Ubico indicios de mitos nacionales analizando obras narrativas (de Borges y algunos otros autores), y dichos acerca de Borges, centrándome en cómo se verifica, en la narrativa de Borges, (y también en sus intervenciones públicas y en lo que se dice sobre su figura) la irrupción del peronismo. Propongo un cambio de escala: sin intentar interpretar los grandes momentos constitutivos entendiéndolos como mitos de origen, intento constituir series, de características cuasi-míticas, a partir de poner en relación a breves sintagmas que (...) se reiteran en distintas unidades narrativas. Elementos transversales, que van de un relato a otro. Sintagmas que se analizan tomando al conjunto de la obra de Borges como paradigma, y no sólo relatos aislados. En primer término, exploro ciertas constantes en algunos relatos del período 1945-54. Luego me detengo en una serie de versiones contemporáneas sobre un Borges ciego a quien un joven peronista ayuda a cruzar la calle. En tercer lugar. el tema de la aparición de relatos oníricos, literariamente enunciados, sobre personas con garra de pájaro, vinculándolos a los dilemas morales de la élite intelectual en los tiempos del primer peronismo. En tanto estos conjuntos tienen mucho en común con los mitos al ser reelaboraciones sucesivas de un elemento narrativo, podrían ser abordadas con métodos de análisis míticos propios de la antropología estructural. No obstante, el material utilizado tiene diferencias con las mitologías clásicas: a) tiene versiones orales, pero también escritas; b) hechos ficcionales, pero también históricos; c) admiten un orden cronológico verificable. Por lo tanto, arriesgo aquí una exploración metodológica y teórica más bien experimental, aunque deudora de Lévi-Strauss. Concluyo que en estos dos conjuntos se verifica el funcionamiento un sistema ideológico, que es el de la formación nacional argentina, con sus tensiones y crisis. (shrink)

This paper seeks to understand Heidegger’s phenomenological analysis of the time experience in Sein und Zeit, from the formal point of view of the Care-structure, and in the Seminars of Zollikon, where time is described as world-time in its fullness. Aimed is to show that the early anthropological reception of his major work of 1927 by some of his pupils, like Löwith, who detected similarities with Psychoanalysis, is somehow strengthed by Heidegger himself later on, as he comes with Medard Boss (...) to develop Daseynsanalysis as a metaonlogical understanding of humans life in health and pathology. Illness as privation of health will be seen as the failure of inauthentic existence. And the full, ecstatical experience of time will be shown as the proper or authentic one, being-in-the-world as well as within the psychoanalytical session and interpretation. (shrink)

Cultuursociologisch essay over de postchristelijke manieren waarop mensen lijden compenseren.

Charles Taylor in A Secular Age (2007) reopened the debate about the possibility of “reenchantment,” presupposing that “enchantment” once existed, but got lost, such that we arrived at a state of “disenchantment.” However, the no longer marginal debate on the possibility of a “re-enchantment,” is in my view chaotic and lacks precise definitions. In this article the author tries to clarify the concepts involved and put some order in the debate and investigate the possibilities for a kind of re-enchantment. Firstly, (...) she discloses enchantment, disenchantment, and reenchantment as factors in an intellectual scheme, rather than as concepts describing an historical reality. Secondly, she shows that these terms are not applicable to epoque defining sociocultural constellations, a common conviction, defended by Taylor too, which has awkward ideology-related implications. Finally, she points out, in an analysis inspired by Ricoeur, that it rather is the domain of the individual life where the loss and the recovering of enchantment may take place, in a dynamic between the individual and the “call of reality,” having the enchanting capacity to inspire possible lives and give our lives its beacons. (shrink)

