The Report Versus the Transparency Models of Appreciation: The Case of Comics

Canadian Journal of Philosophy:1-11 (forthcoming)
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Abstract

On the report model of appreciating fiction, one imagines learning about a fictional world through a report: reading or viewing someone’s account or listening to them tell their story. On the transparency model, one simply imagines the things that are fictional in the story, without imagining anything about how that information is acquired. It is argued that the transparency model is the default, in literature and cinema, but in comics, it is the report model that is the default.

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Bradford Skow
Massachusetts Institute of Technology

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References found in this work

Truth in fiction.David K. Lewis - 1978 - American Philosophical Quarterly 15 (1):37–46.
Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. Walton - 1990 - Journal of Aesthetics and Art Criticism 49 (2):161-166.
Pictures and make-believe.Kendall Walton - 1973 - Philosophical Review 82 (3):283-319.
Drawings of Photographs in Comics.Roy T. Cook - 2012 - Journal of Aesthetics and Art Criticism 70 (1):129-138.
Visual fictions.Gregory Currie - 1991 - Philosophical Quarterly 41 (163):129-143.

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