In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.2 (2002) 369-396 [Access article in PDF] Worlds or Words Apart?The Consequences of Pragmatism for Literary Studies:An Interview with Richard Rorty Richard Rorty, with E. P. Ragg ER: I WANTED TO ASK YOU first about holism. Clearly holism doesn't just mean being interdisciplinary. Nor, as you argue in Philosophy and the Mirror of Nature, is it merely a question (...) of antifoundationalist polemic. Rather, you say it marks "a distrust of the whole epistemological enterprise." 1 Could you explain what you mean by that?RR: If you weren't some kind of foundationalist you wouldn't bother to get into epistemology. Epistemology only looks attractive if you think that there is a topic called knowledge whose nature can be studied. The idea is that once you have learned its nature, you might get more of it than you had before. Only someone who thinks that knowledge has foundations located in sense perception, or pure reason, or divine revelation, or something, would take the idea of studying knowledge, its nature and limits, seriously. I think of holism as just the view that people change their beliefs in such a way as to achieve coherence with their other beliefs, to bring their beliefs and desires into some sort of equilibrium—and that that is about all there is to be said about the quest for knowledge. There are no rules for which beliefs you sacrifice in order to accommodate other beliefs, or which desires you change to accommodate changed beliefs. Because there aren't any rules, there aren't any methods you can study in order to improve the way you achieve equilibrium. The whole idea of studying how belief is changed is pretty hopeless. It's just too holistic a process to be an appropriate topic of study. [End Page 369]ER: Holism is obviously a natural corollary of pragmatism because pragmatists urge bringing as many different useful vocabularies to discussion as we can. This reminds me of your definition of "literariness." In Contingency, irony, and solidarity you describe literary skill as the ability to effect "surprising gestalt switches by making smooth rapid transitions from one terminology to another." 2 Would it be fair to say, then, that thinking holistically is, to some degree, literary?RR: No, I don't think so. It would be more appropriate to say thinking holistically, in the sense of not being limited to a given context or disciplinary framework, is a matter of thinking imaginatively. Politicians and theologians and engineers think imaginatively just as much as literary people do. To call it literary would be unduly to privilege literature.ER: Would you say that, as a writer, your own work has been treated holistically: first in the sense that your texts are seen as a growing body of thought—that is, that there is a difference between the writer of Philosophy and the Mirror of Nature and the author of Contingency, irony, and solidarity—and, second, in the sense that people have thought holistically about your ideas, have brought them to bear on literature, philosophy, social science, the very demarcations you want to transcend?RR: I think that the stuff I do is more interesting to people outside of philosophy than those inside it. This is an example of the same phenomenon that led Kuhn to be much more read by people outside the hard sciences than by people within them. My stuff, like Kuhn's, debunks certain views that various earlier philosophers, especially the positivists, had tried to impose on the culture. My readers are people who are looking for a way out from the view they absorbed, without much liking it, when they were young. People inside of philosophy, however, often regard all this debunking as endangering the problems to the solution of which they have devoted their lives. They do not want the problems dissolved, because that would dissolve their solutions as well. So they welcome it less than do outsiders.ER: One of the markers of your... (shrink)

In this 1989 book Rorty argues that thinkers such as Nietzsche, Freud, and Wittgenstein have enabled societies to see themselves as historical contingencies, rather than as expressions of underlying, ahistorical human nature or as realizations of suprahistorical goals. This ironic perspective on the human condition is valuable on a private level, although it cannot advance the social or political goals of liberalism. In fact Rorty believes that it is literature not philosophy that can do this, by (...) promoting a genuine sense of human solidarity. A truly liberal culture, acutely aware of its own historical contingency, would fuse the private, individual freedom of the ironic, philosophical perspective with the public project of human solidarity as it is engendered through the insights and sensibilities of great writers. The book has a characteristically wide range of reference from philosophy through social theory to literary criticism. It confirms Rorty's status as a uniquely subtle theorist, whose writing will prove absorbing to academic and nonacademic readers alike. (shrink)

Romanticism and Pragmatism offers a new and original perspective by elucidating how pragmatism, humanism, anti-authoritarianism, and postmetaphysics are linked and is the first monograph to offer a detailed discussion of Richard Rorty's idea of a literary or poeticized culture. It argues that pragmatism's use of Romanticism is an integral part of a modern antifoundationalist story of progress, and that it can help us appreciate the significance of Romanticism in the twenty-first century. It also analyses (...) the relation between pragmatism and race (and cosmopolitanism), and approaches the question of a pragmatist literary ethics. (shrink)

n this article, I try to defend the thesis that imagination against reason, moral progress through imagination not the reason, the emergence of literary culture after philosophical culture from Hegel onwards, contingency of language, the usefulness of literature (poetry, novels and stories, etc.) in enhancing empathy with one another and ultimately reducing philosophy to poetry in Richard Rorty's writings point to one thing: the priority of literature to philosophy. The literary or (...) post-physical culture that Rorty defends is opposed to the Enlightenment and the philosophical and religious culture. Rorty prefers literary culture among the religious culture and philosophical culture. The literary culture Rorty envisages is a radically historicist and nominalist one. Rorty’s romanticised version of pragmatism aims precisely at dealing with this literary or post-physical culture or, in generally, the literature. (shrink)

