different material and semiotic assemblages that are always structured temporally. While we identify three distinct structures, namely the historical, phyletic, and molecular registers, we do not regard the list as exhaustive. We also highlight how these structures are related to the care and value invested in the organisms at issue. Finally, because we are interested ultimately in ways of producing time, our subject matter requires us to think about historiographical practice reflexively. This draws us into dialogue with other scholars interested in time, not just historians, but also philosophers and sociologists, and into conversations with them about time as always multiple and never an inert background. (shrink)

The critical condition and historical motivation behind Time Studies The concept of time in the post-millennial age is undergoing a radical rethinking within the humanities. Time: A Vocabulary of the Present newly theorizes our experiences of time in relation to developments in post-1945 cultural theory and arts practices. Wide ranging and theoretically provocative, the volume introduces readers to cutting-edge temporal conceptualizations and investigates what exactly constitutes the scope of time studies. Featuring twenty essays that reveal (...) what we talk about when we talk about time today, especially in the areas of history, measurement, and culture, each essay pairs two keywords to explore the tension and nuances between them, from “past/future” and “anticipation/unexpected” to “extinction/adaptation” and “serial/simultaneous.” Moving beyond the truisms of postmodernism, the collection newly theorizes the meanings of temporality in relationship to aesthetic, cultural, technological, and economic developments in the postwar period. This book thus assumes that time—not space, as the postmoderns had it—is central to the contemporary period, and that through it we can come to terms with what contemporaneity can be for human beings caught up in the historical present. In the end, Time reveals that the present is a cultural matrix in which overlapping temporalities condition and compete for our attention. Thus each pair of terms presents two temporalities, yielding a generative account of the time, or times, in which we live. (shrink)

Finding Time for the Old Stone Age explores a century of colourful debate over the age of our earliest ancestors. In the mid nineteenth century curious stone implements were found alongside the bones of extinct animals. Humans were evidently more ancient than had been supposed - but just how old were they? There were several clocks for Stone-Age time, and it would prove difficult to synchronize them. Conflicting timescales were drawn from the fields of geology, palaeontology, anthropology, and (...) archaeology. Anne O'Connor draws on a wealth of lively, personal correspondence to explain the nature of these arguments. The trail leads from Britain to Continental Europe, Africa, and Asia, and extends beyond the world of professors, museum keepers, and officers of the Geological Survey: wine sellers, diamond merchants, papermakers, and clerks also proposed timescales for the Palaeolithic. This book brings their stories to light for the first time - stories that offer an intriguing insight into how knowledge was built up about the ancient British past. (shrink)

Finding Time for the Old Stone Age explores a century of colourful debate over the age of our earliest ancestors. In the mid nineteenth century curious stone implements were found alongside the bones of extinct animals. Humans were evidently more ancient than had been supposed - but just how old were they? There were several clocks for Stone-Age time, and it would prove difficult to synchronize them. Conflicting timescales were drawn from the fields of geology, palaeontology, anthropology, and (...) archaeology. Anne O'Connor draws on a wealth of lively, personal correspondence to explain the nature of these arguments. The trail leads from Britain to Continental Europe, Africa, and Asia, and extends beyond the world of professors, museum keepers, and officers of the Geological Survey: wine sellers, diamond merchants, papermakers, and clerks also proposed timescales for the Palaeolithic. This book brings their stories to light for the first time - stories that offer an intriguing insight into how knowledge was built up about the ancient British past. (shrink)

We studied patients with left visual extinction following right hemisphere damage in a simple manual reaction time task using brief visual stimuli. With unilateral lateralized stimuli the patients showed a high proportion of unwanted, reflex-like saccades to either side of stimulation. In contrast, with bilateral stimuli there was an overall decrease in the proportion of unwanted saccades, and the vast majority of them were directed toward the ipsilesional side. The implications of these results for the Findlay & Walker (...) model are discussed. (shrink)

