Abstract

We talk of the differences between the old Camus and the new Camus. Often such talk is equivalent to talk of the differences between Camus’ old self and Camus’ new self, between Camus’ diachronous selves. In other contexts, contexts which I shall ignore, the old and the new Camus is something we can read, provide literary criticism of, ponder over. In these contexts it is to the literary works of the old and new Camus that we are referring. The same kind of ambiguity attaches to the expressions ‘the early Beethoven’ and ‘the later Beethoven’.