Staten gets my intentions right when he suggests that I may simply have been saying that “the dream of philosophy is a rare but serious malady, now less common than it used to be, but currently threatening a new outbreak in the disguised form of deconstruction” . I had thought I was urging that the appropriation of Derrida in the Anglo-Saxon “Now let’s deconstruct literature” mode was a mistake and that there were some things in Derrida which had (...) encouraged this mistake—notably the Heideggerian suggestion that the “text of philosophy” was at the heart of our culture. State, however, finds me more cunning and ungenerous, harsher toward Derrida, than I had imagined myself to be. He may have a point, but is hard for me to tell. No author is much good at following “the rhetorical contours” of his own writing, since his beliefs about what he wanted to say keep leveling off the contours of what he actually wrote .The best I can do by way of reply to the charge that I was attempting to “ ‘encapsulate and circumvent’ ” Derrida is to take up a central ambiguity which Staten detects . He says that I flit back and forth between “two characterizations of the history of philosophy”: “a constantly changing, self-deconstructing enterprise which is therefore not characterizable in terms of any single system of metaphors,” and “a ‘metaphysical tradition’ which has dreamed the dream of a closed, total, and transparent vocabulary which would tell the whole truth and thing but the truth” . Richard Rorty is Kenan Professor of Humanities at the University of Virginia. He is the author of Consequences of Pragmatism , among other works, and is currently writing a book on Martin Heidegger. His previous contributions to Critical Inquiry are “Deconstruction and Circumvention” and “Philosophy without Principles”. (shrink)

This article responds to the arguments put forth by Peter Lamarque and Stein Haugom Olsen in Truth, Fiction, and Literature: A Philosophical Perspective (1994). It argues that the said work is representative of the widespread tendency in literary theory today to discard the possibility of literary truth, and it provides counterarguments to the work’s main theses. Consequently, it criticizes the philosophy of pragmatism and its implications, and it offers a theory that defines fictional objects as (...) existing and solves contradictions that commonly affect our debates on the ontology of fiction. The article does not provide a positive theory of literary truth, but it undermines its denials, which have become popular in recent decades. (shrink)

This chapter addresses the relationship between Rorty's pragmatist philosophy and his view of literature and literary writing. It begins by examining the relationship between philosophy and literature, construed by Rorty in terms of the opposition between “normal,” professionalized, argument‐centered philosophical discourse and the kind of cultural criticism which emphasizes human finitude and contingency, seeking through the use of irony and literary inventiveness to transform our prevalent visions of what it means to be (...) human. This humanist side of Rorty's argument is further developed through the discussion of the role that literature plays in intellectual self‐formation and moral edification, by educating moral sensibility and providing transformational shifts of conceptual perspective. These dynamics of literary innovation are then shown to dovetail nicely with Rorty's naturalistic, evolutionary conception of cultural development as well as his views regarding the indispensable role of the personal, the private, and the unshared in producing genuine cultural innovation. (shrink)

What is truth? What value should we see in or attribute to it? The war over the meaning and utility of truth is at the center of contemporary philosophical debate, and its arguments have rocked the foundations of philosophical practice. In this book, the American pragmatist Richard Rorty and the French analytic philosopher Pascal Engel present their radically different perspectives on truth and its correspondence to reality. Rorty doubts that the notion of truth can be of any practical (...) use and points to the preconceptions that lie behind truth in both the intellectual and social spheres. Engel prefers a realist conception, defending the relevance and value of truth as a norm of belief and inquiry in both science and the public domain. Rorty finds more danger in using the notion of truth than in getting rid of it. Engel thinks it is important to hold on to the idea that truth is an accurate representation of reality. In Rorty's view, epistemology is an artificial construct meant to restore a function to philosophy usurped by the success of empirical science. Epistemology and ontology are false problems, and with their demise goes the Cartesian dualism of subject and object and the ancient problematic of appearance and reality. Conventional "philosophical problems," Rorty asserts, are just symptoms of the professionalism that has disfigured the discipline since the time of Kant. Engel, however, is by no means as complacent as Rorty in heralding the "end of truth," and he wages a fierce campaign against the "veriphobes" who deny its value. _What's the Use of Truth?_ is a rare opportunity to experience each side of this impassioned debate clearly and concisely. It is a subject that has profound implications not only for philosophical inquiry but also for the future study of all aspects of our culture. (shrink)

