Abstract

Stamnos no. 5898 of the 3rd Ephorate of Prehistoric and Classical Antiquities has been restored from fragments which were found in an ancient well together with a large number of other broken vases during the course of an excavation on the site of no. 12 Ayiou Georgiou Karytsi at the corner of Praxitelous street. The foot and a number of fragments are missing, but the main décoration is complète. A meander encircles the vase, marking the line of the ground in the scenes of the principal décoration. There is a tongue motive on the shoulder, a frieze of ovoli on the outside bevel of the lip, and a plant ornament on the handles. Both sides of the vase carry the representation of a warrior. The one on the principal side is turned to the left; he wears an Attic helmet and greaves and holds a lance in his right hand and a shield in his left; to the right of the shield a meaningless inscription can be read: MNONE. The second warrior is turned to the right; he wears a himation and holds a lance in his left hand and a Corinthian helmet in his right; he is accompanied by a dog who precedes him; to the right of the lance can be read: Ν Ο EN Δ Ν Ι. The drawing of the two scenes is carefully executed, with great attention to detail. On the principal side of the vase, the painter has depicted a warrior leaving for battle determined to win, and the second side shows the hero of the Median Wars. In view of the proportions of the vase, we would assign it to the class of the Louvre Kaineus Stamnos. The artistry and style of the drawing has similarities with the work of the Brygos Painter. The meaningless inscriptions, found on other works by the painter and probably serving as commercial brand marks, lend added support to this identification. The proportions, plant decoration and above ail the drawing, date the vase to 480 BC, between the artist's middle and final periods. The Athens stamnos no. 5898 is ail the more precious since Greek museums possess only a limited number of stamnoi, few works by the Brygos Painter and to date no other stamnos that has been attributed to this painter.