Abstract

In his final interview Foucault surprised many a reader by stating that the whole of his philosophical development had been influenced by his reading of Heidegger. Until now this Foucault /Heidegger relation has been left largely unexplored, and the few articles that discussed it, took first and foremost an interest in finding parallels between the works of these thinkers. Our title, however, indicates that a different, non-doxographical approach is at stake here : the move from Foucault to Heidegger for which we argue is motivated by the aporia into which Foucault's project worked itself by aspiring to be not only a genealogy but also a critique. In our first section Foucault's peculiar type of framework relativism is shown to have made it impossible for him both to stick to his most interesting philosophical concept (“order”) and to derive a critique from it which would differ from an expression of his personal whims. It is suggested, however, that this aporia is due not to the concept of "order" itself, but to the type of critique Foucault wanted to derive from it. In the remainder of the article we look for a way to reinscribe this concept into the project of a critique of objectivism. We therefore turn to Heidegger. At first a parallel between alètheia and Foucaultian “truth” is sketched. But our interest evidently lies not in the parallel as such, but in the differences that become hightlighted by the attempt to find as strict a parallel as possible. Furthermore, our questioning does not restrict itself to differences between Foucault and Heidegger, but focuses on the fissures in the work of each of them (for this reason we refer to their works by putting their author's name in quotation marks, e. g. "Foucault", thereby suggesting that their texts involve various parallellograms of forces). Thus, to prepare for the critique of objectivism we were unable to find in “Foucault”, the article goes on to outline a deconstruction of “Heidegger”. We touch on Heidegger's anti-epistemologism, on his resistance to mimesis, and on the latent subject-phobia which seems to have crept into his writing after the “Turning”. It is suggested that these problems call for a new reading of “Heidegger”, and that such a reading would not only throw an unexpected light on authenticity, both in Being and Time and in the later Heidegger, but would also enable us to analyse technological “enframing” as the highest danger in a way which may be still Heideggerian, but which differs from the argument Heidegger himself offers in The Memorial Address and The Principle of Reason. This way of problematizing the “order” or technology twists us out of Foucault's aporia, by opening up a domain which is no longer that of a politics but of an ethics of truth