Wittgenstein's _Tractatus Logico-Philosophicus_, first published in 1921, has had a profound influence on modern philosophic thought. _Prototractatus_ is a facsimile reproduction of an early version of _Tractatus_, only discovered in 1965. The original text has a parallel English translation and the text is edited to indicate all relevant deviations from the final version.

From Prototractatus to Tractatus Logico-Philosophicus. The author aims to show that in the notebook in which Wittgenstein composed his Tractatus there is no discontinuity between the part published as ‘Prototractatus’ and the last few pages, not published because quite indistinguishable from the final work. The process by which the propositions are combined is homogeneous, following a rigorously top-down strategy: from the six main propositions on the first page to further levels of commentary and, finally, to the more detailed (...) remarks of the last stages. The puzzling chaos of the manuscript derives from his chronological recording of coherent interventions relating to the most different branches of the logic tree. In the first as in the final stage, these interventions were possible thanks to a ‘twin’ text, possibly organized on separate sheets of paper. Therefore, if we read the Tractatus by progressive levels of commentary, rather than sequentially, we then find the same progression of thought developed by Wittgenstein himself during the three years of compiling his manuscript. (shrink)

In September of 1965 G. H. von Wright discovered in Vienna a hitherto unknown notebook written in pencil by Wittgenstein. The first part contains an early, but essentially complete version of the Tractatus Logico-Philosophicus. Since it contains the dedication to David H. Pinsent who died May 8, 1918, von Wright dates its composition just before the final composition of the Tractatus in the summer of 1918. This is confirmed by the remaining portion of the manuscript which contains additions and further (...) elucidations to the Prototractatus plus a Preface, all of which are found, virtually unchanged, in the final version of the Tractatus. This edition contains a quite readable facsimile of the entire manuscript, an edition of the text of the Prototractatus that indicates its differences from the final text and a translation en regard by D. F. Pears and B. F. McGuinness. A lengthy introduction by von Wright on the publication history of the Tractatus and a concluding set of Tables indicating parallel passages between the Tractatus and Prototractatus as well as those portions of each work which have nothing corresponding in the other, complete the volume. In view of the fact that Wittgenstein on his last visit to Vienna before his death ordered that the several notebooks which still existed from the time of germination of the Tractatus be destroyed, one might ask just what contribution this expensive edition of the Prototractatus may be expected to make to our understanding of Wittgenstein's thought. Unlike the 1914-1916 Notebooks, which by some happy accident escaped the destruct order, the Prototractatus does not seem to differ in any significant substantive way from the final printed version. This is to be expected if von Wright's dating of the work is correct. Hence, while the historian of literature may be delighted with the present text, the student of philosophy may find it disappointing. What does make the present volume of value, however, is von Wright's historical introduction with its reproduction of many of Wittgenstein's letters to various prospective publishers. Of especial interest in this connection is Wittgenstein's illuminating comment to Ludwig von Ficker of Innsbruck, editor of Der Brenner, that "the book's point is an ethical one. I once meant to include in the preface a sentence which is not in fact there now but which... will perhaps be a key to the work for you. What I meant to write, then, was this: My work consists of two parts; the one presented here plus all that I have not written. And it is precisely this second part that is the important one. My book draws limits to the sphere of the ethical from the inside as it were, and I am convinced that this is the ONLY rigorous way of drawing those limits. I believe that where many others today are just gassing, I have managed in my book to put everything firmly into place by being silent about it. And for that reason, unless I am very much mistaken, the book will say a great deal that you yourself want to say. Only perhaps you won't see that it is said in the book." This would seem to confirm Anscombe's interpretation of Tractatus 6.52 rather than Ayer's and that of the Vienna Circle.--A. B. W. (shrink)

Wittgenstein's 'Prototractatus' raises difficult textual questions concerning both its structure and the date of its composition. I provide an account of the structure of the 'Prototractatus' by investigating the hitherto unexplored connections between it and other early Wittgenstein manuscripts. I then consider the two most influential proposals on its date of composition, made by von Wright and McGuinness, and argue that neither of them stands up to scrutiny. I make an alternative suggestion, and discuss its implications for the (...) significance of the 'Prototractatus' in the study of Wittgenstein's early philosophy. -/- . (shrink)

