Roman Ingarden

Stanford Encyclopedia of Philosophy (2008)
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Abstract

Roman Ingarden (1893 -- 1970) was a Polish phenomenologist, ontologist and aesthetician. A student of Edmund Husserl's from the Göttingen period, Ingarden was a realist phenomenologist who spent much of his career working against what he took to be Husserl's turn to transcendental idealism. As preparatory work for narrowing down possible solutions to the realism/idealism problem, Ingarden developed ontological studies unmatched in scope and detail, distinguishing different kinds of dependence and different modes of being. He is best known, however, for his work in aesthetics, particularly on the ontology of the work of art and the status of aesthetic values, and is credited with being the founder of phenomenological aesthetics. His work..

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Amie Thomasson
Dartmouth College

Citations of this work

The philosophy of music.Andrew Kania - 2008 - Stanford Encyclopedia of Philosophy.
Verification: The Hysteron Proteron Argument.Francis Jeffry Pelletier & Bernard Linsky - 2018 - Journal for the History of Analytical Philosophy 6 (6).
Virtual objects: Becoming real.Bartolomiej Skowron - 2020 - HORIZON. Studies in Phenomenology 9 (2):619-639.

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References found in this work

The phenomenological movement.Herbert Spiegelberg - 1960 - The Hague,: M. Nijhoff.
Verification: The Hysteron Proteron Argument.Francis Jeffry Pelletier & Bernard Linsky - 2018 - Journal for the History of Analytical Philosophy 6 (6).
Ingarden on Modes of Being.Arkadiusz Chrudzimski - 2015 - In Bruno Leclercq, Sébastien Richard & Denis Seron (eds.), Objects and Pseudo-Objects Ontological Deserts and Jungles from Brentano to Carnap. Boston: de Gruyter. pp. 199-222.
Musical Phenomenology: Artistic Traditions and Everyday Experience.Małgorzata A. Szyszkowska - 2018 - Avant: Trends in Interdisciplinary Studies 9 (2):141-155.

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