Abstract

Any determination of Hans‐Georg Gadamer's place in Continental philosophy needs to begin by noting that his contribution to that tradition is associated with the style of philosophizing designated as “hermeneutics.” But while a presentation of Gadamer's thought is well‐advised to begin with a discussion of his conception of hermeneutics, it must not end with that theme. In fact, what is perhaps most notable about Gadamer's work is both its historical and disciplinary breadth as well as the wide range of issues that it addresses. That engagement with the history of philosophy and such a diverse collection of issues is itself a reflection of the project of hermeneutics as Gadamer has developed it: not a “method,” Gadamer's hermeneutics is more aptly described as the effort to solicit the experience of limits harbored by all experience, and to demonstrate that this experience of finitude is not restricted only to some forms of experience. So one turns to his body of work and finds significant texts on ancient Greek philosophy and literature, all forms of art, translation, questions of contemporary culture and politics, theology, as well as issues in medicine and health. Just as one finds a remarkable pluralization of the fields in which Gadamer's hermeneutics can take root, so too one finds a similar situation with respect to the formative influences upon Gadamer's thought: while he is most frequently associated with the name of his teacher, heidegger (Article 18), it is clear that Plato, Aristotle, Augustine, Holderlin, kant (Article 2), hegel (Article 6), dilthey (Article 37), husserl (Article 15), Rilke, and Celan need to be understood as providing many of the decisive impulses for Gadamer's own original philosophic contributions.