A close investigation of Wittgenstein’s MS 104, which contains the so-called Prototractatus, has shown that the manuscript originally contained an additional folio that was later cut out and is now missing. The content of this missing folio could be partly reconstructed by a faint inverse imprint that it has left behind on page 2. The paper discusses the consequences of this discovery for the interpretation of the beginning and early formation of the Prototractatus, including the introduction and role (...) of the numbering system. The paper also provides a transcription of the deepest visible textual layers of the first conception of the picture theory. (shrink)

Wittgenstein's principal works, the Tractatus Logico‐Philosophicus and Philosophical Investigations, are each written in such strikingly unconventional ways that it takes considerable effort to translate them into conventional philosophical writing. The most important aspect of Wittgenstein's style for an understanding of his philosophy is his use of multiple voices, and the way he forces his reader to engage with those voices in order to understand him. This chapter provides an outline of the leading macro‐level answers to the question which of Wittgenstein's (...) writings set out his philosophy, and which set out views he rejected. Wittgenstein's method of composition, revision, and rearrangement, leads from the remarks written down in his wartime notebooks, to a manuscript containing several stages of construction of the Prototractatus, and from there to the polished typescript of the Tractatus. The chapter illustrates how to interpret Wittgenstein's remarks without taking a position on questions about texts and style, voice and authorship. (shrink)

I argue that the numbering system of the Tractatus lets us see how it was constructed, in two closely related senses of that term. First, it tells us a great deal about the genesis of the book, for the numbering system was used to assemble and rearrange a series of drafts, as recorded in MS 104. Second, it helps us understand the structure of the published book, as cryptically summarized in the opening footnote. I also discuss an unpublished letter from (...) Anscombe to von Wright from 1948 which contains the very first sketch of a tree-structured reading, and what I believe is Stenius’s response to Anscombe’s proposal. The paper critically evaluates previous work on tree-structured readings and contends that we need to read the Tractatus in both the number order used in the published book and the tree order that Wittgenstein used to draft it. It also considers some of the main ways of turning this complex branching structure into a linear, printed text, and so serves as an introduction to the three tree-structured editions of the Tractatus that accompany this paper (the German text, and the translations by Ogden/Ramsey and Pears & McGuinness). (shrink)

The significance of the complicated numbering of the propositions in the Tractatus has occasioned much speculation. Wittgenstein's own explanation has, following Stenius, been generally regarded as misleading. But an examination of the Prototractatus reveals that the numbering system was for Wittgenstein principally an aid in the composition of his work. It allowed him to mark out certain propositions which required further work or supplementation, without disturbing the basic structure of the treatise. But the reworking of the Prototractatus to (...) form the Tractatus considerably changed the original order in which the ideas were connected, and thus made it more difficult to understand the Tractatus. Several specific examples make it clear that it is essential to look back at the context of the Prototractatus in order to achieve a correct interpretation of many of the propositions in the Tractatus. (shrink)

Drawing on recent work on the nature of the numbering system of the _Tractatus_ and Wittgenstein’s use of that system in his composition of the _Prototractatus_, the paper sets out the rationale for the online tool called__ __ The University of Iowa Tractatus Map. The map consists of a website with a front page that links to two separate subway-style maps of the hypertextual numbering system Wittgenstein used in his _Tractatus_. One map displays the structure of the published _Tractatus_; the (...) other lays out the structure of the _Prototractatus_. The site makes available the full text of the German and the two canonical English translations.__ __While we envisage the map as a tool that we would like a wide variety of readers to find helpful, we argue that our website amounts to a radically new edition of Wittgenstein’s early masterpiece, with far-reaching implications for the interpretation of that text. In particular, we claim that our visually compelling presentation of the book’s overall structure delivers on Wittgenstein’s cryptic claim in a letter to his publisher that it is the numbers that “make the book surveyable and clear”. (shrink)

It is generally considered the case that an authorial preface is an author’s opportunity to give the reader a hand in interpreting the work he or she is about to read. It is strange then that the Preface to Wittgenstein’s Tractatus (1922) has often been overlooked. Max Black’s (1964) influential A Companion toWittgenstein’sTractatus, for example, passes over the Preface in silence. And even in the latest published edition of the so-called Prototractatus (1996), the Preface is the only part that (...) appears in hand-written facsimile but is not reproduced in typescript form. Perhaps an argument for not so-reproducing the Preface of the Pro- totractatus in typescript is also an argument for the importance of the Preface: not one letter of this early hand-written text of the Preface is different from the final published edition (I will return to this later). Only of late has the Preface to the Tractatus been seen as having any kind of focal importance.This recent interest in the Preface has largely been spawned by Cora Diamond’s and James Conant’s “New” view of Wittgenstein. This New view (designated as such subsequent to the publication in 2000 of the volume entitled The New Wittgenstein) uses the Preface as a central interpretive tool that, according to this view, shows that the Tractatus takes “a strong anti-metaphysical stand” which is “most explicit in Wittgenstein’s statements in the book’s Preface and concluding remarks.1”The third and fourth paragraphs of the Preface are seen as especially revealing of Wittgenstein’s anti-metaphysical purpose. (shrink)