Introduction Jamie Allen Time, of all the dimensions readily presented to experience, seems to do so most readily through things. Stuff, in supposed counter-valence to the negentropic resilience of living things, appears to us as that which degrades through time, and demarcates a more technical chronometry of sequential events. Situated outside the rotting of fruit and the ticking of clocks, a “deep time” persists. Like the ultra-hearing of the bat, and the infra-vision of the boa-constrictor, there exist (...) living and non-living agents and entities capable of revealing the fixity and finitude of our own perceptual frames for thinking and understanding. The recordings presented here consist of four extracts of documents made in deep geological repository sites (for the storage of nuclear waste). Here re-presented are the Yucca Mountain Repository; HADES, in Mol, Belgium; Gorleben in Germany and a further recording from Forsmark in Sweden (pretty much inaudible behind a loop of a pop song). These recordings are imagined acoustic amplifications of deep time, just as the astronomer’s telescope is (thought of a certain way), also a time machine. Stars and nuclear waste are unapparent objects of temporal thought. Andy Weir is an artist from London researching effects of deprioritised subjectivity and contemporary art. This project draws on work developing sonic fictions, stealthy earworms, and micropolitical agencies. Prompted for further thoughts about the recordings presented here, he offered up the interspersed discussion included. —JA Yucca Mountain Repository, Nevada, USA by continent I became interested in these sites originally as spaces that allude to a time outside of the human (‘deep time’) as they are designed to store waste ‘without future maintenance’. The very fact of thinking about these spaces or working on them—engineering etc.. (as I’m particularly interested them in a kind of practice rather than just an object of thought), in other words, forces a confrontation with thought of the extinction of humanity. I was interested in this as a production of affect at odds with the expected ‘ironic, can be whatever you like’ interpretive condition of contemporary art (art under the condition of neoliberalism, say, where the individual subject is prioritised as a free autonomous producer of the meaning of the work) When I thought about this a bit though it ran into paradoxes—yes, I could allude to deep time, but in doing so I just allude to its un-representability, drawing attention to the limits of representation and so reaffirming it—I was stuck in a representation/non-representational negative dialectic. In trying to somehow create a figure for deep time I was either reducing it to my description of it, or presenting it as irreducible. HADES Facility, Mol, Belgium by continent I don’t think I’ve escaped this in the work but my response to it was to create a sonic-fiction. This was based on the idea of a viral transmission of the affect of deep time (this is the ‘pyroclastic-soaked chrono-dread’) through receiving apparatuses, transforming the screen into an intercessor or mediating lure for the outside, a site of exposure multiplying virulently through its dissemination, invoking as much as trying to represent these spaces, the sounds as durations of exposure to contagious materials, and fictions as a way of excavating the strangeness of a world opaque to subjective reconfiguration... Testing out I suppose ways that art could start thinking about figuring the reality of ecological crisis. Gorleben Repository, Lower Saxony, Germany by continent While everything remains at the level of fiction I think the work is problematic. It doesn’t really model anything, giving too much authority to either romantic abandonment or the recuperation of romantic abandonment under its description by theory/philosophy, all contained and controlled by me within a fairly limited condition of what art can do. Deep Time Contagion is precisely a materialisation of and transmission of this paradox (i.e. with screen-media can only present deep time as unrepresentable or draw attention to an inability to present it) taking the comfort/panic induced by this paradox as its material. I’m working now on some new projects that take this as a point of departure. Forsmark Repository, Sweden (Robitussin Mix) by continent. (shrink)

This monograph argues that a set of considerations in the metaphysics of time, and a certain conception of metaphysical realism, ought to motivate a particular understanding of archaeological theory and practice distinct from the post-processual, post-modernist, and cultural-historical frameworks that have tended to dominate the subject.

In its explicit engagement with the possibility of human extinction, the Anthropocene thesis might be seen as signalling a ‘crisis of natality’. Engaging with two works of fiction – Cormac McCarthy’s The Road and Anne Michaels’ Fugitive Pieces – the article explores the embodied, affective and intimate dimensions of the struggle to sustain life under catastrophic conditions. Though centred on male protagonists, both novels offer insights into a ‘stratigraphic time’ associated primarily with maternal responsibility – involving a temporal (...) give-and-take that passes between generations and across thresholds in the Earth itself. If this is a construction of inter-corporeality in which each life and every breath has utmost value, it is also a vision that exceeds the biopolitical prioritization of the organismic body – as evidenced in both McCarthy’s and Michaels’ gesturing beyond the bounds of the living to a forceful, sensate and enigmatic cosmos. (shrink)

