Abstract

One obvious solution to the puzzles of apparently coincident objects is a sort of reductionism - the tree really just is the wood, the statue is just the clay, and nothing really ceases to exist in the purported non-identity showing cases. This paper starts with that approach and its underlying motivation, and argues that if one follows those motivations - specifically, the rejection of coincidence, and the belief that 'genuine' object-destroying changes must differ non-arbitrarily from accidental changes, that one can plausibly be pushed to an extreme nihilism, that denies the existence of any objects at all.