I think … we ought to distinguish two sense of “deconstruction.” In one sense the word refers to the philosophical projects of Jacques Derrida. Taken this way, breaking down the distinction between philosophy and literature is essential to deconstruction. Derrida’s initiative in philosophy continues along a line laid down by Friedrich Nietzsche and Martin Heidegger. He rejects, however, Heidegger’s distinctions between “thinkers” and “poets” and between the few thinkers and the many scribblers. So Derrida rejects the sort (...) of philosophical professionalism which Nietzsche despised and which Heidegger recovered. This does indeed lead Derrida in the direction of “a general, undifferentiated textuality.” In his work, the philosophy-literature distinction is, at most, part of a ladder which we can let go of once we have climbed up it.In a second sense of “deconstruction,” however, the term refers to a method of reading texts. Neither this method, nor any other, should be attributed to Derrida—who shares Heidegger’s contempt for the very idea of method.2 But the method exists, and the passage I have quoted from Culler describes one of its essential features. Culler is quite right to say that deconstruction, in the second sense, needs a clear distinction between philosophy and literature. For the kind of reading which has come to be called “deconstructionist” requires two different straight persons: a macho professional philosopher who is insulted by the suggestion that he has submitted to a textual exigency, and a naive producer of literature whose jaw drops when she learns that her work has been supported by philosophical oppositions. The philosopher had thought of himself as speaking a sparse, pure, transparent language. The poetess shyly hoped that her unmediated woodnotes might please. Both reel back in horror when the deconstructionist reveals that each has been making use of complex idioms to which the other has contributed. Both go all to pieces at this news. A wild disorder overtakes their words. Their whimpers lend into interminable androgynous keening. Once again, deconstructionist intervention has produced a splendidly diffuse irresolution. Richard Rorty is Kenan Professor of Humanities at the University of Virginia. He is the author of Consequences of Pragmatism and is currently writing a book on Martin Heidegger. (shrink)

In 'Philosophy and the Mirror of Nature' Richard Rorty presented his provocation and influential vision of the post-philosophical culture, calling upon professional philosophers to accept that epistemology is dead, that the analytic method is a myth, and that philosophy and science are merely forms of literature.

My colleague E. D. Hirsch has skillfully developed the consequences for literary interpretation of a “realistic” epistemological position which he formulates as follows: “If we could not distinguish a content of consciousness from its contexts, we could not know any object at all in the world.” Given that premise, it is easy for Hirsch to infer that “without the stable determinacy of meaning there can be no knowledge in interpretation.”1 A lot of people disagree with Hirsch on the latter (...) point, and they look to philosophy for replies to the premise from which it was inferred. But it is not clear where in philosophy they should look: To epistemology? Ethics?2 Philosophy of language? What Jacques Derrida calls “a new logic, … a graphematics of iterability”?3 Where do we find first principles from which to deduce an anti-Hirsch argument?I want to argue that there is no clear or straight answer to this question and that there need be none. I shall begin by criticizing the strategy used against Hirsch and others by my fellow pragmatists Steven Knapp and Walter Benn Michaels. They think that one can start with philosophy of language and straighten things out by adopting a correct account of meaning. I share their desire to refute Hirsch, their admiration for Stanley Fish, and their view that “theory”—when defined as “an attempt to govern interpretations of particular texts by appealing to an account of interpretation in general”—has got to go . But they want to defend this position by exposing a mistake which they think common to all theory so defined: an error about the relation between meaning and intention. They assert that “what is intended and what is meant are identical” and that one will look for an “account of interpretation in general” only if one fails to recognize this identity . Such failure leads to an attempt to connect meaning and intention or to disconnect them . But such attempts must fail, for they presuppose a break “between language and speech acts” which does not exist . 1. E. D. Hirsch, Jr., The Aims of Interpretation , pp. 3, 1.2. See ibid., where Hirsch offers a “fundamental ethical maxim for interpretation” which, he says, “claims no privileged sanction from metaphysics or analysis” . Here and elsewhere Hirsch suggests that it may be ethics rather than epistemology which provides the principles that govern interpretation. There remain other passages, however, in which he retains the view, conspicuous in his earlier writings, that an analysis of the idea of knowledge is the ultimate justification for his approach.3. Jacques Derrida, “Limited Inc abc … , ” Glyph 2 : 219. Richard Rorty is Kenan Professor of Humanities at the University of Virginia. He is the author of Consequences of Pragmatism , among other works, and is currently writing a book on Martin Heidegger. His previous contribution to Critical Inquiry, “Deconstruction and Circumvention,” appeared in the September 1984 issue. (shrink)

