Seeing theory: on perception and emotional response in current film theory

In Richard Allen & Murray Smith (eds.), Film theory and philosophy. New York: Oxford University Press. pp. 431--57 (1997)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

1999

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,261

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Mixed Feelings: Conflicts in Emotional Responses to Film.James Harold - 2010 - Midwest Studies in Philosophy 34 (1):280-294.
Concepts in film theory.Dudley Andrew - 1984 - New York: Oxford University Press.
Theory, philosophy, and film studies.Malcolm Turvey - 2010 - In Marc Furstenau (ed.), The film theory reader: debates and arguments. New York: Routledge.
‘No Theory’ Theory, Anti-theory, and the Arts, on Wittgenstein, Theory and the Arts, edited by Richard Allen and Malcolm Turvey.Matt Lee - 2005 - Film-Philosophy 9 (1).
Critical theory and film: rethinking ideology in cinema.Fabio Vighi - 2012 - New York: Continuum.
A Relational Response to Newman's Objection to Russell's Causal Theory of Perception.Naomi Eilan - 2013 - Theoria 81 (1):4-26.
Prospects for Film Theory: A Personal Assessment.Noel Carroll - 1996 - In David Bordwell Noel Carroll (ed.), Post-Theory: Reconstructing Film Studies. University of Wisconsin Press.
Emotion, Perception, and Natural Kinds.Juan José Acero Fernández & José Manuel Palma Muñoz - 2013 - Biological Theory 7 (2):153-161.
Undoing the Image: Film Theory and Psychoanalysis.Paula Quigley - 2011 - Film-Philosophy 15 (1):13-32.
The psychophysiology of intuition: A quantum-holographic theory of nonlocal communication.Raymond Trevor Bradley - 2007 - World Futures 63 (2):61 – 97.
To Describe a Labyrinth: Dialectics in Jacques Rivette's Film Theory and Film Practice.Douglas Morrey - 2012 - Film-Philosophy 16 (1):30-54.
The symbolic, the sublime, and Slavoj Žižek's theory of film.Matthew Flisfeder - 2012 - New York: Palgrave-Macmillan.
Out of sight : resemblance, illusion and cinematic perception.Karen Bardsley - unknown
The 'High-Water Mark' of Film Theory: On Explorations in Film Theory: Selected Essays from Cine-Tracts , edited by Ron Burnett.Tico Romoa - 1998 - Film-Philosophy 2 (1).

Analytics

Added to PP
2014-01-27

Downloads
4 (#1,628,455)

6 months
1 (#1,478,781)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Malcolm Turvey
Tufts University

Citations of this work

Ideal Presence: How Kames Solved the Problem of Fiction and Emotion.Eva Dadlez - 2011 - Journal of Scottish Philosophy 9 (1):115-133.
Noël Carroll.Maisie Knew - 2008 - In Paisley Livingston & Carl R. Plantinga (eds.), The Routledge Companion to Philosophy and Film. Routledge. pp. 196.

Add more citations

References found in this work

No references found.

Add more references