In the year 1855, American Literature made two experiments. The first, quite a minor one, the blending of finished music with sing-song and Red Indian folklore, was undertaken by a considerable poet and a fine scholar, Longfellow. The name of it, Hiawatha. I suppose it succeeded, as far as the expectations of the writer and of his readers went. Nowadays, I suppose it lingers on in the memory of childhood and survives him. Now the other is, of course, Leaves of (...) Grass. Leaves of Grass is a major experiment. In fact, I think I can safely venture to say that Leaves of Grass is one of the most important events in the history of literature. If I speak of it as an experiment, perhaps you will think that I am implying a profanation, a desecration, and a blasphemy, since, when we speak of experiments in literature, we generally think of unsuccessful ones. For example, when we speak of experimental literature, well, we think of works that we do our best to admire and that somehow defeat us because, after all, the word "experiment" is a polite word. Well, in the case of Leaves of Grass the experiment succeeded so splendidly that we think it could never have failed. Somehow when something goes right - and that hardly ever happens in literature - we think it somehow inevitable. We think that Leaves of Grass lay there, lay unsuspected there, ready for anybody to discover and write it down. (shrink)

In 1931 Husserl writes and publishes the Epilogue to his Ideas, where he aims to explain the core of his work. Aware that this is his a legacy which must be carried forward, he seeks to preserve it from what he calls “the mistaken views” found in the new ways of conducting phenomenology. Our text underlines the polemic side of Husserl’s project, which is basically but tacitly against Heidegger, and sustains that this auto-interpretive piece is a fundamental key within Husserl’s (...) corpus, where he defines the direction of his phenomenological project. At the center of the controversy are the answers to the objections of intellectualism and solipsism, and the disavowal of all forms of anthropologism in the conception of subjectivity. (shrink)

In this paper, I analyze the place of the Metaphysics of morals in the Kantian system. I claim that this work is the passage between a pure part of ethics and a practical anthropology. Although this book was first conceived to be a pure moral theory - moralia pura-, it ended up dealing with principle of applications of the moral law to sensible moral beings- philosophia moralis applicata. I also hold that the Doctrine of Virtue presents some sensible elements that (...) are important to understand how morality affects us. (shrink)

Kant is categorical about the relation between virtue and the controlling of inclinations:Since virtue is based on inner freedom it contains a positive command to a human being, namely to bring all his capacities and inclinations under his reason's control and so to rule over himself. Virtue presupposes apathy, in the sense of absence of affects. Kant revives the stoic ideal of tranquilitas as a necessary condition for virtue: ‘The true strength of virtue is a tranquil mind’ . In the (...) Anthropology and the Doctrine of Virtue, apathy is taken in the sense of freedom from affects. In these texts, Kant maintains that we must strive toward a state in which affects are absent. (shrink)

Departing from theories of distributive justice and their relation with the distribution of health care within society, especially egalitarianism and libertarianism, this paper aims at demonstrating that the approach taken by the European Court of Justice regarding the application of the Internal Market principles (or the market freedoms) to the field of health care services has introduced new values which are more concerned with a libertarian view of health care. Moreover, the paper also addresses the question of how these new (...) values introduced by the Court may affect common principles of European health systems, such as equity and accessibility. (shrink)

In this paper, I aim at relating passions to evil in Kant's philosophy. I begin by explaining the difference between affects and passions in the text Anthropology from a Pragmatic Point of View. Kant claims that both affects and passions are illnesses of the mind, because both affect and passion hinder the sovereignty of reason. I show that passions are worse than affects for the purpose of pure reason. Second, I relate affects and passions to the degrees of the propensity (...) to evil in the Religion. I analyze the idea of an ethical community as a way to overcome the evil, which goes beyond political and anthropological solutions suggested by Kant. (shrink)

In this paper, I analyze Kant’s theory of action and if human beings can act morally without being moved by sensible feelings. I will show that the answer of the Critique of Pure Reason, Groundwork and the Critical of Practical Reason is without any doubt “yes”, but Kant is ambiguous in the Metaphysics of Morals and also in the Anthropology. In the Metaphysics of Morals, Kant claims that there are some sensible conditions to the reception of the concept of duty: (...) moral feeling, conscience, love of one’s neighbor, and respect for one self . I examine moral feeling and love of human beings, trying to figure out whether or not they are necessary sensible pre- conditions to moral actions. (shrink)

Departing from theories of distributive justice and their relation with the distribution of health care within society, especially egalitarianism and libertarianism, this paper aims at demonstrating that the approach taken by the European Court of Justice regarding the application of the Internal Market principles (or the market freedoms) to the field of health care services has introduced new values which are more concerned with a libertarian view of health care. Moreover, the paper also addresses the question of how these new (...) values introduced by the Court may affect common principles of European health systems, such as equity and accessibility. (shrink)

Corruption involves greed, money, and risky decision-making. We explore the love of money, pay satisfaction, probability of risk, and dishonesty across cultures. Avaricious monetary aspiration breeds unethicality. Prospect theory frames decisions in the gains-losses domain and high-low probability. Pay dissatisfaction (in the losses domain) incites dishonesty in the name of justice at the individual level. The Corruption Perceptions Index, CPI, signals a high-low probability of getting caught for dishonesty at the country level. We theorize that decision-makers adopt avaricious love-of-money aspiration (...) as a lens and frame dishonesty in the gains-losses domain (pay satisfaction-dissatisfaction, Level 1) and high-low probability (CPI, Level 2) to maximize expected utility and ultimate serenity. We challenge the myth: Pay satisfaction mitigates dishonesty across nations consistently. Based on 6500 managers in 32 countries, our cross-level three-dimensional visualization offers the following discoveries. Under high aspiration conditions, pay dissatisfaction excites the highest- (third-highest) avaricious justice-seeking dishonesty in high (medium) CPI nations, supporting the certainty effect. However, pay satisfaction provokes the second-highest avaricious opportunity-seizing dishonesty in low CPI entities, sustaining the possibility effect—maximizing expected utility. Under low aspiration conditions, high pay satisfaction consistently leads to low dishonesty, demonstrating risk aversion—achieving ultimate serenity. We expand prospect theory from a micro and individual-level theory to a cross-level theory of monetary wisdom across 32 nations. We enhance the S-shaped Curve to three 3-D corruption surfaces across three levels of the global economic pyramid, providing novel insights into behavioral economics, business ethics, the environment, and responsibility. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Sacred and the Myth: Havel's Greengrocer and the Transformation of Ideology in Communist Czechoslovakia Marci Shore University ofToronto There is nothing a free man is so anxious to do as to find something to worship. But it must be something unquestionable, that all men can agree to worship communally. For the great concern ofthese miserable creatures is not that every individual should find something to worship that (...) he personally considers worthy ofworship, but that they should find someming in which they can all believe and which they can all worship in common; it is essential that it should be in common. And it is precisely that requirement ofshared worship that has been the principal source of suffering for individual man and the human race since the beginning of history. In their efforts to impose universal worship, men have unsheathed their swords and killed one another.Fyodor Dostoevsky (306) Thus the conflict between the aims of life and the aims of the system is not a conflict between two socially defined and separate communities; and only a very generalized view (and even that only approximative) permits us to divide society into the rulers and the ruled. Here, by the way, is one of the most important differences between the post-totalitarian system and classical dictatorships, in which this line of conflict can still be drawn according to social class. In the post-totalitarian system, 1 64Marci Shore this line runs defacto through each person, for everyone in his or her own way is both a victim and a supporter ofthe system. Vaclav Havel (37) The Velvet Revolution in Czechoslovakia arrived as a symbolically gentle conclusion to a half-century long era ofharrowing violence and totalitarianism in Eastern Europe. It was an era that saw the emergence ofNazism, Stalinism, and various indigenous fascisms, effecting a startling demonstration of the potency of ideology to co-opt minds and to wreak violence. The existence of communist ideology as a myth cohering communist totalitarian societies has been widely enough asserted. Yet this analysis can be taken to a further level through the aid oftwo paradigms. The first is a theory of human relationships developed by René Girard, which blends the disciplines ofliterary criticism, anthropology, philosophy, and political science. The second is a model arising from Vaclav Havel's parable of the greengrocer, told in "The Power ofthe Powerless" (1979). Girard's model posits the existence ofthe sacred, that locus of power that was once the pole of primitive religions. The core of the sacred is transfigured human violence. Girardian scholar Robert Hamerton-Kelly explains the process by which the sacred comes into being: Girard tells us that [the sacred] is a mendacious representation of human violence; "it is the sum ofhuman assumptions resulting from collective transferences focused on a reconciliatory victim at the conclusion of a mimetic crisis." The element of "the overwhelming" defines the Sacred...but its primary content is violence understood as being...outside ofnormal human control. (142) The sacred is established as the result of a crisis, one which finds resolution in the purging ofa relatively arbitrary scapegoat. Following this catharsis, three expressions sustain the sacred: myth, ritual, and prohibition. An examination ofthe evolution ofthese expressions in Czechoslovakia from the Stalinist period through normalization (the so-termed "posttotalitarian " period described by Havel in his essay) reveals much about the paradoxical dynamics ofideologically-based totalitarianism—which Havel defines most poignantly by suggesting that at the essence of ideological totalitarianism is the collapsing of the traditional dichotomy between victim and oppressor. The Sacred and the Myth: Havel's Greengrocer165 A Girardian deconstruction of Stalinism A political space for Stalinism developed in Czechoslovakia through the tumultuous period of Nazi occupation and the communist nature of anti-Nazi resistance. By the eve ofthe 1948 communist coup, the communists had claimed thirty-eight percent ofthe popular vote in free elections. Milan Kundera describes the coup as a usurpation of power "not in bloodshed and violence, but to the cheers of about half the population" (1986, 8). Defining this initial fanaticism was its honesty, especially among the younger generation. A young Stalinist later to become a reformist, and still later a dissident, Zdenek Mlynár, explains... (shrink)

