Nazi Germany and Its Aftermath in Women Directors' Autobiographical Films of the Late 1970s: In the Murderers' House

Mellen University Press (1992)
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Abstract

This is an in-depth analysis of three works of students of German film history and post-war culture as it leads up to late-1980s political developments. The study puts films by West German film directors Helma Saunders-Brahms, Jutta Bruckner and Marianne Rosenbaum in the context of both German film politics/feminist film theory and the West German cultural, socio-political context of the 1980s.

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0773498516   0779949986
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