This book presents the author’s many and varied contributions to the revival and re-evaluation of American pragmatism. The assembled critical perspective on contemporary pragmatism in philosophy emphasizes the American tradition of cultural pluralism and the requirements of American democracy. Based partly on a survey of the literature on interest-group pluralism and critical perspectives on the politics of globalization, the monograph argues for reasoned caution concerning the practical effects of the revival. Undercurrents of “vulgar pragmatism” including (...) both moral and epistemic relativism threaten the intellectual and moral integrity of American thought – and have contributed to the present sense of political crisis. -/- The text chiefly contributes to the evaluation of the contemporary influence of the philosophy of John Dewey (1859–1952) and his late development of the classical pragmatist tradition. In comparison to Ralph Waldo Emerson (1803–1882), William James (1842–1910), and earlier currents of American thought, Dewey’s philosophy, dominated by its overall emphasis on unification, is weaker in its support for the pluralism of cultural and religious contributions which have lent moral self-restraint to American policy and politics, both foreign and domestic. With all due homage to Dewey’s conception of philosophy, centered on human problems and the need for our ameliorative efforts, the argument is that in the contemporary revival, Dewey’s thought has been too often captured by “post-modernist” bandwagons of self-promotion and institutional control. -/- This work defends democratic individualism against more collectivist and corporatist tendencies in contemporary neo-pragmatism, and it draws upon up-to-date political analysis in defense of America’s long republican tradition. Pragmatism will not and cannot be removed from, or ignored, in American intellectual and moral history; and its influence on disciplines from law to politics, sociology and literary criticism has been immense. However, pragmatism has often been weak in commitment to cultural pluralism and in its accounts of truth. (shrink)

This article considers the validity and strength of Richard Rorty’s pragmatist theory of interpretation in the light of two ethical issues related to literature and interpretation. Rorty’s theory is rejected on two grounds. First, it is argued that his unrestrained account of interpretation is incompatible with the distinctive moral concerns that have been seen to restrict the scope and nature of valid approaches to artworks. The second part of the paper claims that there is no indispensable relationship (...) between supporting Rorty’s pragmatist theory of interpretation and the important place that is attached to literature in the liberal society outlined by him. A reading of Donald Davidson’s texts on literary language and interpretation implies that an intentionalist theory of interpretation can accommodate those features that Rorty values in literature as well. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Notes and Fragments THE GENEALOGY OF PRAGMATISM by Anthony J. Cascardi At SEVERAL POINTS in Philosophy and the Minor ofNature (1979) and in.the essays collected as Consequences of Pragmatism (1982), Richard Rorty mentions John Dewey as one of a group of "edifying" philosophers whose tutelary presence and audiority are invoked in the project which he elsewhere describes as die "circumvention" of Western metaphysics.1 Dewey joins (...) the ranks of his fellow American pragmatiste James and Peirce as well as those of two odier rather disparate groups: on die one hand, those philosophers like Davidson, Sellars, and Quine, who demonstrate from within diat analytical philosophy eventually transcends and cancels itself; and on the other, those "continental" philosophers like Foucault, Gadamer, and Derrida, who comfortably accept the image of philosophy as a subgenre of "literature" or "writing," a discourse with no privileged insights into the nature of rationality or claims to truth. Rorty's own project is a blend of all diree. Widi James he claims that truth is simply "what is good in die way of belief," not the proper or even fruitful object of theoretical speculation ("truth is not the sort of thing one should expect to have a philosophically interesting dieory about.... Pragmatiste think that the history of attempts to isolate the True or the Good, or to define die word 'true' or 'good,' supports their suspicion that there is no interesting work to be done in this area.... The history of attempts to do so, and of criticisms of such attempts, is roughly coextensive wim the history of that literary genre we call 'philosophy' — a genre founded by Plato," Consequences ofPragmatism, pp. xiii-xiv). Yet he shares widi Davidson, Sellars, and Quine the will to demonstrate the limits of analytical phdosophy while framing his own propositions in the language ofanalysis. 295 296Philosophy and Literature Foucault and Derrida in their turn complete the image of life in a "postphilosophical " culture, where the designation of "post" indicates a final refusal to regard pragmatism as yet another metanarrative ofthe history of philosophy. In this case, die historicist part of the Hegelian teaching, which is dieir common inheritance, the assimilation of logic to history, is accepted, while the assimilation of history to logic, which completes the Hegelian syndiesis, is rejected on account of its totalizing designs and its reliance on die notion of Absolute Spirit. So seen, the genealogy of pragmatism is of considerably broader scope than die initial intentions of Philosophy and the Mirror of Nature would suggest. In diat book, Rorty claimed to be marshalling the various forces named above not so much in response to Platonism as in reply to a single episode in the history of philosophy — viz., that which begins in Descartes and receives its fullest expression in Kant, and considers truth as a matter of the accurate correspondence of ideas held inforo intemo to objects in the external world, and accordingly regards die world as a representation of the mind. Heidegger articulated a similar complaint when he spoke of the Cartesian age as that in which die world was first determined as a "picture" ("Die Zeit des Weltbildes") and noted diat from this time forward epistemology was determined as "first philosophy": "a dieory ofknowledge had to be erected before a theory of the world."2 Pragmatism is on mis more limited view primarily a response to the conditions of a technological age and to the conception ofreason as mathematical representation which sustains modern science. Thus Rorty should well be surprised at Dewey's claim to have applied a scientific and empirical method in die study of metaphysics, whose proper objects consist, in Dewey's description, of"die large and constant features of human sufferings, enjoyments, trials, failures, and successes together with the institutions of art, science, technology, politics, and religion,"3 for to have done so would have been to have countered the Cartesian division between science on the one hand and qualities and values ("experience") on die other. Instead, Rorty imputes a different claim to Experience and Nature and sees it as a way-station on the pam toward that hypothetical book called Nature and Culture, in which die idea of an empirical method... (shrink)

