Abstract

It is a truism that affectivity has been by and large neglected in Western philosophy in recent centuries, while analyses of knowledge, especially rational thought, abound. Classical American thought, which frequently takes community as a main theme, is something of an exception. But the fact remains that books with titles like this one's and Solomon's earlier The Passions raise hopes that a neglected and important philosophical topic is to receive some of the attention that it deserves. Solomon's Love: Emotion, Myth and Metaphor, following a reverse order of the topics mentioned in its title, examines the metaphors and myths common to views of love in our culture, with a view to a philosophical reconstruction of the concept of romance. The main thesis continues that of his earlier book, viz., that emotions in general are actions. In Solomon's view, romantic love is not something that happens to us, that we undergo or "fall into," but something that we actively do. It is a free and conscious decision to give meaning to our experience by constructing, with a beloved, a "loveworld" in which we strive for a definable shared self. Choice, says Solomon, a feature of all emotions, is the most striking characteristic of love. Love has, like any choice, its reasons and conditions. It is a choice that our culture values highly because it enables us to achieve, in a society marked by public role-playing, individuality, and mobility, the stable identity of selves that would otherwise be impossible. Earlier societies provided these through stable family life and social order.