This book attempts to reconstruct the deep current of part of the spiritual history of modernity which in the Western world has led to the fundamental reorientation of our being-in-the-world known under the title of secularization. In addition, the book tries to understand the nature of the intellectual response to this process of secularization as it was mounted by various Catholic movements. The process of secularization finally issued not only in the loss of the religious dimension of transcendence, but also (...) in what the author calls the "disappearance of the future as an historical standard of judgment". In the book's final chapter, the author argues that the Heideggerian concept of temporality is apt to contribute to a new opening up of the dimension of futurity insofar as Heidegger's interpretation of time as "ek-static" leads to a re-evaluation of the past as dependent in its meaning on the advent of the future--a notion that has become all but extinct in the process of secularization. It is as though Heidegger offered a secular alternative to both the religious tradition of transcendence with its eschatological connotations and the loss of a teleological orientation of history in the wake of the scientific interpretation of the world. (shrink)

Fan Zhen’s 范縝 Shenmielun 神滅論 is a famous Chinese treatise discussing the body-soul problem. This discussion had been advocated by Huan Tan 桓譚 and Wang Chong 王充. However, their views did not receive positive attention: at the beginning of the Eastern Han dynasty, their intellectual weight was far from significant enough to spur the court’s interest in the topic. During the time of Fan Zhen, Emperor Wu of Liang, a keen protector of the thought of dharma, raised the question (...) of the soul and the body to a political level, making it the focus of academic debate. The aim of this article is to give a comprehensive account on the development of the idea of the nonidentity and inseparability of the body and the soul as promulgated by Fan Zhen and his predecessors from the perspective of the history of ideas. (shrink)

Of the many problems which evolutionary theodicy tries to address, the ones of animal suffering and extinction seem especially intractable. In this essay, I show how C. D. Broad's growing block conception of time does much to ameliorate the problems. Additionally, I suggest it leads to another way of understanding the soul. Instead of it being understood as a substance, it is seen as a history—a history which is resurrected in the end times. Correspondingly, redemption, I argue, should (...) not be seen as an event which redeems some future portion of time. God's triumph is over all of history, not just some future temporal portion. (shrink)

This essay is a fictocritical meditation upon the contemporary transformation of temporal experience as we find ourselves embarked upon an accelerating process of climate change and species extinction, including possibly that of the human species. The essay offers an extended reading of a recent villanelle published in John Kinsella’s Book of Villanelles that in turn responds to a controversial project by the Adani mining consortium to begin extracting coal over a large swathe of Wangan and Jagalingou country in the (...) Central Queensland Galilee Basin. The essay is an extract from a collaborative work in progress by John Kinsella and myself, Per Se: On the Imperatives of Place II, that will appear in early 2021 with Narr, building upon ˈtεmprərɪnəs: On the Imperatives of Place. (shrink)

The article analyzes the world of transience, deterioration and death characteristic of Boghill, the place of action of Samuel Beckett’s short radio play-All That Fall. In a broadcast drama, existence is equivalent to being heard, the idea skilfully employed and commented upon by the playwright. The characters actually heard in the play are in most cases elderly or quite old and even the two young ones appear in the context of death. Numerous off-the-air individuals are dead, sterile or suffering from (...) different illnesses. The two main characters’ situation is not different-Mr Rooney is blind, and his wife, Maddy, complains of many ailments. She is a woman in her seventies, overweight and having different kinds of health problems and thus, several times in the course of the play she expresses a wish to die. At the same time, however, in encounters with men on her way to the station she speaks in a manner characterized by numerous sexual innuendos. Furthermore, she expresses a strong yearning for love and hopes her unloving husband would show her some warm feelings. Thus she becomes a convincing illustration of Georges Bataille’s argument: “Eroticism, it may be said, is assenting to life up to the point of death”. (shrink)

When our choice affects some other person and the outcome is unknown, it has been argued that we should defer to their risk attitude, if known, or else default to use of a risk avoidant risk function. This, in turn, has been claimed to require the use of a risk avoidant risk function when making decisions that primarily affect future people, and to decrease the desirability of efforts to prevent human extinction, owing to the significant risks associated with continued (...) human survival. I raise objections to the claim that respect for others’ risk attitudes requires risk avoidance when choosing for future generations. In particular, I argue that there is no known principle of interpersonal aggregation that yields acceptable results in variable population contexts and is consistent with a plausible ideal of respect for others’ risk attitudes in fixed population cases. GPI Working Paper No . 20-2022. (shrink)

