Abstract

The purpose of this text is to examine the nodal points of the interpretation of Bergson presented in “Bergson: Intuição e discurso filosófico”, by Franklin Leopoldo e Silva, in order to make explicit the originality of his circumscription of the problem of language in this philosophy that claims to be intuitive. We argue that the notions of limit and tension are mobilized by the author to demonstrate the inseparable relationship between the critique of discursivity and intuitive access to the absolute that is duration. We will also try to show how this approach offers us a new look at the particular way in which Bergson links philosophy and the history of philosophy in his first work.