Abstract

The subject of this paper is poetic creativity as it features in various Platonic works: the nature and source of creativity, as well as the way in which it differs from the activity of philosophy. I shall argue that Plato gives us at least three quite different models of poetic creativity. One can be extracted from the Ion and the Meno, another from the Symposiim and a third from the Gorgias and Republic VI. The main focus of this paper will be on the model given in the Symposium where Diotima talks of how such poets as Homer and Hesiod succeeded in creating works that would secure them everlasting memory. This passage has not received the attention it deserves within discussions of Platonic poetics, and it is all the more interesting when juxtaposed with the more familiar account of poetic creativity found in the Ion.