Abstract

Well over a decade ago now, John Moles drew attention to the fact that the words of Clytemnestra at Aesch. Ag. 1388ff. included some striking sexual imagery that had gone unnoticed. To summarize a rich and detailed discussion, he said: ‘Clytemnestra represents the dying Agamemnon as having an ejaculation of dark blood—and herself as rejoicing in reciprocal climax as her husband bespatters her—with his blood’. My purpose here is to draw attention to two more examples of this kind of language to be found in close proximity to the foregoing