Abstract

This paper undertakes the question concerning methodological consequences of understanding phenomenology from the viewpoint of the category of the gift. In regard to the philosophical enterprise of Jean-Luc Marion, manifestation is understood as an act of givenness, which has a radically non-objective character. Next, this paper points out the classical source of the concept of givenness. It also mentions that givenness is a result of material interpretation of the Husserlian term “Gegebenheit.” Then, givenness is presented as a figure that requires a phenomenological method to bracket mere terms that phenomenology employs. This mechanism helps to describe reduction as a radical method of bracketing metaphysics.