This publication is an article 2, expanding on the topic, outlined in article 1, published earlier in “Philosophical thoughts” (1019, No. 1). The author considers the constitutional prerequisites of the anthropological anti-Utopia of the Third Reich, the main principles of which were deduced from the folk-political and folk-cultural versions of the German philosophical anthropology completed with ideological statements of the industrialism. The functional potential of the human ideals is regarded. These ideals are canonized in the ideology of the national-socialism with (...) the symbolic representation as Leader, Worker and Soldier as practical persons are conceptualized as antipodes, which in the further myth creations of the national-socialism are concretized and became the features of heroes. The idea and realities of the folk educational state are analyzed including the chronological and topological characteristics of this anti-utopia with the practically unrestricted life-time and the dialectic of the European idea with paradox prescribing to it the Nordic origin. The significance of sacral meaning of the Third Reich is clarified in the categorical schemes of the political romantic. The consequences of intentional primitivism of the world view culture of the youth are detected in the landscapes of the anthropological anti-utopia with the transforming of the normal student into “the political soldier” and recognition of the masculine community as a structuring model of society. The anti-human intentionality of biological reduction of the new world view, which is founded on the myth of the origin and the race theory, is unveiled as a distinction between a “worse” and “non- worse” life what makes this anti-utopia a repressive one and legitimates the crime practices of the re-education and liquidation. (shrink)

This article focuses on the role that distorted Christian theology played in the construction of the racial ideologies of Nazism and Apartheid. The central theoretical argument is that these theologies were instrumental in sacralising the history of a specific group by creating origin myths, by idolising the ingroup, defining the outgroup, by providing racist ideologies with rituals and symbols and by creating final utopian solutions. The theological doctrines that were used are characterised by certain common features, such as a collectivist (...) anthropology, the identification of the church with an ethnic group, the view of history as a source of revelation, and the appropriation of myths. The article concludes with the remark that the modern global environment is particularly vulnerable to racism. It is therefore important for Christianity to clearly identify the common characteristics of pseudo-racist theology and to educate its adherents on the difference between authentic theology and pseudo-theology, so that they will not fall prey to destructive forms of religion that encourage racism. (shrink)

