Abstract

Examines the role of indeterminacy in 19th-century British art. Chronicles the irreconcilable tension between the visual and the verbal, beginning in 1806 with Wordsworth's questioning of the essential ground and companionableness of things, and concluding with Hardy's dramatization of the treacherous relationship between the word and the image. Writers revealed here, including Tennyson and Browning, rely in varying degrees on the pictorial to forge analogs as evidence of the kindredness of things. Annotation copyrighted by Book News, Inc., Portland, OR.