Abstract

In this paper I will explore Samuel Beckett’s significant, yet overlooked, contribution to the study of asceticism and ascetic thought. I will present a reading of Beckett’s seminal play, Waiting for Godot, so as to illustrate the way in which Beckett utilizes and develops numerous aspects of Arthur Schopenhauer’s philosophical system. As I understand it, the Beckettian asceticism manifested in the tragedies of Beckett’s middle period not only utilizes aspects of Schopenhauerian asceticism, it also incorporates broader, non-ascetic aspects of Schopenhauerian thought – namely that of boredom, and the aesthetic theory of the dynamically sublime. In contrast to Schopenhauerian asceticism, which focuses on bodily deprivation, Beckettian asceticism impoverishes not only the body but also the mind. Through the medium of tragedy, Beckett presents a unique ascetic method that centres on impoverishing the mind by preventing the formation of useful, or actionable, representations