Purpose. The article deals with the consideration of certain types of value models of human creation from the standpoint of philosophical anthropology and social philosophy. It is about certain models that fulfill the worldview-semantic modes of a person. Theoretical basis. The authors cover peculiarities of such models in the process of creation of "the new types of a person". The process of reformatting these types and its means are studied. The process of valuing metamorphoses of Ukrainians is taken as an (...) example. The research is limited to the Soviet period and the period of independence, which is reflected respectively in Thesis I – The Phenomenon of Homo Sovieticus and Thesis II – A Person in the Situation of Post-Homo Sovieticus. The emphasis is on the peculiarities of the value matrix of these types and their ideological potential. Originality is in the disclosure of anthropological models that correspond to the value functionality, that is, the determination and expression of the essence of a person. It is shown that certain projects, under the conditions of forced reformatting, by their value reduction are classified as inhuman. They are based on the narrative of ideological myth and deprived of the projection of the complete development of a personality. The proposed approach allows to revise the current trends of such projections and, most importantly, to predict their value potentials in the dynamics of the transformational progress of the essence of the modern Ukrainian. Conclusions. The essay reflects the process of transformation of the worldview-semantic modes, which are represented by two situations-products – the Soviet person and the contemporary. The first type is formed by the mythology of political ideology. This person is deprived of himself or herself. Their collective identity is brought up by the anthropological effect of violence and fear. The second type is very similar. This person finds himself or herself in the situation of value disorientation, nostalgic impulses and instrumental thinking. Their task is to move towards the "monad personality". This is possible by means of formation of the "own philosophy", "inherent teleology of a breakthrough", as well as by taking into account the problem of consolidation and radicalism of external factor. (shrink)

A familiar theme in Greek myth is that of the deadly gift that passes between a man and a woman. Analysis of exchanges between men and women reveals the gendered nature of exchange in ancient Greek mythic thinking. Using the anthropological categories of male and female wealth , it is possible to arrive at an understanding of the protocols of exchange as they relate to men and especially to women. These protocols, which are based in part on the distinction (...) between metals and other durable goods as "male" and textiles as "female," are closely related to the gendered division of labor. Anxiety about women as exchangers derives in part from their status as objects exchanged in marriage , and partly from a misogynist and pessimistic strand of Greek thought that discounts any female economic contribution to the oikos. Indeed, the majority of destructive exchanges take place within the context of marital crisis. While some texts, beginning with the Odyssey, show the positive side of women's economic role, tragedy tends to follow the Hesiodic distrust of women as exchange partners. Passages from the Agamemnon and the Trachiniai are analyzed to show how in situations of perverted reciprocity brought about by marital discord, even women's traditional gifts of textiles may become deadly. (shrink)

