Trans-disciplinary approaches to research into creation, performance, and appreciation of contemporary dance

In Robin Grove, Kate Stevens & Shirley McKechnie (eds.), Thinking in Four Dimensions: Creativity and Cognition in Contemporary Dance. Melbourne Up. pp. 154--168 (2005)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Add categories

Keywords

Reprint years

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,574

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Balinese legong: Revival or decline?Stephen Davies - manuscript
Dance and Intrinsic Significance: A Phenomenological Approach.Jonathan Owen Clark - 2013 - In Pakes A. Bunker J. (ed.), Thinking Through Dance: Philosophy of Dance Performance and Practices.
African american dance - philosophy, aesthetics, and 'beauty'.Thomas F. DeFrantz - 2004 - Topoi 24 (1):93-102.
Thinking in four dimensions: Creativity and cognition in contemporary dance.Robin Grove, Catherine Stevens & Shirley McKechnie - 2005 - In Robin Grove, Kate Stevens & Shirley McKechnie (eds.), Thinking in Four Dimensions: Creativity and Cognition in Contemporary Dance. Melbourne Up.
Practice makes perfect: the effect of dance training on the aesthetic judge.Barbara Montero - 2012 - Phenomenology and the Cognitive Sciences 11 (1):59-68.
Land & Identity: Theory, Memory, and Practice.Christine Berberich, Neil Campbell & Robert Hudson (eds.) - 2012 - Editions Rodopi.
Bridging two worlds that care about art: Psychological and historical approaches to art appreciation.William Forde Thompson & Mark Antliff - 2013 - Behavioral and Brain Sciences 36 (2):159-160.
Observer response to contemporary dance.Renee Glass - 2005 - In Robin Grove, Kate Stevens & Shirley McKechnie (eds.), Thinking in Four Dimensions: Creativity and Cognition in Contemporary Dance. Melbourne Up. pp. 107--121.
Thinking Through Dance: Philosophy of Dance Performance and Practices.& Rowell B. Bunker J., Pakes A. (ed.) - 2013
The experience of watching dance: phenomenological–neuroscience duets. [REVIEW]Corinne Jola, Shantel Ehrenberg & Dee Reynolds - 2012 - Phenomenology and the Cognitive Sciences 11 (1):17-37.
On Davies' argument from relational properties.Kathleen Stock - 2005 - Acta Analytica 20 (4):24-31.
Performance: a multi‐disciplinary and conceptual model.Terry R. Lied & Vahe A. Kazandjian - 1999 - Journal of Evaluation in Clinical Practice 5 (4):393-400.
Choreographing problems: expressive concepts in European contemporary dance.Bojana Cvejic - unknown
Moving and Thinking Together in Dance.John Sutton - 2005 - In Robin Grove, Kate Stevens & Shirley McKechnie (eds.), Thinking in Four Dimensions: creativity and cognition in contemporary dance. Melbourne UP. pp. 51-56.

Analytics

Added to PP
2014-02-01

Downloads
0

6 months
0

Historical graph of downloads

Sorry, there are not enough data points to plot this chart.
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references