This chapter addresses the relationship between Rorty’s pragmatist philosophy and his view of literature and literary writing. It begins by examining the relationship between philosophy and literature, construed by Rorty in terms of the opposition between “normal,” professionalized, argument-centered philosophical discourse and the kind of cultural criticism which emphasizes human finitude and contingency, seeking through the use of irony and literary inventiveness to transform our prevalent visions of what it means to be (...) human. This humanist side of Rorty’s argument is further developed through the discussion of the role that literature plays in intellectual self-formation and moral edification, by educating moral sensibility and providing transformational shifts of conceptual perspective. These dynamics of literary innovation are then shown to dovetail nicely with Rorty’s naturalistic, evolutionary conception of cultural development as well as his views regarding the indispensable role of the personal, the private, and the unshared in producing genuine cultural innovation. (shrink)

In the late 1970s and early 1980s, Richard Rorty advocated that his confréres kick the ‘philosophy habit’-that is, adopt a post-positivist, post-metaphysical style of interpretation. Philosophers largely ignored Rorty’s clarion call. Unburdened by the kind of Selbstverständnis of scholarly mission held by most analytics, members of departments of literature instead became the most important advocates for reading literature philosophically during the last two decades of the twentieth century. Though the academic Left, especially practitioners of ‘theory’, (...) largely celebrated and encouraged this development, Rorty, in the late 1990s, came to view it as harmfully elevating ‘cultural politics’ above ‘real politics’, which would ultimately lead to the abandonment of civic responsibilities. While heavy-handed and partial, Rorty’s critique of the uses of philosophy by literary critics was not only perceptive, but can be helpful for understanding how the contemporary academic Left might move forward as well. (shrink)

This volume presents a selection of the philosophical papers which Richard Rorty has written over the past decade, and complements three previous volumes of his papers: Objectivity, Relativism, and Truth, Essays on Heidegger and Others, and Truth and Progress. Topics discussed include the changing role of philosophy in Western culture over the course of recent centuries, the role of the imagination in intellectual and moral progress, the notion of ‘moral identity’, the Wittgensteinian claim that the problems of (...) philosophy are linguistic in nature, the irrelevance of cognitive science to philosophy, and the mistaken idea that philosophers should find the ‘place’ of such things as consciousness and moral value in a world of physical particles. The papers form a rich and distinctive collection which will appeal to anyone with a serious interest in philosophy and its relation to culture. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.2 (2003) 282-284 [Access article in PDF] Bruce Kuklick. A History of Philosophy in America, 1720-2000. New York: Oxford University Press, 2001. Pp. xiii + 326. Cloth, $30.00. Scott L. Pratt. Native Pragmatism: Rethinking the Roots of American Philosophy. Bloomington: Indiana University Press, 2002. Pp. xviii + 316. Cloth, $49.95. Paper, $21.95. In his earlier works Bruce Kuklick has (...) studied major figures and episodes in the evolution of American thought, most famously the Golden Age of Harvard. In the present book he proposes to tell the whole story. Beginning, as it must, with Jonathan Edwards, Part I traces the long and difficult process by which philosophy gradually distinguishes itself from theology. Part II deals magisterially with the age of pragmatism, from Darwin to Dewey, and Part III with professional philosophy in the twentieth century. Kuklick's account of this latest development, briefly adumbrated in his previous books, is the freshest and (to this retired professional) most engaging part of the narrative. Once philosophy had loosened the bonds that tied it to theology, once sciences like psychology, originally parts of philosophy, had declared independence and set out on their own, and once philosophy's role as counselor to private morals and public policy had been taken over by psychoanalysis, economics, sociology, and political science, philosophers had to discover a new identity for themselves. Inspired by logical positivism and the linguistic ruminations of the late Wittgenstein, professional philosophy came to mean, very largely, a preoccupation with problems of logic, philosophy of language, philosophy of science, and epistemology. The result was that, apart from undergraduate lectures and occasional ventures into the popular media, what philosophers said and wrote, intelligible only to other philosophers, became irrelevant to just about everything of personal and public interest, and even to the traditional concerns of philosophy itself with the nature of reality and the conduct of life.The eventual arrival in the American academy of phenomenology, existentialism, and deconstruction, in spite of their apparent engagement with "real life" and their appeal to undergraduates, only bred another species of professionals and precipitated the familiar antagonism between analytic and continental philosophy. Late in the last century Richard Rorty, a preeminent analytic philosopher, broke ranks, discovered first Heidegger and Derrida, then William James and John Dewey, and declared himself a pragmatist. He characterized philosophy as a single voice in the conversation of the West, which also included literature, literary criticism, the arts, and all the sciences both natural and humane. But he remains a philosopher of language. The pragmatism of the nineteenth century was a low-mimetic [End Page 282] form of the high-mimetic idealism from which it emerged: from Royce to James. Rorty's pragmatism not only takes for granted the (often implicit) materialism and atheism of analytic philosophy, but is itself a new way of understanding and using language. It has been called, inverting James, an old name for a new way of thinking.But I need to correct this overly simple account. As Kuklick is aware, philosophy in America, though it did succeed in detaching itself from theology, has never wholly dissolved its ties to religion. Royce and James in the nineteenth century and Dewey in the twentieth continued to be preoccupied with religious questions, especially with the apparent conflict of religion and science suggested by Darwin's theory. Religious interests survive, barely, in "critical realism." And even though analytic philosophy would seem to be most comfortable with atheism, more than a few thinkers trained in analysis have combined analytic logic and religious faith. Witness the Society of Christian Philosophers. On the whole, however, professional philosophy has been devoid of religious, socio-political, or existential interest. This should not be surprising. All genuine professions serve an end beyond themselves—as medicine serves health, law justice, and theology salvation. But when philosophy becomes a "profession," it has no end but self-preservation, i.e., creating more philosophers and finding jobs for them.One slightly disconcerting feature of Kuklick's... (shrink)