The concept of “magic realism” raises many problems, both theoretical and historical. I first encountered it in the context of American painting in the mid-1950s; at about the same time, Angle Flores published an influential article in which the term was applied to the work of Borges;1 but Alejo Carpentier’s conception of the real maravilloso at once seemed to offer a related or alternative conception, while his own work and that of Miguel Angel Asturias seemed to demand an enlargement of (...) its application.2 Finally, with the novels of Gabriel García Márquez in the 1960s, a whole new realm of magic realism opened up whose exact relations to preceding theory and novelistic practice remained undetermined. These conceptual problems emerge most clearly when one juxtaposes the notion of magic realism with competing or overlapping terms. In the beginning, for instance, it was not clear how it was to be distinguished from that vaster category generally simply called fantastic literature; at this point, what is presumably at issue is a certain type of narrative or representation to be distinguished from realism. Carpentier, however, explicitly staged his version as a more authentic Latin American realization of what in the more reified European context took the form of surrealism: his emphasis would seem to have been on a certain poetic transfiguration of the object world itself—not so much a fantastic narrative, then, as a metamorphosis in perception and in things perceived . In García Márquez, finally, these two tendencies seemed to achieve a new kind of synthesis—a transfigured object world in which fantastic events are also narrated. But at this point, the focus of the conception of magic realism would appear to have shifted to what must be called an anthropological perspective: magic realism now comes to be understood as a kind of narrative raw material derived essentially from peasant society, drawing in sophisticated ways on the world of village or even tribal myth. Recent debates, meanwhile, have complicated all this with yet a different kind of issue: namely, the problem of the political or mystificatory value, respectively, of such texts, many of which we owe to overtly left-wing revolutionary writers .3 In spite of these terminological complexities—which might be grounds for abandoning the concept altogether—it retains a strange seductiveness which I will try to explore further, adding to the confusion with reference points drawn from the work of Jacques Lacan and from Freud’s notion of the “uncanny,” and compounding it by an argument that magic realism is to be grasped as a possible alternative to the narrative logic of contemporary postmodernism.4 1. See Angel Flores, “Magical Realism in Spanish American Fiction,” Hispania 38 : 187-92.2. See Alejo Carpentier, “Prólogo” to his novel El Reino de este mundo ; the most useful survey of the debate remains Roberto Gonzalez Echeverria, “Carpentier y el realism magico,” in Otros Mundos, otros fuegos, ed. Donald Yates, Congreso International de Literature Iberoamericana 16 , pp. 221-31.3. See Angel Rama, La Novel en America Latina , and especially Carlos Blanco Aguinaga, De Mitólogos y novelistas , in particular the discussions of Gabriel García Márques and Alejo Carpentier.4. My own general frame of reference for “postmodernism” is outlined in my “Postmodernism; or, The Cultural Logic of Late Capitalism,” New Left Review 146 : 53-92. Frederic Jameson, William A. Lane Professor of Comparative Literature at Duke University, is the author of The Prison-House of Language and The Political Unconscious: Narrative as a Socially Symbolic Act. He is also a member of the editorial collective of Social Text. His previous contributions to Critical Inquiry are “The Symbolic Inference; or, Kenneth Burke and Ideological Analysis” and “Ideology and Symbolic Action”. (shrink)

In the United States, organ transfer has generated a highly selective and overly specialized approach to bioethics. A dominant assumption is the myth of medical democracy: whereas professionals involved in this highly technocratic arena publicly embrace notions of medical equality, particularized practices expose another reality. The more specific ideological tenets of medical democracy read as follows: First, all potential transplant patients are equally deserving of replacement organs. Further, all citizens are entitled to equal access to these unusual commodities, which (...) are regularly described as precious and scarce “national resources.” Whether the premises of medical democracy are in fact played out in daily practice, however, is another matter entirely. Organ donation is driven by a universalized sense of humanity, whereby all bodies are assumed equal beneath the surgeon's knife. Yet the social worth of individuals varies radically: children, pregnant women, the unemployed, and prisoners, for example, expose a wide spectrum of responses to certain categories of bodies. So, too, do the cultural origins of organ donors. By drawing on anthropological knowledge of sociomedical practices relevant to organ transfer, this essay explores this theme of medical democracy specifically in reference to the needs of Latinos in New York City. (shrink)

The evolutionist theories of Bachofen on the priority of matriarchy are today no more than one of the most unusual pieces of the historical museum of anthropology. The wealth and diversity of historical and literary sources therein are juxtaposed with the construction of a conjectural chronology organizing the relationship between the sexes in a progressive mode and in accordance with an immanent finality. But it is also necessary to distinguish, on the one hand, Bachofen's historicism as an expression of the (...) evolutionist tendencies of that time, based on natural sciences and the results of Darwin's work, and, on the other, interest in the inter-sexual relationship within the social institution. For the invention of successive stages in order to propose a social history of sexuality is based as much on evolutionism as on constitutive psychic representations of the individual. By projecting these representations into a pseudo-historical period and by ordering them, at each level, in terms of the two parameters of domination / subjection and collectivity / individuality, Bachofen assigned semantics to history and an evolutionary sense to transformations in marriage and the family. And by conferring historical validity on the myths of Antiquity, he set forth an implicit denial both of the work of the imagination (not to say sub-conscious, which would be an anachronism for this pre-Freudian period) as well as of ideological ruses in the political field. Bachovian evolutionism thus developed a new myth out of the ancient myths, false witnesses of the past but authentic representatives of the ahistorical present of the psyche, endowing with scientific color the image of humanity progressing from dominance of the mother and collectivism to the triumph of the father and individualism. The idea of “matriarchy” (Mutterrecht) in Bachofen is indeed to be taken in the sense of “maternal dominance” (as the German expression better suggests), and not that of political power of women. (shrink)

