Becoming Spirit: Morality in Hegel's Phenomenology and Bergman's Through a Glass Darkly

Evental Aesthetics 1 (2):56-80 (2012)
  Copy   BIBTEX

Abstract

The following essay brings together philosophy and film. On the one hand, it is a short study of Hegel’s chapter on morality in the Phenomenology of Spirit. On the other hand, it deals with some of the moral conflicts presented in Ingmar Bergman’s 1961 film, Through a Glass Darkly. Central to my discussion is the concept of God. I aim to show how God, manifest in absolute Spirit, should not be understood as a transcendental figure located in a beyond, but as a concrete entity found within the acts of forgiveness and reconciliation

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,227

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

“Morality” in Hegel’s Phenomenology of Spirit.Frederick C. Beiser - 2009 - In Kenneth R. Westphal (ed.), The Blackwell Guide to Hegel's Phenomenology of Spirit. Oxford, UK: Wiley‐Blackwell. pp. 209–225.
Lived time and absolute knowing: Habit and addiction from infinite jest to the phenomenology of spirit.David Morris - 2001 - Clio: A Journal of Literature, History, and the Philosophy of History 30 (4):375-415.
Georg Wilhelm Friedrich Hegel: lectures on the philosophy of spirit 1827-8.Georg Wilhelm Friedrich Hegel - 2007 - New York: Oxford University Press. Edited by Robert R. Williams.
Genesis and structure of Hegel's Phenomenology of spirit.Jean Hyppolite - 1974 - Evanston: Northwestern University Press.

Analytics

Added to PP
2014-04-13

Downloads
20 (#771,402)

6 months
2 (#1,206,802)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations