The Piano

Phenomenology and Practice 11 (2):51-54 (2017)
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Abstract

A pianist experiences the thingness of the piano as an extension of the body. Although contact occurs only through the player’s extremities, the piano invites the use of the whole body to transmit emotion, transport the player into the body and mind of a composer, and transform the pianist’s ability to hear.

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10.29173/pandpr29349

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References found in this work

Phenomenology of perception.Maurice Merleau-Ponty - 1945 - Atlantic Highlands, New Jersey: The Humanities Press. Edited by Donald A. Landes.
Phenomenology of Perception.Maurice Merleau-Ponty - 1945 - New York: Routledge. Edited by Donald A. Landes.
Phenomenology of Perception.Maurice Merleau-Ponty - 1962 - New York: Routledge. Edited by Donald A. Landes.
Phenomenology of Perception.Maurice Merleau-Ponty - 1945/1962 - New York: Routledge. Edited by Donald A. Landes.

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