Contemporary cultural and media studies have been increasingly interested in redefining the relations between religion and culture (and particularly popular culture). The present study approaches a series of theories on the manner in which religious aspects emerge and are integrated in contemporary cultural manifestations, focusing on the persistence/resurrection of religious patterns into secularized cultural contents. Thus, the analysis departs from the concept of implicit religion, coined and developed by Bailey and the theories following it, as well as other associated concepts, (...) influential for the evolution of debates in the recent period, such as invisible religion , as approached by Luckmann, civil religion , by Bellah, folk religion, residual religion , by Davies or ‘wild’ religion, by Borg. In order to discuss the relations between religion and popular culture in contemporary U.S. and particularly the presence of certain religious patterns in popular culture messages, symbolism and rituals, the study uses an interdisciplinary approach, based on approaches currently used in media studies, film studies, cultural studies, visual culture perspectives, religious studies, and sociology. The article discusses, through different theories (and in its second part, a case study on James Cameron’s cliché masterpiece Avatar) the manner in which contemporary popular culture (and cinema in particular) recycles, integrates and reinterprets religious patterns, symbols and behaviours. (shrink)

In her feminist classic The Second Sex (1949), Simone de Beauvoir refers to ‘the myth of Woman’ to denote images of womanhood that rest upon and reinforce beliefs in a static, feminine essence. This article aims to understand what makes this myth mythical. The author argues that Beauvoir employs the term ‘myth’ to establish a parallel between the way in which modern men relate to women and the worldview of so-called primitives – who she portrays as ruled (...) by a specific, non-rational mode of thought. Beauvoir could thus be read as appropriating an early anthropological discourse on myth, the representatives of which linked myth to non-Western ‘primitive’ societies, while they depicted Western modernity as haunted by its own primitive-mythical past. However, when situated against this background, Beauvoir’s writings on myth are also shown to challenge the very premises upon which this still influential anthropological discourse rest. Whereas the early anthropologists attributed the survival of ‘primitive’ elements in modernity to a defiance of rationality, Beauvoir’s argument suggests that this is better explained by examining how such elements serve the interests of those allegedly rational individuals and groups in power – who she describes as having employed rationality to defend their mythical beliefs. (shrink)

This study explores how in science fiction’s novels myths are intimately linked to their ideological dimension and criticism. It begins with a mythocritical analysis that leads to a mythoanalysis in order to understand how those myths and the big issues of the accelerating technoscientific progress in the 20th and 21th centuries are linked. My approach is based on the restricted example of Dan Simmons’ science fiction novels: by studying the myths he rewrites, I will show that those myths are representing (...) how technoscience can have an influence on history, on the development of humanity and on the issue of ethics. (shrink)

In his most recent work, McDowell argues that the oscillation between the Myth of the Given and coherentism can be avoided only by an ‘equipoise’ between the objective and the subjective. However, I argue that Adorno’s ‘cognitive utopia’ is a genuine 4th option distinct from equipoise and from the oscillation between the Myth of the Given and coherentism. McDowell’s inability to acknowledge the cognitive utopia is traced to his overly abstract conception of the disenchantment of nature, in contrast (...) to Adorno’s emphasis on the domination of nature. This difference is traced to their different interpretations of Hegel. (shrink)