This edition includes new essays by philosopher Michael Williams and literary scholar David Bromwich, as well as Rorty's previously unpublished essay "The ...

In Sect. 1, I point out the tension in Rorty’s commitment to both pragmatism and materialism. In Sect. 2, I explain how Rorty sought to justify this combination, and argue that his account is not only implausible but incomplete. In Sect. 3, I explain what I think is the underlying reason for Rorty’s commitment to materialism, namely to promote the social utility of technology for eliminating extreme poverty. After showing how this stance fits into a standard (...) discourse of scientific rationalism, to which a strong opposing case can be made, I conclude, in Sect. 4, that Rorty’s notion of philosophy as cultural politics could be a very useful approach to new technological developments, capable of revitalizing philosophy’s public voice; but only if detached from Rorty’s anti-philosophical agenda. (shrink)

Richard Rorty’s muscular liberalism and pragmatic intolerance draw sustenance from Nietzsche as well as from the earlier American pragmatists. We set out the ways in which Rorty adopts and adapts their ideas. We go on to suggest that the cultural ethnocentrism that he advocates carries certain risks, and can be divorced all too easily from his own qualifications, particularly in the post-9-11 scenario. It is our contention that Isaiah Berlin’s case for a pluralist liberalism warrants serious consideration as (...) an alternative. (shrink)

In these eloquent essays, articles and lectures, Rorty gives a stimulating summary of his central philosophical beliefs and how they relate to his political ...

This volume presents a selection of the philosophical papers which Richard Rorty has written over the past decade, and complements three previous volumes of his papers: Objectivity, Relativism, and Truth, Essays on Heidegger and Others and Truth and Progress. Topics discussed include the changing role of philosophy in Western culture over the course of recent centuries, the role of the imagination in intellectual and moral progress, the notion of 'moral identity', the Wittgensteinian claim that the problems of (...) philosophy are linguistic in nature, the irrelevance of cognitive science to philosophy, and the mistaken idea that philosophers should find the 'place' of such things as consciousness and moral value in a world of physical particles. The papers form a rich and distinctive collection which will appeal to anyone with a serious interest in philosophy and its relation to culture. (shrink)

When it first appeared in 1979, Philosophy and the Mirror of Nature hit the philosophical world like a bombshell. In it, Richard Rorty argued that, beginning in the seventeenth century, philosophers developed an unhealthy obsession with the notion of representation: comparing the mind to a mirror that reflects reality. Rorty's book is a powerful critique of this imagery and the tradition of thought that it spawned. Thirty years later, the book remains a must-read and stands as a (...) classic of twentieth-century philosophy. Its influence on the academy, both within philosophy and across a wide array of disciplines, continues unabated. This edition includes new essays by philosopher Michael Williams and literary scholar David Bromwich, as well as Rorty's previously unpublished essay "The Philosopher as Expert.". (shrink)

