Abstract

That form shall correspond to the content of a work is a law of realist art. Marxist-Leninist esthetics, on the basis of discovery of this law, does not prescribe an invented norm for the artist, but generalizes from the experience of art itself. Methodologically, it takes as its point of departure the dialectics of content and form. In so doing, Marxist-Leninist esthetics does not dissolve in philosophical concepts the distinctive features of content in art and the nature of form. It examines the unity of content and form, and their development, in the context in which they manifest themselves specifically in art. In other words, it investigates the esthetic features of the relationship between content and form in art