In this paper I argue that Vatter’s proposed solution to the problem of thanatopolitics in the development of a concept of eternal life is inadequate. In the first section I situate Vatter’s project, sketching out Foucault’s concept of biopolitics and marking Vatter’s specific difference from others working to articulate an affirmative biopolitics in contemporary discussions. In the second section I argue, following Foucault and Mbembe, that the possibility of a thanatopolitics or necropolitics that institutes regimes of mass death by racist (...) fragmentations of the population is a possibility intrinsic to biopolitics as such. In the third section I reconstruct Vatter’s proposal, according to which the thanatopolitical inversion can be blocked by developing an atheistic and philosophical concept of eternal life. I argue that this is inadequate for three reasons: first, the specifically contemplative character of the life Vatter proposes as eternal seems to valorize only a particular form of life; second, the transfinite character of living as such which is valorized in this conception seems to repeat, rather than repudiate, the logic of thanatopolitics; third, this concept of life as eternal seems not to be able to account for the reality of extinction. (shrink)

Philosophy confronts two existential crises: the threats to its existence from scientists like Stephen Hawking who claim that philosophy is dead; and the threat to life itself from catastrophic climate change. The essay’s first theoretical part critiques Nietzsche’s claim that philosophy’s primary function is to guarantee the future of life. The essay’s second practical part claims that philosophy must meet the challenge of life’s extinction through a revised model for ethics in education. Taking its start from recent conceptualizations of (...) philosophy as a ‘field discipline,’ this part considers African American models for delivering ethics in education to under-resourced communities. The third part shows how these theoretical models may be actualized in the practice of an African field philosopher. (shrink)

We examine the comportment of the global trajectory of a piecewisely conceived single species population growth model. Formulation relies on what we develop as the principle of limiting factors for population growth, adapted from the law of the minimum of Liebig and the law of the tolerance of Shelford. The ensuing paradigm sets natality and mortality rates to express through extreme values of population growth determining factor. Dynamics through time occur over different growth phases. Transition points are interpreted as (...) thresholds of viability, starvation, and intraspecific competition. In this delivery, we focus on the qualitative study of the global trajectory expressed on continuous time and on exploring the feasibility of analytical results against data on populations growing under experimental or natural conditions. All study cases sustained fittings of high reproducibility both at empirical and interpretative slants. Possible phase configurations include regimes with multiple stable equilibria, sigmoidal growth, extinction, or stationarity. Here, we also outline that the associating discrete-time piecewise model composes the logistic map applied over a particular region of the phase configuration. Preliminary exploratory analysis suggests that the logistic map’s chaos onset could surpass once the orbit enters a contiguous phase region. (shrink)

In Creative Evolution, Bergson argues that life, the so-called inner becoming of things, does not develop linearly, in accordance with a geometrical, formal model. For Bergson as for classical science, matter occupies a plane of immanence defined by natural laws. But he maintains that affection is not part of that plane of immanence and that it needs new kind of scientific description. For Deleuze, affection does belong to the plane of immanence whose parts are exterior to one another, according to (...) classical natural laws. Out of this may be cut the closed, mechanical world with its immobile sections that Bergson attributes to cinematographic knowledge. Thus, in place of a science of creative evolution, Deleuze has substituted external relations, blocs of becoming and ultimately, a theory of extinction. (shrink)

We are in a state of impending crisis. And the fault lies in part with academia. For two centuries or so, academia has been devoted to the pursuit of knowledge and technological know-how. This has enormously increased our power to act which has, in turn, brought us both all the great benefits of the modern world and the crises we now face. Modern science and technology have made possible modern industry and agriculture, the explosive growth of the world’s population, global (...) warming, modern armaments and the lethal character of modern warfare, destruction of natural habitats and rapid extinction of species, immense inequalities of wealth and power across the globe, pollution of earth, sea and air, even the aids epidemic (aids being spread by modern travel). All these global problems have arisen because some of us have acquired unprecedented powers to act, via science and technology, without also acquiring the capacity to act wisely. We urgently need to bring about a revolution in universities so that the basic intellectual aim becomes, not knowledge merely, but rather wisdom – wisdom being the capacity to realize what is of value in life, for oneself and others, thus including knowledge and technological know-how, but much else besides. (shrink)