We are grateful to Stanley Fish for demonstrating what “Against Theory” had merely assumed, that the only kind of theory worth attacking is the kind which claims to be more than just another form of practice. Some readers have thought that our arguments were directed against all general reflection about literature or criticism. Others have thought that we were resisting the encroachment on literary study of themes derived from politics, or psychoanalysis, or philosophy. These are plausible misreading (...) of our intention, since the term “theory” is indeed sometimes applied to any critical argument marked by historical or aesthetic generalization or by the reading of literature in terms of themes derived from other disciplines. But, as Fish shows, neither empirical generality nor thematic novelty is enough to make an argument theoretical in more than a trivial sense, that is, in a sense that marks it as importantly different in kind from other critical arguments. Theory in a nontrivial sense always consists in the attempt “to stand outside practice in order to govern practice from without,” and this strong kind of theory is the kind whose coherence we deny . It is also the kind of theory engaged in by the vast majority of those who consider themselves theorists—including many who might prefer to think of themselves as practicing theory in some weaker sense.At the conclusion of “Philosophy without Principles,” Richard Rorty appears to join those who think we are attacking theory in its weaker senses as well as in the strong sense just described. He suggests that eliminating the writing and teaching of theory would deprive literary scholars of “an opportunity to discuss philosophy books—as well as novels, poems, critical essays, and so forth—with literature students” . If this were the only issue between Rorty’s version of pragmatism and ours, our disagreement would come to an immediate end, since nothing could be further from the aims of “Against Theory” than rendering a judgment about what books should be discussed in literary classrooms. But our disagreement runs deeper than debates about the curriculum. It involves, first, a fundamental disagreement about language and, second, an equally fundamental disagreement about the nature and consequences of pragmatism. Steven Knapp is an assistant professor of English at the University of California, Berkeley; his book Personification and the Sublime: Milton to Coleridge is forthcoming. Walter Benn Michaels, an associate professor of English at the University of California, Berkeley, is working on the relation between literary and economic forms of representation in nineteenth-century America. A previous contribution to Critical Inquiry, “Sister Carrie’s Popular Economy,” appeared in the Winter 1980 issue. The authors’ joint contribution to Critical Inquiry, “Against Theory,” and “A Reply to Our Critics,” appeared respectively in the Summer 1982 and June 1983 issues. (shrink)

Relativism has been a central topic of philosophical discussion for centuries. This is because the very idea of philosophy was a product of Plato’s reaction to Protagoras’ claim that man is the measure of all things. The Platonic distinction between mere sophists and true philosophers incorporates the conviction that there is something beyond humanity that sets a standard that humans must respect. Plato did his best to make ‘relativist philosophy’ a contradiction in terms. We are still being told (...) that we should guard against relativism. In this article the author considers what happens if one takes Protagoras’ side. In the process he aims to differentiate pragmatism and romanticism, traditions he has in the past ‘tried too hard to assimilate’. He shows that pragmatism could offer a third way between universalism and romanticism. (shrink)

This volume complements two highly successful previously published volumes of Richard Rorty's philosophical papers: Objectivity, Relativism, and Truth, and Essays on Heidegger and Others. The essays in the volume engage with the work of many of today's most innovative thinkers including Robert Brandom, Donald Davidson, Daniel Dennett, Jacques Derrida, Jürgen Habermas, John McDowell, Hilary Putnam, John Searle, and Charles Taylor. The collection also touches on problems in contemporary feminism raised by Annette Baier, Marilyn Frye, and Catherine MacKinnon, and considers (...) issues connected with human rights and cultural differences. Anyone with a serious interest in contemporary philosophy and what it can do for us in the modern world will enjoy this invaluable collection. (shrink)

The first complete posthumous reflection on the work of Richard Rorty, one of the most important and influential American philosophers of recent times.

In Culture, Genre, and Literary Vocation, Michael Davitt Bell charts the important and often overlooked connection between literary culture and authors' careers. Bell's influential essays on nineteenth-century American writers—originally written for such landmark projects as The Columbia Literary History of the United States and The Cambridge History of American Literature—are gathered here with a major new essay on Richard Wright. Throughout, Bell revisits issues of genre with an eye toward the unexpected details of authors' (...) lives, and invites us to reconsider the hidden functions that terms such as "romanticism" and "realism" served for authors and their critics. Whether tracing the demands of the market or the expectations of readers, Bell examines the intimate relationship between literary production and culture; each essay closely links the milieu in which American writers worked with the trajectory of their storied careers. (shrink)

It is a relatively rare, and very welcome, event when an original, brilliantly imaginative analytic philosopher takes a fresh look at earlier figures in the history of philosophy and proceeds to tell a story that ties in their work with his own. Analytic philosophy’s greatest disability remains its lack of historical resonance, and Hilary Putnam is one of the few who have worked hard to help it overcome this handicap. His discussion of the great American pragmatists has made (...) it possible for students to see past the dismissive attitudes that Russell and Ayer, for example, adopted toward James and Dewey. Advancing along lines sketched out some decades ago in Morton White’s prescient Toward Reunion in Philosophy, Putnam has helped us see in detail how Quinean skepticism about the language-fact and essence-accident dualisms ties in with James’s and Dewey’s skepticism about many other traditional dualisms. (shrink)

Neither philosophy in general, nor deconstruction in particular, should be thought of as a pioneering, path-breaking, tool for feminist politics. Recent philosophy, including Derrida's, helps us see practices and ideas as neither natural nor inevitable—but that is all it does. When philosophy has finished showing that everything is a social construct, it does not help us decide which social constructs to retain and which to replace.

