Emotion, Fiction and Rationality

British Journal of Aesthetics 59 (2):113-128 (2019)
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Abstract

The aim of this article is to explore in a systematic way the rationality of emotions elicited when we engage with works of fiction. I first lay out the approach to the emotions on which my discussion is premised. Next, I concentrate on two facets of emotional rationality—the first pertains to the relation between emotions and the mental states on which they are based, the second to the relation between emotions and the judgements and behaviour they elicit. These observations about emotional rationality are then applied to emotions elicited by works of fiction. After having distinguished several families of emotions, I concentrate on what I call blob-emotions and emotions-for. I argue that, given their nature as direct responses to a restricted range of stimuli, blob-emotions are not irrational. As regards emotions-for fictional entities, I emphasize that a subject’s rationality shows in the way her emotions-for respond to evidence. On this basis, I discard an influential reason to think that emotions-for fictional entities are irrational. Finally, I offer an argument to conclude that they are typically correct and rational.

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Author's Profile

Fabrice Teroni
University of Geneva

Citations of this work

Emotion in Fiction: State of the Art.Stacie Friend - 2022 - British Journal of Aesthetics 62 (2):257-271.
Pourquoi il est bon de vivre certaines émotions dites négatives.Mathilde Cappelli - 2022 - Revue de Métaphysique et de Morale 114 (2):189-207.
Fear beyond danger.Frédérique de Vignemont - forthcoming - Mind and Language.

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Why be rational.Niko Kolodny - 2005 - Mind 114 (455):509-563.
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Fearing fictions.Kendall L. Walton - 1978 - Journal of Philosophy 75 (1):5-27.
Cognitivism in the theory of emotions.John Deigh - 1994 - Ethics 104 (4):824-54.
How Can We Be Moved by the Fate of Anna Karenina.Colin Radford & Michael Weston - 1975 - Aristotelian Society Supplementary Volume 49 (1):67 - 93.

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