Abstract

PLATO'S WAS a peculiar genius unmatched by any in the entire history of Western thought. He understood well the central play in human experience between appearance, which, ambiguously poised, is a vehicle of both revelation and concealment, and the reality which appearance both conceals and reveals--or better, which appearance conceals as it reveals. The grounds of this play lie both in the character of human structure and in the character of the whole within which that structure functions. Grounded in the unconscious of physiology, the field of human awareness rises by stages from an immediately given, biologically-based circle of sensory awareness, through a culturally mediated sphere of different modes of situating the sensory surface within the greater whole, to a basic orientation toward that all-encompassing whole, which affords us the distance needed to grasp both the orientation itself as orientation and the stages preceding it. Ordinary life is locked into a struggle between the biologically grounded desires and the peculiarities of cultural mediation that seek to channel those desires. Ordinary life exists in relation to a kind of functional surface of things which it co-constitutes with those things in a sort of "dashboard knowledge," knowing what to push and pull and turn to get the desired responses. Sophists continually arise as masters of appearance, often taking themselves, especially if they think they have the sanction of the gods, as genuine lovers of wisdom.