Popular and technical usages yield unequivocal definitions of "myth"' and "ideology," terms which imply distinct meanings of "history" as both accumulated symbolic product and dynamic symbolic production. "Culture," the historical symbolic realm, is analyzable objectively as accumulation in terms of art, law, etc., or subjectively as dynamic process through mythology and ideology-the former dealing with beliefs originating in historical experience, value integration, and establishment of consensus, the latter with beliefs originating in competitive social situations and their communication and segregation. (...) Irrational mythologies spark historical dynamism, rational ideologies extend it. Sorel, Mannheim, and other writers here examined use these distinctions systematically in historical interpretation. (shrink)

Journal Name: Semiotica Issue: Ahead of print.

This chapter explores the ideological dimension of dehumanization in the context of National Socialism, focusing on the connection between concepts of humanity and dehumanizing images. NS regarded itself as a political revolution, realizing a new concept of humanity. Nazi ideologues undergirded the self-understanding of NS by developing racist anthropologies. I examine two major strands of Nazi ideology, focusing on their diverging strategies of dehumanization, and arguing that they were dependent on different anthropological frameworks. Richard Walther Darré held a naturalistic concept (...) of humanity and advanced biologistic forms of dehumanization. Alfred Rosenberg developed a dualistic anthropology that combined metaphysical and natural features. He dehumanized certain groups of people by reducing them to being human in a natural sense only. Moreover, I aim to show that the key motifs of these racist worldviews were prevalent in the scientific and philosophical debates on anthropology in early-twentieth-century Germany. I thus explore the general orientation of both the naturalistic and the anti-naturalistic strand in anthropological thought, unfold the animalizing tendencies of these views, and emphasize their conformity with the key motifs of Nazi ideology. The case of NS should thus exemplify the dehumanizing potential of anthropological theories. (shrink)

The purpose of this paper aims to unravel the ideological strategy that rises from the well-celebrated epistemic rigor of neoclassical economic thought. From the Economics Nobel Price Paul Krugman’s popularized connotation naming to "freshwater" economists as those fervent followers of the most orthodox academic creed, we will expose the logical inconsistency and empirical implausibility of such thought’s underlying assumptions: perfect competence and equilibrium’s approaching. From a critical analysis that will be conducted from each of those mentioned assumptions, we will argued (...) that the neoclassical thought is an ideological strategy subverting reality’s principles, overcoming "artificially" those relevant deficiencies and limitations of its theoretical approach. A lo largo de este trabajo se intenta desvelar la estrategia ideológica que emana del celebrado rigorismo epistémico del pensamiento neoclásico de economía. Desde la connotación popularizada por el Nobel Paul Krugman a los economistas de "agua dulce" como aquellos fervientes seguidores del credo académico más ortodoxo, expondremos la incoherencia lógica e imposibilidad empírica de los supuestos fundamentales de su pensamiento: competencia perfecta y aproximación al equilibrio. Desde un examen crítico que irá conduciéndose por cada uno de tales supuestos, resolveremos cómo el marco neoclásico no es más que una estrategia ideológica que subvirtiendo los principios de lo real consigue superar solo "artificialmente" las importantes deficiencias y limitaciones de su marco teórico. (shrink)

Linguistics, Anthropology and Philosophy in the French Enlightenment treats the development of linguistic thought from Descartes to Degerando as both a part of and a determining factor in the emergence of modern consciousness. Through his careful analyses of works by the most influential thinkers of the time, author Ulrich Ricken demonstrates that the central significance of language in the philosophy of the enlightenment is how it reflected and acted upon contemporary understanding of humanity as a whole. Although primarily focused on (...) French thought between 1650 and 1800, the author discusses contemporary developments in England, Germany and Italy and covers an unusually broad range of writers and ideas, including Leibniz, Wolff, Herder and Humboldt. This study places the history of language philosophy within the broader context of the history of ideas, aesthetics and historical anthropology and will be of interest to scholars working in these disciplines. (shrink)