Neither philosophy in general, nor deconstruction in particular, should be thought of as a pioneering, path-breaking, tool for feminist politics. Recent philosophy, including Derrida's, helps us see practices and ideas (including patriarchal practices and ideas) as neither natural nor inevitable-but that is all it does. When philosophy has finished showing that everything is a social construct, it does not help us decide which social constructs to retain and which to replace.

If, like Hegel and Dewey, one takes a historicist, anti-Platonist view of moral progress, one will be dubious about the idea that moraltheory can be more than the systematization of the widely-shared moral intuitions of a certain time and place. One will follow Shelley, Dewey, and Patricia Werhane in emphasizing the role of the imagination in making moral progress possible. Taking this stance will lead one to conclude that although philosophy is indeed relevant to applied ethics, it is not (...) more relevant than many other fields of study (such as history, law, political science, anthropology, literature, and theology). (shrink)

Richard Rorty is famous, maybe even infamous, for his philosophical nonchalance. His groundbreaking work not only rejects all theories of truth but also dismisses modern epistemology and its preoccupation with knowledge and representation. At the same time, the celebrated pragmatist believed there could be no universally valid answers to moral questions, which led him to a complex view of religion rarely expressed in his writings. In this posthumous publication, Rorty, a strict secularist, finds in the pragmatic thought of (...) John Dewey, John Stuart Mill, William James, and George Santayana, among others, a political imagination shared by religious traditions. His intent is not to promote belief over nonbelief or to blur the distinction between religious and public domains. Rorty seeks only to locate patterns of similarity and difference so an ethics of decency and a politics of solidarity can rise. He particularly responds to Pope Benedict XVI and his campaign against the relativist vision. Whether holding theologians, metaphysicians, or political ideologues to account, Rorty remains steadfast in his opposition to absolute uniformity and its exploitation of political strength. (shrink)

Philosophy -- Ethics beyond existentialism and structuralism: Sartre's critique of dialectical reason and the debate with Levi-Strauss -- Foucault's ethics of the self -- Derrida in Heidelberg: the specter of Heidegger's Nazism and the question of ethics -- Richard Rorty's cultural politics: ironist philosophy and the ethics of reading -- History -- From metahistory to the practical past: Hayden White's existentialist philosophy of history -- Hayden White and the ethics of historiography literature -- The ethics (...) of conversion: metaphysical desire in Ren, Girard, and Jean-Paul Sartre -- The ethics of realism: literary history and the sublime in Erich Auerbach's mimesis -- The ethics of philology: Erich Auerbach and the fate of humanism -- Edward Said, orientalism, and the political turn in literary and cultural studies. (shrink)

If, like Hegel and Dewey, one takes a historicist, anti-Platonist view of moral progress, one will be dubious about the idea that moraltheory can be more than the systematization of the widely-shared moral intuitions of a certain time and place. One will follow Shelley, Dewey, and Patricia Werhane in emphasizing the role of the imagination in making moral progress possible. Taking this stance will lead one to conclude that although philosophy is indeed relevant to applied ethics, it is not (...) more relevant than many other fields of study (such as history, law, political science, anthropology, literature, and theology). (shrink)

Nystrom and Puckett's pamphlet gives us the most comprehensive picture available of Richard Rorty's political views. This is Rorty being avuncular, cranky, and straightforward: his arguments on patriotism, the political left, and philosophy—as usual, unusual—are worth pondering. This pamphlet will appeal to all those interested in Rorty's distinct brand of pragmatism and leftist politics in the United States.

A selection of 25 papers from a June 1995 conference in Highlands, North Carolina. Rorty himself presents the keynote address, Religious Faith, Intellectual Responsibility, and Romance, which will be published in the forthcoming Cambridge Companion to William James. Other topics include a paleopragmatic philosophy of the history of philosophy, the pragmatic secularization of theology, a hiatus in the liberal pragmatic view of culture and religion, and listening to indigenous peoples and neo-pagans. No index. Annotation copyrighted by (...) Book News, Inc., Portland, OR. (shrink)

Though coming from distinct intellectual traditions, Richard Rorty and Gianni Vattimo are united in their criticism of the metaphysical tradition. The challenges they put forward extend beyond philosophy and entail a reconsideration of the foundations of belief in God and the religious life. They urge that the rejection of metaphysical truth does not necessitate the death of religion. Instead it opens new ways of imagining what it is to be religious. This unique collaboration fuses pragmatism and hermeneutics (...) and recognizes the limits of both traditional religious belief and modern secularism. Rorty discusses Vattimo's work Belief and argues that the end of metaphysics paves the way for an anti-essentialist religion. Vattimo explores the surprising congruence between Christianity and hermeneutics in light of the dissolution of metaphysical truth. In a concluding dialogue, both philosophers analyze the future of religion together with the political, social, and historical aspects that characterize our contemporary postmodern, postmetaphysical, and post-Christian world. (shrink)