This article investigates the clothing metaphor in Wittgenstein’s Tractatus Logico-Philosophicus at remark 4.002. I consider the antecedents and origins of 4.002, in particular, of the fourth paragraph that contains the metaphor, and also suggest and argue for potential source texts for the third and fourth paragraphs. In particular, early sources for the Tractatus, such as the Notes on Logic and the Notebooks 1914–1916, letters, and other manuscripts and early drafts are considered, especially MS104 and the Prototractatus where the metaphor (...) appears at remarks 4.0014 & 4.00141. The place of the metaphor among the context of the elucidations of these early manuscripts is discussed. I also consider similar uses of the metaphor that are present in the work of Hertz, Boltzmann, Frege, Kraus, and others. Some of these texts and potential influences are more compelling than those previously adduced or recognised in the literature. The appearances of the metaphor in the work of these authors and their potential influence upon Wittgenstein’s work is discussed. (shrink)

THE PROBLEM OF EVIL by M. B. Ahern.MORALITY AND RELIGION by W. W. Bartley III.ROLES AND VALUES: AN INTRODUCTION TO SOCIAL ETHICS by R. S. Downie.THE THEORY OF KNOWLEDGE by D. W. Hamlyn.ARGUMENTS FOR THE EXISTENCE OF GOD by John Hick.THE LOGIC OF EDUCATION by P. H. Hirst and R. S. Peters.METALOGIC: AN INTRODUCTION TO THE METATHEORY OF STANDARD FIRST ORDER LOGIC by Geoffrey Hunter.ETHICAL KNOWLEDGE by J. J. Kupperman.LOGIC AND METAPHYSICS IN ARISTOTLE by Walter Leszl.MEMORY by Don Locke.JOHN STUART (...) MILL. A critical study by H. J. McCloskey.ATHEISM AND ALIENATION by Patrick Masterson.REASONS FOR ACTIONS by Richard Norman.CONCEPTS OF DEITY by H. P. Owen.COLLECTED PAPERS BY GILBERT RYLE.LOGICO‐LINGUISTIC PAPERS by P. F. Strawson.TRUTH by Alan R. White.PROTOTRACTATUS, AN EARLY VERSION OF TRACTATUS LOGICO‐PHILOSOPHICUS by Ludwig Wittgenstein. (shrink)

Bruening describes his book as "an attempt to capture the spirit of the man—not his works and his life considered in isolation from each other, but the person himself as one single human being." For the most part, however, life and works are separately presented, most of the biographical data being concentrated in the first chapter. Thereafter the works are treated one by one, in largely chronological order: "Notes on Logic" ; "Notes Dictated to Moore" ; Notebooks ; Prototractatus (...) ; Tractatus ; "Lecture on Ethics" ; Blue Book ; Brown Book ; Philosophical Investigations ; Philosophische Bemerkungen ; Philosophical Grammar ; Remarks on the Foundations of Mathematics ; Lectures and Conversations on Aesthetics, Psychology and Religious Belief ; Zettel ; On Certainty. Bruening does not explain his principles of selection. The direction of his interests is suggested by the ten pages on Lectures and Conversations, not written by Wittgenstein, as compared to the mere half page devoted to On Certainty, or by the four pages on a popular lecture on ethics as compared to the single page on Philosophische Bemerkungen. Longer treatments follow the course of the work being glossed and sample its topics, save in the case of the Investigations, where remarks are grouped under these five headings: "Reflections on the Tractatus," "Language Games and Forms of Life," "The Mind-Body Problem and Private Language," "The Nature of Philosophy," and "Seeing and Seeing As." Doubtless beginning readers such as Bruening usually has in view would have found more profit and interest in the coherent development of such themes than in running comments on work after work, especially if they had been shown inside Wittgenstein’s problems and been made to sense the struggle. This seldom happens, however, and the inaccuracies are numerous and sometimes serious. A select bibliography is appended.—G.L.H. (shrink)